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Can Milk Baths Be Used To Treat Psoriasis? – The List
Posted: December 22, 2021 at 1:02 am
Ok, making a milk bath sounds pretty simple, right? And, it is, except the primary key is knowing which milk to bathe in. If you are lactose intolerant, it's best not to sit in cow milk, as the last thing you want to do is cause an allergy flare up when you're currently suffering from dry skin. That said, Good Housekeeping confirms you can usemilk alternatives such as oat milk or goat milk in your bath. Verywell Health added that goat milk is a better alternative to the cow milk typically used in milk baths, as it provides a creamier feel on your skin due to the milk's high fat.
Now that you know which milk you're going to use, it's bathing time. The first step is to add 2 cups of milk, 1/4 cup of honey, and a few drops of oils to your warm water. Then it's soaking time. Dr. Henry warned that you should only soak for up to 30 minutes andtake milk baths a maximum of once a week. Yes, we know it may be tempting to bathe in milk to get rid of that dry skin feeling, but you don't want to overdo it.
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JonBent Ramsey: DNA testing could be used to solve case, police say – The Guardian
Posted: at 12:57 am
Twenty-five years after JonBent Ramsey was killed, police say DNA hasnt been ruled out to help solve the case.
The six-year-old was found dead in the basement of her familys Boulder, Colorado, home on 26 December 1996, bludgeoned and strangled, several hours after her mother called 911 to say her daughter was missing and a ransom note had been left behind. Her death was ruled a homicide, but nobody was ever charged in the case.
Boulder police have been working closely with state investigators on future DNA advancements, the department said in a statement Monday addressing the anniversary of JonBents death.
As the department continues to use new technology to enhance the investigation, it is actively reviewing genetic DNA testing processes to see if those can be applied to this case moving forward, it said.
In recent years, investigators have identified suspects in unsolved cases by comparing DNA profiles from crime scenes and to DNA testing results shared online by people researching their family trees, including the Golden State Killer in California.
In Oregon earlier this year, a man was accused of killing two people who disappeared 20 years apart after forensic genealogy linked him to the 1999 disappearance and presumed death of one of them. Christopher Lovrien has pleaded not guilty to murder charges.
Its unclear if this is the method investigators plan to apply to the JonBent case. A police spokesperson, Dionne Waugh, said she could not comment further because the investigation is still active and ongoing.
Investigators have analyzed nearly 1,000 DNA samples during the course of the Ramsey investigation, police said in the statement, along with receiving, reviewing or investigating more than 21,016 tips, letters and emails. Detectives have traveled to 19 states to interview or speak with more than 1,000 people in connection with the case, the department said.
Tests in 2008 on newly discovered DNA on JonBents clothing pointed to the involvement of an unexplained third party in her slaying, and not her parents, John and Patsy Ramsey, or their son, Burke. That led former district attorney Mary Lacy to clear the Ramseys of any involvement, two years after Patsy Ramsey died of cancer, calling the couple victims of this crime.
The police department was criticized for its initial handling of the investigation into the death of JonBent, who had competed in beauty pageants.
The details of the crime and video footage of JonBent from the pageants propelled the case into one of the highest-profile mysteries in the United States, unleashing a series of true-crime books and TV specials.
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Global In Situ Hybridization Market Segment Forecasts 2021-2028: DNA Probes Segment Forecast to Maintain Dominance Due to Increasing DNA-based Studies…
Posted: at 12:57 am
DUBLIN--(BUSINESS WIRE)--The "Global In Situ Hybridization Market Size, Share & Trends Analysis Report by Technology (FISH, CISH), Probe Type (DNA, RNA), Product, Application, End-user (CROs), Region, and Segment Forecasts, 2021-2028" report has been added to ResearchAndMarkets.com's offering.
The global in situ hybridization market size is expected to reach USD 2.6 billion by 2028, according to the report. The market is expected to expand at a CAGR of 8.9% from 2021 to 2028.
The growing popularity of in-vitro diagnostics over conventional disease diagnostic methods has majorly driven the ISH market over the past years.
The market is gaining momentum in breast cancer with the FISH test. For instance, Roche offers a comprehensive ISH workflow solution with automated assay and digital pathology for breast cancer. Thus, increasing the scope of application is expected to drive the market to a major extend. In addition, technological advancements in instruments have fueled the market growth.
The COVID-19 is found to have a mixed impact on the market space. Social distancing mandates and lockdown policies have negatively affected the market to a considerable extent. However, the pandemic has opened new opportunities for operating entities by allowing them to deploy ISH methods in the R&D of COVID-19 related programs.
