All the Horror You Need to Stream in February 2021 – Film School Rejects

Welcome to Horrorscope, a monthly column keeping horror nerds and initiates up to date on all the genre content coming to and leaving from your favorite streaming services. Heres a guide to all the essential horror streaming in February 2021.

Smell that? Love is in the air. A loveof horror, that is!

Valentines Day may fall in February, but dont let the cheap chocolates and the gradually increasing daylight fool you: this months as spooky as the rest of em! After all, what could be more romantic than pledging your undying love for horror films? Passive entertainment remains a challenge as the world continues to burn (thanks, ongoing global pandemic!). So, if you can, give yourself and the genre a little love this month.

Speaking of which: February comes bearing blood-soaked gifts, from hotly anticipated new releases to old bangers waiting to be re-discovered. Weve got a body-swapping sophomore flick from Brandon Cronenberg, a nihilistic family haunting, an underrated British counterculture gem, and the best Dracula dance film ever made.

Be sure to peruse the complete list below, calendar in hand, for a full picture of what horror flicks are coming and going from your favorite streaming services this February.

Synopsis: Theres losing yourself in your work, and then theres this. Tasya Vos is an elite assassin; a corporate mercenary who commandeers the minds and bodies of unsuspecting victims to fulfill her deadly contracts. But when her latest assignment gets the better of her, Vos finds herself trapped in the mind of a hostile target that would see her destroyed.

Possessor makes good on the often unfulfilled promise of its peers. For a change, the gore actually lives up to the hype! The films two nightmares are devilishly compatible: an intrusive sense of dissociation coupled with a corpulent knockdown of chipped teeth and mangled flesh. While ultimately Possessor amounts to more of a concept than a narrative, its visceral gait is more than enough to get under your skin. The loss of bodily autonomy, a simultaneous crunch of bone and self, is more compelling than half of the lesser fare in Possessors elevated weight class.

Brandon Cronenbergs second film deftly quells any residual handwaving leftover from his wanting debut. There can be no doubt: he is a tremendous talent well worth watching. As Vos, Andrea Riseborough is as fantastic as weve come to expect; a cool killer who finds herself in the throes of an identity crisis at work and at home. Christopher Abbott has been fantastic for a long time (especially in 2018s Piercing), and I hope more directors follow Cronenbergs lead and give the man more starring roles. All told: Possessor is not above being genuinely queasy and disgusting. And I respect that.

Arrives on Hulu on February 1st.

Synopsis: In an otherwise peaceful English village, spoiled brat Tom Latham chooses to raise hell with his occult motorcycle gang. Sure enough, the goth apple doesnt fall far from the tree. Toms black-magic dabbling mother just so happens to know the secret to immortality. So, how do you cheat death? Frog magic and just plain deciding not to die, of course! Thrilled at the prospect of being an eternal public nuisance, Tom giddily sails off a bridge, only to burst out of his grave with a vengeance. Soon enough the gangs name, The Living Dead, takes on a more literal meaning.

Released as The Death Wheelers in the US, the 1973 film Psychomania is a bonkers example of a larger aesthetic shift in early 1970s British horror from the gothic chills to modern thrills. Of the bunch, Psychomania is perhaps the weirdest example of an attempt to cash in on the youth market. The kids love nothing more than pagan frog cults, zombies, and motorcycle culture. Right?

Psychomania was directed by Australian-born Hammer Films veteran Don Sharp (The Kiss of the Vampire), and he brings much of the black humor and efficient pacing that defined his marvelous work throughout the 1960s. Ted Moore, who shot seven of the James Bond films, contributes his professional touch. And the legendary John Camerons pre-synth score is as haunting as it is underrated.

Beryl Reid (Dr. Phibes Rises Again) and George Sanders (Village of the Damned) co-star as Toms Satan-worshiping mother and her spooky butler, respectively. All this amounts to a wonderfully offbeat gem with eccentricities to spare. There is no better film about a frog-worshiping, motorcycle death cult.

Arrives on Shudder on February 22nd.

Synopsis: In the late 19th century, a mysterious foreigner, Count Dracula, arrives in London. The unsuspecting socialite Lucy invites the stranger into her home. Her mistake proves fatal, and Dracula bites Lucy, who succumbs to the Counts curse. Her fianc entrusts her care to Dr. Van Helsing, who confidently diagnoses the vampiric source of her affliction. When Lucy dies under mysterious circumstances, Van Helsing and literatures preeminent himbo, Jonathon Harker, are on the case!

Look, Im Canadian. And there is nothing more Canadian than the government producing a silent-era-styled performance of the Royal Winnipeg Ballets adaption of Bram Stokers Dracula directed by our nations greatest weirdo, Guy Maddin. If this isnt already a Heritage Minute, it should be.

Dracula: Pages From a Virgins Diary is, as The New York Times astutely remarks, simultaneously beautiful and goofy. A fine line to walk, no doubt, but one which Maddin frequently, and graciously, skips across with ease. Here, Maddins reputation for stylish anachronism is on full display, with Dracula mimicking many of the aesthetic traditions and special visual effects of the era.

Amidst its delirious stylish flares, the film is impressively loyal to Stokers text, making it one of Maddins most accessible films. And yet, Maddins pointedly postmodern touch is undeniable. Notably, in casting Chinese-Canadian Zhang Wei-Qiang as the titular Count, Maddins Dracula underlines the xenophobic themes of Stokers text in ways past and future films have yet to match.

Think youre well-versed with the Dracula corpus? I implore you: this wildly sexy Canadian silent-era pastiche dance film is the Dracula film.

Arriving on The Criterion Channel on February 28th.

Synopsis: Drawn to their rural childhood home, a sister and brother visit their dying, bed-ridden father. Isolated on their secluded goat farm, the siblings grow increasingly paranoid and suspicious that something evil is targetting their family. After a horrific tragedy confirms their unease, the siblings are forced to confront their grief and lack of faith as the increasingly hostile presence strengthens its chokehold on their lives.

The Dark and the Wicked is a rare 2020 release in that it is a film that was released in 2020. What a concept. For a decidedly dark year, the film is, well, fittingly dark. There are enough jump scares to satisfy the contingent of genre ghouls who get off on a good jolt. But The Dark and the Wicked hits hardest when it leans into ambiguity and its admirably unrelentingly bleak atmosphere.

The film sits comfortably on the same shelf as other modern psychological family affairs like The Babadook and Mama. Though, if you take issue with the increasingly popular trauma-as-horror trend, your mileage may vary. But if youre a fan of nihilism (like our own Rob Hunter, who christened the film as one of the years best horror offerings), The Dark and the Wicked may just be worth a peek.

Arrives on Shudder on February 25th.

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All the Horror You Need to Stream in February 2021 - Film School Rejects