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Category Archives: Transhuman News

Letter: Freedom could be more individualized, but not lost in the United States – Shreveport Times

Posted: June 23, 2021 at 6:37 am

Timothy Holdiness, Letter to the Editor Published 9:48 a.m. CT June 22, 2021

Everyone should get the COVID-19 vaccine, though I can understand any uneasiness tied to it.

Our government hardly ever gives anything out for free, which can cause some concern when the vaccine is being provided for free. The proof of vaccination that comes with it shouldnt be seen as a tool to segregate anyone. I have not personally been asked for proof of my vaccination, even though I have it readily available on my LA Wallet app that includes my drivers license.

Those who refuse the vaccine should know that they are putting others at risk by going to events where they could contract the virus or pass it on to others.

To say that citizens are being pitted against each other over race and political beliefs is nothing new. We must remember that the civil rights movement has not ended.

The separation between political parties has become increasingly divided which should bring to light the need for more than two parties. The Green and Libertarian parties should be included in national politics instead of being blacklisted and excluded from debates. Having only two controlling parties is just asking for this division between citizens.

The claim that the military is weeding out anyone who doesnt agree with global warming, agrees with the Second Amendment, and has conservative opinions is incorrect. The military is trying to keep extremists from enlisting, not simply refusing all Republicans.

Having claimed that critical race theory is purely Marxism is incorrect. It is not a political faction, rather it is teaching the youth of the country about how racism shaped the way we live and how our public policy was shaped by the racism that has run rampant in our country for hundreds of years.

The First Amendment is one of the most well-known across the country, and it must be known that there are consequences when used to make statements that are hateful or incite violence. Just because we have the right to speak our minds freely, does not mean that people should be allowed to be hateful online with no repercussions. When anyone can post anything online without moderation, online environments will become toxic and ineffective at their goal of giving people a commonplace to have a voice virtually.

No time soon do I see the citizens of The United States of America losing their freedoms. If anything, we will have more individualized freedom away from the exclusive ways of the past.

Timothy Holdiness

Bossier City

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Zebro Robots to Use 3D Printing to Help Colonize Mars – 3Dnatives

Posted: at 6:30 am

What may still sound like science fiction to some is actually becoming more and more likely in reality: the colonization of another planet. Various projects are actively working on the implementation of ideas that are supposed to bring about the extraterrestrial survival of humans. In the past, we have already reported on 3D printing on the moon, Mars rovers and 3D-printed rockets. But for survival in a place like Mars to be possible at all, creativity is needed to ensure basic human needs are met. If the Robotic Building Lab at Delft University of Technology in the Netherlands has its way, however, humans could make themselves comfortable in a sort of anthill on the red planet. Zebro robots are expected to excavate a subterranean living space, using 3D printing as a key force to solidify the walls. But what does the infrastructure need to look like to enable colonization of Mars? Can humans even survive in a different climate?

The fact that humans are able to travel to the moon or Mars in rockets is nothing extraordinary anymore. However, the thought of staying longer in these places or even settling down raises questions in a flash. This is because evolution has not prepared humans for the high levels of ionizing radiation and the sometimes drastic temperature changes that prevail on Mars. For this reason, researchers worldwide are working on the development of solutions that will nevertheless enable survival on extraterrestrial terrain.

Zebro Robots could make it possible for humans to colonize Mars in the future. (Photo Credits: TU Delft)

For the past several years, the Delft University of Technology has been working the development of Zebro robots, which will be able to dig tunnels under the surface of Mars. Zebro robots are nano-rovers that are specially designed for the extraordinary environmental demands on the planet. For example, they have legs that allow them to negotiate uneven surfaces such as rock as they are moving. According to the TU Delft team, the rovers also work autonomously and cooperatively, thus they are classified as swarm robots.

This means that the robots can communicate with each other and divide tasks among themselves. For example, one group of Zebro robots will dig the tunnels while another will implement 3D-printed structures to strengthen the walls. Eventually, living space is to be created in this way, similar to ant structures. There, the sometimes strong temperature changes are less noticeable, which is why the underground living space could be suitable for potential colonization.

According to some experts, this colonization of the red planet by humans is only a matter of time anyway. Henriette Bier, founder and current head of the Robotic Building Laboratory, states that it is particularly important to use resources that are already available on Mars. For the additive manufacturing of the support structures, the Zebro robots will therefore work with cement obtained from local dust and rock. The project team will receive a grant from the European Space Agency (ESA) for the further development of the project. In addition to this project, similar nano rovers from TU Delft, the Lunar Zebro, will be sent on a mission to the moon as early as 2022.

Do you think that extraterrestrial colonizations are realistic? Let us know in a comment below or on our FacebookandTwitterpages. Dont forget to sign up for our free weekly Newsletter, with all the latest news in 3D printing delivered straight to your inbox!

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The X-Men just took over Mars in the Marvel Universe – Polygon

Posted: at 6:30 am

[Ed. Note: Spoilers for Planet-Size X-Men #1 follow.]

Lets say you want to throw a party, and you really want it to make a statement. Theres a lot of ways you could do this: killer passed apps, a sick DJ, maybe get some celebrities to show up. Or, you could do what the X-Men did in this weeks Planet-Size X-Men #1, and terraform all of Mars, make it habitable for mutants overnight, and declare it the capital of our solar system instead of Earth.

Planet-Size X-Men #1 is a one-off story about the climax of the X-Mens Hellfire Gala, a high society party where the mutants of Earth, now established as a sovereign nation on the living island of Krakoa, have invited luminaries from normie human culture exclusively to watch mutants flex. Throughout the Gala, which is unfolding across most of Marvels X-Men comics in June, there have been hints of a huge surprise the Krakoans cooked up for the galas grand finale, and it isnt just the debut of the new, democratically-elected X-Men team. It is, instead, the unveiling of the latest, audacious power move from the mutant nation: The terraforming and colonization, of Mars, which is now dubbed Planet Arakko.

