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Category Archives: Transhuman News

Because the World Has Lost Its Mind, You Can Now Buy NFTs of Strings of Emojis – Futurism

Posted: February 9, 2022 at 1:25 am

As if the NFT trend wasnt already mind-meltingly unintelligible and annoying enough.

Investors arenow buying up exclusive rights to simple strings of emojis, for some reason. The consecutive row of cartoonized images are now being referred to as Yats among early adopters, The Wall Street Journal reports definitive evidence that were nowhere near hitting peak NFT yet.Or, uh, yat.

If your yat is Fire-Dragon, that says so much about someone, Yat Labs co-founder Naveen Jain told the newspaper. Versus your username being Naveen512. That tells you my area code.

In other words, strings of emojis are the latest and greatest in NFTs if you really want to go down that road.

Yats go for anywhere from pocket change to thousands of dollars. Jain, of course, has already gotten rich off of the trend, cashing in some $20 million from selling almost 160,000 Yats since last February, the Journal reports.

Needless to say, high-profile celebrities are already jumping on the trend, including the likes of Paris Hilton and Lil Wayne.

To investors, its yet another way to establish an online identity and, well, spend lots and lots of money.

This is all a fiction constructed in our heads, but all property is a fiction constructed in our heads, investor Michael Arrington, who invested in Yat Labs, told the WSJ.

But not everybody is impressed by Yats.

I could say this NFT represents a string of initials, or this NFT represents my butt. It would be exactly as meaningful as turning a Yat into an NFT, David Gerard, author of the book Attack of the 50 Foot Blockchain, told the newspaper.

READ MORE: When You Marry NFTs and Emojis, You Get a Yat [The Wall Street Journal]

More on NFTs: Mad Scientist Forces AI to Make Horrific Pictures Out of BuzzFeed Headlines

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Why You’ll Want To Work At This Futuristic Office in Meridian – KIDO Talk Radio

Posted: at 1:25 am

Meridian is quickly getting bigger. We've seen a unique new concept in other cities that will now be arriving in Idaho's second-largest city. We've heard about TopGolf and other businesses moving into the area. A 50,000 square feet office complex will now share a parking lot with TopGolf.

A look inside Meridian's latest development.

The new office concept is from Kiln, a Utah company with five locations throughout the country. The space is designed to help workers' creativity from two to fifty. The company CEO says creatives, startups, and enterprise teams. The site's location is Eagle View Landing and is being developed by Ball Ventures and Ball Ventures Ahlquist.

CEO Arian Lewis shared his enthusiasm for the new project in a release:"Kiln is a boutique, lifestyle-focused coworking brand that is primarily driven around the well-being of our members and enabling teams and individuals to perform at their highest level," Lewis said. "As a result, we have allocated a lot of square footage dedicated to communal amenities that look after the physical, social, and emotional wellness of our members. We have put a lot of time and thought into developing meeting rooms and amenities that enable teams to collaborate and to communicate effectively with one another."

The work area will indeed be one of its kind in Idaho. Work areas will have treadmill and cycling desks, access to a full kitchen, massage chairs, a private fitness studio, and a state-of-the-art fitness center. On the technology side, workers will have access to podcast and video studios, a theater that will hold up to seventy-five people. There will also be a barbershop so no worries about getting a haircut.

BVA CEO Tommy Ahlquist describes how Kiln will offer another option for Idahoans in the Treasure Valley. "The opening of Kiln Meridian is the exciting next step in establishing Eagle View Landing as a true mixed-use development where people can work, live, and play," Ahlquist said. "Kiln's quality and care in their flexible coworking spaces and services are unparalleled, and we are proud to partner with such an innovative and forward-thinking company."

Eagle View Landing is a 73-acre mixed-use development that will feature class-A office, hospitality, multifamily living, retail, and corporate campus spaces. Site highlights will include Idaho's only Top Golf Venue, a 200-room Hyatt Place Hotel, Idaho Central Credit Union's corporate headquarters, The area will have housing units and other amenities. For years, that area hosted the Farmstead.

Meridian has won many awards over over the past decade or so as being one of the best places in the country to live and to raise a family. Meridian is indeed a fantastic city boarding Boise with lots to do. Scroll to check out 10 great things to do, see, experience and check out in Meridian.

If you haven't driven past or through The Village at Meridian lately, there's a lot of construction underway! According to the Village's website, these projects are currently underway!

