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Category Archives: Transhuman News

Opinion | Dont Cede the Space Race to China and the Billionaires – The New York Times

Posted: February 19, 2022 at 9:32 pm

If anyone is as bullish on the new frontier as China, it is the billionaires. Their ambitions, too, should spur NASA to stay in the game. Jeff Bezos and Elon Musk might or might not be visionaries, but they are easily the most powerful people on this planet to speak with a straight face about colonizing other ones. Mr. Musk warns of an extinction event that will require us to leave Earth behind. There is a certain egalitarianism in the idea of an escape hatch for humanity, though it is the egalitarianism of rats leaving a sinking (or overheating) ship. It would have to get pretty bad down here before ordinary people follow the billionaires into the black void of space rather than bid them adieu. Mr. Musks product placement of a Tesla in orbit and Mr. Bezos postflight performance in his cowboy hat leave one wary of their motives and nostalgic for the military bearing of Glenn. If space travel lost its novelty in the early 1970s, it might now be in the process of losing its dignity.

Of course, this takes nothing away from the achievements of Mr. Musks aerospace company, SpaceX. Rarely in any industry has such boldness of imagination been matched by such brilliance in execution. The company is an indispensable partner to NASA; a SpaceX landing system will carry astronauts to and from the moons surface.

But there is an essential difference between exploration and colonization, and both are a far cry from commercialization. Left to the billionaires, space is less likely to become a haven for humanity than a playground for its wealthiest members. In that event, there will be no more John Glenns no more astronauts to look up to and emulate, astronauts whose humility and awe in the vastness of space define them as much as their bravery does.

The exploration of space will go ahead, whether we join in it or not, Kennedy said in 1962 at Rice University, warning that no nation which expects to be the leader of other nations can expect to stay behind in this race for space. Perhaps this logic has lost its power; perhaps Americans dont care if the billionaires and China have the moon to themselves. The idea of space as a new frontier, too, might be tired, overworked. (During the Super Bowl, a Salesforce ad dismissed it with an Eh.) But the thrilling discoveries by Perseverance the evidence of ancient Martian river deltas and lava flows give eloquent testimony to the mysteries that await on the frontier. Robots like these are stunningly capable. Still, they cannot invent or imagine; they cannot drive the process of discovery in space any more than they do here on Earth. Only humans can lead, and to lead, humans must go.

Science is simply the exploration of the unknown, James Head, a planetary geologist at Brown who helped train the Apollo astronauts, told me, adding that the moon is unknown. Mars is unknown. Perhaps this is what NASA should say, and without apology: We dont know what well find. We dont know what the moon and Mars can tell us about the origins of the universe and life on Earth and possibly beyond it. And that, above all, is the reason for going. Six days after his return to Earth, Glenn addressed a joint meeting of Congress. What benefits are we gaining from the money spent? he asked, acknowledging that it was too early to say. But exploration and the pursuit of knowledge, he said, have always paid dividends in the long run usually far greater than anything expected at the outset. Why bother? This is why.

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Keep Capitalists Off the Moon – Jacobin magazine

Posted: at 9:32 pm

At its best, futurist thinking represents a flourishing of the human imagination. Emboldened by the invention of new technologies, artists at the turn of the twentieth century envisioned a world largely free of everyday toil, in which the work of machines would allow ordinary people to live fuller and happier lives without the grinding poverty and tedium associated with industrialization. This vision may have reflected a kind of misplaced techno-utopianism, but it was also a genuine expression of progressive thinking in a world of growing class consciousnesses and democratic militancy.

Today, what passes for futurist optimism is often more a sign of civilizational paralysis and economic stagnation the increasingly absurd billionaire space race offering us a counterfeit vision of utopian promise in the form of climate-destroying vanity flights and dystopian fanfiction about Martian colonies. Unlike earlier iterations of futurism, this plutocrat-manufactured version substitutes the transcendence of earthly inequalities for their extension into the solar system, imagining a century of space exploration planned and carried out by a tiny handful of the worlds wealthiest people. This makes sense insofar as it reflects both the prevailing logic of a top-heavy and decadent global economy and a political order incapable of accommodating real alternatives to the status quo. When a system looks exhausted but reforming it also seems impossible, the only option left is to scale up and hope it yields a better result.

