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Short Redhead Reel Reviews for the week of July 23 – ECM Publishers
Posted: July 23, 2021 at 4:02 am
Rating system: (4=Don't miss, 3=Good, 2=Worth a look, 1=Forget it)
For more reviews, click here.
All the Streets Are Silent: The Convergence of Hip Hop and Skateboarding (1987-1997) (NR) (3) [Opens July 23 in theaters and played July 16 on AARPs Movies for Grownups.] Eli Morgan Gesner narrates Jeremy Elkins entertaining, educational, fascinating, 89-minute, 2020 documentary that explores how the popularity of skateboarding and hip-hop music influenced each other in New York City during the 1980s and 1990s and the impact they had on fashion, race, society, and street culture and consists of archival film clips and photographs, candid commentary by and about hip-hop musicians and rappers, including Kool Keith, Jay-Z, Darryl McDaniels (Run-D.M.C.), Dres, Rocket-T, Damany Beasley, Tek, Bustah Rhymes, Method Man, Lil Dap, A$AP Ferg, Harold Hunter, and Funkmaster Flex, and professional skateboarders (such as Mike Hernandez, Mike Carroll, Tony Hawk, Josh Kalis, Keith Hufnagel, Jefferson Pang, Peter Bici, Tyshawn Jones, Beatrice Diamond, Justin Pierce, Vinny Ponte, Danny Supa, Scott Johnston, Ricky Oyola, and Stevie Williams), and candid interview snippets with DJs (such as Kid Capri, Moby, Clark Kent, and Stretch Armstrong), actors Rosario Dawson and Leo Fitzpatrick, radio host Bobbito Garcia, Club Mars promoter Dave Ortiz, former records company creative director Willo Perron, artists Fab 5 Freddy and Clayton Patterson, Club Mars founder and promoter Yuki Watanabe, Mars doorman and cultural critic Carlo McCormick, filmmakers William Strobeck and R. B. Umali, former Supreme skateboard store manager Alex Corporan, Max Fish founder Ulli Rimkis, and Zoo York founders Rodney Smith and Adam Schatz.
The American (R) (3.5) [Violence, sexual content, and nudity.] [Played July 23 as part of AARPS Movies for Grownups and available on various VOD platforms.] After three people (Irina Bjrklund, Lars Hjelm, and Bjrn Granath) are murdered in Sweden in Anton Corbijns intense, riveting, well-written, surprising, 105-minute, 2010 film based on Martin Boothes novel A Very Private Gentleman, a cautious, lonely American (George Clooney) with a target on his back poses as a photographer when he heads to Italy to accept his next assignment from his duplicitous boss (Johan Leysen) and ends up being befriended by a suspicious priest (Paolo Bonacelli) and a comely prostitute (Violante Placido) while meticulously crafting a compact rifle for a Belgian assassin (Thekla Reuten).
Cairo Time (PG) (3) [Mild thematic elements and smoking.] [DVD and VOD only] When an American magazine editor/writer (Patricia Clarkson) finds herself passing time in Cairo while waiting to rendezvous with her workaholic husband (Tom McCamus), who works for the U.N. organizing refugee camps in Gaza, in this languid-paced, compelling film filled with stunning Egyptian landscapes, she finds herself drawn to a retired Muslim cop (Alexander Siddig) who was jilted by his former married lover (Amina Annabi).
Code Blue: Redefining the Practice of Medicine (NR) (4) [Played on July 18 on Eventbrite and available on various VOD platforms.] Marcia Machados compelling, educational, fascinating, thought-provoking, 102-minute, 2019 documentary that discusses Dr. Saray Stancics journey to improve her health after she was diagnosed with multiple sclerosis at age 28 and the benefits of lifestyle medicine, including eating whole foods (natural state) and a plant-based diet, exercising, reducing stress, eliminating smoking, limiting alcohol, and getting plenty of sleep, to help reduce, prevent, and reverse chronic diseases and conditions such as cancer, diabetes, high cholesterol and blood pressure, arthritis, autoimmune disorders, and M.S. and consists of insightful, informative commentary by leading health experts and doctors (such as Ralph Stancic, David Katz, T. Colin Campbell, Dean Ornish, David Sabgir, Caldwell Esstlyn, Baxter Montgomery, Ron Weiss, Robert Ostfeld, Dennis Bourdette, Jennifer Trlik, Paul Catalana, Jovita Oruwari, Giovanni Campanile, Shelley Berger, David Eisenberg, Edward M. Phillips, Neal Barnard, Thomas Pace, Steven Adelman, Irmine Van Dyken, Hana Kahleava, Michael Greger, Pam Popper, Kim Williams, Michelle McMacken, and Ana Negron), registered dietician Susan Levin, nutrition professor Marion Nestle, deputy director Graham Corditz, and medical students Saul Bautista, Uma Raman, and Rich Wolferz who discuss lifestyle medicine benefits, outdated medical curricula, misleading media information, lack of government regulations, and often unhealthy promotions by the pharmaceutical and food industries.
Cowboys and Angels (PG) (1.5) [Thematic elements and a scene of violence.] [DVD and VOD only] After a disillusioned, wannabe-cowboy lawyer (Adam Trese) is dumped by his cheating model girlfriend (Alissa Rice) and then by a mysterious free-spirited blond (Radha Mitchell) and then learns that his crass brother in-law (Hamilton von Watts) is cheating on his pregnant sister (Carmen Llywelyn) with a coworker in this uninspired, romantic, 2000, chick-flick comedy, he quits his job and then falls for a dark-haired woman (Mia Kirshner) who works with children at a dude ranch.
Dim Sum Funeral (R) (2.5) [Brief drug use and sexuality.] [DVD and VOD only] A surprise ending punctuates this quirky, engaging, 2008 film in which estranged siblings, including an unhappy doctor (Russell Wong) cheating on his beautiful wife (Kelly Hu), a lesbian actress (Steph Song) who desires a baby with her flamboyant lover (Ling Bai), a grieving pregnant journalist (Julia Nickson) and her husband (Adrian Hough), and a real estate agent (Franoise Yip), reluctantly return to Seattle after the death of their hard-edged mother ( Lisa Lu) and are informed by their mothers longtime friend (Talia Shire) that she has requested a traditional, 7-day Chinese funeral.
Joe Bell (R) (3) [Language, including offensive slurs, some disturbing material, and teen partying.] [Opens July 23 in theaters.] After his cheerleading, gay, 15-year-old son (Reid Miller) is bullied by his high school peers for being different and tragically commits suicide in 2012 in Reinaldo Marcus Greens powerful, factually based, heartbreaking, bittersweet, well-acted, star-dotted (Gary Sinise, John Murray, Blaine Maye, Ash Santos, Igby Rigney, Morgan Lily, Scout Smith, and Cassie Beck), 90-minute, 2020 biographical film punctuated with a surprise ending, his distraught, grieving, guilt-ridden father Joe Bell (Mark Wahlberg) leaves his wife (Connie Britton) and younger wrestling son (Maxwell Jenkins) at home when he decides to walk from La Grande, Ore., to New York City to honor his son and to lecture on bullying to whomever will listen along the way.
Lottery Ticket (PG-13) (3) [Sexual content, language including a drug reference, some violence, and brief underage drinking.] [DVD and VOD only] When a tennis-shoe-loving teenager (Bow Wow), who lives in the projects with his excitable grandmother (Loretta Devine), wins $370 million by playing numbers from a fortune cookie and then must wait three days over the July 4th weekend to claim his winnings in this entertaining, high-energy, predictable, star-studded (Ice Cube, Keith David, Terry Crews, Mike Epps, and Bill Bellamy) comedy, he finds himself questioning the motives of his best friend (Brandon T. Jackson) and ignoring the advice of a smitten friend (Naturi Naughton) while being chased by a revengeful thug (Gbenga Akinnagbe).
Pig (R) (3.5) [Language and some Violence.] [Opened July 16 in theaters.] Continually dim lighting detracts from Michael Sarnoskis captivating, somber, dark, gritty, well-acted, star-dotted (Adam Arkin, David Knell, Nina Belforte, Gretchen Corbett, Julia Bray, Darius Pierce, and Elijah Ungvary), unpredictable, 92-minute film in which a reclusive, eccentric, well-respected, legendary chef (Nicolas Cage) turned truffle hunter, who lives in a remote dilapidated cabin in a forest in Oregon, seeks the help of a reluctant client (Alex Wolff) to find his beloved, fungi-sniffing pig in Portland after it is stolen by two drug addicts.
Piranha (R) (0) [Sequences of strong bloody horror violence and gore, graphic nudity, sexual content, language, and some drug use.] [DVD and VOD only] A horrific, inane, stupid, gory, 3D, star-dotted (Richard Dreyfuss, Christopher Lloyd, Ving Rhames, and Eli Roth) horror spoof filled with gratuitous nudity, bloody water, dismembered body parts, and poor acting about a seismologist (Adam Scott) and an Arizona sheriff (Elizabeth Shue) who try to save her three children (Steve R. McQueen, Brooklynn Proulx, and Sage Ryan), a cocaine-snorting porn film director (Jerry OConnell), and thousands of drunk, partying, partially clothed college students (Jessica Szohr, et al.) on Spring Break when their lives are threatened by prehistoric, fleshing-devouring piranha that have razor-sharp teeth.