These 3 Meridian Donut Shops Have the Best Donuts

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Budget 2022: Futuristic and inclusive – The Financial Express

Posted: at 1:25 am

By Ashok Hinduja

With stable tax structures, the Budget exercise was to turn into a vision and policy communication document of the government, moving away from a What has got expensive document. This Budget shows that we are already there with our vision for our journey from the 75th year to the 100th year of Independence as the FM outlined.

The data on GDP clearly indicate that we are just at the pre-Covid level overall. Agriculture, which supports half of our population, has kept its pace of growth with record production of food grain, in spite of Covid-19. However, the manufacturing and services sectors, other than a few niche good performers, have not recovered to the pre-Covid level. We may have lost two years and there is a need to make up for this as we spring back.

There are several splendid examples on how India has used its expertise in digital technology for governance and for the benefit of its people: Aadhaar card, direct bank transfer to beneficiaries, Covid vaccination, cashless payment platforms, GST and income tax. This time, the government has embarked on the next stage of evolution to bring the benefits to all its citizens in a very inclusive and futuristic framework.

It is encouraging to note that the central theme is holistic and integrated. Be it the standardised high-quality education in the local language at the doorstep as envisaged by the expanded PM e-Vidya scheme, or the digital integration of post office and banking, or the agriculture-oriented and rural development schemes. We are laying the foundation to create a powerful rural India that is not going to be isolated. That is the force multiplier the new India wants.

The PLI for the manufacturing sector in multiple priority sectors announced over the course of last year were the first step of a multi-year project seeking to make Indian a global hub of manufacturing. Continued support to nurture these industries is very welcome.

Modern infrastructure and unified multimodal logistics through the PM Gati Shakti Yojana as an integrated centrepiece is a vision well set. This is a complex project with enormous potential for employment generation and we hope to see good implementation.

Public investment has been boosted, which is very much needed for us to recover from the Covid-related slowdown.It is now well proven that entrepreneurs have grown sophisticated and competent to start up companies, look for and get funding and drive innovation. Todays start-up or MSME is the mainstream industry of tomorrow. The encouragements to MSMEs and start-ups are great investments for the future.

The FM could have announced treating OCI/NRI investments on a par with investments made by resident investors, which has been a longstanding demand of the global diaspora. It is time the diaspora is used as another economic engine. Perhaps healthcare also could have been given higher priority.

Robust GST collection is a good sign of the stabilisation of the system and use of automated analytics to weed out input credit leakage have been good moves.The government has shown its commitment to clean and green technology, like the encouragement for EVs, renewable energy, battery storage, battery swapping interoperability standards, and energy as a service.

The FM has communicated a clear path for India and it is important to see the we implement these successfully keeping the inclusive and futuristic spirit at every step.

The author is chairman, Hinduja Group of Companies (India)

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Behind The Lens: Shelhiel on creating a futuristic Kuala Lumpur in – Bandwagon

Posted: at 1:25 am

It's the year 4000 and we're on Earth-527. Everything's glistening silver and intergalactic guardian angels roam cities. It's an unfathomable idea for us humans but Shelhielis giving us a glimpse of this alternative future through 'Superstrobe'.

Part of the bigger world ofSUPERSTROBEthe EP, theMalaysian artist created a parallel universe that mirrors his very own beginnings as an artist, building a story that brings together reality and fantasy. Taking on the role of Angel-527, the mythical being descends upon a futuristic Kuala Lumpur and goes through a cyclic experience of love and loss.

Bandwagon caught up with Shelhiel where he takes us through the beginnings of Earth-527 and production behind creating the 'Superstrobe' music video.

When I started writing my debut EP SUPERSTROBE, I knew that I wanted to keep it pure and back to my music origins since Ive tried to explore different genres along the way for years. I wanted to put out something that really sets the beginning for the sound of Shelhiel.

Therefore the visualisation of the SUPERSTROBE universe resembles the origin and the beginnings of me as an artist. The ideation started from my birthplace and the influences I had in my upbringingmy hometown Sungai Petani, Kedah, my beliefs and my faith in God. 527 is a codename for my birthday, May 27th, yay.

As I set on the vision I wanted to achieve for the whole EP, I started the mood board in January 2020. It really grew on to something bigger than I ever imagined.