That name will be familiar to readers of the recent X of Swords crossover, which culminated in the reunion of Krakoa and its sister-island Arrako, home to the Arakki, a warlike splinter of mutant-kind that were long exiled to another dimension. Few X-Men comics have delved into what this sudden reunion has been like, but Planet-Size X-Men suggests that the wider world has found Krakoas sudden expansion alarming, and that the relationship between the Krakoans and the Arraki are peaceful, but a bit tense. The relations between the Arraki and humans, well, the less said about that the better.

Planet Arakko, then, is both an offering to the Arraki, a peaceful solution to their attitude towards humans, and also the most aggressive play the Krakoan mutants have made in the Marvel Universe yet. In the middle of a bold new status quo that already has the human nations of Earth feeling uncomfortable, Krakoa has up and claimed a whole planet after making it habitable in a matter of hours. (Half of the fun of the comic is seeing just how, exactly, they do this. Lets say...it doesnt not involve some psychic mpreg weirdness.)

The icing on the cake? Magneto declares the renamed planet the capital of the solar system, to all the assembled dignitaries of Marvels alien civilizations.

This is an audacious, absurd comic book story that has all sorts of potential for future X-Men comics. It escalates tensions between the Mutants and the wider Marvel Universe, and shows the X-Men aggressively moving into further morally gray territory. (Is space colonization really the way forward for mutantkind? Seems awfully human of them.) Its a fitting capstone to the Hellfire Gala, an event designed to celebrate mutant expansion and excess. What makes it extra delicious is the way that it just might be the finest moment of mutant hubris as well.

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How Clubhouse Carried Up Cultural Discourse From The Lion King Productions To Audio Dates-Technology News, Firstpost – Ohionewstime.com

Posted: at 6:30 am

FP staffJune 21, 2021 19:08:23 IST

Whether to make a living, get connections and information, or just survive in a year when most of the world is cocooned in the house and somehow glued to the device. Malaise With screen is also set. As a voice-only app that doesnt require any text or images to communicate, Clubhouse takes advantage of this void left by the visual virtual experience of Internet users by eliminating the complexity.

Heres everything you need to know about why Clubhouse is a buzzword of the internet and culture today, and why you should (or shouldnt) jump on it

The origin and rise of Clubhouse

Silicon Valley entrepreneur Alpha Exploration Co. Founded in March 2020 by Paul Davison and Rohan Seth as an iOS and invitation-only app, Clubhouse has gradually gained momentum and has become one of the hottest social media platforms in less than a year. launch. During April Bloomberg report Tech startups have shown that they were trying to raise money from investors in a round that raised their valuation from $ 1 billion in December 2020 to $ 4 billion.

Clubhouse was introduced to Android users in May 2021 but still retained the invitation-only warning.

According to the appWith over 10 million active users each week, over 300,000 rooms created daily, the average user spends over an hour a day on the platform. According to CEO Davison, Clubhouse has seen more usage and installations since the launch of Android, with millions more on the waiting list.

How does it work?

The clubhouse focuses to rest your eyes only With audio through a moderated chat room where people exchange ideas and ideas. Imagine a live podcast only if you have the option of adding listeners to join the conversation.

The presence of the host or moderator requires participants to raise their hands before the host is allowed to speak, which makes the exchange more streamlined and less confusing. If not, the latter can even mute them. The app is invitation-only, so platform users can enjoy it. Moreover, not everyone needs to speak if they dont want to. You can also leave quietly in case of a conversation or problem in the chat room.

Why are people talking about it?

Clubhouses, like any other social media, work on the principles of FOMO. However, by allowing users to play in the background during the day or during their daily lives, they are given the perk that they can engage and unengage as much as they like.

Also, within a year of its launch, Clubhouse has helped the platform, which has already won the support of celebrities such as Elon Musk, Mark Zuckerberg, Drake, Jared Leto, Kevin Hart, and Oprah Winfrey. Interact with fans on themes you are interested in.

On January 31st, Tesla and SpaceX CEO Elon Musk made their debut at Clubhouse (and his only appearance so far) with GameStops trading fever, COVID-19 vaccine, Colonization of Mars, Dogecoin and We talked about Bitcoin, memes and monkey brains. User traffic spiraled upwards as the primary chat room reached 5,000 within minutes and a secondary overflow room was formed. Similarly, Facebook founder Mark Zuckerberg visited Clubhouse earlier this year to discuss technology and its future.

(There is Chat room Where a couple goes on a clubhouse date and lets listeners listen to their conversations, including mental health professionals who later pass their verdict. )

But according to report Along quartz, This app has reached a moment of glory even before the participation of well-known supporters. In 2020, a group of black creators at the clubhouse The Lion King.. The performances continued on the platform on December 26th, and the chat room earned Full House status every time it reached a maximum capacity of 5,000.Its public audition The event held in November was also a great success.

The event was organized by a group of black creators, including guitarist and music director Bomani X. The face is displayed on the app icon.According to the report, Clubhouse downloads almost doubled in the four days after staging. The Lion King Manufacture. Their efforts have greatly helped diversify the user base, where the platform was initially primarily tech enthusiasts.

How did India warm up to the clubhouse?

according to report Along India Express, Since Clubhouse entered the Android market in May 2021, the app has been downloaded by Android users more than 6 million times, more than 1 million times in India.