The leading institutions and market competitors are now focusing on designing fluorescence in situ hybridization probes to visualize COVID-19 RNA in the infected cells. FISH has proven to offer relevant information on the virus at a cost-effective method.
Market Report Highlights
Key Topics Covered:
Chapter 1. Methodology and Scope
Chapter 2. Executive Summary
Chapter 3. Market Variables, Trends & Scope
3.1 Market Segmentation
3.2 Parent Market Lineage
3.3 Ancillary Market Lineage
3.4 Market Dynamics
3.4.1. Market Drivers Analysis
3.4.1.1 Rising Prevalence Of Target Disorders
3.4.1.2 Technological Advancement
3.4.1.3 Increase In R&D Investments In In-Vitro Diagnostics
3.4.2 Market Restraint Analysis
3.4.2.1 High Cost Of ISH
3.4.2.2 Presence Of Ambiguous Regulatory Framework
3.4.3 Market Opportunity Analysis
3.4.4 Market Challenge Analysis
3.5 SWOT Analysis; by Factor (Political & Legal, Economic and Technological)
3.6 Porter's Five Forces Analysis
3.7 Major Deals and Strategic Alliances Analysis
3.7.1. Mergers and Acquisitions
3.7.2 Technological Collaborations
3.7.3 Licensing and Partnerships
3.8 COVID-19 Impact Analysis
3.8.1 Challenge Analysis
3.8.2 Opportunity Analysis
3.8.3 Key Developments and Activities
Chapter 4. Competitive Analysis
Chapter 5. In Situ Hybridization Market: Technology Type Business Analysis
Chapter 6. In Situ Hybridization Market: Probe Business Analysis
Chapter 7. In Situ Hybridization Market: Product Business Analysis
Chapter 8. In Situ Hybridization Market: Application Business Analysis
Chapter 9. In Situ Hybridization Market: End User Business Analysis
Chapter 10. In Situ Hybridization Market: Regional Business Analysis
Chapter 11. Company Profiles
For more information about this report visit https://www.researchandmarkets.com/r/dxsw9l
About ResearchAndMarkets.com
ResearchAndMarkets.com is the world's leading source for international market research reports and market data. We provide you with the latest data on international and regional markets, key industries, the top companies, new products and the latest trends.
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Global In Situ Hybridization Market Segment Forecasts 2021-2028: DNA Probes Segment Forecast to Maintain Dominance Due to Increasing DNA-based Studies...
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Mechanical forces in a beating heart affect its cells’ DNA, with implications for development and disease – The Conversation AU
Posted: at 12:57 am
Sometimes cells can forget what type of cell they are and stop functioning correctly. This commonly happens in cancer, in which mature cells lose aspects of their identity and become more susceptible to begin dividing uncontrollably.
Heart conditions like cardiomyopathy, a disease that makes it harder to pump blood, affect the shape and function of affected heart cells. These changes can also occur in the nucleus of the cell, which houses genetic material that tells a cell how to function.
Because certain changes to nuclear structure can be early warning signals for heart problems, monitoring for such changes could help clinicians diagnose and treat disease before it gets worse. Researchers know that certain changes in the physical forces exerted on heart cells, including from their own contraction, can lead the cells to lose their heart cell identity and function poorly. But exactly how these physical forces work to change heart cell identity was unclear.
In a new study my colleagues and I published in the journal Nature Biomedical Engineering, we found that mechanical forces can reorganize the genetic material inside the nucleus of heart cells and affect how they develop and function. Better understanding of how cells claim and maintain their identities may help advance treatments to repair heart damage from cardiovascular disease and create new prosthetic tissues.
Early in human development, the external pressures surrounding immature cells influence what type of cell they eventually become when they differentiate, or fully mature. These external forces also help maintain tissue health as people age.
During differentiation, cells move around and restructure a mixture of proteins and DNA called chromatin thats located in their nuclei. Cells use chromatin as a way to package and organize their genetic code. Knowing that external physical pressures can affect how cells mature, my research lab and I wanted to explore how mechanical forces can reorganize chromatin and what that might tell us about how heart cells develop and sometimes stop working.
To do this, we looked at adult heart cells as they contracted under a microscope to see how their nuclei change shape. We then compared these images with the nuclei of embryonic heart cells as they normally change during early development. We found that areas in the nucleus with high tension tended to organize chromatin into specific shapes known to influence cell behavior. When we changed the tension in those areas of the nucleus, we were able to prevent cells from developing into normal heart cells. This meant that tension may play a key role in guiding heart cells on how to develop.