Something like this is at least the implicit premise of a new report from the neoliberal Adam Smith Institute entitled Space Invaders: Property Rights on the Moon, which mounts a Lockean case for the ownership of land off-world. To researcher Rebecca Lowes credit, the argument is intellectually quite rigorous and represents a philosophically consistent application of classical liberal thinking. Noting that earlier, more universalist frameworks for the exploration of space feel less viable today than they did in the 1950s or 60s, Lowe proceeds to consider an approach that is neither nationally or globally based and would instead see individuals to attain morally-justified property rights in space.

Shes certainly correct that anything resembling the egalitarian vision of space once represented in the popular imagination by something like Star Trek looks decidedly more distant in a world of transnational competition and disempowered nation states. Shes also right to recognize that the codification of rules and regulations surrounding interstellar colonization are bound to be complex and also that debates about them will inevitably reflect unresolved disputes about the design of existing human societies.

In true libertarian fashion, the case for property rights is asserted as axiomatic and advanced as fundamentally egalitarian in spirit. Moral property rights, Lowe writes, are rights that simply reflect truths about morality, and which do not depend on positive law. While democratic nations, she argues, may be in a position to share fairly amongst their citizens the opportunities of the national appropriation of space, the existence of authoritarian societies means some will be unable to reap the off-world bounty:

Under such [national] approaches, for instance, if democratic Country A was newly allowed to appropriate a certain amount of space land, then separable parts of this amount could, for instance, be made up for grabs amongst competing citizens, on fair terms. But the same could not be expected from authoritarian regimes. There is an egalitarian argument, therefore, that the arbitrary oppression of opportunity that some individuals already face simply by being born in, or otherwise inhabiting, particular countries should not be further entrenched by a nation-focused approach to the governance of space opportunities.

Ethically speaking, its not a bad argument. Having basic egalitarian commitments, after all, implies not wanting people to be disadvantaged by the circumstances of their birth or subject to what Lowe calls arbitrary oppression of opportunity or otherwise. The irony is that market societies have such oppression built-in by design, and that modern apologists for inequality regularly invoke property rights as the preeminent justification for not eliminating it. According to this line of thinking, properly functioning markets offer everyone the same opportunities to own and to compete.

The problem, of course, is that they do nothing of the kind. Market societies are, by definition, also class societies in which a comparatively small few own and a much larger group must earn subsistence through wage labor. The latter group produces, while the former extracts rents and skims the surplus value. In lieu of radical measures like the complete abolition of inherited wealth from one generation to the next, equality of opportunity is a total mirage and markets inevitably yield social relations defined by entrenched domination.

This obviously has profound implications on its own. But its also relevant if were considering hypothetical frameworks for the future use of space. What is presently called private space exploration, after all, is in practice the domain of a few exorbitantly wealthy billionaires, and theres no particular reason to think that would change with the extension of property rights onto the Moon.

Putting aside the question of whether lunar colonization will ever be viable or commercially profitable to begin with, the inherent asymmetries in global capitalism mean that any realistic version of it will simply project structural inequality into the heavens: a small few among those who are already rich will own and profit, while others will work and attempt to subsist. (One clue in this regard was offered by none other than Elon Musk when he was asked about the high costs of transport to Mars. His answer? That those unable to afford the price of a trip could take out loans and pay them off by toiling in Martian sweatshops upon arrival.) Equality of opportunity under a system of lunar property rights is thus every bit as mythical as its earthly equivalent.

Rigorous and systematic as it is, Lowes proposal therefore suffers from a broader problem inflecting much of what passes for futurist thinking today: namely, that it remains bound up in the logics of the very status quo it promises to transcend. While virtually every era struggles to see beyond its own horizons, what the late Mark Fisher called capitalist realism arguably makes ours unique in this respect. From billionaire-led space exploration to cryptocurrency to the so-called Metaverse, the various technologies and schemes currently claiming the futurist mantle are so inexorably constrained by their allegiance to capital that they are ultimately strained of emancipatory potential.