The founder said he would like to deploy language support in the app as part of the expansion plan in the country so that local users can continue to enjoy the benefits in their native language. India is a very diverse and dynamic country and we have been amazed at the incredible creativity since we entered the market. We decided to support our creators through our expansion. I am excited Creator First Program We look forward to seeing interesting creators from all over the country in India, they said. India Express.

However, the platform is already facing trolling, identity theft and fake profile issues domestically, India in the Malayalam film industry such as Nivin Pauly, Dulquer Salmaan, Prithviraj Sukumaran and Suresh Gopi. Celebrity is calling for a fake profile created in his name. They revealed that they were not Clubhouse subscribers.

*

The novelty that Clubhouse offers, leaving clues to the worlds offerings while away from the screen, in an era where people can spend more time as most people continue to work from home. Its probably not surprising to be able to resist. little by little.

The platform has undoubtedly triggered a cultural shift by encouraging major tech companies such as Twitter and Facebook to develop similar properties. The former is already testing the new space feature. Up to 10 users can have an unlimited conversation in Twitters audio chat room. The number of spectators.

Therefore, it may not be premature to say that the future is certainly audio.

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Maybe both sides are right: If SARS-CoV-2 was leaked from a Wuhan lab, it doesn’t mean the virus was necessarily engineered – Genetic Literacy Project

Posted: June 21, 2021 at 3:27 pm

The lab leak hypothesis about the origin of Covid-19 has been getting a lot of attention lately, and deservedly so. This is the idea that the SARS-CoV-2 virus accidentally escaped from a laboratory in Wuhan, China, that conducts research on coronaviruses. Just a few weeks ago, a group of highly respected virologists and epidemiologists published a letter in the journal Sciencecalling for a more thorough investigation, stating that the lab leak hypothesis was not taken seriously enough in earlier investigations.

The coincidence of having a major virus research facility, the Wuhan Institute of Virology (WIV), just a short distance from the live animal food market that was originally believed to be the source of the outbreak is too great to ignore. Even more curious is that WIV was actively doing research on coronaviruses in bats, including the bats that carry a strain of SARS-CoV-2 that is the closest known relative to the Covid-19 virus itself.

From the beginning of the outbreak, attention was focused on WIV, and various conspiracy theorists suggested, without any evidence, that the Covid-19 virus was either intentionally engineered, intentionally released, or both. Let me just say right off the bat that I dont believe either of those claims.

However, I do think the lab leak hypothesis is credible, and its also possible that gain of function research (more about this below) might be responsible.

In arguing against (unsupported) claims that the Chinese released the virus on purpose, a group of virologists published a paper very early in the pandemic, in March 2020, which looked at the genome sequence of the virus and concluded that SARS-CoV-2 is not a laboratory construct or a purposefully manipulated virus. Other studies since then have come to similar conclusions: the virus is very similar to naturally-occurring coronaviruses, and it is possible that it simply evolved naturally in the wild, probably in bats.

Even so, the lab leak hypothesis remains highly credible, regardless of whether or not the virus was genetically engineered. Heres why. First, we know that lab accidents can happen and viruses can escape, even if these accidents are rare. We also know that the Wuhan Institute of Virology had thousands of viruses, including coronaviruses, in its facility. And despite claims that viruses couldnt possibly have escaped accidentally, a 2017Naturearticle describing the then-new Wuhan Institute reported, perhaps prophetically, that worries surround the [Wuhan Institute of Virology], too. The SARS virus has escaped from high-level containment facilities in Beijing multiple times.

The secrecy of the Chinese government, which has not yet allowed independent, outside scientists full access to WIV to investigate, hasnt helped matters. We need to know if any viruses in WIV are similar to the Covid-19 virus, and at this point we cant trust the Chinese governments assurances on this question. Of course, even if they allow outsiders to investigate now, we cannot know that they have preserved all the viruses that were present in the lab in the winter of 2019-2020.

Now lets talk about gain-of-function research. Gain of function, or GoF, refers to research that tries to make viruses or bacteria more harmful, by making them more infectious. This seems crazy, right? And yet its been going on for years, despite the efforts of many scientists to stop it. In the past, GoF research focused on the influenza virus, and in particular on a small number of scientists (highly irresponsible ones, in my view) who were trying to give avian influenzabird fluthe ability to jump from birds into humans. I wrote about this in 2013, and in 2017, and again in 2019, each time calling on the US government to stop funding this extremely dangerous work. The NIH did put a pause on gain-of-function research for a few years, but the work resumed in 2019.

Now, let me explain why GoF research does not require artificially engineering a virus. Viruses mutate very rapidly all by themselves, and RNA viruses like influenza and SARS-CoV-2 mutate even more rapidly than DNA viruses. So a GoF experiment doesnt need to engineer a virus to make it more infectious: instead, scientists can simply grow a few trillion viral particles, which is easy, and design experiments to select the ones that are more infectious. For example, some GoF research on bird flu simply sprays an aerosol mixture of viruses into a ferrets nose (influenza research often uses ferrets, since you cant ethically do this with people), and waits to see if the ferret comes down with the flu. If it does (and this has been done, successfully), the strain that succeeds now has a new function, because it can infect mammals. The viruses that are artificially selected (as opposed to natural selection) in these experiments will appear completely natural; no genetic engineering required.

We know that WIV was conducting gain-of-function experiments, and we know that its work included coronaviruses. Was the Wuhan Institute of Virology running GoF experiments on SARS-CoV-2 viruses from bats? Possibly. And if it was, these experiments could easily have produced a strain that infected humans. If a lab employee was accidentally infected with such a strain, that could have started the pandemic. And even if SARS-CoV-2 wasnt the subject of GoF experiments, a naturally-occurring strain being studied at WIV could still have infected one of their scientists and thereby leaked out into the population.