We then examined how mechanical stress changed the chromatin structure of heart cells from patients with cardiovascular disease and mice with reduced heart performance. Compared with healthy cells, heart cells from both patients and mice lost their chromatin organization and identity as heart cells. This meant that mechanical tension could influence how well mature cells function and their likelihood of developing into cardiovascular disease.
While our study explores the role that chromatic reorganization plays in early development, additional research is needed to understand exactly what triggers cells to develop into specific cell types. Further insight into how the mechanical environment surrounding a cell affects how it matures will help researchers better understand the process of human development.
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Understanding what triggers a collection of cells to transition to a fully functional organ may also help researchers learn how to mimic these developmental processes and create new prosthetic devices. For example, accounting for the mechanical forces that affect how well tissue grafts for failing hearts and muscles work may help biomedical engineers design even more effective artificial implants. It may also set the stage for more organ-on-chip models that can be used instead of animals to screen potential drugs.
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Mechanical forces in a beating heart affect its cells' DNA, with implications for development and disease - The Conversation AU
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Pa. AG continues to oppose DNA testing that man claims will clear him of 1986 murder – PennLive
Posted: at 12:57 am
SUNBURY The state attorney general has again opposed a Northumberland County mans effort to obtain court approval for DNA testing of evidence he claims will clear him of a 1986 murder.
Deputy Attorney General Christopher J. Schmidt has asked the state Supreme Court not to accept the appeal of Scott R. Schaeffer who claims he was wrongly convicted of the murder of Rickey Wolfe.
Schaeffer, of the Sunbury area, is appealing a Superior Court ruling in October that denied as untimely a request for DNA testing.
The ruling affirmed the decision by specially assigned Lycoming County Senior Judge Dudley N. Anderson who in addition found that Schaeffer failed to make a prima facie showing the requested DNA testing would establish actual innocence.
Schaeffer wants the Supreme Court to interpret what the legislature intended when in 2018 it amended the Post-Conviction Relief Act to include those who have completed their sentences like him.
The amendment, while it permits DNA testing when there is reasonable possibility it would produce exculpatory evidence, did not change the time period in which to seek it.
It makes no sense for the legislature without overriding the timeliness requirement to allow those who have completed their sentences to seek DNA testing, Schaeffers attorney Joel Wiest argues.
Otherwise, requests like his clients would be denied as untimely, he wrote in asking the Supreme Court to accept the appeal.
Schmidt contends the high court should not accept the appeal because Schaeffer argued in lower courts his petition was timely not that the amendment altered that requirement.
Schmidt further contends the Superior Courts memorandum does not present rare, special or important reasons for granting a review.
Superior Court properly concluded Schaeffers first request for DNA testing, which he made almost 30 years after he was charged, was untimely, he said.
The opinion did not address whether Anderson erred in concluding there was no reasonable probability DNA testing would lead to evidence of actual innocence.
If the Supreme Court would be inclined to review that issue it would have to remand it to Superior Court, Schmidt claims.
The body of Wolfe, 30, of Mifflinburg, was found Dec. 12, 1986, face down in a pool of blood near his car at a state Fish Commission boat ramp along the Susquehanna River north of Montandon.
Schaeffer was one of five men charged (two were acquitted) with beating Wolfe while he was blindfolded, on his knees and with his hands secured behind him.
The prosecutions theory was Wolfe was kidnapped and beaten to death because he owed a drug debt.
Schaeffers 1991 conviction on first-degree murder and other charges and that of William Lloyd Hendricks III were vacated after co-defendant Robert Eugene Hummel said he had testified falsely under pressure from state police.
Schaeffer and Hendricks in 2004 pleaded no contest to conspiracy to commit third-degree murder and conspiracy to commit kidnapping. They were re-sentenced to 10 to 20 years in prison followed by 10 years probation. Although Schaeffer had served the minimum, he remained in jail two more years for a total of 17 before paroled.
Schmidt maintains DNA testing was available in 2004 but Schaeffer waited until 2018 to seek it.
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Pa. AG continues to oppose DNA testing that man claims will clear him of 1986 murder - PennLive
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Simpsonville woman accused of homicide by child abuse has been ordered to submit DNA – Greenville News
Posted: at 12:57 am
The Simpsonville woman accused of homicide by child abuse in the death of a 3-year-old girl has been ordered to submit to a DNA test, according to online court records.
