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‘Decoupled’: Madhavan, Surveen Chawla impress in this take on urban relationships – The New Indian Express
Posted: December 23, 2021 at 10:03 pm
Express News Service
At one point in Netflixs latest release, Decoupled, Arya Iyer (Madhavan) says something to offend someone. At another point, Arya says something else to offend someone else. And at one completely another point, Arya says something to offend someone else altogether. In any other series, one might expect a couple of examples to be doled out to exhibit why the characters are offensive to a fault.
But then, in Decoupled, we dont really need to fixate on one singular event because the Hardik Mehta-directed series is all about Arya offending everyone with his seemingly acerbic wit. Writer Manu Joseph uses Arya as his mouthpiece to dole out all his inner thoughts about every single thing in the world around him.
For people acquainted with the writing style of Manu, Decoupled might just come across as the scaled-up extension of his columns. For others, Decoupled, which has the potential to be both refreshing and disturbing, might be polarising for sure. But then, this was no doubt the makers intention because we wouldnt have scenes like... well... like the one with... I mean... every scene. Decoupled revels in the offend-a-minute space with no qualms whatsoever.
Decoupled is a series filled with some of the most obnoxious of characters, who very well know that they are insufferable. And thats what makes Decoupled stand out. It is irreverent, politically incorrect, and is unironically unassuming and purposefully pretentious at the same time.
It is a tightrope walk, and Decoupled unabashedly decides to go down this path with has its share of highs and lows. The self-awareness is so high that it can either come across as smart writing choices or the cinematic equivalent of clickbait. One of the major highs of Decoupled is the casting, which is on point. While Madhavan and Surveen Chawla as Arya and Shruti are brilliant as the out-of-love elite Gurgaon-based couple, full points for the casting of the secondary characters who deliver some of the best lines of the series.
Be it the newly formed Guru (Atul Kumar) who doles out not-so-sagely advice to his band of boys, or Mayank (Aseem Hattangadi) the arthouse filmmaker wanting to go mainstream, a Netflix senior executive Reema (Dilnaz Irani), the couples car driver Ganesh, an economist Dr Basu (Mir Afsar Ali), each of these characters is played to the gallery without any apprehensions. The gallery in question, however, is one with limited seating. And it is not just because the series is predominantly in English.
The series was marketed as a take on elite urban relationships, but for the longest time, Decoupled doesnt focus on this aspect at all. The problem with not focussing on the central conflict is that Decoupled robs us of more effective scenes involving Surveens Shruti. In fact, Shruti is mostly reacting to what Arya did rather than doing anything out of her own volition. She gets angry at Arya. She is exasperated with Arya. She laughs at and along with Arya. She does troubleshooting after Arya gets into trouble with his belief that people shouldnt have to think before saying things.
This writing choice positions Arya as the only character that gets to do things. His affair with an air hostess gets more airtime than Shrutis. Despite being a grade 1 you-know-what, there is nothing wrong that happens with Arya, who only suffers slight inconveniences like being put on the no-fly list or being placed on the second rack of Indian best-sellers... after Chetan Bhagat, who is fascinatingly impressive in a cameo in Decoupled. While the show mainly works on the humour generated by the life and times of Arya, the real heart is at the exploration of the marriage between two obnoxious people who, in many ways, deserve each other.
Keeping aside the layers and layers of mirth and condescension, the subtle and poignant moments shared by the couple are heartwarming. Despite staying together only to hide their impending divorce from their young daughter Rohini, the writing and performances nudge us to the happier times Arya and Shruti. Their shared half-smiles, approving nods, an effective running gag of shows of one-upmanship between them, and even the breakdowns in each others company or otherwise, Arya and Shruti paint a pretty grim picture of the happily-ever-after institution of marriage.
This is a series that wants to take a dig on everything, and it is clear that the makers had a checkbox of sorts. Although the series might portray itself to be an I will offend everyone troll, it is anything but. More than being the punching-up or punching-down kind of humour, it is just smart about deciding what to punch.
Yes, it touches upon and rains offense on the MeToo movement, caste, gender inclusivity, sexual rights, feminism, body image, and even... agriculture, Decoupled is smart in the way it stays away from anything that might get it into real trouble.
Series: DecoupledDirector: Hardik MehtaCast: Madhavan, Surveen Chawla, Sonia Rathee, Atul Kumar
Rating: 2.5/5
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'Decoupled': Madhavan, Surveen Chawla impress in this take on urban relationships - The New Indian Express
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Licorice Pizza: Edgy drama is the year’s best film – Newnan Times-Herald
Posted: at 10:03 pm
Licorice Pizza is an unabashed crowd-pleaser thats just edgy enough to explore complex topics while never giving in to darker impulses.
Review by Jonathan Hickman
Paul Thomas Andersons Licorice Pizza chronicles a strained romance between 25-year-old Alana (played by musician Alana Haim) and 15-year-old Gary (played by Cooper Hoffman, the son of the late Philip Seymour Hoffman). Its a politically incorrect relationship by modern standards.