Im not saying that any of these events is likely. I am, however, agreeing with the scientists who, in their recent letter toScience, called for a deeper investigation into the cause of the Covid-19 pandemic.

Finally, let me echo a sentiment they expressed in their letter, which is best said by simply quoting them: in this time of unfortunate anti-Asian sentiment in some countries, we note that at the beginning of the pandemic, it was Chinese doctors, scientists, journalists, and citizens who shared with the world crucial information about the spread of the virusoften at great personal cost. Rather than seeking to cast blame, we need to uncover the origin of the Covid-19 pandemic, and any behaviors that led to it, as a means to help all societies prevent future pandemics.

Steven Salzberg is a Bloomberg Distinguished Professor in the Departments of Biomedical Engineering, Computer Science, and Biostatistics at Johns Hopkins University. He conducts research on genomics and computational biology. Find Steven on Twitter @StevenSalzberg1

A version of this article was originally posted at the Genomics, Medicine and Pseudoscience blog in the Field of Science Network and has been reposted here with permission. Find Field of Science on Twitter @fieldofscience

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Kytopen Awarded NIH Grant of Up to $2M to Unlock the Power of Engineered Natural Killer (NK) Cells via Flowfect Platform – Business Wire

Posted: at 3:27 pm

CAMBRIDGE, Mass.--(BUSINESS WIRE)--Kytopen., a transformative biotechnology company offering non-viral delivery that links the discovery, development and manufacturing of engineered cell therapies, today announced it was awarded a SBIR Fast Track grant from the National Institute of Allergy and Infectious Diseases (NIAID), a part of the National Institute of Health (NIH). Kytopen is eligible for up to $2M over the course of the 3-year award as project milestones are successfully completed within the Phase I and Phase II portions of the grant.

Natural killer (NK) cells represent a high impact population for cell therapy, but due to limitations in current methodologies for gene delivery, NK cells remain a largely untapped resource. This SBIR grant will be used to demonstrate that non-viral delivery via Kytopens Flowfect platform can alleviate this limitation on NK cell gene editing at both research and manufacturing scale, which is needed for pre-clinical and clinical studies. Due to the major potential impact NK cells represent in a clinical setting, non-viral Cas Ribonucleoprotein (RNP) gene knockout will allow for novel therapeutic applications in infectious disease, autoimmune disorders, and immuno-oncology.

Paulo Garcia, Kytopens CEO and Co-Founder will serve as the Principal Investigator (PI) on the grant. Dr. Garcia explains that engineered NK cells have tremendous therapeutic promise including the potential to treat solid tumors in an allogeneic modality. The Flowfect platform will facilitate high-throughput target discovery while providing a clear path towards clinical manufacturing of next-generation cell products.

NK cells are a subset of innate immune cells that can respond to threat without antibody priming. This quick response to stimuli makes them an ideal immunotherapy candidate. Yet, genetic modification in NK cells has proven to be difficult using conventional viral and non-viral transfection methodologies. Alternative delivery methods are necessary in order to make genetic modifications at reproducible and efficient rates, while maintaining high cell viability and functionality.

The awarded study leverages continuous fluid flow coupled with low energy electric fields for transfection via a proprietary Flowfect platform (Figure 1). This platform represents a novel approach to non-viral delivery in historically hard-to-transfect human cells. The current research proposes to engineer non-activated NK cells with Cas RNPs for gene editing using the Flowfect platform. To achieve this goal, Kytopen has outlined a two-phase research strategy which focuses on stability and functionality of edited NK cells both in vitro and in vivo.

NIH sponsored grant programs are an integral source of capital for early-stage U.S. small businesses that are creating innovative technologies to improve human health. These programs help small businesses break into the federal research and development arena, create life-saving technologies, and stimulate economic growth. Kytopen is honored to be a recipient of this competitive award from the NIH/NIAID and looks forward to unlocking biological capabilities of engineered NK cells for improving patients lives during the performance of this project.

About the Flowfect Technology

Kytopens proprietary Flowfect platform eliminates the complexity of gene editing and integrates discovery, development and manufacturing in one flexible and scalable non-viral delivery solution. The Flowfect technology utilizes electro-mechanical energy to disrupt the cell membrane and introduce genetic material (such as RNA, DNA, or CRISPR/Cas RNP) to a wide variety of hard-to-transfect primary cells. During the Flowfect process, a solution containing cells and genetic payload suspended in a proprietary buffer flows continuously through a channel while the solution is exposed to a low energy electric field. Due to the continuous flow and low electrical energy required, cells engineered using Flowfect exhibit high viability while also exhibiting high transfection efficiency post-processing. The Flowfect technology utilizes relatively high flow rates enabling cell engineering in minutes for discovery and optimization (e.g. 96 well plate in <10 minutes) and direct scale up to manufacturing volumes of >10mL, engineering over 2 billion cells per minute in a single channel.