We Are Together (Thina Simunye): The Children of Agape Choir (PG) (3.5) [Some thematic elements.] [DVD and VOD only] A touching, inspirational, 2006 HBO documentary about a group of talented South African orphans, including 12-year-old Slindile Moya and 7-year-old Mbali, who live at the modest Agape Care Centre founded by Grandma Zodwa Mqadi and diligently rehearse as they prepare for a trip to New York City to perform with Alicia Keys and Paul Simon and make a CD to raise money for their orphanage.
Wendy Schadewald is a Burnsville resident.
Rating system: (4=Don't miss, 3=Good, 2=Worth a look, 1=Forget it)
http://www.shortredheadreelreviews.com
For more reviews, click here.
All the Streets Are Silent: The Convergence of Hip Hop and Skateboarding (1987-1997) (NR) (3) [Opens July 23 in theaters and played July 16 on AARPs Movies for Grownups.] Eli Morgan Gesner narrates Jeremy Elkins entertaining, educational, fascinating, 89-minute, 2020 documentary that explores how the popularity of skateboarding and hip-hop music influenced each other in New York City during the 1980s and 1990s and the impact they had on fashion, race, society, and street culture and consists of archival film clips and photographs, candid commentary by and about hip-hop musicians and rappers, including Kool Keith, Jay-Z, Darryl McDaniels (Run-D.M.C.), Dres, Rocket-T, Damany Beasley, Tek, Bustah Rhymes, Method Man, Lil Dap, A$AP Ferg, Harold Hunter, and Funkmaster Flex, and professional skateboarders (such as Mike Hernandez, Mike Carroll, Tony Hawk, Josh Kalis, Keith Hufnagel, Jefferson Pang, Peter Bici, Tyshawn Jones, Beatrice Diamond, Justin Pierce, Vinny Ponte, Danny Supa, Scott Johnston, Ricky Oyola, and Stevie Williams), and candid interview snippets with DJs (such as Kid Capri, Moby, Clark Kent, and Stretch Armstrong), actors Rosario Dawson and Leo Fitzpatrick, radio host Bobbito Garcia, Club Mars promoter Dave Ortiz, former records company creative director Willo Perron, artists Fab 5 Freddy and Clayton Patterson, Club Mars founder and promoter Yuki Watanabe, Mars doorman and cultural critic Carlo McCormick, filmmakers William Strobeck and R. B. Umali, former Supreme skateboard store manager Alex Corporan, Max Fish founder Ulli Rimkis, and Zoo York founders Rodney Smith and Adam Schatz.
The American (R) (3.5) [Violence, sexual content, and nudity.] [Played July 23 as part of AARPS Movies for Grownups and available on various VOD platforms.] After three people (Irina Bjrklund, Lars Hjelm, and Bjrn Granath) are murdered in Sweden in Anton Corbijns intense, riveting, well-written, surprising, 105-minute, 2010 film based on Martin Boothes novel A Very Private Gentleman, a cautious, lonely American (George Clooney) with a target on his back poses as a photographer when he heads to Italy to accept his next assignment from his duplicitous boss (Johan Leysen) and ends up being befriended by a suspicious priest (Paolo Bonacelli) and a comely prostitute (Violante Placido) while meticulously crafting a compact rifle for a Belgian assassin (Thekla Reuten).
Cairo Time (PG) (3) [Mild thematic elements and smoking.] [DVD and VOD only] When an American magazine editor/writer (Patricia Clarkson) finds herself passing time in Cairo while waiting to rendezvous with her workaholic husband (Tom McCamus), who works for the U.N. organizing refugee camps in Gaza, in this languid-paced, compelling film filled with stunning Egyptian landscapes, she finds herself drawn to a retired Muslim cop (Alexander Siddig) who was jilted by his former married lover (Amina Annabi).
Code Blue: Redefining the Practice of Medicine (NR) (4) [Played on July 18 on Eventbrite and available on various VOD platforms.] Marcia Machados compelling, educational, fascinating, thought-provoking, 102-minute, 2019 documentary that discusses Dr. Saray Stancics journey to improve her health after she was diagnosed with multiple sclerosis at age 28 and the benefits of lifestyle medicine, including eating whole foods (natural state) and a plant-based diet, exercising, reducing stress, eliminating smoking, limiting alcohol, and getting plenty of sleep, to help reduce, prevent, and reverse chronic diseases and conditions such as cancer, diabetes, high cholesterol and blood pressure, arthritis, autoimmune disorders, and M.S. and consists of insightful, informative commentary by leading health experts and doctors (such as Ralph Stancic, David Katz, T. Colin Campbell, Dean Ornish, David Sabgir, Caldwell Esstlyn, Baxter Montgomery, Ron Weiss, Robert Ostfeld, Dennis Bourdette, Jennifer Trlik, Paul Catalana, Jovita Oruwari, Giovanni Campanile, Shelley Berger, David Eisenberg, Edward M. Phillips, Neal Barnard, Thomas Pace, Steven Adelman, Irmine Van Dyken, Hana Kahleava, Michael Greger, Pam Popper, Kim Williams, Michelle McMacken, and Ana Negron), registered dietician Susan Levin, nutrition professor Marion Nestle, deputy director Graham Corditz, and medical students Saul Bautista, Uma Raman, and Rich Wolferz who discuss lifestyle medicine benefits, outdated medical curricula, misleading media information, lack of government regulations, and often unhealthy promotions by the pharmaceutical and food industries.
Cowboys and Angels (PG) (1.5) [Thematic elements and a scene of violence.] [DVD and VOD only] After a disillusioned, wannabe-cowboy lawyer (Adam Trese) is dumped by his cheating model girlfriend (Alissa Rice) and then by a mysterious free-spirited blond (Radha Mitchell) and then learns that his crass brother in-law (Hamilton von Watts) is cheating on his pregnant sister (Carmen Llywelyn) with a coworker in this uninspired, romantic, 2000, chick-flick comedy, he quits his job and then falls for a dark-haired woman (Mia Kirshner) who works with children at a dude ranch.
Dim Sum Funeral (R) (2.5) [Brief drug use and sexuality.] [DVD and VOD only] A surprise ending punctuates this quirky, engaging, 2008 film in which estranged siblings, including an unhappy doctor (Russell Wong) cheating on his beautiful wife (Kelly Hu), a lesbian actress (Steph Song) who desires a baby with her flamboyant lover (Ling Bai), a grieving pregnant journalist (Julia Nickson) and her husband (Adrian Hough), and a real estate agent (Franoise Yip), reluctantly return to Seattle after the death of their hard-edged mother ( Lisa Lu) and are informed by their mothers longtime friend (Talia Shire) that she has requested a traditional, 7-day Chinese funeral.
Joe Bell (R) (3) [Language, including offensive slurs, some disturbing material, and teen partying.] [Opens July 23 in theaters.] After his cheerleading, gay, 15-year-old son (Reid Miller) is bullied by his high school peers for being different and tragically commits suicide in 2012 in Reinaldo Marcus Greens powerful, factually based, heartbreaking, bittersweet, well-acted, star-dotted (Gary Sinise, John Murray, Blaine Maye, Ash Santos, Igby Rigney, Morgan Lily, Scout Smith, and Cassie Beck), 90-minute, 2020 biographical film punctuated with a surprise ending, his distraught, grieving, guilt-ridden father Joe Bell (Mark Wahlberg) leaves his wife (Connie Britton) and younger wrestling son (Maxwell Jenkins) at home when he decides to walk from La Grande, Ore., to New York City to honor his son and to lecture on bullying to whomever will listen along the way.
Lottery Ticket (PG-13) (3) [Sexual content, language including a drug reference, some violence, and brief underage drinking.] [DVD and VOD only] When a tennis-shoe-loving teenager (Bow Wow), who lives in the projects with his excitable grandmother (Loretta Devine), wins $370 million by playing numbers from a fortune cookie and then must wait three days over the July 4th weekend to claim his winnings in this entertaining, high-energy, predictable, star-studded (Ice Cube, Keith David, Terry Crews, Mike Epps, and Bill Bellamy) comedy, he finds himself questioning the motives of his best friend (Brandon T. Jackson) and ignoring the advice of a smitten friend (Naturi Naughton) while being chased by a revengeful thug (Gbenga Akinnagbe).
Pig (R) (3.5) [Language and some Violence.] [Opened July 16 in theaters.] Continually dim lighting detracts from Michael Sarnoskis captivating, somber, dark, gritty, well-acted, star-dotted (Adam Arkin, David Knell, Nina Belforte, Gretchen Corbett, Julia Bray, Darius Pierce, and Elijah Ungvary), unpredictable, 92-minute film in which a reclusive, eccentric, well-respected, legendary chef (Nicolas Cage) turned truffle hunter, who lives in a remote dilapidated cabin in a forest in Oregon, seeks the help of a reluctant client (Alex Wolff) to find his beloved, fungi-sniffing pig in Portland after it is stolen by two drug addicts.
Piranha (R) (0) [Sequences of strong bloody horror violence and gore, graphic nudity, sexual content, language, and some drug use.] [DVD and VOD only] A horrific, inane, stupid, gory, 3D, star-dotted (Richard Dreyfuss, Christopher Lloyd, Ving Rhames, and Eli Roth) horror spoof filled with gratuitous nudity, bloody water, dismembered body parts, and poor acting about a seismologist (Adam Scott) and an Arizona sheriff (Elizabeth Shue) who try to save her three children (Steve R. McQueen, Brooklynn Proulx, and Sage Ryan), a cocaine-snorting porn film director (Jerry OConnell), and thousands of drunk, partying, partially clothed college students (Jessica Szohr, et al.) on Spring Break when their lives are threatened by prehistoric, fleshing-devouring piranha that have razor-sharp teeth.