No trial date has been set yet for Ariel Robinson, who's been charged with homicide by child abuse in the death ofVictoria Rose Smith, who was not yet formallyadopted and was under care of the state Department of Social Services at the time of her death,according to the Thirteenth Circuit Solicitor's Office.
A trial is expected to come by summer, according to the Solicitor's Office.
Jerry Robinson, Ariel Robinson's husband, has also been charged with homicide by child abuse in the case. His trial is also yet to be scheduled.
'System failed': 'System failed' 3-year-old Simpsonville girl who died in abuse case, family member says
At a bond hearing for Ariel Robinson in February,Assistant SolicitorChristy Sustakovitch said attorney Lucas Marchant contacted prosecutors a few days after Victoria's death in January to sayhis client, Jerry Robinson,wanted to make a statement to investigators.
Jerry Robinson told investigators that his wife sometimes beat Victoria with things such as a belt anda paddle, and he said he was outside of his house when he heard his wife hitting the little girl with a belt on the day she died,according toSustakovitch.
The order for Ariel Robinson's DNA collection was issued on Nov. 29, according to court records.
Calls to her attorney, William Bouton, were not returned.
More: Husband says Simpsonville woman hit 3-year-old with belt before the girl's death
She's been held without bond at the Greenville County Detention Center, according to online records.
Robinson was a contestant of the Food Network's 20th seasonof "Worst Cooks in America", according to Discovery Network representative Irika Slavin.
Jerry Robinsonwas granted a $150,000 surety bond, clearing the way for his beingunder house arrest with GPS monitoring pending his trial. He's to reside with his parents and have no contact with anyone under the age of 18, according toJudge Letitia Verdin.
Care has been arranged for four other children who lived with the Robinsons, including two boys biologically related to Victoria, according to the Simpsonville Police Department and the Solicitor's Office.
Victoriadiedfrom multiple blunt-force injuriesafter being found unresponsive at the Robinson's houseon Sellwood Circle in the Westwood subdivision ofSimpsonville on the afternoon of Jan. 14, according to the Greenville County Coroner's Office.
Her adoption had been scheduled to be formalized five days after her death, according to the Solicitor's Office.
Related: Simpsonville man charged with homicide by child abuse has been granted bond
Tamia Boyd is a Michigan native who covers breaking news in Greenville. Email her at tboyd@gannett.com, and follow her on Twitter @tamiamb.
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NEARBY: DNA Used To ID Woman Years After Death, Detectives Seek Tips – LevittownNow.com
Posted: at 12:57 am
Kids playing in a small wooded area behind the Club House Diner on Street Road in Bensalem Township found something theyre likely to never forget on September 18, 1995.
The kids uncovered the skeletal remains of a
woman. The woman was unclothed and her remains wrapped in a plastic tarp. An autopsy revealed the womans remains had been there for two to three years and she died by an unspecified means of homicide.
Despite an ongoing investigation and tips over the years, Bensalem Township authorities werent able to identify her. In fact, they had ruled out numerous possible women who they suspected the body might have belonged to.
Over 50 missing women were excluded as being Jane Doe, police said in a statement.
In May 2004, Bensalem Township police exhumed the womans remains and sent samples to the University of North Texas Center for Human Identification where a DNA profile was extracted and uploaded into the national CODIS system. It was all part of an attempt to identify her, and names were crossed out, but no positive identification was uncovered.
That changed recently.
Bensalem Township police said Monday they are confident the body belonged to Merrybeth Hodgkinson, who was 31 years old and lived in Warminster. She also was known to have lived on Rhawn Street in Philadelphia, the George Washington Motor Lodge, and the Oakford Inn.
Police said Hodgkinson disappeared in September 1992 after visiting with family. She was working at the time as an exotic dancer in Lower Bucks County.
BODE Technology, a DNA analysis firm area police have worked with for years, developed a DNA profile for the unknown womans remains in November 2021. Working with BODE and Jennifer Moore, of Innovative Forensic Investigations, police were able to link the body to Hodgkinson through GEDmatch and FamilyTreeDNA.com, companies that allow users to find relatives through DNA samples.
Police said they also tested the DNA of Hodgkinsons siblings as part of their investigation.
Hodgkinsons remains rest in Telford and her grave lists her as a Jane Doe.
No arrests have been made in connection with Hodgkinsons death.
Several items of interest were located near Hodgkinsons body in 1995. Police said theyre not sure if the items were connected, but they suspect some or all may have belonged to her.