SUPERSTROBE's visual identity is a marriage of influences of Malaysian Chinese, Sino-futurism & Christianity. Im trying to design a world that is real to me, yet still in fantasy expressionism. The whole universe of the SUPERSTROBE storyline is a cyclic story of the descent of the Angel-527 to Earth (track 1), finding himself and his purpose, and goes on to seek love and live life in the settings of the music video for 'Star ' (track 3), finds confusion in 'Chillin' (track 4), and reside on sadness in 'Runnin, Merindu' for losing his loved one (track 6).

'_____' means the trackwhich was actually meant to be the last track of the EPcan be a beginning or the end for listeners, to start the story all over again linearly, backwards or in a loop. The whole listening experience of SUPERSTROBE can be listened to in an ascending and descending order for different meanings of the story of Angel-527.

The SUPERSTROBE vision is inspired by Bjrks 'Utopia' video, as well as the Y2K, but bringing it into a Y4K setting of futuristic Kuala Lumpur.

I wanted to make a statement video of who I am and where I come from through abstract and conceptual story-telling. As I started to do sketches and a very rough storyboard, I divided the stories into 4 phases: Discovery, Flashback & Transformation, Enlightenment, and Into the Unknown.

Phase 1: Discovery In an alternative Kedah, which is the Jelapang Padi (the land of the paddy) of Malaysia, where I go back to my grandmas house every Chinese New Year, where I grew up.Phase 2: Flashback & TransformationGoing back to find who I am and I am born into this world, trying to portray an abstract meaning of finding purpose and the meaning of life of Angel-527which is tightly connected to my beliefs of faith in God.Phase 3: EnlightenmentThis is where the spark of life and climax of the video, where he found his higher calling as a futuristic guardian angel to serve Earth-527.Phase 4: Into the UnknownWalking into a mysterious advanced setting of Kuala Lumpur, he is ready to explore the world, thus the beginning of the EP SUPERSTROBE.

I start the whole project by sketching the storyboard first as you see attached there and discussed with my director Nelson Chong (@birdycantfly) and art director Curly (@thenameisbon11) about the whole concept. Nelson led and solidified the direction for the shoot, different phases and scenes, and Curly and I brainstormed on the outfits, VFX and mood for the video.

We would call and talk to the 3D team from China led by Cattin Tsai (@cattin_tsai) to further discuss the 3D world-building before and after the shoot. Not forget to mention our VFX heroes and editors, my day-one editor Azrol (@monameqa) as well as the director for my first music video Hiren (@hirashe_). What else can I say? Its the dream team!

During the early pandemic, a lot of the planning for the shoot and the EP were postponed and delayed, and it was really hard to execute an exquisite and futuristic-looking shoot with no experience of a green screen and 3D composition.

Also, we went back and forth on the post-production and edits. We put a lot of faith and trust into everyones expertise, and I am glad that it really turned out well in the end. Everyone really gave their best to push the boundaries of the outcome, I couldn't be grateful enough.

I think seeing the first final draft of the video was most exciting for this project. You might think its the shooting process but because all of us had no idea how it is going to turn out in the end, were just shooting by trusting our gut feeling and going with the flow.

Is the alternate universe of Earth-527 something youll be exploring more in your future projects?

I'm planning something to tie in the Shelhiel-verse in the end, yet were going to see how it goes these 2-3 years of my upcoming releases. SUPERSTROBE is designed to be the beginning of greater things to come!

Maybe a SUPERSTROBE (Remixes)shhh I didnt tell you that. Due to the pandemic, SUPERSTROBEs release campaign has been a bit incomplete without any live showcase so more live shows of SUPERSTROBE to come.

Take a trip to Earth-527 with Shelhiel's SUPERSTROBEhere.

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This robotic crow is a next-gen drone giving us a weirdly futuristic x Game of Thrones vibes – Yanko Design

Posted: at 1:25 am

An intimidating yet sociable flying crow could break the stereotype we have for the beautiful bird in real life.

Crows and ravens are normally associated with misfortune and darkness, even though are one of the most intelligent and playful birds. Their dark side has been amplified in movies and web series like Game of Thrones. I feel the majestic bird species, at last, deserves its share of kindness from all of us. With the likes of Boston Dynamics already showing us the pinnacle of robotic animals like Spot the dog robot, possibilities for an intelligent robotic crow are looking good.