We Are Together (Thina Simunye): The Children of Agape Choir (PG) (3.5) [Some thematic elements.] [DVD and VOD only] A touching, inspirational, 2006 HBO documentary about a group of talented South African orphans, including 12-year-old Slindile Moya and 7-year-old Mbali, who live at the modest Agape Care Centre founded by Grandma Zodwa Mqadi and diligently rehearse as they prepare for a trip to New York City to perform with Alicia Keys and Paul Simon and make a CD to raise money for their orphanage.
Wendy Schadewald is a Burnsville resident.
Read the original here:
Short Redhead Reel Reviews for the week of July 23 - ECM Publishers
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Letters to the Editor: July 22, 2021 – TCPalm
Posted: at 4:02 am
Treasure Coast Newspapers
I have been reading, with interest, articles concerning the burning of sugar cane fields by U.S. Sugar.
I live in a condo that has water front on the St. Lucie River. I have a small 20-foot sailboat that gets covered with soot when crops are being burned and the wind is blowing from the west. In addition, I suffer from shortness of breath and believe the toxic algae blooms and this smoke residue may be the root cause or at least, a contributing factor.
Millions of dollars and many years of studies have identified the problems concerning Lake Okeechobee releases and the health of our estuaries.
The overall consensus is that the sugar Industry is the problem. The fear-mongering that the Herbert Hoover Dike will fail, or that 13,000 workers will loose their livelihoods, is all a smoke screen (pun intended).
Please instruct that industry to terminate the practice of burning their cane, which is one cause of unhealthy air, and take the needed land south of the lake (via eminent domain) to allow the necessary water to flow south to restore the Everglades and the Key Biscayne Estuary. These two environmental issues are in dire need of protection.
Its clear to me and many others that this sugar industry mirrors the tobacco industry, in that it is hazardous to health and yet due to its size and political power, it gets what it wants regardless of the harm it does to the health and well-being of the general populace.
Paul D. Popson, Stuart
Florida is falling into the clutches of another COVID-19 wave and where is our illustrious governor Ron DeSantis? Why, at the border in Texas. He has sent a 50-member troop of law-enforcement officials to the border in support of Texas Gov. Greg Abbots plea for help protecting the border. DeSantis followed to show his support, or maybe get a photo-op with his idol Donald Trump.
Our state is falling into the ravages of this plague and our leader is off the reservation. Please tell me what he can do there as opposed to as what he can do here?
He cares more for showing his and Trumps minions what they want to see than doing what it will take to finally bring this plague to an end. He has abused his powers by selling T-shirts and political material using anti-Fauci slogans.
When will he finally resign himself to care about the people of his state? Both DeSantis and his wife have been vaccinated and have never fostered the same for his constituents. Trump could have put an end to non-vaxxers, as De Santis could have, but both chose to turn their backs.
If more citizens do not get vaccinated, then only non-vaccinated individuals will get sick, and possibly some will die.
Policis must be left out of this pending disaster.
Joseph De Phillips, Stuart
So a political action committee connected to Gov. Ron DeSantis is now selling Dont Fauci My Florida merchandise. Wow. Considering the governors record on COVID-19 I can only say Please America, dont DeSantis my cemetery any more than he already has.
Stephen Osiecki, Vero Beach
As people continue to walk freely across our southern border and are permitted to enter the United States, Secretary of Homeland Security Alejandro Mayorkas said that Cubans who may try to enter our country by boat will be refused entry and turned back to Cuba.
Why is that?
Lois Acinapura, Palm City
Ben Shapiro didnt mention the Confederate flag in his July 18 column. At least when you kneel, or turn your back on our flag, it is still there. What showed more scorn for the American flag, than replacing it with the Stars and Bars? And continuing to honor it, even carrying it into the U.S. Capitol on Jan. 6.
Shapiro also didnt mention Israeli planes shooting down the U.S flag on the USS Liberty, on June 8, 1967. Even after the Americans put up their large, ceremonial flag with the gold fringe, in a desperate attempt to be recognized as an ally, the Israeli navy torpedoed the ship.Thirty-four Americans were killed.
How about replacing Ben Shapiros column with an expanded This Day in History?
Helen Frigo, Jensen Beach
With the pandemic, widespread climate catastrophes, and widespread insanity, including our government daily into provoking violent reactions by the Chinese and Russian governments, it's high time we seek the heavens' guiding light and saving grace. It's time that we repent and change our ways.
Steve Gifford, Vero Beach
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Letters to the Editor: July 22, 2021 - TCPalm
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52 Years Of Moon Landing: Voyages Of Discovery, Voyages Of Profit – Outlook India
Posted: July 21, 2021 at 12:53 am
Its been 52 years now! 20th July 1969! A memorable day for humanity. On that day, two people represented the whole world in breaking the boundaries of Earth and started an era of explorations beyond Earth by stepping on the hitherto unexplored soil of Earths nearest neighbour in the cosmos, the Moon.
It was not only a story of technological excellence and competency, but also a tale of the human minds eternal quest for the unknown and our intention for going beyond our natural habitat, our environment to conquer distant alien worlds. It was 8:17 p.m. on 20th July, that Eagle, the Lunar Lander of the Apollo 11 mission touched down on the Moon. Soon after Neil Armstrong stepped onto the soil of Moon. Edwin Aldrin followed and for two and half hours they ventured, moved and performed experiments on the Lunar surface. It must have been quite an exciting and thrilling experience for them. Much more unique than their extensive training on simulated lunar environments and landscapes on Earth. They were part of the Apollo 11 Mission, now a subject of every science textbook around the world. On their module named Eagle, they landed and later safely returned back to the orbiting module named Columbia, where another astronaut, Michael Collins waited for them. Rest is history. Throughout the world people were enthralled with the scratchy images of Neil Armstrong climbing down the stairs of the spacecraft, jumping gently onto the Moon. His first statement will remain forever a poignant utterance oft-quoted by multitudes of people thereafter for motivating further conquest of space.
Thats one small step for a man, one giant leap for mankind. A statement probably made in the excitement of a successful landing on the Moon, but with a profound effect on generations of space scientists all over the world.
It was the beginning of an era of increasingly more technologically advanced missions to the Moon. From 1969 to 1972 six Apollo missions successfully landed on the Moon. Altogether 12 astronauts stepped onto the moon and carried out complex manoeuvres trying to get as much information possible from the lunar surface, atmosphere, interiors and the possibility of the presence of water molecules.
The Mission to Moon started in earnest when Soviet Russia sent numerous spacecraft to the Moon, some to orbit, some to land under the Luna Programme. Luna 1 had the first successful flyby. Luna 2 crashed into the moon. Luna 3, in 1959, orbited the moon and sent the first close up pictures of the moons surface and far side. Russia continued with their lunar programme by sending almost regularly different spacecraft. Some were successful in sending us data that earlier nobody was aware of, but at other times their missions were failures.
One has to remember that the prevalent period was also of tremendous international conflict, mistrust and competition. The Cold War was raging. The USA and its allies were up against arms with Soviet Russia and the Soviet Block countries to prove their excellence in financial, defence, science, technology and global powerplay. The initial success of Soviet Russia in reaching the Moon galvanized the Western Block, especially America. It was the American President, John F. Kennedy who wanted to create a masterstroke for his nation and in 1961 made it a national goal to land an astronaut on the moon and return them safely to Earth within a decade! It was a tall order, given the level of preparedness and prevalent technological efficiency of NASA which was established only in 1958. Mostly to compete with Russia and to win the race of supremacy in space science, NASA had its Mercury and Gemini Programmes to test the possibility of a manned mission to the Moon and return safely to Earth. These projects and their partial successes along with the interest of the scientists, political leaders and general public paved the way for the ambitious Apollo Programme, which in today's money, had a budget of about $225 billion! It seemed that the Cuban Missile Crisis in 1962 was instrumental in strengthening the resolve of American technocrats and the scientific community to proceed at a breakneck speed and win the race to the Moon thereby partly winning the imaginary Superpower Challenge between the USSR and USA.
The purpose of the Apollo missions (1963 -72) was to achieve the goal of landing an astronaut on the moon and bringing them back to Earth safely. The first Apollo mission (Apollo 1) ended in a disaster where 3 astronauts died in a fire during a flight pre-test.
The next manned mission was Apollo 7. Apollo 7 spent more time in space than all the Soviet space flights combined up to that time. Apollo 8 splashed down in the Pacific Ocean after travelling over 800,000 Km. and orbiting the moon ten times. Apollo 9 was the first manned flight in Earth's orbit and the first manned flight of the lunar module. This flight paved the way for Apollo 10, which was the first to travel to the moon with the entire Apollo configuration.