About Kytopen

Kytopen, an MIT spin-out, is a transformative biotechnology company that offers a customizable yet scalable multi-solution platform, which seamlessly links the discovery, development and manufacturing phases of cell engineering. Flowfect, a gentle, non-viral delivery method unlocks new therapeutic approaches, by engineering immune cells with minimal disruption, preserving the functionality and viability of human cells and enhancing the cells biology. The Flowfect platform accelerates therapies from the bench to clinical through flexibility and scalability, which drives higher cell yields, faster approvals, and better outcomes from potentially curative cell-based treatments. Kytopens goal is to enable simple and efficient non-viral manufacturing of cell therapies in days versus weeks to increase access to many more patients. For more information, visit: http://www.kytopen.com

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Genome Editing or Genome Engineering Market Market: Latest Innovations, Drivers and Industry Key Events 2021 2027 The Courier – The Courier

Posted: at 3:27 pm

The report named GlobalGenome Editing or Genome Engineering Market2020 by Company, Regions, Type, and Application, Forecast to 2025 is a broad audit of the market size and patterns with values. The report is a thorough report on worldwide market investigation and experiences. The report is an arrangement of itemized market outline dependent on sorts, application, patterns and openings, consolidations and acquisitions, drivers and restrictions, and a world coming to. The report centers around the arising patterns in the worldwide and provincial spaces on all the huge segments, for example, market limit, cost, value, request and supply, creation, benefit, and serious scene. It offers a board translation of the worldwide Genome Editing or Genome Engineering industry from a scope of data that is gathered through respectable and checked sources.

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The central participants concentrated in the report include:Thermo Fisher Scientific Inc (U.S.), Origene Technologies Inc (U.S.), Merck KGAA (Germany), Lonza Group Ltd. (Switzerland), Transposagen Biopharmaceuticals Inc (U.S.), Genscript Biotech Corporation (U.S.), New England Biolabs Inc (U.S.), Sangamo Biosciences Inc (U.S.), Integrated DNA Technologies Inc (U.S.), Horizon Discovery Group Plc (U.K.)

The main sorts of worldwide market items shrouded in this report are:CRISPR, TALEN, ZFN, Antisense, Other Technologies

The most generally utilized downstream fields of the worldwide market canvassed in this report are:Cell Line Engineering, Animal Genetic Engineering, Plant Genetic Engineering, Other Applications

Key areas and nations are canvassed in the worldwide Genome Editing or Genome Engineering market as follows: North America (the United States, Canada, and Mexico), Europe (Germany, France, UK, Russia, and Italy), Asia-Pacific (China, Japan, Korea, India, and Southeast Asia), South America (Brazil, Argentina, and so forth), Middle East and Africa (Saudi Arabia, Egypt, Nigeria, and South Africa)

The report comprises of a summed up market study and in general insights about the business occasions to key partners to grow their business and catch incomes. The worldwide Genome Editing or Genome Engineering market report offers definite examination upheld by solid insights on special and income by players for the time frame 2015-2020. Different subtleties included are organization depiction, significant business, item presentation, ongoing turns of events, deals by area, type, application, and by deals channel.

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Genome Editing or Genome Engineering Market Market: Latest Innovations, Drivers and Industry Key Events 2021 2027 The Courier - The Courier

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Global CRISPR Gene-Editing Market Recent Trends and Developments, Challenges, key drivers and Restraints and Forecast 2021-2028 The Manomet Current -…

Posted: at 3:27 pm

Washington, June 20, 2021 Databridgemarketresearch.com announces the release of the report Global CRISPR Gene-Editing Market Size, Share & Trends Analysis Report By 2027. Market research report proves to be an ideal solution when it comes to a better understanding of the chemical and materials industry and lead the business growth. Market definitions, segmentation, applications, and value chain structure of this industry are all mentioned in the report. This report provides current as well as upcoming technical and financial details of the industry to 2026. According to this report, the market renovation will mainly take place due to the actions of key players or brands like developments, product launches, joint ventures, mergers, and acquisitions. The company profiles of all the key players and brands that are dominating this Report have been taken into consideration here.

Global CRISPR gene-editing market is rising gradually with a healthy CAGR of 23.35 % in the forecast period of 2019-2026. Growing prevalence of cancer worldwide and expanding the application of CRISPR technology by innovative research from the different academic organizations are the key factors for market growth.

Get a Free Sample Copy of the Report @ (Use Corporate email ID to Get Higher Priority) @https://www.databridgemarketresearch.com/request-a-sample/?dbmr=global-crispr-gene-editing-market

Few of the major competitors currently working in the global CRISPR gene-editing market are Applied StemCell, ACEA BIO, Synthego, Thermo Fisher Scientific Inc, GenScript, Addgene, Merck KGaA, Intellia Therapeutics, Inc, Cellectis, Precision Biosciences, Caribou Biosciences, Inc, Transposagen Biopharmaceuticals, Inc, OriGene Technologies, Inc, Novartis AG, New England Biolabs among others

Global CRISPR Gene-Editing Market By Therapeutic Application (Oncology, Autoimmune/Inflammatory), Application (Genome Engineering, Disease Models, Functional Genomics and Others), Technology (CRISPR/Cas9, Zinc Finger Nucleases and Others), Services (Design Tools, Plasmid and Vector, Cas9 and g-RNA, Delivery System Products and Others), Products (GenCrispr/Cas9 kits, GenCrispr Cas9 Antibodies, GenCrispr Cas9 Enzymes and Others), End-Users (Biotechnology & Pharmaceutical Companies, Academic & Government Research Institutes, Contract Research Organizations and Others), Geography (North America, South America, Europe, Asia-Pacific, Middle East and Africa) Industry Trends and Forecast to 2026

Global CRISPR Gene-Editing Research Methodology

Data Bridge Market Research presents a detailed picture of the market by way of study, synthesis, and summation of data from multiple sources. The data thus presented is comprehensive, reliable, and the result of extensive research, both primary and secondary. The analysts have presented the various facets of the market with a particular focus on identifying the key industry influencers.