Plutocracy is bad enough on earth. If humanity ever does expand into the heavens, lets hope its in a future that has left billionaires and class hierarchies far behind.

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The Transhuman Roots of the Metaverse – by Joe Allen

Posted: at 9:31 pm

As the name implies, the goal of transhumanism is to transform human beings into superbots through technology. Like all delusional ideas, the end result will be disastrous. Ray Kurzweil, the Google-sanctioned prophet of this techno-cult, predicts that by 2045 (or 2049, or whatever) our souls will exist in a liminal state between the physical and digital worlds.

Right on cue, the Metaverse arrived to fulfill yet another of his dismal prophecies.

The Singularity will represent the culmination of the merger of our biological thinking and existence with our technology, he foretold in his 2005 scripture The Singularity is Near. There will be no distinction, post-Singularity, between human and machine or between physical and virtual reality. ... [O]ur experiences will increasingly take place in virtual environments. In virtual reality, we can be a different person both physically and emotionally. In fact, other people (such as your romantic partner) will be able to select a different body for you than you might select for yourself (and vice versa).

More sober voices in the transhumanist movement approach Kurzweils predictions with caution. The same goes for futurists who avoid the trans- moniker altogether. Despite those reservations, theyre all facing the same direction. One way or another, were gonna fuse with machines.

VR isn't simply a new form of media; it sweeps away the barriers of all previous forms, Wired editor Peter Rubin evangelized in his 2018 book Future Presence. [W]e have the ability to become the artto be part of a world, even to be a character. [I]t promises to upend every industry you can name.

The Metaverse couldnt have come at a better time. As real-life droids take over decent jobs, unemployed schmoes can shoot at robots in virtual reality. A population lost in digital hallucinations doesnt need brain implants or drugs to keep them pacified. If the VR realm is fun enough, people will keep themselves on lockdown.

Clawing for ZuckerBucks

Ever since Facebook staked its claim on the Metaverse last month, dozens of tech companies have tossed their brainscan helmets in the ring. As I wrote last summer, and reiterated last month, this craze is not a one-off.

Microsoft is now hyping its own virtual workspace. Roblox is enticing the youth with advanced virtual reality games. Reddits KarmaLab is coaching companies to thrive in meta-space. Nvidia is offering up custom avatars. Companies like The Sandbox are selling virtual real estate as NFTs.

All across Asia, virtual influencerscomputer-generated popstars whom fans treat like peopleare preparing to take the Metaverse stage. Even the Chinese tech firm Tencent wants in, pending CCP approval. Wall Street investors are pouring gazillions into this lunacy. Big capital ensures its development in some form or another, however corny it turns out to be.

For those who enter the Metaverse through high-end equipment, I have no doubt the experience will be thrilling. There will be fantastic adventures in alien environments, epic battles as robots or wizards, and whole battalions of gametes lost to first-person 360 porn.

That thrill is the first major problem. After decades of goofy graphics and simulation sickness, VR is now officially awesome. Just as LSD molecules will slide right into your serotonin receptors, easy as you please, the new head-mounted displays trick the brain into experiencing a virtual world as if it were real. VR fans call this state presence.

Stereoscopic screens and precision headphones create the illusion of depth. Because these visual and audio fields track with your physical bodys motiondetected by external cameras and synced with onboard gyroscopes and accelerometersyou become embodied in the VR experience. Add a fully motorized artificial vagina, and there goes your weekend. Fast-forward a decade or three, and there goes a future generation.

Given VR's mind-bending capacity to elicit emotional reactions with a simulation, intimacy can be found with a program or a recording. Rubin exults in Future Presence, [T]he emotional, cognitive, and psychological reactions we have in virtual worlds promise to change us in some fundamental ways.

The second problem, which will afflict millions, is a chronic disassociation from ones body and culture. Kissing an actual woman may be scary at first, but its certainly worth the risks and fumbles. It just takes a little practice. The same is true of brawling, mountaineering, or climbing a vaulting steel structure. These sorts of rough-and-tumble pastimes turn boys into men. But you have to get physical.