Apollo 11 started its journey from the Kennedy Space Flight centre on 16th July 1969 on a Saturn V rocket and ultimately the lunar lander slowly settled on the moon on July 20, at around 20:17 UT (IST: July 21, 1:47 hrs.) Commander Neil Armstrong and lunar module pilot Buzz Aldrin formed the American crew that landed the Apollo Lunar Module Eagle. Armstrong became the first person to step onto the lunar surface six hours and 39 minutes later on July 21 at 02:56 UT (IST: 8:26 hrs). Aldrin joined him 19 minutes later. They spent about two and a quarter hours together outside the spacecraft and collected around 20 Kg. of lunar rock to bring back to Earth. Command module pilot Michael Collins flew the Columbia orbiter alone in lunar orbit while they were on the Moon's surface. Armstrong and Aldrin spent 21 hours, 36 minutes on the lunar surface, at a site named Tranquility Base at the Sea of Tranquility ( Sea basically meant plain land on the surface of the Moon), before lifting off to re-join Columbia in lunar orbit. They returned to Earth on 24 July, 1969 after the 8 days travel and crashed onto the Pacific Ocean from where they were collected.
The next three years saw the successful landing of five more spacecraft named Apollo 12-17. Apollo 13 could not land because the crew faced a crisis when the oxygen tank on the service module leaked and they had to come back to earth just orbiting the Moon in a loop. It was a high drama of how they survived the ordeal, which was later made into a popular movie released in 1995 of the same name.
Then there was a pause in Moon missions. That probably started a rumour that the Americans have not at all landed on Moon and staged the whole event in a well-orchestrated make-believe movie set on the Earth itself. Initially, the rumour may have been fuelled by the fierce competition between the superpowers and an effort to demean the tremendous achievement. But later on, the conspiracy theory caught on and reached every corner of the Earth. NASA and other scientific bodies have categorically and repeatedly refuted the conspiracy claim by proper explanations and information.
But, the question remained. Why did space agencies lose interest in Moon? The conspiracy theorists had a field day. But truly speaking, the scientific community was continuously gaining more knowledge about our cosmic neighbour through a stream of space crafts which mostly circled the moon, but some of them landed and sent back data and even in one case some samples as well.
In the past, our interest in space and the moon in particular was driven primarily by scientific curiosity and an interest in trying to understand the past, present and future of the moon. Numerous missions helped the scientists to gather a volume of data about its surface composition, environment and other physical parameters. It slowly dawned onto the global space community that huge deposits of minerals andthepresence of water ice can open up enormous possibilities for the future. The Voyages of Discovery gave way to Voyages of Profit!
The hint of the presence of water ice at the permanently shadowed polar regions and discoveries of hydroxyl ion on the surface material, called regolith, fuelled the imagination and aspirations of the scientific community to create a base on the moon as a precursor of starting off a human colony in the future. It was considered profitable to extract the mineral and other chemical deposits. Especially, two factors galvanized the dream of further manned moon missions. One definitely was the presence of water, albeit in solid form. Water separated into hydrogen and oxygen can be tremendously helpful for any space activities and further colonization of the Moon. The oxygen can be used to create an artificial bio-sphere to make habitable zones and use hydrogen and oxygen to refuel spacecraft on their return journey to Earth. In this context, one should note that it was Chandrayaan 1 which for the first time definitively identified hydroxyl ions in the lunar surface by first smashing an impactor in a controlled manner on November 14, 2008, and showing the presence of the molecule in the ejecta of the impact. It also showed through a specific instrument called Moon Mineralogy Mapper (M3), fabricated in collaboration with NASA and Brown University, the presence of about 600 million tonnes of water ice in the polar region of the moon. These discoveries generated enthusiasm in scientists to explore the Moon in a much intensive way.
The second important aspect of further moon explorations and human presence is the existence of a magic element called Helium-3. A school of scientists believe that the atomic structure of helium-3 promises to make it possible to use it as fuel for nuclear fusion, the process that powers the sun, to generate vast amounts of electrical power without creating the troublesome radioactive by-products produced in conventional nuclear reactors. In calculations they have shown that only a few tonnes of Helium 3 can generate enough power for a big country for a year, thereby reducing our dependence on fossil fuels for energy generation. But the process is questionable and difficult. Yet, scientists are quite interested to try out the option, and the moon can provide a reservoir of this magical element that is scarcely found on Earth.
Moon can also play another important role in space exploration. Because of lesser gravity than Earth (1/6) rocket lunches can be easier and less fuel consuming. Moon can be used as an interplanetary rocket launching base.
To date more than 100 missions have been sent towards the moon, only half of them achieved success, some partially though. But if one gets into the statistics, till date, 38 orbiters, 21 landers and 11 rovers have successfully operated and fulfilled their moon missions. At present 3 landers and 2 rovers are present on the moon and 4 orbiters are operational and sending huge amounts of data to the Earth.
Staring from the success of Chandrayaan 1 in 2008, India and ISRO have started an exhaustive programme of the further moon and even planetary missions. Chandrayaan 2 launched in 2019 was the next step. Though a large number of people felt disheartened when the communication with the Lander named Vikram along with the Rover, named Pragyan was lost just 2.1 km above the lunar surface during their controlled descent, to the scientific community Chandrayaan, 2 is mostly successful, since it is orbiting the moon as planned and sending back valuable data for better understanding of the moon, paving the way for future human travel and habitation. Chandrayaan 3 is being planned for a launch in possible 2022 or 2023. The pandemic situation has made it difficult to maintain the schedule earlier planned. ISRO in collaboration with the Japanese Space Agency, JAXA is also planning for the Lunar Polar Exploration Mission sometime in late 2024. ISRO will be fabricating the Lander module whereas, JAXA will provide the orbiter and the rover.
A number of Missions to the moon are being planned. The USA is planning for a manned mission in 2025. Russia, China & Japan have shown interest in human travel to the Moon sometime in the 2030s. So, the future is exciting. The Cold war accelerated Voyages of Discovery to the Moon and the new possible Hot War being anticipated by some may dictate heightened activity for reaching out to the Moon again, this time for benefit of the human society. Though the agreement was drafted and implemented by United Nations Office for Outer Space Affairs in 1984, stating that the Agreement provides that the Moon and its natural resources are the common heritage of mankind and that an international regime should be established to govern the exploitation of such resources when such exploitation is about to become feasible, it is to be seen how different countries interpret them. Whether the tensions generated at the South China Seas gets replicated in future at the various seas(plain lands) on the moon named as Tranquility, Serenity, Fertility or Crises. 52 years back when Apollo 11 astronauts left the moon and returned to Earth, left a plaque on the moon with the message, We came in Peace for All Mankind. Whether the present human civilization still respects the sentiments in todays world is to be seen.
(Dr. Debiprosad Duari is the Director of Research & Academic at M. P. Birla Planetarium, Kolkata, West Bengal. Views expressed in this article are personal and may not reflect the views of Outlook Magazine.)
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Billionaires to the moon – The Standard
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Billionaire entrepreneur Richard Branson wears his astronaut's wings after flying with a crew in Virgin Galactic's passenger rocket plane VSS Unity to the edge of space. [Courtesy]
For decades; invention, innovation and technological advancement have been largely tied to State machinery.
In many cases, all the three dimensions have thrived under intelligence and warfare conditions as governments multiply budgets for military and defence ministries adopting the latest technologies.
Throughout history, innovations including ICT technologies have thrived alongside global situations and world wars.
Space exploration and development has over the ages not only thrived amidst conflict but has been tied to the hip with warfare and warfare like conditions.
One, however, has to go back more than 30 years ago to appreciate this dimension of space exploration and interest.
Cold war
To date, space exploration has hit heights albeit with international hostilities, fear, intimidation and even paranoia.
For instance, as per reports, when the former Soviet Union (USSR) and the United States differed on policy in the aftermath of the 1947 Second World War, this set the then president for suspicion, competition and in some instances proxy wars as was the case in Cuba and Vietnam.
Spaceflight capability was also at the centre of this tension which virtually split up the world in two.
In bare-knuckle fashion, both the United States and the USSR battled each other for supremacy high above the rest of us to end with remarkable fetes in space exploration and the accompanying technologies.
The Soviets took a clear head start in the race putting out the first satellite and the first human in outer space with the first satellites including probes to the moon and Venus.
Soviets Cosmonaut Yuri Gagarin became the first human on a space flight in 1961, this fete would however be eclipsed in July of 1969 when the Apollo 11 mission landed the first humans on the lunar surface.
Cosmonaut Yuri Gagarin on the bus on the way to the launch of Vostok 1 on April 12, 1961. [Reuters]
Deemed as the single event designating the winner of the space race, the landing of man on the moon brought space exploration to the fore while astronauts like Neil Armstrong became household names as the fight captivated masses in both rival camps.
Earlier on in 1958, US President Dwight Eisenhower signed a public order creating the National Aeronautics Space Administration (NASA), a key federal agency dedicated to space exploration to this very day.
In 1991, the USSR crumbled to pieces in an internal disintegration, effectively bringing to an end the more than three decades space race and the birth of a softer Russian Federation.
The same moment marked the end of the hay days for space exploration as rivalry turned to collaboration - including the joint development of the International Space Station (ISS).
Years later, space exploration has slowly waned into the background with the US government for instance slashing spending to programs alongside aerospace accidents with catastrophic outcomes and the retirement of the maverick space shuttle.
The slow degeneration of space exploration, however, seems to have reached its ends as the industry sees new impetus.
Billionaire's patch
The new era of space exploration is not characterized by sovereigns and taxpayer-backed funding as the private sector now seeks a piece of the action.
Aerospace manufacturer SpaceX has been one such revelation and its goal revolve around the colonization of Mars in the near term and cost-effectiveness in the development of space technologies.
Founded in 2002 by billionaire Elon Musk, SpaceX is already the front runner in space exploration by private entities beating its closest rivals by miles in the marathon to outer space.