But Anderson sets his uncompromising tale in 1973, a time when such pairings werent treated with the same level of moral and legal reckoning. And unlike the re-examining of Cameron Crowes semi-autobiographic Almost Famous, Anderson manages to keep the budding physical aspects of the romantic involvement limited to innocent revelations and devoid of prurient material. That is a very good thing, because Licorice Pizza is a very, very good movie.
We meet teen actor and entrepreneur Gary Valentine as he waits in line for his high-school, year-book photo. Hes a clever young man with goals and the intellectual prowess of someone years older. He notices Alana as she guides him to the photographer. Shes much older than him, but he instantly believes shes his soulmate. Their initial discussion leaves Alana intrigued and impressed, although she struggles to conceal her reactions.
What transpires is a nervy courtship thats never forced. The two are undeniably attracted to one another, but the two keep a safe distance even as Alana assists Gary in his business ventures. Working with his mother, Gary, a successful child actor, has the financial wherewithal to launch commercial projects, including a store that sells waterbeds.
In one of many standout sequences, Gary notices a waterbed for sale at a local shop. Led into the store by a comely woman, who exudes 70s sexuality, Gary is encouraged to lay on the modern advancement in sleeping by a cool-daddy salesman (played by Leonardo DiCaprios father George, in a perfect performance). This experience leads to one of several businesses Gary launches in the movie. And in microcosm, this sequence exemplifies Andersons approach to the groovy and utterly profound coming of age theme.
A series of subplots unfold as Alana explores acting, including hanging out with legendary actor William Jack Holden (played with zeal by Sean Penn) and even encountering a scary Jon Peters (an Oscar-worthy Bradley Cooper). Garys infatuation with Alana is more than just a boyhood crush, as he relentlessly pursues her without actually crossing the line. The tension Anderson generates is impressive, as he keeps these two romantically at a distance while also keeping them together in other situations.
Licorice Pizza is Andersons most accessible film since Boogie Nights. Viewers who may have found his last two movies ponderous and even daunting (see 2017s Phantom Thread) will embrace this one with no reservations. And the nostalgic view of the early 1970s is as romantic as the love story at the films center.
Like Quentin Tarantinos Once Upon a Time In Hollywood, Anderson represents the time with lush visuals and peerless representations. Were immersed in that place and period so skillfully that Andersons movie feels as though it were produced in the 1970s. Its an achievement made all the more worthy by the star-making performances of Hoffman and Haim, who will be recognized for their stellar work.
Look for Licorice Pizza, which was named best film of the year by the Atlanta Film Critics Circle, to receive much awards notice. Its an unabashed crowd-pleaser thats just edgy enough to explore complex topics while never giving in to darker impulses.
And reconciling the provocative age difference, Andersons movie is about the stumbling blocks in maturation, celebrating the painful, heartbreaking process, placing his characters in a classic tale of early adulthood.
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Licorice Pizza: Edgy drama is the year's best film - Newnan Times-Herald
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‘F Is for Family’: 1 Scene From the Pilot Episode Actually Happened to Bill Burr as a Kid – Showbiz Cheat Sheet
Posted: at 10:03 pm
The hilarious adult animated Netflix seriesF is for Family is very much inspired by real-life events, as it turns out. Comedian Bill Burr co-created the series, which critics often say is one of the funniest on television.It is loosely based on Burrs childhood growing up in the 1970sbefore anything was called politically incorrect.
The series writers were heavily influenced by Burrs standup comedy, as well as some of their own experiences growing up in the 70s. But there is one specific scene from the pilot episode that Burr loves because it actually happened to him as a kid. Read on.
Burr voices the character of Frank Murphy in F is for Family. Murphy lives with his wife, Sue, and their three children. Despite all the cursing and shouting, they are a loving familyin their own dysfunctional way. Netflix describes the series as a time when kids roamed wild and beer flowed freely.
A Reddit fan asked if there is one episode most special to Burr. In a video Netflix posted, he responds, saying, Yeah, theres a number of scenes in the pilot episode Burr could hardly contain his laughter when he starts talking about the scene where Bill is up in a tree, and bigger kids are throwing rocks at him.
That happened to me and my best friend when I was a kid, he said. There were no fireworks, we exaggerated itbut we were up there hanging on, crying, he says, smiling, before bursting out with a loud chuckle. And that was just such a regular day back then, he says, commenting on his experiences growing up in the 70s in Canton, Massachusetts, which is just south of Boston.
F is for Familyended on November 25, 2021, after five seasons on Netflixand some fans were surprised to find out what happened to some of the characters.
Major spoiler alertskip over this next section if you havent streamed the final season yet.
Netflix Life reports that fans were surprised to see Ginny and Franks sister, Eileen, get together by the end of season five. Theres also another happy coupleKevin eventually wins Alice back.
Viewers doubted whether Buster would make the jump, flying his motorcycle over an airplanebut somehow he managed to make a successful landing even after a night of drinking.
It wasnt all good news for every character, though. Fans were rooting for Frank to get promoted, but he got demoted. And in a sentimental moment, Frank learns that his dads final words, box 16, were actuallyBach 16,his favorite song. He was able to carry out his fathers final wishes by playing the song at the cemetery.
