Hedra (One-Off): Its The End of the World (And I Feel Fine) – Comic Watch

Hedra, a one-shot comic by Jesse Lonergan recently republished by Image, follows an astronaut as she searches the galaxy for signs of life after the Earth is decimated by nuclear war. All of the comics fifty-some pages are visually gripping, poignant, and silent. While silent comics (aka those devoid of text) arent nonexistent the graphic novel Space Bear was another silent sci-fi that hit shelves in July they certainly arent the norm. Silent comics give comic artists a way to flex their abilities as storytellers, and to show audiences that a picture can unquestionably be worth one thousand words. Even if this were a larger genre, it wouldnt take away what a beautiful book Hedra is.

Lonergans artistic style in Hedra is unapologetically diagrammatic mathematical and exacting. Hedras layouts arent traditional, frequently relying on concentric circles and rows of squares in combination with more industry-standard rectangular panels. This layout, in relation to massive nightscapes, creates the feeling of reading star charts and using them to plot ones course. Even white boundaries between panels, which normally act as a sort of pause between images, are at times part of the image themselves as the movement of a bomb or spaceship through the dark blue void of space. Hedras cover is rendered in the same style and acts as a satisfying taste of whats to come. While simpler, its still striking.

Almost every page of Hedra could easily be printed and treated as a poster or fine art print. It is a book which is incredibly pleasing to the eye at the page level, even when isolated from its narrative sequence or story.

That said, shapes more specifically polyhedra (three-dimensional shapes with flat polygonal faces) also play a significant, almost metaphysical, role within the comic. This theme feels easy to associate with the medieval astrological concept of the music of the spheres and the astronomer Johannes Keplers Harmonices Mundi (which discusses polyhedra and astronomy as they relate to that concept). For Hedra, polyhedra become part of the way one finds their place in the universe and finds hope for a new world.

Hedras core feels fundamentally retrofuturistic, both in the aesthetics of things like spaceship and spacesuit shapes, but in its focus on nuclear apocalypse, and its optimism towards space travel. Its a playful book with a Gulliver-vs-the-Lilliputians moment and at moments Hedra is filled with a sense of wonder.

Hedras emotional core feels ballsy, especially in a time when the Doomsday Clock is set to one hundred seconds to midnight and the coronavirus pandemic is sweeping the globe. Lonergans narrative doesnt shy away from the possibility of a reality where the human race faces catastrophe. Hedra takes one of the most what ifs and instead of offering the optimistic it will never come to that pulls from annihilations ashes a forceful and then. And then, life finds a way. And then, we find a way forward. And then. With this rarer breed of optimism, Hedra becomes a story about seeking (and finding) rebirth and renewal in a world where that seems impossible.

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Hedra (One-Off): Its The End of the World (And I Feel Fine) - Comic Watch