SpaceX has been the first private company to successfully launch, orbit and recover a spacecraft.
In the most recent, the company has both sent craft and astronauts to the ISS. By going to Mars, Musk says it shall be the furthest that life has travelled.
In March last year, Musk and company market the first crewed launch from the US in more than nine years.
Elon Musk, founder, CEO and lead designer at SpaceX and co-founder of Tesla, speaks at the SpaceX Hyperloop Pod Competition II in Hawthorne, California, U.S., August 27, 2017. [Reuters]
Today, SpaceX has a 29 billion dollars contract with NASA to develop the first commercial lender which will put the next American astronauts on the moon, including the first woman.
The flight path for SpaceX has, however, experienced turbulence with both the company and Elon Musk going through tough times.
Between 2006 and 2008 for instance, the company marked three failures at rocket launch which put pressure on the company plans.
Musk was forced to split $30 million between SpaceX and his automobile company Tesla before subsequent successful missions and eventual deals from NASA.
More billionaires
Earlier this month, British billionaire Richard Branson became the first person in history to successfully test his spacecraft as he flew close to the end of space.
This coming in just under a fortnight to another billionaires maiden space flight. Unlike SpaceX, Branson and his space exploration company Virgin Galactic have an eye on space tourism with Bransons experience being taunted at the private astronaut experience.
Branson targets to create the first commercial spaceline sub-orbital flights with the flights commencing in 2022.
A ticket for the experience will start from $250,000 or Ksh.27 million in local terms. Just like Musk, Branson has had his moments of adversary including the death of three contractors killed during a test in 2007 and the death of a pilot in 2014 when a Galactic craft broke into parts mid-flight.
Billionaire Jeff Bezos is set to fly out to the edge of space before the end of July on his most secret project Blue Origin.
The company targets passenger flights to space with Bezos being on the inaugural flight. Bezos has mostly funded the project out of pocket to this point.
Amazon and Blue Origin founder Jeff Bezos addresses the media about the New Shepard rocket booster and Crew Capsule mockup at the 33rd Space Symposium in Colorado Springs, Colorado, United States April 5, 2017. [Reuters]
Private money including the three billionaires and more is now set to take centre stage in the exploration of space and will likely determine the pace and efficiency of space exploration.
While many argue space exploration is the burning of stacks of cash that would otherwise be used in resolving earthly; challenges, humans ventures into space will remain a key pillar.
From the feasibility of a second home for man and new commercial opportunities, humankind have more to reap from space than is comprehendible by most.
Already, developments in space satellites have improved the quality of life on earth including the ability to pre-empt weather patterns and high-speed internet connectivity and communication.
If anything, humans are now universal beings with the cosmos being out there for us to reap and conquer.
The near future looks worrying, with everyone going through a global pandemic recession but the new digital technologies and space travel innovations remain an interesting commercial opportunity both for the public and private sectors.
-Chris Diaz, Business leader and Trustee Brand Africa
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Raise your hand if you’re tired of hearing about Richard Branson – The Manila Times
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ON Sunday, July 11, Richard Branson, the billionaire founder of the Virgin commercial empire, took a ride on a suborbital spaceplane built by one of his companies, Virgin Galactic. The global news media, using completely inappropriate superlatives such as "historic" and "record-breaking" has subsequently spent every day since cramming the story down everyone's throats, and I suspect most people are tired of it. I know I am.
Nevertheless, Richard Branson and his little "spaceship" are an interesting case study in why the world probably deserves an extinction-level meteor impact, and so, the topic is worth a little more examination.
First, the particulars of the flight itself. The vehicle, known as "SpaceShipTwo," with Branson, three other Virgin Galactic employees and two pilots aboard, was lifted to an altitude of about 46,000 feet above its base in New Mexico by a carrier plane dubbed "White Knight Two." The spaceplane then detached and fired its single-rocket motor for 70 seconds to accelerate upward, then coasted to its peak altitude of about 282,700 feet (roughly 53 miles or 86 kilometers) a few minutes later. The plane then descended, taking about 25 minutes to glide to a landing back at its base, which is grandiosely named "Spaceport America."
The flight was only the fourth powered test flight of SpaceShipTwo; an earlier version, SpaceShipOne, successfully flew three times before suffering a mechanical failure and crashing during its fourth flight in 2014. Branson's expressed goal for his program, which has been in development for about 17 years, is to be able to enter the "space tourism" business or, in other words, provide recreational flights for paying passengers who wish to experience a few minutes of weightlessness and see some nice views of the Earth from extremely high altitude.
First of all, there was nothing at all "historic" or "record-breaking" about the flight. Although the Virgin system surely represents a great deal of refinement in the technology, the basic system of launching a rocket-powered plane from a carrier aircraft has existed since the end of World War 2. The concept of "space tourism" is nothing new as well; the first "space tourist" spent a week on the International Space Station in 2001, and there have been others since (at prices of upward of $20 million for the privilege).
And unlike Branson, those forerunners can actually claim to have been to space, whereas the limit of his achievement was to have been "really high up." Although the relatively modest altitude achieved by SpaceShipTwo has sparked something of a debate about where "space" really starts, there is actually a reliable definition: it is called the Karman Line, and it is at an altitude of 100 km or 62 miles; in other words, about 17 kilometers higher than Branson and his fellow passengers traveled. To put it in a more familiar perspective, that would be like traveling from Caloocan to Manila and then going home and telling everyone you visited Las Pias.
Granted, the Karman Line is an arbitrary boundary. What is considered "the edge of space" in a scientific sense may be much higher or somewhat lower, depending on who you ask. There is a specific reason, however, why the 100-km altitude is a valid benchmark. According to the internationally-recognized legal definition of space, based on the principle that space cannot be claimed as territory, the Karman Line marks the ceiling of any country's airspace. Get above that line and you're in space; below it and you're in the territory of whatever country is below you. Thus, Richard Branson didn't go to space; he just went to a really remote part of New Mexico.
Why, then, if Richard's Big Adventure was so unimpressive, have we been compelled to hear so much about it? It is because for his entire career, Richard Branson has been a master of image cultivation and marketing. By crafting a persona of the hip, rebel adventurer - in short, an annoying wanker - he has managed to fool the entire world into assuming he has done innovative things and made billions in the process.
Compared to his contemporaries like Jeff Bezos, who is scheduled to ride his own rocket next week, or Elon Musk, whose SpaceX company has built a fleet of space trucks, Branson is contributing almost nothing to the overall human march to the stars, except for what amounts to a very expensive amusement park ride (tickets for a Virgin Galactic flight will start at something north of $250,000). Bezos and Musk are every bit as annoying as Richard Branson if not more so, but both of their space ventures are long-term programs with real practical aims toward offering broader commercial opportunities in space, space exploration, and even colonization of the Moon and Mars. Naturally, they will make a great deal of money from pursuing those aims, but they are at least potentially contributing to the greater good.
Richard Branson, on the other hand, gets all the rest of us to contribute to Richard Branson, on the basis of his being Richard Branson. As one glaring example, he was able to prevail upon the government of New Mexico, one of the poorest states in the US, to pony up some $220 million in state taxpayer money to build his "Spaceport America," and then let it sit idle for 10 years before finally moving Virgin Galactic's operations there.
It is somewhat impressive that he has been able to make his vacuous, personality-worship business model work to his advantage, but rather than praising him for it, we should blame ourselves for letting him do it at the rest of the world's expense.
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Raise your hand if you're tired of hearing about Richard Branson - The Manila Times
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Floods in Germany are the latest wake-up call in the climate crisis – Massive Science
Posted: at 12:53 am
In 2019, 44 percent of older Americans reported playing video games at least once a month. Part of this trend is seen in the rising popularity of game-like brain training programs such as Lumosity (which alone boasts over 75 million users), which promise improvements in memory, attention, and decision-making skills. But are these claims backed up by research?
One early study found effects of working memory training on intelligence, sparking a field of research focused on potential training benefits. After initial promising results, subsequent studies failed to replicate these findings. Often studies find some evidence of near transfer, or a training boost to specific skills, but fail to see far transfer, or benefits to general cognitive performance.
A 2021 study set out to determine the effectiveness of brain training programs in over 8,000 online participants, including 1,000 people who reported being active users of a brain training program. If these programs are as effective as they claim, then these active users should outperform the other participants on tests of memory, verbal ability, and reasoning skills. The participants came from a variety of countries, education levels, genders, and ages, a major strength of this study. The self-reported brain trainers actively used at least one program, and had used programs for anywhere between two weeks and five years.
The researchers found no evidence of an effect of brain training. Active brain trainers did not perform better on any cognitive measure than people who do not use these programs. Furthermore, no effect was found for any demographic group, such as age, education or socioeconomic status, or specific brain training program, further bolstering the conclusion that these programs are not effective.
The researchers found one significant result: people who believed that brain training was effective, regardless of whether they actually used them or not, counterintuitively performed worse on cognitive tests compared to people who didnt believe these programs are effective. Whether or not people believe these games work, they seem to have little benefit to general cognitive function. Play games for enjoyment, not with any expectation of a major cognitive boost.
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Piiigs iiin Spaaace! – The Real News Network
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On June 7, Jeff Bezos announced his plan to go to space on July 20just fifteen days afterfinishing up as CEO of Amazon. It was positioned as a bold next step in the billionaire space race that has been escalating for several years, though it didnt take long for its true face to show itself. Soon after Bezos set his date, Virgin Galactic CEO Richard Bransona man known for his marketing stuntsdecided he would try to beat the richest man in the world into orbit and scheduled his own space flight for July 11.