In another part of the fitting ending, Frank realizes his family means everything. He had been fighting with Sue, but he returns home from the bar and apologizes.
Since F is for Family ended, Burr is keeping busy so his fans will have plenty of opportunities to keep laughing. He hosts his own comedy podcast,Monday Morning Podcast.Hes also in the Roku original series,Bill Burr Presents Immoral Compass, streaming for free on the Roku Channel since November 5, 2021.
If thats not enough, Burr has also returned to standup comedy with a live show,Bill Burr the Tour.He will travel throughout the U.S., with show dates scheduled through August 2022.
Wait, theres more. Burr will join a slew of other legendary comedians for theNetflix is a Jokecomedy festival, which takes place in over 25 venues throughout Los Angeles from April 28 through May 8, 2022.
RELATED: Who Is Bill Burrs Wife and Do They Have Any Kids?
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Goldilocks and the Three Bears, review: a wonderfully assured panto debut from Jason Donovan – Telegraph.co.uk
Posted: at 10:03 pm
Birmingham Hippodromes pantomime Goldilocks and the Three Bears is a show in which unbridled joy bursts from the stage. It begins with a fabulously over-the-top musical number accompanied by explosive pyrotechnics and a dazzling light display in which a high-kicking chorus makes the gloriously extravagant promise that we are about to witness the greatest show on Earth.
Director Michael Harrisons production (for massive, UK-wide producer Crossroads Pantomimes) has the audience in the palm of its hand even before we meet panto veteran Matt Slack (starring in his eighth consecutive Hippodrome Christmas show) and this years headliner Jason Donovan (who is, somewhat improbably, making his pantomime debut).
The rollicking intro sets the tone for a fast-paced show that treats the original fairy tale of Goldilockss woodland invasion with cheerful disregard. The conceit in this version (a hybrid of material by the producers house writer Alan McHugh and bespoke lines by Slack) is that the circus of Betty Barnum (increasingly outlandishly costumed dame Andrew Ryan) is under threat from Donovans evil ringmaster Count Ramsay of Erinsborough the first of many gags connected with the Australian TV soap opera Neighbours, in which Donovan shot to fame in the late-1980s.
In truth, Goldilocks (talented musical theatre performer Samantha Dorrance) and the bears are shoehorned into a tale that is set up to accommodate a series of circus acts. Indeed, as the likes of impressively perplexing illusionist Phil Hitchcock and extraordinary showman and juggler to French presidents Pierre Marchand do their respective things, the show seems more like an episode of a new television show called Birminghams Got Circus Talent than a piece of traditional Yuletide entertainment.
With all this going on, theres precious little room for narrative, especially as McHugh and Slack have, between them, ensured that the script is positively bursting with double (and, quite often, single) entendres. The appropriateness or otherwise of this material for a family show aside, one cant help but feel that the 1970s are likely to be calling the Hippodrome asking for the return of their salacious humour.
Elsewhere, Doreen Tipton plays an eyebrow-raising, politically incorrect character namely, a lion tamer who is, with scant logic, a self-declared lazy cow and a benefits fraudster who falsely claims to have a disability. This questionable oddity could have stepped out of a Carla Lane sitcom from the 1980s.
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Forbes India 2021 Rewind: Best web series we watched this year – Forbes India
Posted: at 10:03 pm
Top row: What If...? (Disney+Hotstar), Money Heist (Netflix), Succession (HBO)Bottom row: Squid Game (Netflix), Grey's Anatomy (Disney+Hotstar), Lupin (Netflix)This is supposedly the golden era of content, and OTT series is leading the pack. There are hundreds of shows launched every year and fan-favourite classics are added to the online libraries of numerous OTT platforms. You can binge-watch the brand new season of Emily In Paris or you can take time savouring the weekly episodes of Wheel of Time. You can go back to the first episode of Grey's Anatomy to return to that feeling of comfort and the familiar in this pandemic or you can dissect the accuracy of Arcane concerning the League of Legends storyline. Team Forbes India did all of this, and now we are presenting you with our favourites in 2021.RUCHA SHARMA'S PICKSuccessionStreaming on - Disney+HotstarI am always on the lookout for shows that evoke strong feelings. Succession on HBO was that one show in 2021. Amazon Prime Video's Mumbai Diaries nearly overwhelmed me. Jason Sudekis's Ted Lasso on Apple TV+ made me feel all warm and fuzzy with its relentless optimism in contrast to the sadness of the pandemic. But it was Jesse Armstrong's writer room for Succession that made me beg for the other shoe to drop. The latest season of Succession seems to draw inspiration from the Disney-Fox merger. A deal so massive, it can not only save the drowning elephant that is Waystar Royco but also change the most important dynamic of the showthe one shared between Logan Roy and his children. Image: Graeme Hunter/HBOThese uber-rich characters are mean and deprived of a real connection by design. The father enjoys giving his kids something he can, and then snatches it away from them. It devastated his second-born, Kendall Roy, in