A blue quilted sleeveless vest, a pink t-shirt with KPMG Peat Marwick, and a white T-shirt with Property of Alcatraz Penitentiary Swim Team, San Francisco printed on it were located. A brown beaded seat cushion (possibly used in an vehicle) and two crucifixes, one gold and one silver, were also found near the remains.
Police asked anyone who knew Hodgkinson or who may have information on the death to contact Bensalem Township Detective Chris McMullin at 215-633-3726 or Bucks County Detective Greg Beidler at 215-348-6344.
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NEARBY: DNA Used To ID Woman Years After Death, Detectives Seek Tips - LevittownNow.com
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Winning culture in his DNA Hugo Lloris on what Conte can bring to Spurs – The Spurs Web
Posted: at 12:57 am
Hugo Lloris has claimed that Antonio Conte has a winning culture in his DNA and believes the Italian can help Tottenham make the next step in their quest to achieve silverware.
Tottenham hired Conte last month following the dismissal of Nuno Espirito Santo and things appear to be going well in the early stages of his tenure.
Much was made of Spurs appointment given that the 52-year-old has enjoyed such a decorated managerial career so far, winning league titles at Juventus, Chelsea and most recently Inter Milan.
Lloris understands the fine details needed for a side to claim titles himself, having captained France to the World Cup in 2018 and the 2021 Nations League.
The long-time Spurs goalkeeper praised Contes impressive career achievements so far and backed him to bring the quality the club needs to succeed in the future.
Lloris told the clubs website: Football is all about details. And when you come close to the final step, details are so important. We know that we have the manager who can help the team improve in those details.
Antonio Contes CV talks by itself. Hes bringing his energy, his football approach but also, mainly, his mentality. He has the winning culture in his DNA.
He played all his career for Juve, was at Juve as a manager and has won everywhere hes been. So, its important to use his experience, but also for the players to take responsibility, and to become better as a team.
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Conte appears to be having a bid influence on a number of Spurs players already which should bode well heading into the second half of the season.
As long as the players continue to have faith and listen to his methods, there shouldnt be a limit as to what the club can achieve.
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Digital art pioneer Marjan Moghaddam’s retrospective in the Metaverse at MOCDA – whitehotmagazine.com
Posted: at 12:50 am
Marjan Moghaddam, Glitch Goddess Intervention at Frieze NY, 2019. Courtesy of the artist.
By SOPHIE BARON, December 2021
2021 was the year that saw Digital Art, NFTs, Virtual and Metaverse exhibitions finally take a seat at the table in the contemporary art market. With record sales of Digital Art at Sothebys, the corporate rebranding of Facebook into Meta, and NFTs promising the kind of excitement that Internet 1.0 once ushered in, the pandemic helped accelerate yet another fundamental cultural shift in our time. It is thus appropriate for a career-length lookback at one of digital arts pioneers and continuously prolific creators; an artist whose body of work spans almost 4 decades, who has consistently been on the avant-garde of technological progress and development: Marjan Moghaddam.
Born in Iran, Moghaddam arrived In New York City during 1979 as a political refugee fleeing from the brutal theocratic regime of the Ayatollah Khomeini, a regime that forced Iran, which had been a quickly-modernising society, back into virtually the Middle Ages, and imposed one of the harshest systems of gender apartheid in the world. It was the disturbing experience of living through her countrys revolution, Moghaddam has repeatedly stated, that inspired her commitment to social and technical progress, and thus, her interest in computers and the creative potentials they offer. This commitment to progress is also what motivated her to keep up with each and every new breakthrough in the field of computer science, and to constantly advance her art-making by utilising these new tools, which she also teaches as a tenured Full Professor of Digital Art and XR at the Brooklyn campus of Long Island University.
Marjan Moghaddam with Shot in Iran and David & Gloiath (2021) at Mainline Art Center.
Marjan was the only female digital artist featured between NFT giants Beeple and XCopy in the BBC Click documentary Art Goes Digital, earlier this year. Having entered the NFT space with strong sales into top collections in 2020, she also exhibited widely in important metaverse shows in Cryptovoxels and Decentraland throughout the year, culminating with a solo show at MOCDA (Museum of Contemporary Digital Art) during the Summer, which closed earlier this fall. Entitled Digital Embodiments and Interventions: The Sculptural World of Marjan Moghaddam, the retrospective was hosted by MOCDA in Decentraland, a blockchain-based virtual reality space, and was curated by the London-based new media art expert Filippo Lorenzin. A walk through of the exhibition with Marjan and the curator from MOCDA and Decentraland University can be seen on You Tube.