But as these billionaires had their eyes turned to the stars and the media showered them with the headlines they craved, the evidence that the climate of our planet is rapidly changing in a way that is hostile to lifeboth human and otherwisewas escalating.
Near the end of June, Jacobabad, a city of 200,000 people in Pakistan,experienced wet bulb conditionswhere high humidity and scorching temperatures combine to reach a level where the human body can no longer cool itself down. Meanwhile, half a world away, on the West Coast of North America, a heat dome that wasmade much worse by climate changesent temperatures soaring so high that the town of Lytton, British Columbia, hit 49.6C,beating Canadas previous temperature record by 4.6C, thenburned to the groundwhen a wildfire tore through the town.
At a moment when we should be throwing everything we have into ensuring the planet remains habitable, billionaires are treating us to a spectacle to distract us from their quest for continued capitalist accumulation and the disastrous effects it is already having.
The contrast between those stories is striking. On one hand, billionaires are engaging ina dick-measuring contestto see who can exit the atmosphere first, while on the other, the billions of us who will never make any such journey are increasing dealing with the consequences of capitalisms effects on the climateand the decades its most powerful adherents have spent stifling action to curb them.
At a moment when we should be throwing everything we have into ensuring the planet remains habitable, billionaires are treating us to a spectacle to distract us from their quest for continued capitalist accumulation and the disastrous effects it is already having.
Last May, we were treated to a similar display of billionaire space ambition. As people across the United States were marching in the streets after the murder of George Floyd and the government was doing little to stop COVID-19 from sweeping the country,Elon Musk and President Donald Trump met in Floridato celebrate SpaceXs first time launching astronauts to the International Space Station.
As regular people were fighting for their lives, it felt like the elite were living in a completely separate world and had no qualms about showing it. They didnt have to make it to another planet.
Over the past few years, as the billionaire space race has escalated, the public has become increasingly familiar with its grand visions for our future. SpaceXs Elon Musk wants us tocolonize Marsand claims the mission of his space company is to lay the infrastructure to do just that. He wants humanity to be a multiplanetary species, and he claims a Martian colony would be a backup plan in case Earth becomes uninhabitable.
Meanwhile, Bezos doesnt have much time for Mars colonization. Instead, he believes we shouldbuild large structures in Earths orbitwhere the human population can grow to a trillion people without further harming the planets environment. As we live out our lives in ONeill cylinders, as theyre called, well take occasional vacations down to the surface to experience the wonder of the world we once called home.
Neither of these futures are appealing if you look past the billionaires rosy pitch decks. Life on Mars would be horrendous for hundreds of years, at least, and would likelykill many of the people who made the journey, while the technology for massive space colonies doesnt exist and similarly wont be feasible for a long time to come. So, whats the point of promoting these futures in the face of an unprecedented threat to our species here on Earth? Its to get the public on board for a new phase of capitalist accumulation whose benefits will be reaped by those billionaires.
To be clear, that does not even mean anything as grand as asteroid mining. Rather, its form can be seen in the event last May: as Musk and even Trump continued to push the spectacle of Mars for the public, SpaceX was becoming not just a key player in a privatized space industry but also in enabling a military buildup through billions of dollars in government contracts. The grand visions, rocket launches, and spectacles of billionaires leaving the atmosphere are all cover for the real space economy.
While Branson is using the PR stunt for attention, the real competition is between Bezos and Muskand while they do compete with each other, they have significant mutual interest. In 2004, Bezos and Musk met todiscuss their respective visions for space, which led Musk to call Bezoss ideas dumb. As a result of that discussion, they occasionally snipe at each otherexchanges the media eats upbut theyre still working to forward a private space industry from which they both stand to benefit.
The years of competition between SpaceX and Blue Origin over landing platforms, patents, and NASA contracts show what the billionaire space race is really about. The most recent example of this is a$2.9 billion NASA contractawarded to SpaceX to build a moon lander, which Blue Origin and defense contractor Dyneticschallenged. In the aftermath, Congressconsideredincreasing NASAs budget by $10 billion, in part so it could hand a second contract to Blue Origin. But thats hardly the only example of public funding for the ostensibly private space industry.
For all the lauding of private space companies and the space billionaires that champion them, they remain heavily reliant on government money.
A report from Space Angels in 2019estimatedthat $7.2 billion had been handed out to the commercial space industry since 2000, and it specifically called out SpaceX as a company whose early success depended on NASA contracts. Yet private space companies arent just building relationships with the public space agency.
SpaceX won a $149 million contract from the Pentagon to buildmissile-tracking satellites, and two more worth $160 million touse its Falcon 9 rockets. It also won an initial contract of $316 million to providea launch for the Space Forcea contract whose value will likely be worth far more in the futureand its building the military a rocket that willdeliver weapons around the world. On top of all that, SpaceX won$900 million in subsidiesfrom the Federal Communications Commission to provide rural broadband through itsoverhypedStarlink satellites.
For all the lauding of private space companies and the space billionaires that champion them, they remain heavily reliant on government money. This is the real face of the private space industry: billions of dollars in contracts from NASA, the military, and increasingly for telecommunications that are helping companies like SpaceX and Blue Origin control the infrastructure of spaceand its all justified to the public under the promise that its in service of grand visions that are nothing more than marketing ploys.
Part of the reason SpaceX has been so successful at winning these contracts is because Musk is not an inventor but a marketer. He knows how to use PR stunts to get people to pay attention, and that helps him win lucrative contracts. He also knows what thingsnot to emphasize, like the potentially controversial military contracts that dont get tweets or flashy announcement videos. Bezoss trip to space is all aboutembracing spectacle, because he realizes its essential to compete for the attention of the public and the bureaucrats deciding who gets public contracts.
For years, there have been concerns that billionaires space investments are about escaping the climate chaos their class continues to fuel here on Earth. Its the story of Neill BlomkampsElysium: the rich live on a space colony, and the rest of us suffer on a climate-ravaged Earth while being pushed around by robot police as we perform the labor that makes the abundance of the colony possible. But thats not actually the future were headed toward.
As Sim Kern explains, keeping just a few people alive on the International Space Stationtakes a staff of thousandsand it gets harder the farther away people are from the one world we can truly call home. Mars colonies or massive space stations are not happening anytime soon; they wont be a backup plan, nor an escape hatch. As billionaires chase profit in space and boost their egos in the process, theyre also planning for climate apocalypse down here on Earthbuttheyre only planning for themselves.
Just as Musk uses misleading narratives about space to fuel public excitement, he does the same with climate solutions. His portfolio of electric cars, suburban solar installations, and other transport projects are promoted to the public, but they are designed to work bestif not exclusivelyfor the elite. Billionaires are not leaving the planet, theyre insulating themselves from the general public with bulletproof vehicles, battery-powered gated communities, and possibly even exclusive transport tunnels. They have the resources to maintain multiple homes and to have private jets on standby if they need to flee a natural disaster or public outrage.
We desperately need the public to see through the spectacle of the billionaire space race and recognize that theyre not laying the groundwork for a fantastic future, or even advancing scientific knowledge about the universe. Theyre trying to extend our ailing capitalist system, while diverting resources and attention from the most pressing challenge the overwhelming majority of the planet faces. Instead of letting the billionaires keep playing in space, we need to seize the wealth theyve extracted from us and redeploy it to address the climate crisisbefore its too late.
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Where to Find the Alien Movies Streaming or For Rent – /FILM
Posted: at 12:53 am
(Welcome toWhere to Watch, which provides a clear and simple answer to the question, Hey, where can I watch this thing? In this edition: theAlienfranchise.)
TheAlien franchise has a little bit of something for everyone. There are scares, thrills, existential dread, some laughs, and even a little bit of romance. Regardless of what youre looking for, theres anAlien film tailored to your wants.The franchise started in 1979 withAlien, which followed a rag-tag crew of space tuggers who get killed by a nasty alien that gets aboard their ship. From there, the series spawned three sequels, two prequels, and two spinoff movies.The world of xenomorphs and the people who fight them is a fascinating one, so heres where you can catch all the films in this fantastic series.
Where to stream:Amazon Prime
The one that started it all is 1979sAlien,a science-fiction horror film directed by Ridley Scott and written by Dan OBannon. It follows the crew of the commercial space tug Nostromo after they encounter a violent extraterrestrial that gets loose on the ship.Sigourney Weaver stars as Ellen Ripley, the warrant officer aboard the Nostromo. The less you know aboutAlien going in, the better.Alienis a haunted house movie set in a spaceship, its scares coming from what might be lurking around the next corner. Its a moody, terrifying film with incredible set and creature designs from acclaimed Swiss artist H.R. Giger.Everyone should seeAlien at least once, even if the chest-burster sequence ends up giving them nightmares for a week.
Where to stream:Amazon Prime
The second film in the series,Aliens, features less claustrophobic horror and more fist-pumping action. Written and directed byJames Cameron, this 1986 sequel features some of the most iconic moments in the franchise. After losing contact with a colony on the same moon where the Nostromo encountered the killer alien, Lieutenant Ripley (Weaver) agrees to return to check things out. After being the only survivor last time, however, shes eager to bring along some company with big guns. Joined by a crew of colonial marines, she sets out to investigate what happened to the colony and hopefully erase the xenomorph threat once and for all. She also discovers her maternal instincts when the crew finds a lone survivor, a young girl called Newt (Carrie Henn).