the first season. In the recent one, he killed the soft corner in the heart of his youngest, Roman. His daughter Siobhan is constantly subjected to casual sexism. What made this season more claustrophobic is Logan's tendency to keep the cards close to his heart. He closes all windows and doors through which his kids can beat him. When the shoe finally dropped in the season finale, there were shards of relationships and a great opportunity for Kintsugi (Japanese art of putting broken pottery pieces back together with gold). The success of Succession lies in the crisp writing, twisted narratives, and impactful musical score. The first two allow actors such as Brian Cox, Jeremy Strong, Matthew MacFyden to build upon the source material and deliver stunning performances, while Nicholas Britell's music encases these gems perfectly.SAMIDHA JAIN'S PICKMoney HeistStreaming on - NetflixImage: NetflixThis show became a popular choice in the past two years, with viewers waiting with bated breath for the final season. The bar was set high, and I think the last season matched the expectations of the viewers. The many twists made the climax of the heist much more exciting. What was also very remarkable was the parallel storyline of a beloved character, Berlin, played by Pedro Alonso. This season makes the viewer feel deeply for the character and enhances his charming ways of living life. NAANDIKA TRIPATHI'S PICKMaidStreaming on - NetflixImage: Ricardo Hubbs/NetflixThis popular show on Netflix is inspired by Stephanie Lands Maid: Hard Work, Low Pay, and a Mothers Will to Survive. Maid follows the story of Alex, a single mother, who turns to house cleaning to make ends meet as she escapes an abusive relationship and overcomes homelessness to create a better life for her daughter. The 10-episode limited series powerfully depicts the devastating impact of domestic abuse, and portrays the clear difference between couple arguments and emotional abuse. Amongst many, one of the most chilling moments in Maid is a scene where Sean (Alexs ex-husband) is emotionally abusing Alex, forcing her to sit at the table while her father looks on, without saying a word. The rawness of this show prevents it from falling into the melodramatic territory. I wouldnt recommend binge-watching this series since it weighs heavy and has many dark moments. But it is a must-see. I also loved all the soundtracks used in the show. My personal favourite is Shoop by Salt-N-Pepa.ANUBHUTI MATTA'S PICKHouse of SecretsStreaming on - NetflixImage: NetflixHouse of Secrets, a docu-series on the Burari deaths11 members of the same family are found dead under a roofis gripping and binge-worthy. It captured all the voices one expects from a documentarypolice, investigators, friends, family, a host of medical professionals, even social anthropologists, and journalists. There is a solid storyline, presented immaculately without sensationalising any detail or taking a stand. The best part about it is that every time I had a question, it was answered within the next few minutes. It leaves no questions unanswered, no mystery unsolved.ADITI AGRAWAL'S PICKLets be honest. 2021 was a steaming pile of burning garbage. Outside of very few movies and shows, I was not particularly looking for dramas that would put me through an emotional wringer or for profound ruminations on life and its meaning. I needed an escape and an excuse to laugh. Korean dramas came to my rescue, where even understanding the culture and its intricacies were not that hard given its proximity to (north) Indian practices and family structures (disclosure: my aunt is Korean so Im biased). Here are the three that me (and my family) liked the best and laughed at the most:Squid GameStreaming on - NetflixImage: Noh Juhan/NetflixThis was the South Korean juggernauts first season (it has been renewed for another). Netflix's Money Heist, and now Squid Game, deal with a very similar set of issues related to class, capitalism, hoarding of wealth, and ethnicity-based discrimination. Irrespective of how you think the world or its financial systems should be governed, you land up rooting for the underdogs in these gripping, keeps-you-on-the-edge-of-your-seat productions.
Hometown Cha-Cha-ChaStreaming on - Netflix
Offerings from hosts of The Grand Tour/Top GearStreaming on - Amazon Prime Video
The stories are psychological probes into unusual minds. The three directors, Srijit Mukherji, Abhishek Chaubey, and Vasan Bala, add their creative sensibilities to Rays stories that might or might not sit well with the followers of Rays original work. But the stories do enough to bend your mind and look beyond the predictable human behaviour we expect in everyday life. Its a must-watch for anyone looking for brilliance in the intricacies of storytelling.Kota FactoryStreaming on - Netflix
Kota Factory tells you that story. It is a portrayal of a bunch of kids who travel to Kota, Rajasthana hub of IIT entrance coaching in India. The series revolves around the lives of a few impressionable minds who have entered the IIT admissions rut but are just starting to realise the magnitude of obsession with cracking the JEE entrance. It doesnt fail to acknowledge the inherently discriminatory nature of Kota, with the faces of toppers plastered at every nook and cranny, plodding one or the other coaching centre. The ingenuity of Kota Factory lies in its ability to dive into the minds of 17-year-oldswho fall between the over and underachieversand coalesce the narratives effortlessly.