Market Drivers

Market Restraints

Some of the Major Highlights of TOC covers:

Chapter 1: Methodology & Scope

Definition and forecast parameters

Methodology and forecast parameters

Data Sources

Chapter 2: Executive Summary

Business trends

Regional trends

Product trends

End-use trends

Chapter 3: CRISPR Gene-Editing Industry Insights

Industry segmentation

Industry landscape

Vendor matrix

Technological and innovation landscape

Chapter 4: CRISPR Gene-Editing Market, By Region

Chapter 5: Company Profile

Business Overview

Financial Data

Product Landscape

Strategic Outlook

SWOT Analysis

Complete report is available (TOC) @https://www.databridgemarketresearch.com/toc/?dbmr=global-crispr-gene-editing-market

Key Developments in the Market:

In April 2019, GenScript has launched Single-stranded DNA Service for CRISPR-based Gene Editing which help the key researchers to have access on the high quality, pure ssDNA for CRISPR-based gene insertion and hence can accelerate the development of gene as well as cell therapy for cancer immunotherapy

In February 2018, Cellectis has received two U.S. patents (US#9,855,297 and US#9,890,393) entiled as Methods for engineering T cells for immunotherapy by using RNA-guided CAS nuclease system for CRISPR Use in T-Cells. The U.S. grant of these patents, the company can generate revenue by out-licensing the products to the pharma companies that are ready to use CRISPR technologies in T-cells

Competitive Analysis:

Global CRISPR gene-editing market is highly fragmented and the major players have used various strategies such as new product launches, expansions, agreements, joint ventures, partnerships, acquisitions, and others to increase their footprints in this market. The report includes market shares of CRISPR gene-editing market for Global, Europe, North America, Asia-Pacific, South America and Middle East & Africa.

Thanks for reading this article, you can also get individual chapter wise section or region wise report version like North America, Europe or Asia.

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An absolute way to forecast what future holds is to comprehend the trend today!Data Bridge set forth itself as an unconventional and neoteric Market research and consulting firm with unparalleled level of resilience and integrated approaches. We are determined to unearth the best market opportunities and foster efficient information for your business to thrive in the market. Data Bridge endeavors to provide appropriate solutions to the complex business challenges and initiates an effortless decision-making process.

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Global CRISPR Gene-Editing Market Recent Trends and Developments, Challenges, key drivers and Restraints and Forecast 2021-2028 The Manomet Current -...

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Gain Of Function Research And Why It Matters – Science 2.0

Posted: at 3:27 pm

Due to unanswered questions into the origins of the coronavirus pandemic, both the U.S. government and scientists have called for a deeper examination into the validity of claims that a virus could have escaped from a lab in Wuhan, China.

Much of the discussion surrounds gain-of-function research. So The Conversation asked David Gillum and Rebecca Moritz, who work closely with virologists on a day-to-day basis to ensure the safety and security of the research, and Sam Weiss Evans and Megan Palmer, who are science and technology policy experts, to explain what this term means and why this kind of research is important.

Any organism can acquire a new ability or property, or gain a function. This can happen through natural selection or a researchers experiments. In research, many different types of experiments generate functions, and some pose certain safety and security concerns.

Scientists use a variety of techniques to modify organisms depending on the properties of the organism itself and the end goal. Some of these methods involve directly making changes at the level of genetic code. Others may involve placing organisms in environments that select for functions linked to genetic changes.

Gain of function can occur in an organism in either nature or the laboratory. Some lab examples include creating more salt- and drought-resistant plants or modifying disease vectors to produce mosquitoes that are resistant to transmitting dengue fever. Gain of function can also be useful for environmental reasons, such as modifying E. coli so that it can convert plastic waste into a valuable commodity.

In the current debate around SARS-CoV-2, the virus that causes COVID-19, gain of function has a much narrower meaning related to a virus becoming easier to move between humans, or becoming more lethal in humans. It is important to remember, though, that the term gain of function by itself covers much more than this type of research.

Two researchers working in a high-containment laboratory hold cell cultures infected with the novel coronavirus.picture alliance via Getty provided by The Conversation,

Gain-of-function experiments may help researchers test scientific theories, develop new technologies and find treatments for infectious diseases. For example, in 2003, when the original SARS-CoV outbreak occurred, researchers developed a method to study the virus in the laboratory. One of the experiments was to grow the virus in mice so they could study it. This work led to a model for researching the virus and testing potential vaccines and treatments.

Gain-of-function research that focuses on potential pandemic pathogens has been supported on the premise that it will help researchers better understand the evolving pathogenic landscape, be better prepared for a pandemic response and develop treatments and countermeasures.

But critics argue that this research to anticipate potential pandemic pathogens does not lead to substantial benefit and is not worth the potential risks. And they say getting out ahead of such threats can be achieved through other means biological research and otherwise. For instance, the current pandemic has provided numerous lessons on the social and behavioral dynamics of disease prevention measures, which could lead to robust new research programs on the cultural aspects of pandemic preparedness. Understanding when the risks of gain-of-function research outweigh the potential benefits and alternatives, therefore, continues to be subject to debate.

Some potential outcomes of gain-of-function research may include the creation of organisms that are more transmissible or more virulent than the original organism or those that evade current detection methods and available treatments. Other examples include engineering organisms that can evade current detection methods and available treatments, or grow in another part of an organism, such as the ability to cross the blood-brain barrier.

There is no such thing as zero risk in conducting experiments. So the question is whether certain gain-of-function research can be performed at an acceptable level of safety and security by utilizing risk-mitigation measures. These strategies for reducing risk include the use of biocontainment facilities, exposure control plans, strict operating procedures and training, incident response planning and much more. These efforts involve dedication and meticulous attention to detail at multiple levels of an institution.

Lab incidents will still occur. A robust biosafety and biosecurity system, along with appropriate institutional response, helps to ensure that these incidents are inconsequential. The challenge is to make sure that any research conducted gain-of-function or otherwise doesnt pose unreasonable risks to researchers, the public and the environment.