Designer: Amin Akhshi

Concept designer Amin Akhshi aims to design a series of bionic birds, and the Hooded Crow is the first one hes created in the collection. The robotic bird has peculiar awe to it, and in a way does away with the fear element we normally associate with the crows. The aim of this flying machine has something to do with the reconnaissance and rescue missions (in my purview) as it is loaded with cameras and sensors. One can say it is an advanced drone but more captivating to look at.

To give the bird a more friendly and striking appearance, Amin blends it in a contrasting black and light grey form. For more flexibility in moving the neck for pointing the camera at things while flying, a fabric material is used. The wings also get the fabric insert with soft cushioning material inside which helps in maintaining the aerodynamic stability. The solid frame tail section acts as the rudder to maneuverer sharply in the air. Those claws look so life-like and itll be interesting to see how this robotic crow lands on an uneven surface with equal dexterity.

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From Beijing to New York in one hour: The futuristic project of a Chinese hypersonic plane – Malay Mail

Posted: at 1:25 am

Will rockets soon be able to get us from Beijing to New York in an hour? ETX Studio pic

BEIJING, Feb 9 Chinese company Space Transportation is currently developing a hypersonic aircraft that would be able to make ultra high speed flights around the globe. According to the company, it could fly from Beijing to New York in one hour.

Yet another mind-boggling high-speed project has been born! A Chinese company founded in 2018, Space Transportation, is developing a kind of rocket with wings capable of reaching a speed of 4,200 km/h for long distance travel and space tourism. The plane would make suborbital trips, ie, above 100 km of altitude, and the passenger compartment would be entirely reusable and therefore less expensive than other space tourism approaches.

To sell the project, the company claims that its concept will be capable of connecting Beijing and New York in one hour. The distance between the two cities is close to 11,000 kilometers and it normally takes 12 hours of flight time to make the trip. The Chinese company says it wants to make the first manned flights with its hypersonic aircraft in 2025.

The number of companies specializing in space transportation vehicles in China is growing fast. At the moment there are about 20 pioneering Chinese projects in the sector. In any case, after the American projects of Space X or Virgin Galactic, the race to ultra-high speed is heating up and it still could be anybody's race. ETX Studio

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We finally have photos showing what the Armys high-tech goggles can do – Task & Purpose

Posted: at 1:25 am

The Armys next-generation goggles, the Integrated Visual Augmentation System (IVAS), sounds like something out of science fiction: Soldiers can outline friendlies and enemies, navigate the battlefield easily thanks to a compass and a mini-map, drop objective markers and pings, all while also doubling as night vision goggles.

Based on Microsofts HoloLens technology, U.S. troops have been testing the futuristic heads-up display since 2019, but only now are we getting a look at what soldiers will see when they look through the goggles.

Through a series of slides at a presentation in December, IVAS technical director Jason Regnier detailed some of the latest updates to the program, the fielding of which has been delayed for more than a year.

The IVAS uses augmented reality, a technology that overlays digital information onto the screen soldiers are looking through while wearing the goggles. That information includes training and on-the-spot language translations; high-resolution night and thermal sensors; facial recognition software; and the ability to see what a location or objective looks like before they get there. It even gives soldiers the ability to see outside of a vehicle before they exit, providing greater awareness of what theyre walking into.

The slides from Regniers presentation detailed specifics of the IVAS capabilities and suggested plans for use in combat and training.

Soldiers can toggle through the functions of the IVAS using a chest-mounted control pad, or puck. Regnier said that while the process was still going through its teething phase, soldiers testing out the goggles had planned entire missions within the IVAS system. The headset also boasts a range of features that seem to be focused on the needs and concerns of the folks who will actually be using them. For example: the goggles are far less likely to get fogged up than other wearable optics, and they can function in full sunlight as well at night.

Thus far, in terms of combat functionality, soldiers testing the IVAS have worked their way up through Battle Drill 6 entering and clearing buildings.

Developers are also planning on releasing a development kit, meaning soldiers using the IVAS system can create apps to further augment its capabilities.

As Regnier detailed, the IVAS provides a 70-degree field of view, which is nearly twice that of current night vision and thermal devices, over which ranges, routes, and phase lines can be displayed. Soldiers can also share 3-D maps displayable to an entire unit. The IVAS functions very similar to the heads-up display (HUD) commonly found in first-person shooter games like Halo, Call of Duty, or Battlefield where players can see a minimap, a compass on the top of the screen, objective markers, and the positions of friendlies, as well as enemies.