The list of the characters I love (and hate, depending on the episode) is too long for hereokay, Allison Shepherd, Callie Torres, Arizona Robbins (it was a ride), Alex Karev (best character arc), Miranda Baileyyep, its long. The Covid-19 season may have made me uncomfortable and when I get to it, I may not rewatch it. But Shonda Rhimes perfected art of dealing with delicate and complex emotions of loss, death, tragedy, and sorrow always leaves me wanting more. That and how complex subjects like adoption, alcoholism, addiction, gender identity, gender reassignment, LGBTQ+ identities, transphobia, racism, black identity in America, school shootings, and many more, are tackled expertly and sensitively by the creator. Maybe most of you are caught up with the latest episode, but if youre thinking of reliving the entire journey, Id highly recommend it. Okay, now back to my marathon.
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Forbes India 2021 Rewind: Best web series we watched this year - Forbes India
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Apple continues to Work on their Exciting Futuristic All-Glass iMac – Patently Apple
Posted: at 9:52 pm
Today the US Patent & Trademark Office published a follow-up patent from Apple relating to their possible future iMac encased in an all-glass housing. The design is shown to be one of Apple's most excitingly creative concepts for a future iMac to date.
This future iMac/desktop PC may include a display coupled to the glass housing member and configured to provide a visual output at the display area. The electronic device may include a keyboard coupled to the glass housing member and configured to detect an input at the input area. Alternative designs show the keyboard being separable.
Apple clarifies that the glass housing could be made with materials that are transparent, coated, painted, or otherwise treated to produce a non-transparent (e.g., opaque) component; in such cases the material may still be referred to as transparent, even though the material may be part of an opaque component. Translucent components may be formed by producing a textured or frosted surface on an otherwise transparent material (e.g., clear glass). Translucent materials may also be used, such as translucent polymers, translucent ceramics, or the like.
The housing member may have properties that enable the diverse input and output functions. For example, the housing member (e.g., the optically transmissive member) may be strong and may have a high resistance to scratching, and may provide a surface finish having a superior appearance and/or tactile feel as compared with other materials or components.
Apple's patent FIG. 3 below we see a continuous glass iMac/Desktop PC design that includes an OLED display,an integrated keyboard and left and right touch input zones like a seamless dual trackpad construction; FIG. 11E illustrates the back of the new device with ports and speaker. The device could double as a home automation system.
Apple's patent FIG. 4B below notes that the housing member #450, and in particular the portion of the input area #455 in the lower portion #454, may be shaped to define physically distinctive key regions.
There's more to Apple's patent that we covered back in January 2020 here. In today's published patent, Apple has added 20 new patent claims. Below are 14 of the key additions:
Added Claim #1: An electronic device comprising: a glass housing member comprising: an upper portion defining a display area; a lower portion defining an input area; and a transition portion extending between the upper portion and the lower portion and defining part of a continuous surface defined by the upper portion, the lower portion, and the transition portion; a display coupled to the glass housing member and configured to provide a graphical output at the display area; an input device coupled to the glass housing member and configured to detect an input at the input area; and a support structure coupled to the glass housing member and configured to support the glass housing member.
Added Claim #2: The electronic device of claim 1, wherein: the upper portion defines a first planar region of the continuous surface; the lower portion defines a second planar region of the continuous surface; and the transition portion defines a concave, curved region of the continuous surface.
Added Claim #3: The electronic device of claim 1, wherein the glass housing member is a single piece of glass.
Added Claim #4: The electronic device of claim 1, wherein: the glass housing member defines a rear surface opposite the continuous surface; and the display is coupled to the rear surface.
Added Claim #5: The electronic device of claim 1, wherein: the display area extends along the upper portion, the transition portion, and the lower portion; and the display has a curvature that corresponds to a curvature of the glass housing member.
Added Claim #6: The electronic device of claim 5, wherein the display area extends to an edge of the glass housing member.
Added Claim #7: The electronic device of claim 1, wherein the glass housing member is movable, relative to the support structure, from a first configuration resulting in a first display angle to a second configuration resulting in a second display angle different from the first display angle.
Added Claim #8: A desktop computer comprising: a display; an input device operably coupled to the display; a glass sheet comprising: a first portion defining a planar display area; a second portion defining a planar input area; and a curved portion between the planar display area and the planar input area; and a support structure coupled to the glass sheet and configured to support the glass sheet.
Added Claim #9: The desktop computer of claim 8, wherein: the glass sheet is configured to move relative to the support structure; in a first configuration, the first portion has a first display angle; and in a second configuration, the first portion has a second display angle different from the first display angle.
Added Claim #14: The desktop computer of claim 8, wherein the input device extends along at least a portion of the planar display area to form a touchscreen-style display.
Added Claim #15: An electronic device comprising: a slumped glass housing member defining: a continuous exterior surface of the electronic device; and an opening extending through the slumped glass housing member; a support structure coupled to the slumped glass housing member and configured to support the slumped glass housing member; a display coupled to an upper portion of the slumped glass housing member; and a keyboard having: a storage configuration in which the keyboard is positioned at least partially within the opening; and a use configuration in which the keyboard is extended from the opening.
Added Claim #16: The electronic device of claim 15, wherein the keyboard is: releasably coupled to the slumped glass housing member; and configured to detach from the slumped glass housing member in the use configuration.