The banter among the colonial marines, especiallyBill Paxtons Private Hudson, makesAliens much tonally lighter than its predecessor. Theres also the introduction of the franchises most lovable android, Bishop (Lance Henriksen), who is a far cry from the villainous Ash in the first film.The most iconic scene is the final fight, which sees Ripley geared up in a power-loader exosuit to take on the massive queen alien. Its queen vs. queen in a showdown for the ages.
Where to rent:Redbox ($2.99), Amazon/Apple/YouTube/Vudu ($3.99)
The third installment in theAlien quadrilogy was released to mixed reviews but has since found a cult following. David Finchers decidedly darkerAlien lacked the ghost-house scares of the first film and was nothing like the action blockbuster of the second.
Following the events ofAliens, a xenomorph escapes on Ripleys ship while everyone is in cryostasis. The ship launches its escape pod, though one of the crew has a facehugger alien on them. (We all know how that tends to go) The pod lands on Fury 161, a floating foundry and prison station for prisoners with a YY chromosomal mutation that can cause them to be extra aggressive. Ripley is woken up only to discover that on top of worrying about the killer alien on the loose, she is also the only woman on an entire station full of angry men.Alienis heady sci-fi thatdigs into issues surrounding the prison system, gender dynamics, abortion rights, and personal identity. Its not nearly as fun as either of the previous two films, but it has a lot more to say. It also gives closure to Ripleys arc, and is the film that dives the deepest into her character.
Where to rent:Redbox ($2.99), Amazon/Apple/YouTube/Vudu ($3.99)
Even though it seemed like Ripleys story had come to a close at the end ofAlien,screenwriterJoss Whedon brought her back (as a clone!) forAlien Resurrection in 1997. Weaver returns as Ripley 8, a clone of Ellen Ripley created 200 year after the events ofAlien.A xenomorph queen is removed from the Ripley clone, and the two somehow share DNA with one another. Ripley gains alien-like superpowers:the clone has enhanced strength and reflexes, acidic blood, and a psychic link with the xenomorphs.
A group of mercenaries including the android Call (Winona Ryder) bring kidnapped humans in stasis to the scientists. The scientists use these captive humans as hosts for the aliens, and raise several xenomorphs for study. Then they escape, because they have freaking acid blood that can eat through metal.
Alien Resurrection was directed byJean-Pierre Jeunet, who gained international fame with his comedy Amelie.Its a mess of a movie that feels more like Alien franchise fanfiction than a part of the overall narrative, but it has some decent performances and moments. Watch out forBrad Dourif as a scientist andRon Perlman as one of the mercenaries teamed with Call.
Where to stream:HBO Max
Ridley Scott returns to the franchise he started withPrometheus, set approximately 30 years before the events ofAlien. Scott directs a script byJon Spaihts and Damon Lindelof, telling the origin of both humanity and xenomorphs. The movie follows the crew of the exploratory science shipPrometheusas they search a distant moon for signs of humanitys creator. Funded by the Weyland corporation and following a map found painted in caves on earth, the crew hopes to find the origin of all human life. What they find instead is lots of death.
Prometheushas an all-star cast that includes Charlize Theron as Weyland employee Vickers, Idris Elba as the captain of theship, Noomi Rapace as the hopeful scientist Shaw, and Logan Marshall-Green as her scientist husband, Holloway.Michael Fassbender steals the show, however, as the android David. David is one of the first androids created by the Weyland corporation, and he sees Peter Weyland (Guy Pearce) as a father. Seeing the origin of androids in the franchise is interesting, given where it goes with the villainous Ash, loyal Bishop, and curious Call.Prometheus ends up becoming Davids story as he tries to find his creators creator. Theres a lot of existential pondering here, but theres also an extended alien C-section sequence that is gory greatness.
Where to rent:Redbox ($2.99), Amazon/Apple/YouTube/Vudu ($3.99)
Prometheusleft a lot of questions unanswered and ended on a cliffhanger, so five years later its sequel,Alien: Covenant,arrived. Alien: Covenant is once again directed by Scott, with a script by John Logan and Dante Harper, from a story by Michael Green and Jack Paglen. Alien: Covenant begins 11 years after the events ofPrometheus, following a colonization ship searching for new planets to inhabit. A solar flare damages the ship and the android Walter, who is a later version of the David build, wakes up the human crew. They decide to follow a transmission of a human voice from a nearby planet, only to discover that the entire planet is void of life.
The reason everythings dead, of course, is because David and Shaw crash-landed their ship there and unleashed a deadly pathogen. Walter and David go head-to-head in the worlds best game of good android, bad android, and we learn that David has been breeding all kinds of new aliens. Ship second-in-command Daniels (Katherine Waterston) must do everything she can to save not only her crew, but all of the colonists still in stasis on the ship.Alien: Covenant ends up being halfAlienmovie, halfandroid existential crisis, and it delivers on both fronts.
Where to stream:HBO Max
There are a lot of Alien franchise fans who dont countAlien vs. Predator or its sequel as part of the franchise, but Im a completionist, so here we are. The idea for a Predator to take on a xenomorph originally appeared in aPredator comic book in 1989. In 2004, writer and directorPaul W.S. Anderson createdAlien vs. Predator, a silly but fun science fiction/adventure flick that pits the formidable alien foes against one another (and some unlucky humans). Genre greatLance HenriksenplaysCharles Bishop Weyland, the head of the Weyland corporation, who once again funds an expedition to go check out some trouble in space.Sanaa Lathanplays Lex Woods, an experienced guide hired to show the expedition team around. Lex is based loosely on the character Machiko Noguchi, who appears in multipleAlien vs. Predator books and eventually joins the ranks of the Predators herself.
Lex and the rest of the crew eventually discover that Predators have been visiting Earth for centuries, sacrificing certain humans as hosts for new xenomorphs in order for the Predators to hunt them. Its a coming-of-age ritual, Predator style, and the crew manages to get caught in the crossfire. While the films PG-13 rating certainly hampers it,Alien vs. Predator is still a fun, gory ride that gives us plenty of extraterrestrial-on-extraterrestrial action.
Where to stream:HBO Max
You can watch this one if you really want, but I dont recommend it.Aliens vs. Predator: Requiempicks up where the previous film left off. A Predator ship crashlands in a forest in Colorado, and an alien/Predator hybrid called the Predalien escapes. It wreaks havoc on a small town, and a skilled veteran Predator is sent to dispatch it.Aliens vs. Predator: Requiem was the directorial debut of brothers Colin and Greg Strause and was written by Shane Salerno, who co-wroteArmageddon. Theres plenty of Predalien fighting Predator carnage here, but the cinematography is so dark you can barely see any of it. At least this ones rated R?
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Where to Find the Alien Movies Streaming or For Rent - /FILM
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GUEST VIEW: Diversity is the spice of life – Niagara Gazette
Posted: at 12:47 am
While shopping at Wal-Mart, I saw a gentleman wearing what I believed to be a Pakistani hat (I looked up hats and found "kufi" hats in the library computer yay library!) and complimented his wife on her clothing. I will never know what nationality they were it is politically incorrect to ask but we shared the common language of a smile for a compliment given and accepted.
Near the service desk at the front of the store, a gentleman was dressed in a kilt. I was compelled to walk over and compliment him. Again, we shared smiles.
I often listen to the Spanish speaking workers, and the flowing musicality of the speech pleases my ear. I admit to finding it a bit annoying, but that is only because I worked with bilingual people who spoke English better than I speak Spanish. One of them said something, then they all turned and laughed in my direction, an indication that perhaps I should at least learn some rudimentary Spanish!
On my way out of the store, I was politically incorrect. I asked the young worker where he was from (lovely accent) and he replied he is from Mexico originally. He didn't seem to mind when I told him I was writing an article in favor of diversity, and did not mean to be politically incorrect, but wanted to share the adventure.
What adventure can one find at the stores? People not like me. Different dress, different colors, different accents.
Other cultures may be a bit odd in my view, but I'd win the bet they think I'm odd, too! We may not totally understand one another, but I believe we should try to enjoy diversity.
I do not know about anyone else, but I would find it deadly dull to have nothing but people exactly like me in the world. It may lead to differences, but a totally calm life is, I feel, boring beyond belief.
Nan Hassall resides in Lockport.
How about this ...
Eat white bread
morning, noon and night
but no butter.
It is yellow.
and
Drink purified water,
morning, noon, and night,
but no cherry Kool-Aid.
It is red.
Or
Drink cold milk
morning, noon, and night
but not chocolate.
It is brown.
And
Eat sweet candy,
morning, noon, and night,
But not licorice.
It is black.
and
Isn't that menu
just
Too, too restrictive
And damn bloody
Boring?
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GUEST VIEW: Diversity is the spice of life - Niagara Gazette
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Inside the Chaotic Early Days of ‘The Daily Show’ – Daily Beast – The Daily Beast
Posted: at 12:47 am
Comedy Central was in a tight spot. With Bill Mahers Politically Incorrect moving to ABC, the fledgling network was in desperate need of a talk-show replacement. And so, on July 22, 1996, The Daily Show was born.