Regnier also noted that soldiers testing the IVAS last summer set records on land navigation courses.

You never have to stop to do a map check or anything like that because, with just the push of a button, you have an arrow thats in the bottom of your screen and you walk the arrow to your point, so theres no accidentally drifting left or right, said Sgt. 1st Class Brian Hayman a platoon sergeant in 3rd Battalion, 75th Ranger Regiment who was among those testing out the IVAS in a recent Army release.

To prevent fogging up, the goggles are treated with a commercial anti-fog coating that had withstood 95 degree, 100 percent humidity conditions during testing last summer. The goggles have also passed Chemical, Biological, Radiological and Nuclear (CBRN) integration during testing at Fort Bragg, where soldiers were still able to use the IVAS while wearing gas masks and wearing their protective equipment.

The IVAS also connects to thermal devices mounted on weapons, essentially allowing a soldier topoint their rifle around a corner and see the view from the thermal device in the IVAS.

However, for all the new capabilities the goggles offer, there have been setbacks. Since development of the IVAS began in 2018, the project has seen a series of delays. The system was initially supposed to be fielded in 2021; however, in October of that year, PEO Soldier confirmed that the project would be delayed in order to give the development team time to enhance the IVAS technology platform.

The system hasnt just proven a headache for Army officials, but also for the soldiers wearing it literally. The Pentagons chief weapons tester recently reported that soldiers experienced a range of physical ailments from headaches and nausea to neck strain while training with the IVAS.

Still, the IVAS is set to undergo further testing in May of this year, and will be fielded by units by the end of September.

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This Olympic gay kiss challenges censorship and criminalization – GLAAD

Posted: at 1:24 am

Weve probably seen similar images during a news blooper reel, people camera bombing behind the reporter during a live news report. This time, the kiss signaled something bigger than just a kiss.

Channel News Asiais a 24-hour multinational news television channel headquarteredin Singapore. Vice News shared that Channel News Asiareporter Low Minmin was reporting on the atmosphere during the Winter Olympics in Beijing. Doing a field report, she visited a local pubholding a watch party. While reporting live from the pub, two men enter the frame behind her and begin kissing passionately. They then give a knowing smile to the camera and exit.

Who are the two men? Pranksters? Protesters? Either is a possibility.

The significance of the action lies in the fact that Singapore still has Section 377A in the countrys penal code. The law, a holdover from British colonialism, gives a sentence of up to two years in jail for gross indecency. That makes Singapore one of 69 countries with laws that criminalize LGBTQ people and their relationships.

Singapores criminalization partners with a censorship law that prohibits "contents which depict or propagate sexual perversions such as homosexuality, lesbianism."

Due to censorship laws, this kiss could not normally be aired or depicted on Singapore television. And the kiss was edited out of the clip posted to the Channel News Asia website. By staging the kiss during a live news broadcast from Beijing, the Singapore population, including LGBTQ Singaporeans, witnessed something to which they are regularly denied access.

Section 377A has survived court challenges so far. Three men have waged a legal battle to have the law declared unconstitutional, but in 2020, Singapores high court dismissed the case.

"This kiss, while a small action, is a breakthrough for the Singaporean LGBTQ community, who are still criminalized and censored in Singapore," said Ross Murray, Senior Director of the GLAAD Media Institute. "Let this Olympian kiss be a call to strike down Section 377A of Singapore's penal code, and end the criminalization of LGBTQ people globally."

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Artists receive an apology from the City of Pasco in censorship lawsuit on March 4, 2003. – HistoryLink.org

Posted: at 1:24 am

On March 4, 2003, the City of Pasco apologizes to artists Sharon Rupp and Janette Hopper, the culmination of lawsuit brought by the artists after their works on display at Pasco City Hall were taken down because of public complaints about their content. Defended by the American Civil Liberties Union (ACLU), the artists had contended that their First Amendment rights had been violated. A federal appeals court sided with the artists, writing, "The mere fact that the works caused controversy is, of course, patently insufficient to justify their suppression" ("Court Sides With Pasco Artists"). In addition to apologizing for its actions, the City of Pasco pays $75,000 to cover the plaintiffs' legal fees.

A Case Study

When officials in Pasco opened a gallery for art displays, they envisioned showing pastoral landscapes and pleasing scenes. What they got instead was a major public controversy and a landmark legal case about art censorship. Or as a federal appeals court called it, "a case study in the politics and law of public art" ("Pasco Apologizes ...").