On the other end, girls have their own rites of passagedeeply embodiedthat transform them into mature women. In a compassionate society, sissies and tomboys also have their roles to grow into.

In the shadow of a global Metaverse, crowded with fake personas to inhabit, these organic identities can easily be wiped away.

To the extent augmented and virtual reality become a primary mode of experienceand thats definitely the planthe Metaverse will leave young people atrophied and unprepared to confront the real world head-on. VR creators and ad-men know that, of course, but detachment from reality isnt just part of their business model. Its a religious conviction.

Inside the Transhuman Mind

Of all the weird quirks Ray Kurzweil exhibitsand were talking about a long listhis fetish for becoming a woman in virtual reality is at the top. Back in 2001, he appeared onscreen at a TED Talk as Ramona, an electronic trollop who sings and dances. While Kurzweil performed Jefferson Airplanes White Rabbit (as Ray onstage, as Ramona onscreen), his teenage daughter boogied in the background as a digital dude.

The experience was a profound and moving one for me, he recounted in The Singularity Is Near. When I looked in the cybermirror...I saw myself as Ramona rather than the person I usually see in the mirror. I experienced the emotional forceand not just the intellectual ideaof transforming myself into someone else.

Five years later, he did a spot on C-SPAN as his alter-ego. Speaking in a Southern drawl, Ramona lamented that, unlike Ray, her ex-boyfriends had killed off the diverse personalities bubbling up in their brains.

Kurzweil looks forward to the Singularity, some two and a half decades away, when people are finally liberated from their birth bodies to take on a rainbow of immortal avatars. This will occur in virtual space, he believes, but also out in the real world through pills, injections, bionic implants, blood-borne nanobots, and other perverse technologies.

This gender-bending, borderline schizophrenic desire is a hallmark of the techno-cult. In his (her?) 2013 essay Transavatars, William Sims Bainbridge wrote:

True transhumanism does seek to enable each of us to alter and improve (by our own standards) the human body and champions morphological freedom [including to] be able to inhabit different bodies, including virtual bodies.... Avatars point out to us that enhancement is not merely a matter of increasing the effectiveness of a person in taking action, but also can mean an altered form of consciousness that expands opportunities for experiences, and escape from the conventional system of moral restraints.

When God is dead, everything is permitted and may be free to download. In 2015, the stoned prodigy R.U. Sirius drew back the curtain on this loosey-goosey mindset in Transcendence: The Disinformation Encyclopedia of Transhumanism and the Singularity:

As we move into an age of shifting identities, where we can be whatever or whoever we choose to be in our virtual lives, where biotechnology may soon offer changes in skin melanin bringing about the age of the trans-racial, as people start to evolve novel body ornamentations and eventually parts, as we learn how to control our hormones to amp up our estrogen or testosterone to suit the needs of the day, we should always remember to thank the transgendered.

Which brings us to an absurd article just published in the once-respectable MIT Technology Review. The author frets that women will be self-conscious about their pudgy avatars in the Metaverse. On the other hand, a virtual environment could allow a chick who identifies as a fat, gay, pre-medical transition trans man to find validation.

For me, the joy of seeing myself represented accurately would mean that I am not the only person who believes my existence is valid, he says. It means a team of developers also see the potential of me existing, as I look, as a man.

As if PC speech codes and expensive medical procedures werent enough, soon well have a vast electronic infrastructure to coddle delusional minds. You can be certain that, just as social media and 24/7 screen time induces teen gender dysphoria, the madhouse of the Metaverse will extend identity crises to cartoon teddy bears and polymorphic aliens.

Yes, the miracles of technology allow for infinite possibilities. But at least half of them suck.

Artificial Bodies With No Soul

Virtual reality is just another jewel on the crown of King Crazy. It allows people to forget who they are and where they come from.

Unlike great films or fine literature, which trigger memory and help interpret the real world, VR offers a universe unto itselfone devoid of sentience and soul. Those who get lost in this lifeless abyss will have no idea where theyre going, out in reality, and no means to control their lives beyond the imaginary powers theyve been sold.