Added Claim #17: The electronic device of claim 15, wherein: the slumped glass housing member further defines an input area; the electronic device further comprises an input device configured to detect inputs at the input area; and in the use configuration, an actuation of a key of the keyboard causes an input to be detected by the input device.
Added Claim #18: The electronic device of claim 15, wherein: the opening is a first opening; a second opening is defined in the upper portion of the slumped glass housing member; the electronic device further comprises: a camera positioned at least partially in the opening; and a processing unit positioned in the support structure; and the camera is operably coupled to the processing unit by a camera trace coupled to the slumped glass housing member.
To review the full patent and the rest of the new patent claims, see patent application 20210397220.
Renderings
The excitement for this new iMac concept had a number of renderers post images of what the design could translate to. Our cover graphic and those presented below are fromYanko Design. You could view a variety of additional rendering on their sitehere.
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Apple continues to Work on their Exciting Futuristic All-Glass iMac - Patently Apple
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Candid camera: Futuristic police camera system will track people, pickup movement in parts of Baton Rouge – WBRZ
Posted: at 9:52 pm
BATON ROUGE - A high-tech law enforcement camera system is online, tracking people's movements in 19 locations and growing.
Baton Rouge Police discussed the project in a news conference Wednesday.
Police won't reveal all the locations where cameras are mounted, but said angles include shots from above city hall where 80 different views of downtown are fed back to police.
The camera system goes online amid record-setting homicides in East Baton Rouge.
"I had a gentleman that was killed on Thomas Delpit, East Boulevard; That's where I live," exclaimed Councilwoman Carolyn Coleman when discussing the cameras. "Let them know, that a lot of this killing, must stop."
City officials hope the camera system will help them track the evil-doers with ease and at rapid pace.
The cameras pick up motion and track movements.
"It gives us standard motion detection, it gives us person detection, meaning the cameras ability to look at movement and you know, based what [the camera is] programed to do, it looks like it might be a person. They're actually able to, depending on how well it's being received at that time, detect the difference between gender, age, hair color or clothing color," said Lt. Will Clarida of the Baton Rouge Police department.
"When something goes 'red' it'll pick up something. [A] car going the wrong way on a one-way street; A crowd [that suddenly] starts running... Even just 3 to 4 people running at once," will be alerted and tracked.
The system can send text or email alerts and, the police department hopes to communication to radios next.
Baton Rouge Police Chief Murphy Paul said he is already identifying high-crime areas for cameras to be installed.
"People want these shootings to stop. So, this whole thing of 'people don't want any of them there, they don't want cameras,' that is just not the truth. The truth is, people want to feel safe, people want us to continue to arrest those bad actors, this is just another tool," the chief said Wednesday.
In a next phase of the project, cameras are expected to be installed in the Gus Young and Brookstown areas along with Dixie and Tigerland communities.
Raw footage is being saved for 45 days but certain pieces of video can be isolated and held for longer.
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Batteries are the lump of coal in futurism’s Christmas stocking – Big Think
Posted: at 9:52 pm
We have become accustomed to a precipitous pace of technological change, for better and for worse. Driven by scientific and then engineering breakthroughs, electronic devices and communications have progressed exponentially. Robots and AI perhaps will follow the same path.
So, whats to stop the world of tomorrow from becoming dystopian, like in the movie The Terminator? Batteries. The robots that want to kill us and eat our medicine wont last long before they need to recharge.
A modern supercomputer crushes the machines of the mid-20th century. Fugaku, 2021s fastest computer, is about 100 trillion times more powerful than ENIAC, the fastest computer of 1945. However, a Tesla lithium-ion battery stores only roughly six times as much charge, per pound, as a lead acid electric car battery of 1920. This ten-trillion-fold greater advancement of electronic circuits over batteries is staggering to consider.
Computer processors famously followed an exponential growth curve in capability, known as Moores law. The solid-state transistor was a physics breakthrough that won the Nobel Prize. Vast territory was opened up and then conquered by engineers burning circuits into silicon chips with visible and ultraviolet light. R&D fueled continuous advancements in computer circuitry for 40 years. Over the past decade or so, this pace has fallen off as hard physics limitations have stepped in. You might notice that your new laptop is no longer light-years faster than your old laptop.
Whereas integrated circuits are a mid-to-late-20th century invention, batteries have been a topic of scientific interest for more than 200 years. Early devices such as the Leyden jar were a curiosity for physicists who had not yet settled on the paradigm of electric charge. By 1910, battery technology was sufficient to produce practical electric cars, which were highly popular at the time. At one point, more than 30% of registered cars in America were electric vehicles. What happened? Internal combustion engines ate their lunch. It has taken a century, plus government intervention, for batteries to catch back up.
Progress in battery technology is glacial because there have been no breakthroughs in the fundamental science, and thus no open territory for subsequent optimization through engineering. While claims of battery breakthroughs have been common, in reality, the technology has evolved in baby steps. Scientists and engineers simply work to discover slightly better charge storage chemical formulations, tweak cathode and anode design, and hone operating cycles.