In 1995 the City of Pasco launched a program to display artworks at its City Hall, a newly renovated former high school. The project was the brainchild of Pasco Assistant City Manager Kurt Luhrs, who thought art would enhance the building's barren expanses of walls. The Mid-Columbia Arts Council was to provide works by local artists to be exhibited for three months at a time. Pasco City Manager Gary Crutchfield paid for the program with discretionary funds, planning to seek permanent support from the city council after a year.But as an old adage has it, the road to perdition is paved with good intentions.

For the program's third quarter, two women were invited to exhibit their art. Sculptor Sharon Rupp's submissions included a satirical bronze sculpture titled "To the Democrats, Republicans, and Bipartisans," which featured a woman with her head stuck in a wall and her backside exposed in effect, mooning the viewer. Her works were displayed at City Hall for only a week before city officials ordered them removed. Rupp was informed that the action came because of the works' sexual nature, because the city had received a complaint about them, and because displayingher sculpture would make the exhibition "political."

Visual artist Janette Hopper submitted black-and-white linoleum prints depicting a naked Adam and Eve touring German landmarks. But Pasco officials prevented the Arts Council from hanging the pieces. Hopper was told that the works were considered "sexual" and "sensual," and officials worried they might generate complaints from a local anti-pornography crusader.

The two artists were incensed, feeling their artwork had been censored. The American Civil Liberties Union of Washington (ACLU) took up their cause and filed suit (Hopper v. City of Pasco) in federal court on the artists' behalf, with attorneys Paul Lawrence and Dan Poliak handling the case. Pasco officials resisted the suit, asserting that the works had violated a "non-controversy" policy for the arts program. The nudity had upset some citizens and civic employees. The city manager contended that excluding the artists' work was not an act of censorship, as they were free to display it elsewhere in town.

The ACLU countered that the city's administration of the program was so inconsistent and arbitrary that it violated First Amendment rights. Some works selected earlier included nudity, and one, featuring an emaciated man, had drawn complaints. Yet those works had remained up.

Legally, the matter turned on case law about the nature of the venue where the artwork was shown. The City of Pasco contended that its arts program had established a "limited public forum," under which the standard for evaluating censorship was the "reasonableness" of its actions. U.S. District Court Judge Fred Van Sickle agreed and threw out the suit in 1998. The judge said, "... the case boils down to a matter of taste and perception." He found the City's decision to exclude the artwork reasonable given the controversy it provoked. He noted that "bare rumps and cavorting nude couples are not family fare" (Justia, February 15, 2001).

Overturned on Appeal

The artists took the case to the 9thCircuit Court of Appeals, which accepted the ACLU's characterization of the venue as a "designated public forum." This required that the City of Pasco's actions be subjected to "strict scrutiny" and serve a "compelling public interest."Under that standard, the appeals court in 2001 reversed the lower court, finding that the City of Pasco had violated the artists' rights to freedom of expression. Writing for the 2-1 majority, Judge Margaret McKeown said, "We do not endorse Pasco's cramped view of what constitutes censorship, and we find none of the city's reasons for excluding the artwork compelling" ("Court Sides With Pasco Artists").

A key consideration was the city's failure to establish a review process or specify criteria for the selection of public art. City manager Crutchfield had expressed concern that any controversy generated by artwork could torpedo the program, given Pasco's conservative climate (Justia, February 15, 2001). The 1990s, after all, were a decade marked by high-profile conflicts over public art, notably photographs by Robert Mapplethorpe in Cincinnati and policies of the National Endowment for the Arts. But the city manager had left it to the Middle-Columbia Arts Council to select art which would not provoke controversy, while the Arts Council claimed that it assumed the city manager would review its selections.

The appeals court ruling agreed with the ACLU that the city's non-controversy policy in practice was no policy at all, calling it a "standardless standard." Getting to the heart of the matter, the court said, "The mere fact that the works caused controversy is, of course, patently insufficient to justify their suppression" ("Court Sides With Pasco Artists").

The U.S. Supreme Court declined to review the ruling. Pasco and the artists reached a settlement in 2003. The city apologized to the artists for censoring their work and paid $75,000 in legal fees and costs to their lawyers.