As with most delusional states, their madness will seem to have no consequence at first. Itll be hidden behind plastic goggles and closed doors. Normal people can look the other way and hum right along, as they did with the race riots, opioid addictions, smartphone schizoids, and toddlers in dresses. But as more and more vulnerable souls retreat into immersive worlds, losing themselves in preposterous scenarios behind phony digital masks, their minds will become unglued. Real relationships will dissolve. Eventually, reality will come crashing in.

By that time, everyone who invested in the Metaverse will have made their millions. With any luck, well have mortuary bots to sweep up the wreckage. Then none of us will have to go outside and get our hands dirty.

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Further Reading

The Metaverse: Heaven for Soy Boys, Hell on Earth for Us Salvo

Mark Zuckerberg Is Planting The First Church Of The Metaverse The Federalist

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An Act of Solidarity – Publishers Weekly

Posted: at 9:31 pm

The first shots of the second American Civil War may have already been fired, the investigative journalist Robert Evans argues in his 2018 podcast It Could Happen Here. Drawing on his experience covering civil wars in Iraq, Ukraine, and Syria, the iHeartRadio host demonstrated to millions of listeners that the United States is closer to a nationwide sectarian conflict than they had previously imagined. In his debut novel, After the Revolution, Evans imagines an America crumbling in the chaotic aftermath of such a war.

Evanss publishing model is as revolutionary as his subject matter. He self-published the book in digital and audio formats in August 2021 and released them for free. I dont think Ill ever sell a fiction book in the traditional sense, he says. I view it as an act of solidarity with other poor people who like to read fiction.

The premise for After the Revolution came to Evans as an 18-year-old walking around his hometown of Richardson, Tex., on an actually hallucinogenic dose of MDMA. He developed the idea over the next 10 years while working as a writer, editor, and video producer for Cracked and publishing his first book, the tongue-in-cheek nonfiction volume A Brief History of Vice, with Penguin Random House.

But it wasnt until I went to Iraq that how to actually write [After the Revolution] started coming together, he says. In 2016, Cracked sent Evans to embed with Iraqi Kurdish militias fighting ISIS.

In the novel, Evans envisions a United States fractured into at least 15 independent governments with different ideologies. Most of the action happens in a version of Texas inspired by his experience in Iraq. The area surrounding the left-libertarian Free City of Austin is powered by automation, but opportunity is scarce due to recurring assaults from the Heavenly Kingdom, a Taliban-like Christian state occupying the Deep South.

Evans tells the story through three characters caught in the crossfire: Manny, a fixer guiding journalists through the war-torn Texas landscape; Sasha, a young woman recruited by the Heavenly Kingdom; and Roland, a heavily augmented (or chromed) cyborg supersoldier numbing memories of his violent past in a fugue of drugs, booze, and self-imposed exile.

Despite the postcollapse setting, Evans was determined not to write a pure dystopian or utopian story because thats more realistic. He contrasts the Heavenly Kingdoms oppressive theocracy with new societies based on leftist principles that rise to oppose it.

The most radical example is a nomadic anarchist commune called Rolling Fuck. Its as if Burning Man were permanent and mobile and had the most advanced technology on the planet. The city is a haven for the chromedtranshumanist cyborgs, some of whom can switch genders at willwhere they drink beer laced with LSD and regularly have polyamorous fondle boat parties. The Fuckians are sophisticated warriors, but their progressive culture reckons with the responsibility that comes with their technological power.

After the Revolutions thrilling action scenes are tempered by the trauma Evans witnessed in Iraq and Ukraine. A big influence was watching the United States military bombing Mosul, Evans says. I spent one morning watching airstrikes land in the Old City, then minutes later walked through and there were live munitions, bodies in the rubble, all that shit. Evans says he took direct fire at least three times, and he recalls at least one incident when bullets whizzed past his head while he was embedded with a federal police mortar unit.

The violence, combined with other personal issues, took a toll on Evans. At the end of 2017, he and his wife broke up. I started having outrageous PTSD, just years worth of not taking care of my mental health compounding, and thats when I wrote most of the book, Evan says. It was primarily written as a way to process my post-traumatic stress disorder and my grief at the end of a relationship.