Determining whether specific experiments with potential pathogens should be conducted remains a difficult and contentious topic.

There are multiple ways to answer this question. The first is if the research is intended to develop a biological weapon. The United Nations Biological Weapons Convention, which went into effect in 1975, forbids state parties from developing, producing, stockpiling, or otherwise acquiring or sharing biological agents, toxins and equipment that have no justification for peaceful or defensive purposes. There should be no research, then, whether gain-of-function or otherwise, that seeks to purposefully develop a biological weapon.

Another way to answer the question is by focusing on the content of the research, rather than its intent. Through experience, researchers and governments have developed lists of both experiments and organisms that need additional oversight because of their potential safety and security risks. One example of this arose when flu researchers placed a self-imposed pause on gain-of-function research involving the transmissibility of highly pathogenic avian influenza H5N1 viruses in 2012. The U.S. government subsequently imposed a moratorium on the work in 2014. Both moratoriums were lifted by the end of 2017 following a lengthy debate and study of the risks and the development of additional oversight and reporting requirements.

In the past decade, the United States has developed oversight for research that could be directly misused for nefarious purposes. This includes policies on dual-use research of concern (DURC) and policies on pathogens of pandemic potential enhanced to gain transmissibility or virulence.

The main point is that our understanding is constantly evolving. Just before the COVID-19 pandemic began, the U.S. government had started to review and update its policies. It is an open question what lessons will be learned from this pandemic, and how that will reshape our understanding of the value of gain-of-function research. One thing that is likely to happen, though, is that we will rethink the assumptions we have been making about the relationships between biological research, security and society. This may be an opportunity to review and enhance systems of biosecurity and biosafety governance.

David Gillum, Senior Director of Environmental Health and Safety and Chief Safety Officer, Arizona State University and Rebecca Moritz, Biosafety Director and Responsible Official, Colorado State University. This article is republished from The Conversation under a Creative Commons license. Read the original article. Disclosures: David Gillum is the past president of the American Biological Safety Association (ABSA) International. He is a past-judge and member of the safety and security committee for the International Genetically Engineered Machine Competition. Megan J. Palmer receives funding from the Open Philanthropy Project and the Nuclear Threat Initiative. She is on the Council of the Engineering Biology Research Consortium, co-chairs a World Economic Forum Global Future Council on Synthetic Biology, is an Advisor to the International Genetically Engineered Machine Competition, is a member of a World Health Organization Working Group on the Responsible Use of Life Sciences, and is a member of the Board of Directors of Revive and Restore. Sam Weiss Evans receives funding from the Schmidt Futures Foundation. He is a member of the Engineering Biology Research Consortiums Security Working Group, and an Advisor to the international Genetically Engineered Machines Competition. Rebecca Moritz does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

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Patterns of stimulation Witness Performance – Witness

Posted: June 20, 2021 at 1:18 am

Im sitting in the semi-dark in the main hall at Arts House in North Melbourne, watching a development day of SYSTEM_ERROR. Its a new Chamber Made work being created by artistic director Tamara Saulwick and dancer, sound designer and choreographer Alisdair Macindoe. Other collaborators include data visualisation artist Melanie Huang, choreographer Lucy Guerin, and me. Right now, in the dark, I am scribbling in my red notebook:

Watching the problem-solving is key to this process.It is a system creating itself.The sequence about what to do with the tables.How to collapse them.What is the motivation for collapsing them (this is a joke, off-hand, convivial)?Can we have a bit of light while they play with this? (Lucy asks Bec, the production manager).I make note of the text that is being projected on the gigantic screen, now, in this moment:

activity within that network. We can send in different patterns of stimulation and look at how the network changes as a result.

This is how I have observed the building of this work: as different patterns of stimulation from each collaborating artist interacting to create the network, which is the work itself.

It began with a seed of an idea, in a conversation between Saulwick and Macindoe. The name of the investigation was always SYSTEM_ERROR. The idea was to explore bodies, sound and technology. That was as much as they knew. Slowly over a few years, in short bursts of development that brought in other collaborators at different stages, they built a work of performance.

This particular development took place in March 2021. As I write now, the show is a few weeks away from its world premiere season at Arts House in July. Keen to get a sense of what the collaboration process has been like, I have been talking via email to the key artists.

I hadnt worked with any of these artists previously, says Saulwick. Ive really loved the process of finding points of connection and shared preoccupations. In some ways our practices are quite disparate, but there are also these lovely rich veins of overlapping interest.

I find this so compelling. Saulwick is an established artist with more than 20 years experience. Of course, she does at times collaborate with artists with whom she has an existing creative relationship. But her keenness to explore new relationships and possibilities and to make a work with artists from different artforms and disciplines demonstrates a genuine desire to explore what collaboration is and how it works.

This colliding of artistic process is something that has interested Saulwick for a long time. Over many years she has built a practice that invites artists to meet the boundaries of their artform as it comes into direct contact with another, to see what new processes and forms might emerge.

For data visualisation artist Melanie Huang, this is her first performance project. She reflects on what it has been like to come into collaboration with Saulwick and Macindoe, highlighting that the process has been open rather than prescriptive.

Huang created visual elements in response to the sound design and the physical world of the piece. I found it super beneficial to create the visuals as we discussed each new scene that was unfolding. This is different to what Im used to as a designer or coder, she says. Ill be honest, it was a little bit terrifying at first the ambiguity. However [it was] ultimately liberating to be able to explore concepts and visual directions untethered from a client brief or style guide.