The case set a precedent for the handling of public art displays and was cited in cases around the country. "That gives me pleasure that we have made things better for other artists," Rupp said ("Pasco Apologizes ..."). The city terminated the public-art program soon after the controversy arose. As for the sculpture that helped spark the conflict, Rupp gave it to her attorney, Paul Lawrence.

David Henderson, "Local Artist Faces Censorship in Pasco," Central Washington University Observer, February 12, 1998; "Janette Hopper and Sharon Rupp, Plaintiffs-appellants, v. City of Pasco and Arts Council of the Mid-columbia Region," Justia, February 15, 2001; Mike Carter, "Court Sides With Pasco Artists," The Seattle Times, February 16, 2001, accessed January 15, 2022 (seattletimes.com); Linda Ashton, The Associated Press, "No Supreme Court Briefs for Pasco Nudes," Ibid., October 10, 2001; Kim Bradford, "Richland Decision Shows Cities Don't Have to Shun Public Art," Tri-City Herald, October 28, 2001, accessed January 15, 2022 (tri-cityherald.com);ACLU of Washington, "Pasco Art Censorship," Annual Report, 2000-2001; Dori O'Neal, "Artists Get Apology in Censorship Lawsuit," Tri-City Herald, March 4, 2003, accessed January 15, 2022 (tri-cityherald.com); Sarah Anne Wright, "Pasco Apologizes Over Artwork," The Seattle, Times, March 5, 2003, accessed January 15, 2022 (seatttletimes.com); ACLU of Washington, "Pasco Apologizes to Artists for Censorship," Civil Liberties, April 2003.

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Jeffrey Wasserstrom on Censorship and Translated Literature in China – Literary Hub

Posted: at 1:24 am

This is Underreported with Nicholas Lemann, from the publishing imprint Columbia Global Reports. We dont just publish books; we use books to start conversations about topics that werent getting the attention they deserved. At least, until we took them on. This podcast is your audio connection to these important topics.

This season, were is focusing on our upcoming book, The Subplot: What China Is Reading and Why It Matters. This three-part series will explore not only the content of the book, but the issues surrounding it.

In The Subplot, journalist and critic Megan Walsh takes the reader on a lively journey through the last two decades of Chinas literary landscape, illustrating the countrys complex relationship between art and politics. She also dispels assumptions Westerners make about censorship, and opens up a view of Chinese society that you dont see through conventional news coverage.

Before we speak to Megan Walsh herself in upcoming episodes, we want to set the stage, so were joined by Jeffrey Wasserstrom, Chancellors Professor of History at UC Irvine. Hes one of Americas leading China specialists and has written several important books, including Vigil: Hong Kong on the Brink, also published by Columbia Global Reports. Theres no better guest to help us wade into the intricate and nuanced realities of China, a country that the US has locked in its gaze.

From the episode:

Nicholas Lemann: If there were a sort of typical urban Chinese citizen, can that person walk into a bookstore? What would be for sale?

Jeffrey Wasserstrom: Yeah, its a great question. And I will bracket off this sort ofwhen we talk about typical, clearly urban is different from rural. But lets just imagine walking into a bookstore in Shanghai or Nanjing or Beijing. There are amazing bookstores in terms of just varieties of things that you can buy. Some of the things that would be probably surprising, and radically different from the United States in a positive sense, is theres much more translated literature. There are plenty of books by Chinese authors, but there are also really quite extraordinary selections of translations of Western fiction, and fiction from many different languages. Fiction in Eastern European languages and novelists from Africa.

I mean, in some ways, though we can go into a kind of feeling superior to people who are living in a censored society, theres another way in which at least the kind of intellectually curious Chinese reader has an amazing number of choices. There are lots of popular genres there, and this is something that The Subplot goes through very well. So its interestingit can be in a way a very cosmopolitan thing. Even at this moment when its harder to physically have people move across the border, there is plenty of translated literature.

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Jeffrey Wasserstromis Chancellors Professor of History at the University of California, Irvine, where he also holds courtesy appointment in law and literary journalism. He is the author of six books, including Eight Juxtapositions: China through Imperfect Analogies from Mark Twain to Manchukuo, and Vigil: Hong Kong on the Brink. He is an adviser to the Hong Kong International Literary Festival and a former member of the Board of Directors of the National Committee on U.S.-China Relations. Follow him on Twitter at@jwassers

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Jeffrey Wasserstrom on Censorship and Translated Literature in China - Literary Hub

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