That is why batteries remain a limiting factor in many forms of modern electronic technology, such as cars, laptops, phones, and human-slaying robots. The lump of coal in this years futurism stocking is that batteries will keep dragging behind.
Having said all that, two modest advances in battery technology are worth mentioning. First, a paper published in the Journal of the American Chemical Society describes an advance for sodium-sulfur (Na-S) cells. These kinds of cells can, in theory, store about twice as much power per pound as a lithium-ion cell. In practice, Na-S batteries have been limited by several factors: They charge poorly, drain quickly when sitting idle, and fade quickly in capacity.
However, researchers from the University of Texas have developed a new version of the battery by tweaking the chemistry of the charge-storing electrolyte material to improve the lifetime of the batterys anode and cathode. If further research and engineering lead to economical manufacturing, this technology could yield cells with somewhat better charge storage than lithium-ion batteries.
Second, a paper published in the Journal of Power Sources proposes a very different idea, a sort of hybrid technology. The system uses battery-like chemistry to produce carbon from carbon dioxide. The carbon is then combusted to liberate energy. The researchers produce something close to a viable system, able to recharge multiple times and operate at high efficiency. Though it is far from commercial readiness, the technology may provide a means to harness the great energy advantage of combustion over storage of electrical charge. (This advantage is why gasoline vehicles left their electric counterparts in the dust 100 years ago.)
Unfortunately, the known laws of physics dictate that battery technology likely will continue to lag, and so researchers will continue to probe every creative avenue to find new possibilities for a breakthrough. On the bright side, this means the robot apocalypse is far less likely than some futurologists fear.
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Mahershala Ali, Naomie Harris Explain How the Sensitivity of Swan Song Sets the Futuristic Family Drama Apart – Variety
Posted: at 9:52 pm
To what lengths would you go to save your loved ones from the pain of losing you?
Thats the question Cameron Turner (played by two-time Oscar winner Mahershala Ali) must answer in Swan Song, the Apple original drama about a terminally ill man who yearns to spare his wife Poppy (Oscar nominee Naomie Harris) and son from the grief of watching him die. The solution presented to Cameron is the opportunity to replace himself with a duplicate named Jack who will slip into his familys lives without them knowing.
Swan Song is set in the very near future, approximately 2040, with writer-director Benjamin Cleary and his team of producers (including Ali) and artisans working to ensure that the sci-fi elements were as technologically sound as possible. But this movie spends less time weighing the ethical debate around these technological advances, focusing instead on Camerons existential questions about Jack taking his place. Sure, they share a genetic code, but can Jack really become Cameron? Will Jack be able to convince Poppy that hes her husband and will that mend their fractured marriage? Can love transfer from one being to another? And at what point will Cameron feel ready to take a step back and watch his family live on without him?
Beyond those big questions, another layer of nuance stands out. The Turner family is Black a detail necessitated by Ali joining the project as both its star and producer, and bolstered by his work behind the scenes to help Cleary present a fully realized and culturally specific portrayal.
We just wanted to spend real time talking about the things that were important, and thinking about fatherhood and family and what that means for anyone to leave their family behind, Ali tells Variety about his influence on the narrative. But especially a Black man leaving a young, 10-year-old boy without a father and also having a child on the way and how much anxiety that that brings up for any of my friends who are fathers or in myself.
Knowing what the stereotype is about us, about Black fathers, and knowing that that stereotype is not true for my friend circle, Ali explains. I wanted to honor that and play a father that I think would be an inspiration to all the brothers out there.
When Cleary (the Oscar-winning filmmaker behind the short film Stutterer) conceived this story a decade ago and began writing the script five years later, he drew from personal experiences, aiming to create a universal story about love, life and grief. But he too was struck by the opportunity that centering the narrative on Black people offered.
We havent seen Black leads in movies like this nearly enough, Cleary says simply.
Harris seconded that sentiment, noting that while Cleary didnt write the project (his feature directorial debut) with Black people in mind, the filmmaker ensured that the characters racial and cultural identities were weaved into the story.
Ultimately, this movie is an ode to love, and thats another reason why I wanted to be part of it, Harris explains. And its very rare that you see Black men being portrayed in this way. Its more often Black women with that level of sensitivity, vulnerability, deep connection, sacrificial love. [But] how often do you see that in a movie where Black people are involved? Its very, very rare.
Harris, who was recruited for the film by her Moonlight co-star when he reached out via email to see if shed be interested in the role of Poppy, Camerons wife a music teacher who works with children with disabilities. Harris was thrilled to get the invitation from Ali, with whom shed only shared a day of filming on Moonlight, bonding instead during the press tour on the way to that films best picture Oscar win.
His generosity, for me, is equal to his talent, Harris says of Ali, adding that shes hopeful theyll work together again, but instead of another weepy indie, maybe next time they can team up for a big blockbuster. I think we should just change things up now, she quips.
With Swan Song, Harris recalls being moved to the point of tears when she first read the script, but the actor initially found Poppy to be a challenging character to portray.