Stretching across three vast, themed rooms in MOCDAs architecturally designed virtual museum in Decentraland, the first thing I noticed about the exhibit was Lorenzins focus on one key theme that has been prevalent in almost all of Moghaddams work from the very beginning, her adamant feminism, expressed not only in exaltations of the feminine form, but also in how modern technology gives women, and all people for that matter, the ability to modify and change their forms to whatever suits their individual desires. The concept of body fluidity, which is at the heart of everything from gender performance notions of feminism to transgender studies, transhumanism, and posthumanism, is an important example of why Moghaddams work is so relevant in todays social climate, and it shows how ahead of her time she was when she first began conceptualising fluidity in the 1980s. She has literally defined this contemporary state as identity through her unmatched style of figuration and animation in 3D CG and digital art.
Marjan & Fillipo Speaking in Room 1 with PMS and her 1996 Avatar and Fractals.
The first room comprises ten pieces: one sculpture, and nine video installations, all of which are interactive. The sculpture, called Spharen Wanderer, has a matching video installation; both, from 2015, are meditations on Being in the 21st century, inspired by the Spharen (Spheres) trilogy of books by German philosopher Peter Sloterdijk, a major influence on the artist. Other installations included David and Goliath (2012), one of Moghaddams most well-known recent works, a universal reflection upon oppression and resistance in Capitalism and art; Shot in Iran (2012), my personal favourite by this artist, a digital print in which Moghaddam bares her soul as she recounts the true experiences of violence she faced during the 1978-79 Iranian Revolution; and Shooting Venus (2014), an expertly crafted, multi-layered, complex series of images evoking the oppression of women in the east and west, with the video displaying derogatory phrases about women in English, Persian and Arabic.
Scab, an early landmark, and influential animation employing Motion Capture of improvised Performance and the artists signature abstracted #digitalbodies takes centre stage in this room. Seen by millions around the world as part of Siggraphs theatrical program of Computer Animation back in 2009, the animated painting explores PTSD. Also, of note is one of Moghaddams earlier works, PMS (1989), a mish-mash of arcade-game style colours, experimental noises, and imagery that, in dealing with the burden imposed upon the feminine body by society, plays with the deconstruction and the reconstructing of it in bizarre and shocking forms that nevertheless do give the viewer a sense of awe and sympathy for both the artists message and how she has chosen to express it. This piece was the only computer art project shown at the helms Degenerate Art show in the East Village of that era.
Moghaddams widely exhibited Posthumanist series from the 1990s, Adorations, which paired 3dCG bald humanoids textured with fractals, and posed in Madonna and child compositions with technological extensions of the body, is represented with Adoration of Gas Tank (2000). Another seminal 1990s piece is her 3d CG Avatar with Projected Fractals (1995) from her Chaoscape series, which was exhibited in various forms from early immersive virtual reality installations to Internet art and 3d animations as GIF sponsored by Prodigy Inc. in 1996 on DOTCOM Gallery and International Forum for the Digital Arts, the first NYC-based commercial art gallery located entirely on the Internet (this project can be seen on the DOTCOM site on the Web Archive).
Marjan Moghaddam, Glitch Goddess, Art Basel, 2018 Arthack. Courtesy of the artist.
The second room is Merged Identities featuring an installation of Marjans Feminist viral hit The #GlitchGoddess, glitches existing conventions of depicting women with a singular form by morphing from heavy, slender, pregnant, buff, to stylized and abstract. Marjan pioneered her #arthacks as a conceptual Net Art project in 2016, by hacking her #digitalbodies and critical discourse transgressively into found and shot exhibition footage online. In doing this, Moghaddam is performing a digital version of the feminist interventions of the 1960s, such as the women burning their braziers at the Miss America pageant in 1968. This is most explicit, to me, in Glitched Goddess at Milan Fashion Week with J Lo (2019), where their very presence is a rebuke to the negative standards of feminine beauty that the fashion industry promotes. In Glitched Goddesses at Frieze NY (2019), we see the same dichotomy again, this time directed at how women have been represented throughout the history of art with voiceovers from Barbara Krueger and Sister Wendy. In Dinosaurs of Art at Art Basel Miami (2019), we get a slightly different critique. Here, the goddesses themselves are epitomes of creativity, opposed against the consumer capitalist nothingness that is often major art fairs, made most notable in Miami that year by the submission of a banana as a work of art. The audio of Greta Thunberg speaking about climate change superimposed onto the video heightens the critique of how the art world, when it is only a means of capitalist exchange, helps in the destruction of the planet. In the centre of the room, however, we have another Glitched Goddess, from 2018, in red, white and black, as an animated sculpture, derived from her #GlitchGoddess of Art Basel Miami with Picasso and Wood (2018) that went viral over social media and received millions of views, set to a voiceover of women artists complaining about inequality in the art world. In this image, the viewer seems to be invited to be at peace with and proud of ones own body, to ignore the standards of the art and fashion worlds critiqued in the videos.