Expanding networks of collaborators is a crucial part of the Chamber Made ethos. I enjoy having someone in the room who comes from a completely different scene, Saulwick says. They can bring a different way of thinking into the process and tend not to follow the expected pathways. This has definitely been the case with Mel and I really love what shes brought to the piece.

Huang agrees that this taking a chance on an outsider has great benefits. It is not only a great opportunity for individuals to explore what their craft/talent can provide a new space but also what a new area has to gain from looking outside the usual talent pool to create something unique to that team and that performance.

Working on this project, Ive been struck by how all the artists are able to hold ambiguity. I recall an early conversation with Saulwick and Macindoe, eating noodles at a North Melbourne caf, as they talked in and around the themes of the work. Was it about bodies? Their bodies? About their frailties or obsessions? Both spoke of past and present vulnerabilities as I took furious notes.

The text went through a number of iterations. For the most part it is based on found texts sourced by Saulwick and Macindoe, interviews and documentaries about questions of what it is to be human and what the urge towards transhumanism might be. As a collective we generated more texts, digging into other areas of inquiry about systems and personal relationships, testing the poetic boundaries of language as it related to these themes. Ultimately, much of this has dropped away. The process of deliberation and selection, as text slots in as one element among sound, vision, body and space, has been fascinating.

Macindoe reflects on how this collaboration has stretched him beyond his usual approaches: Working with Tam exposed me to a process in which materials are formed predominantly through discussion, research, thinking, transcribing, collating and writing, he says. Coming from dance and music, where concept and ideation are generally a starting point that are explored through physicalisation and musical play, this was new to me. At first it was jarring and unfamiliar, but I got a lot out of it, and I cant imagine how we could have made the piece without said processes.

This colliding of artistic process is something that has interested Saulwick for a long time. Over many years she has built a practice that invites artists to meet the boundaries of their artform as it comes into direct contact with another, to see what new processes and forms might emerge. I think if you want the various modalities/threads/disciplines to be genuinely integrated with one another then you need to allow time for that to occur, she says. Its one thing to abut elements up against one another, but allowing them to become a new combined language can be a slow process.

Macindoe concurs that creating work in this way takes time and patience: The greatest challenge of this piece has been clarification and crystallisation of the intent, theme and creative rationale of the work, he says. I have really enjoyed the musical challenges of this work and where they have taken me both technically and creatively. Trying to whittle down the entire work into 36 discrete cc channels has forced me to explore how to compress complex musical ideas into a streamlined instrument interface.

As Saulwick observes, one of the main complexities of both making and performing the work is that need to navigate being inside and outside the work, moving between those two modes and perspectives. This is why it has been great to be joined by Lucy in the latter stages of the process, she says. Her presence has allowed us to an extent to hand over that outside perspective and focus more on the performance component.

Watching Lucy Guerin work with the performers in crafting the shape of the piece provides another layer of insight. From my personal experience as a playwright, its unusual for a director to come late into the development and building of a work, not be there from its genesis.

The process with Tam and Alisdair was really unique, says Guerin. Working with two artists who were so deeply embedded in the ideas for the work and the creation of the machine that they used to deliver the ideas meant there was immediately so much to work with. The fact that they built, operated and became part of this circuitry spoke so clearly to the content of the piece.

Guerin has great skill in looking at the mechanics and structure of the work, identifying what is there and how each part relates to the next. I can see that she is not taking overall responsibility for the artistic drive of the piece, but rather using her expertise to help Saulwick and Macindoe craft a cohesive work. My role was really as an outside eye for Tam and Alisdair, so that we could thread together the content and strip back a bit the complex layering of multipleideas that had emerged in their previous developments.

Touch is now such a triggering action and seems very relevant. It offersreassurance and connection but is also threatening and powerful. I have always felt quite disturbed by the radical futures proposedby technology, but this work made it seem intriguing, rather than a dark and scary fiction.

Guerins role was crucial, as Macindoe observes. Bringing Lucy in as an outside eye and to direct the work really clarified a lot for me about the work, he says Also, Lucy is just amazing and somehowmanaged to clarify and streamline our creative chaos in a really engagingand thoughtful way.

Opening out the process generates a richness. Guerin says that working on the project had positive flow-on effects for her broader practice. Its a great way to question your own position on ideas and creativeprocess, she says. It can be time consuming but its so worth listening and working through. I find it really fulfilling and it shifts and re-forms my practice, which keeps me interested and engaged.

Many aspects of the project intrigued her, The correlation between the human biological system and technological systems and how they overlap, prompts me to wonder if humans design these systems based on their own bodies andminds, she says. They seem to reinforceyet confound each other. The fact of touch itself which is used to activate the instrument can produce an onslaught of sound or a delicate static. Touch is now such a triggering action and seems very relevant. It offersreassurance and connection but is also threatening and powerful. I have always felt quite disturbed by the radical futures proposedby technology, but this work made it seem intriguing, rather than a dark and scary fiction.

I return to my scribbled notes from the development, seeking connections, the trail of evidence that has led to what is now a pretty much final version of the work. My involvement has been light and minimal. Mostly I have provided another perspective, offered thoughts on how the text of the work is functioning, or acted as a sounding board as the artists worked through their own questions, their ambiguities.

A series of absurd machinations to keep life going.

How do you avoid the system (should you want to).

Why and when does language emerge.

The word years really jumps out, should it be: Its been as long as I can remember?

Take it out of this endless present into something more quotidian.

I watch a full run of the show and the sense of fragmentation dissolves. What emerges is a whole system, one both strange and compelling, where I am reminded of all that is odd about being human, and all that is possible.

Chamber Mades SYSTEM_ERROR premieres at Arts House July 7-11. Bookings and information

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