It really encouraged me to find this vulnerability, this openness and this giving nature, which I hadnt really explored. In my body of work, its really about strength characters who are fighting for the survival of the world or fighting for liberty, says the actor, whose recent resume includes reprising her role as Miss Moneypenny in the latest James Bond movie, No Time to Die, and playing the villainous Shriek in Venom 2.
So it was jarring for me initially, when I had to step into Poppys shoes and inhabit such vulnerabilities such openness, and it was really scary. I kept trying to toughen her up a bit, Harris explains. When youre that vulnerable, then you are open to the loss of someone in such a profound way that youre not if your heart is closed. But then you feel the joy and the connection of being with those you love in such a deep way that you cant if your heart is closed.
Alis work portraying both Cameron and Jack was equally tricky, but with the added challenge of the physical logistics of playing a man and his clone. To pull it off, Ali acted opposite actor Shane Dean, while also working to make each character truly distinct.
It first started, in the mind and the heart and being very clear about the differences in what they wanted, Ali shares. Being very clear about that made a certain element of [the portrayal] very easy, because I always knew Jack wanted something very different than what Cameron wanted.
The actor also leaned into the physical differences between the characters, like how they breathed or moved in comparison to one or the other. But the biggest key was understanding that power differential where Cameron, as the real person, is driving the train, until its time for Jack to assume his place.
Jack was always in a submissive position, and so that ended up influencing how every thought is processed and how every line, every scene played out is just being conscious of whos in power in that scene, Ali says.
The deep character work paid off for Cleary, who says he and editor Nathan Nugent were blown away watching the footage because of the subtlety and nuance with which Ali was able to play each character so that you knew immediately who you were looking at.
When youre dealing with characters that are totally [physically] identical like that, it really takes a master to go in and find the internal differences, the filmmaker notes, adding that watching the chemistry between Ali and Harris from the other side of the monitor often brought him to tears.
They were creating magic in the room, Cleary says. Im deeply honored and just feel so grateful for the cast I got to work with for my first feature.
Swan Song is now playing in select theaters and streaming globally on Apple TV Plus.
Ace Lever, Naomie Harris, director Benjamin Cleary and Mahershala Ali behind the scenes of Swan Song, now streaming on Apple TV Plus.Kimberley French / Apple TV+ / courtesy Everett Collection
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Retro and futurism collide as fashion maxes out on glam for the party season – Yahoo Singapore News
Posted: at 9:52 pm
This New Year's Eve, the countdown to midnight could have all the makings of a rocket launch. Fashion is going retro-futuristic for the holidays, drawing inspiration from space exploration, all framed in a mood of extravagance. Rhinestones, sequins, feathers, fringes and shiny metallic colors are all the rage this year, in total contrast to last year's more understated holiday looks.
It's hard to find the perfect outfit for this year's end-of-year celebrations, with the Covid-19 pandemic making a resurgence. From the Christmas sweater to pajamas to glamorous get-ups, men and women seem to have made their choice, drawn towards something they haven't known for months and months -- chic styles laced with extravagance. The global fashion search platform Stylight * has seen a surge of interest in pieces that are both retro and space-inspired -- a trend it calls "Retro-Galactica." Buckle up, fashion fans!
Sparkle overdose
New Year's Eve festivities inevitably bring to mind glitter, gemstones and sequins -- a must for this time of year. But it seems that, after spending several months in sweatpants and slippers, men and women are ready to really go to town and turn heads. Lashings of sparkling details will be seen on pieces with both retro and futuristic inspirations, oscillating between the glamour of the 70s and 80s, and modern space exploration. All that may sound hard to follow but, rest assured, there's something for everyone. Really!
Those still wavering between comfort and glamour can cut to the chase with a shiny or sparkly jumpsuit, a piece that's going down a storm around the world. Stylight reports a 928% increase in clicks for the category this year-end, compared to the same period last year. Glittery details seem to be on the agenda, so why not go for a head-to-toe look? Pantyhose with glitter and gems are the center of attention online, with a 392% increase in clicks on the global platform. Space exploration also means metallic shades, which are proving very popular, with a 122% uptick in clicks for metallic items of all kinds.
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Feathers, fringes and face gems
Often associated with the Roaring Twenties, feathers -- symbols of lightness -- are looking popular for the party season (+146% for feather dresses), not to mention fringing (+223% for fringed dresses), which was all over the Fashion Week catwalks for spring-summer 2022.
As for accessories, we can forget sneakers -- too casual for seeing in the new year. If you want to turn heads, go for platform heels (+105%) that will take you a step back in time. The most daring will wear them with socks -- yes, honestly! -- a trend that has been on the rise for several weeks now. But the hottest trend of the moment is none other than face gems, a viral hit on TikTok, and something that's on the radar of many beauty forecasters for 2022. It simply involves finishing your make-up look by adding stick-on gems to your face. Search interest for face gems tripled in November 2021 on Google.
* This report is based on Stylight's internal data collected from its 120 million annual users across its global platforms. Clicks were analyzed across products for the period November 1-25, 2021, compared to the same period in 2020. Data is also based on Google Trends figures, beginning November 2021, compared to the same periods in 2020, unless otherwise stated.
Christelle Pellissier
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