Marjan Moghaddam, GG Blesses J Lo 1. Courtesy of the artist.
The last room is Interventions, containing five of Moghaddams famous #arthacks as well as two of what she calls her chronometric sculptures; constructed forms that are both computer animation and sculpture (The Glitched Goddesses, who first appeared as #arthacks are also chronometric sculptures.) For the art fair hacks, the artist creates the works over a span of two to three days, and as a result the topics and themes are often raw and instantly relevant. Her Non-Binary Nude Glitch #arthack at the landmark Survey of the Nude at Gagosian Gallery (2016) is both an intervention and an art historic correction for an exhibition that omitted a digital and a non-binary nude. The Frieze London 2019 #arthack features the Glitch Goddesses resisting a body covering in the form of a shroud, in a nod to the #anticomulsaryhijab movement of Iranian feminists, against a backdrop of Barbara Kruegers My Body is a Battleground, successfully uniting western and eastern feminism as a unified resistance, set to the sounds of art historian Emily Jones explaining picture making from the 1980s. Several of Marjans Other NFTs with her #digitalbodies and signature figurative styles as NFTs derived from her #arthacks are also exhibited in this room such asLordess with Red and Teale Voxelized GAN Painting.
Marjan Moghaddam, Frieze London, 2019 Arthack. Courtesy of the artist.
The overall theme of the #arthacks is socio-political, a commentary and critique of our late-capitalist contemporary art scene. In works like Glitched Odalisque at the Whitney Museum (2017) or Glitched Odalisque at Frieze London (2019), the viewer is contrasted with the new vs the old, the organically creative contraposed to the commercial product. By making art hacks, digital artists do not need to create a Salon des Refuses to display their work, instead they can invade the biggest and priciest spaces of the art business. Elevating Internet meme culture to the level of important cultural critical discourse, the #arthacks have become a popular, widely respected new genre widely covered by the international press. The most widely known of Moghaddams #arthacks is Baiser at Mary Boone with Gan Collage Paintings which went viral in 2018 and continues to garner viral metrics even now, the version shown here is a 2021 NFT adaptation which sold into one of the biggest collections of NFT art collections on Superrare. Marjan considers Baiser as one of her best works in the unrivalled style of 3d CG figuration and animation that she has singlehandedly pioneered.
Marjan Moghaddams work is the work of an incredibly skilled technician and craftsperson working with a heightened sense of aesthetics and the mind of an existentialist philosopher. As such, understanding her work is often not easy, and requires multiple and prolonged viewings. Yet, as evidenced by all the comments that she receives on her work on social media, there is a sophisticated and global new audience for digital art that has not only found their way to her work on the Net but is additionally actively engaged with its profound discourse. The time spent on gazing at her creations, however, is time well spent, time that perhaps will leave the viewers mind a little more aware of the world and people around them. Perhaps one of the first major retrospectives of a prolific digital artists work in the metaverse, this exhibition successfully delivers a museum-grade landmark survey of important works from the last 4 decades by an important artist in this field; proving that digital art has now fully matured, and that the metaverse and its flagship museum is a valid and viable new experience for viewing art. Filippo Lorenzins impeccable curation and MOCDAs architecturally designed virtual exhibition space, add to what is indeed one of the most significant early digital art museum retrospectives of the Metaverse.
Room 3 Non Binary Nude Glitch Sculpture.
In addition to the MOCDA retrospective, the works of Marjan Moghaddam are appearing at other museum exhibitions, including Proof of Art: The History of Digital Art & NFTs at the Photo and Media Art Museum in Linz, Austria, alongside works by luminaries such as Ai Wei Wei and Nam June Paik. This exhibition now offers a companion book on Digital Art and NFTs. This December, Marjan is exhibiting in Transformations, a group exhibition of NFT Art at Unit Londons Mayfair gallery. Her works are sold on Superrare, Institut from Unit London, Boson Protocol/Zora, and Rarible. This December she is creating a White Hot Magazine Commissioned NFT cover for sale on Foundation, and #GlitchGoddess will appear at the Vancouver 2022 Winter Festival as a commissioned AR installation, large format outdoor prints, and a 30 tall soft sculpture.WM
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Digital art pioneer Marjan Moghaddam's retrospective in the Metaverse at MOCDA - whitehotmagazine.com
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The Glorious Evolution of Arcanes Viktor – Hotspawn
Posted: at 12:50 am
League of Legends December 15, 2021 / 2:12 pm
There are countless versions of Viktor. Psychopathic villain, downtrodden savior of the people, bereaved scientist; all these tellings, even the directly conflicting ones, are true. Canon be damned.