Co-created by Lizz Winstead and Madeleine Smithberg, who had worked together on the short-lived The Jon Stewart Show, it was a novel concept: a parody of newscasts delivered with deadpan panache by ex-ESPN anchor Craig Kilborn and a roving team of kooky field correspondents, including Stephen Colbert and Lewis Black. It began as a blend of politics and pop culture but tensions between Winstead and Smithberg and Kilborn came to a head two years in, culminating with a deeply sexist Esquire interview wherein Kilborn called the staff bitches and said of Winstead, If I wanted her to blow me, she would.
That was the final straw for Winstead, who walked away from the show in 1998. The following year, Jon Stewart took over as host of The Daily Show, and the rest is history.
If it had never gotten on the path, it would have been difficult to walk away. But it was on the path. It was going. It was all happening, explains Winstead.
Winstead would go on to co-found Air America Radio, which helped launch the careers of Rachel Maddow and Marc Maron, as well as Abortion Access Front, an organization fighting for womens reproductive rights. On July 19, Winstead, Smithberg, and a number of original Daily Show correspondents will reunite for a talk in honor of the shows 25th anniversary, with proceeds benefitting AAF.
Weve never all been together and told these stories publicly before, so its going to be a lot of fun, offers Winstead.
But first, she spoke with The Daily Beast about the early days of The Daily Show and how she and her team laid the groundwork for 25 years of groundbreaking comedy.
Its crazy that its been 25 years of The Daily Show. What goes through your mind when you hear that?
It feels surreal in the sense of how, 25 years ago, we created a show because our media wasnt doing its job, and through all the iterations of how the media wasnt doing its job, weve landed now in 2021 where the media finally started doing its job and right-wing conspiracy theorists have decided that the media isnt doing its job because its doing its job. Its really wild. But the thing thats the coolest for me is, the one thing you have in this worldyou as a journalist, me as a comic, writer, and produceris if your instincts are right, it keeps you going forever. And just to know that all the instincts I had about that showthe framework, who to hire, what subjects to tacklepaid off in spades to the point where you could bring in new hosts, and new casts, and new writers and have a foundation so solid that they could reimagine it while the basic structure held up.
Youd worked on The Jon Stewart Show just prior to co-creating The Daily Show, and I remember when that show ended, David Letterman came on as one of the final guests and basically said, This is only the beginning for you, Jon.
And then Letterman signed up Jon for a development deal for two years, and we launched The Daily Show with Craig Kilborn. I think Letterman saw Jon as a threat because of his talent, and thought, What if I locked this guy up with a deal and kept him off the market for a while? I remember how Letterman came on the show and was enamored with how young the audience was, and how youthful the staff was. He really seemed to like the vibe and I think he really liked Jon a lot.
Dimitrios Kambouris/Getty
Well, we know he was generally enamored of youthful staff. With The Daily Show, Comedy Central was looking for a replacement for Bill Mahers Politically Incorrect, right?
Yeah. They wanted a replacement for Politically Incorrect, and they wanted a show that was responding to the world. What was interestingand lucky for us, and crazywas that they recognized that, in developing a show that was going to be on five nights a week, just doing a pilot wasnt going to work, so they gave us a year without a pilot in order to allow us to grow on the air. What Madeleine and I knew for sure was that the media and the news had to be a character on the show, and we had to do everything in our power to not be some extended version of Weekend Update. So, in order to hold a mirror up to the media, we hired people from the media who were writing at magazines, producing at TV news, and working as correspondents on TV news. We realized that we had to bring the news and be funny, so we formatted the show each day as you would in a newsroom. And people forget, this is before YouTube and Google, so I think we stole a LexisNexis account from somebody, had the AP wire, and would get dozens and dozens of newspapers delivered to the office every day, with producers divided into regions. It was really ragtag and really fun. We only had six writers at the beginning. It was insane.
And Comedy Central were the ones who chose Craig Kilborn to be the host, right?
Yup. [Viacom President] Doug Herzog loved SportsCenter and wanted this kind of SportsCenter vibe, so Kilborn filled the role. When the show launched, the show was more like Colberts original show [The Colbert Report], in that there wasnt anyone who was really the voice of the peopleeverybody was in characterand Craig looked and sounded like every local news anchor, and was a person where everybody wondered, Are you in on the joke? Or are you not in on the joke? And we never wanted to give that part away, because that was part of the magic of the show.
I had read how in the early days there was this tension between Comedy Central and Craig, who wanted it to be more pop culture-focused, and yourself and Madeleine, who wanted it to be more of a riff on media, politics, and the news.
Yes. Its no secret that the core creative team fought very hard against prioritizing pop culture. A) They wanted to have celebrity guests on, and we thought, Why are we shitting on Hollywood if you want to have these people on our show?, and B) An entertainment satire of Entertainment Tonight is called Entertainment Tonight. I cant make that show any more hilarious than it already is. We certainly did not make lasting friendships by fighting tooth and nail against this, but I would argue that if Madeleine and I had not fought as hard as we did to keep politics front and center, I dont think wed be having a conversation about the 25th anniversary of The Daily Show. I dont think we would have created a show that Jon would have wanted to step into. People werent getting information from the news, and to be able to point that out was a real catharsis for people.
As you said, you, Madeleine, and your staff were responsible for laying the foundation. And a big way you did that was through hiring people like Stephen Colbert, Lewis Black, and a number of other folks.
Stephen Colbert was on Good Morning America doing these interviews, and I was watching one morning and went to Madeleine, Stephen Colbert is on Good Morning America and he is winking to us, and I think we should talk to him and see if he wants to come over here. So, we got him over here. Stephen Colbert, Lewis Blackand Brian Unger is the reason you know what a Daily Show correspondent is. He came from CBS News and literally trained every correspondent on how to do that ridiculous, skeptical, know-it-all, Stone Phillips-y kind of thing. Right when I was leaving Carell came on, and Madeleine shepherded through him and a bunch of other people.
I think Stephen observed a myriad combination of the OReillys, the Hannitys, and that self-important, bombastic thing, and he ran with it.
What was Colbert like when he arrived? Had he developed that Colbert persona yet?
When I saw him on Good Morning America, it already seemed like he knew how to be a journalist, and hes also a really funny comedic actor, so I dont think he needed a whole bunch of coaching. I just think that every single person came in thinking about how they were gonna be, and as the news stars of cable emergedFox News came into the realm in October of 1996, and we launched in Julypaying attention to these personas that were being built and what he wanted to take on, I think Stephen observed a myriad combination of the OReillys, the Hannitys, and that self-important, bombastic thing, and he ran with it.
I wanted to talk to you about the falling-out with Craig.
Oh, I dont ever talk about that. You can google it and write about it.
I re-read the things that he has said at the time and it was pretty shocking.
Yeah. It wasnt great. But I worked in television at a time when shit happens, and I think things would have been very different if it had happened now.
Did you tell Comedy Central, Him or me? And how difficult was it to walk away from your creation?
You know, I think anybody whos got any confidence and who says, I made this thing, I can make a lot of other things Truth be told, it was in me to say, There cant just be one of these shows. I could stay here forever and do this show, or I could go out there and try to do other things so that the media landscape starts to get populated with cool stuff. So, I left there, and then Brian Unger and I did a pilot that I wish wouldve gotten picked up, which was a satire of a news magazine, and then went off to launch Air America. When I look at Rachel Maddow, and Marc Maron, and Sam Seder, they all leapt out of that. I got to write a book, and now Im running a reproductive rights organization thats talking about abortion in a way thats really provocative, and edgy, and funny. I just feel like Ive been following my path, and all the while doing stand-up as it was happening.
Stephen Colbert and Jon Stewart appear on The Daily Show with Jon Stewart #JonVoyage on August 6, 2015, in New York City.
Brad Barket/Getty
Did you have a hand in Jon Stewart ultimately getting the gig, given your past with him on The Jon Stewart Show?
Everybody would have loved for Jon to not be in a development deal with Letterman, because we loved working with him. So, it was just a perfect storm where when Craig was leaving, Jons development deal with Letterman was coming to a head, so people thought, Lets see if he wants to come in and do this. And when he did, it was such a good transition because I think the show just grew. Having somebody in the chair who was the voice of the viewer allowed him to bring the antics in the field back to the reality of what they were satirizing, and when you have somebody as profound in their own persona to be able to fill that chair, it was an incredible direction and ended up bringing the show to the next level. He asked me to come back, and at that point I was like, You know what? Youre filling the role that I was doing and youre also in the chair, so good. You just do that. What would I do? It would just be like having two brains there. I feel so lucky that, in the iterations of this show, people made really good decisions about who was going to be in that chair.
Lastly, lets talk about Abortion Access Frontyour organization that the Monday Daily Show reunion is benefiting.
Its a relentless fight. For the amount of bad stuff thats happening, the lack of media coverage around it is staggering. The fact that Roe v. Wade is probably going to be overturned in 2022and thats not hyperbole, that is factsand theres been hardly any cable news coverage around it, I was like, you know what? I want to hold these people accountable and bring information to the people. We go out on the road and do shows with comedians and musicians, have conversations with local abortion providers and activists on the ground, make hilarious videos that are really poignantour TikTok is blowing upand were launching our own YouTube talk show in October called Feminist Buzzkills Livebasically, if there was a talk show that discussed real issues in a real way around patriarchy, and women, and abortion, with really great comics and musicians, as well as experts and providers in the field. Its not talked about enough, and is so stigmatized, that were just going to blow the roof off the motherfucking abortion building.
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Inside the Chaotic Early Days of 'The Daily Show' - Daily Beast - The Daily Beast
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