The evolution of Viktors story mirrors Leagues larger narrative: he released with only a short, two-paragraph bio that justified his presence in the game, nothing more. Now he stands as the perfect example of how far Leagues storytelling has come, as well as a relic of where its been.
Viktor wasnt always the handsome, good-natured charmer that stole our hearts in Arcane. Much like his physical form, the Machine Heralds story has gone through many changes.
Viktor began as a student of Zauns College of Techmaturgy. He led the team that constructed Blitzcrank, but his work was stolen by Professor Stanwick, one of his contemporaries. Disgraced, Viktor withdrew from the College and fell into a deep depression. He turned his experiments to a different form of artificial life: revolutionizing human anatomy through technological augmentation. Useless human emotions were the first to go when steel replaced flesh.
He emerged with an obsession with what he called the Glorious Evolution the philosophy that humanitys next step forward was shedding the physical body.
Hes always been shades of Doctor Doom yes, Victor Von Doom but it wasnt until his 2016 lore rework that a darker side of Viktor came to light. He meets Jayce at Piltover Academy, where they become begrudging friends, partners, and rivals. They work together on multiple projects, but Viktor is expelled from the Academy after butting heads with Jayce in a conflict over the use of mind-altering chems in experimental diving equipment.
Here, League introduces two conflicting tellings of Viktor and Jayces story:
From Jayces perspective, Viktor is a brilliant scientist hindered by his lack of moral compass. At worst, hes a psychopathic villain with no regard fo
Hextech preserves the mind when the body fails. Art by Bunberly
r free will. He wields violence freely in his pursuit of transhumanism, taking the brains out of innocent people and putting them in steam golem bodies to serve as his henchmen.
From Viktors perspective, Jayce is a useful partner only as far as his arrogance doesnt impede progress. The use of chems to sedate divers was a means of eliminating panic-induced accidents. Cutting the brains out of people was the only way to save them from death after a chem spill their bodies may die, but they could live on in bodies of steel.
Ten years later, Arcane brings on a new wave of Glorious Evolution appreciators. Theres even a Twitter account dedicated to daily Viktor content.
The Arcane version of Viktor takes pieces of everything that came before. Hes less caricature, more human. He has a sense of humor. When fame, sex, and money come knocking at the door, he remains dedicated to the betterment of downtrodden folks.
In this, the Glorious Evolution finally makes sense. Hes experienced the shortcomings of the human body first hand, seeing that technology and magic are capable of upending the natural order of things. Where Jayce is seduced by the status quo, seeking to change it from within, Viktor sees Hextech as the tool that will uplift those he left behind in Zaun.
With what we know of his final form, its possible that his obsession with the Glorious Evolution is a result of Hexcore-induced madness after further self-experimentation.
Could Viktor fall so far after all hes experienced? Art by @Djuney9.
It would track perfectly with his original lore, but the Arcane version of him is much more complex obsession with transhumanism as a result of his dogmatic pursuit of betterment of the human condition, no matter how strange or dangerous to the natural order of things, is more compelling to me than replacing your face with robot parts because emotions are bad.
It can be difficult to digest all these different versions of Viktor. The question of canon is unclear; his biography, Jayces biography, the short stories surrounding them, and Arcane all conflict. His in-game character is still the original release version, with only twenty-four voice lines.
Its hard for me to imagine Arcane Viktor ever becoming someone who demands people adapt or be removed or to relinquish the flesh.
In my mind, hes all of them at once: the changing, living narrative itself given form. His story, like any story at all, is subjective. Its evolved so significantly over the years that it seems arbitrary to designate one version of him or his narrative as the true one. Viktor cant be shackled to the idea of canon any more than he can be shackled to his human shell.
Hes a relic of what Leagues story used to be: second fiddle to the game itself, a means to the end of justifying all these disparate characters presence on the Rift. But Viktor, like Leagues story, has become so much more. Theres no better encapsulation of the games narrative evolution than the man of change himself.
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The Glorious Evolution of Arcanes Viktor - Hotspawn
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