Evans chose to release After the Revolution for free because the story was too intertwined with his trauma and growth to look at as a financial instrument. Evans could have taken After the Revolution to a major publisherhe has another nonfiction book deal in the worksbut, thanks to his six-figure social media following and 10 million monthly podcast listeners, he didnt have to. I dont think this book could have possibly sold without the person writing it having a significant audience already, Evans says.

His decision was also inspired by such copyleft literary heroes as Attack Surface author Cory Doctorowwho lauded the bookand Evanss mentor and editor at Cracked, John Dies at the End author Jason Pargin. Both authors are known for providing their books at no charge. Pargin first released chapters of his novel, later adapted to a feature film, as a pioneering comedy blog, and Doctorow gives away many of his books to readers.

Though profit isnt his primary motive, Evanss approach is paying off. He brought After the Revolution to his producers at iHeartMedia, where he hosts popular shows including Behind the Bastards and a daily edition of It Could Happen Here. iHeartMedia agreed to release the audiobook as an ad-supported podcast, and now its the networks most popular fiction series. On August 16, 2021, the company launched a new progressive subnetwork called Cool Zone Media with Evans as the creative lead.

On May 3, Evans will release a paperback edition of After the Revolution through AK Press, an Oakland-based anarchist collective that has been publishing leftist literature for over 20 years. Robert is in a unique position. His voice has found a pretty large audience, and hes using it to push people to change, not just be entertained, says AK Press collective member Zach Blue. After the Revolution is a timely companion to the host of great nonfiction books out now, and coming soon, that investigate the radicalization of the right and the increasing threat of violence in the U.S.

After the Revolution reveals a large audience hungry for stories that acknowledge the threat of fascism. That audience has already financed the After the Revolution sequel, raising nearly $50,000 on GoFundMemore than double Evanss $20,000 goal.

After the Revolution shows that the way that the book trade operates is not the only way, Blue says. Publishers complain about large entities like Amazon, but they can always do things differently, and authors can do things differently. The work Robert does is proof that theres more than one way to get art out into the world.

Beckett Mufson is a journalist, copywriter, and cofounder of creative agency The Auxiliary.

A version of this article appeared in the 02/21/2022 issue of Publishers Weekly under the headline: An Act of Solidarity

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The Alien TV show will take place before Ripley – The Verge

Posted: at 9:31 pm

FXs upcoming TV series based on the Alien films will be set on Earth 70-odd years from now which is before Sigourney Weavers Ellen Ripley character in the franchises timeline, FX chairman John Landgraf tells The Hollywood Reporter.

The show is being headed up by Noah Hawley, who previously won acclaim for his Fargo TV series inspired by the Coen brothers movie of the same name. Filming for the Alien TV show is due to take place after season five of Fargo, which will be filmed this winter.

Landgraf previously confirmed that the Alien TV show would be set on Earth when the project was announced in late 2020. But knowing the shows time period means we can have some fun speculating about how it might tie into the rest of the franchise.

Being set in the 2090s means the that show could overlap with the events of 2012s Prometheus, which served as a prequel to the original Alien. The events of Prometheus kick off in 2089 when protagonists Elizabeth Shaw and Charlie Holloway discover a star map in Scotland from an ancient civilization. The rest of the film then takes place on a distant moon in 2093, as humanity attempts to make contact with its forerunners.

But Landgraf also says the Alien TV show wont feature any returning characters from the existing films. Ripley wont be a part of it, and neither will any other characters other than the alien itself, Landgraf says. So Sigourney Weavers Ellen Ripley wont make an appearance (Xenopedia informs me the character was born in 2092) but does this also rule out a return from Michael Fassbender, whos already appeared in the Alien prequels as two different android characters? Whos to say.

Hawley also teased more details for the series in a recent interview with Esquire. In the [Alien] movies, we have this Weyland-Yutani Corporation, which is clearly also developing artificial intelligence but what if there are other companies trying to look at immortality in a different way, with cyborg enhancements or transhuman downloads? Which of those technologies is going to win? he says. I describe that as Edison versus Westinghouse versus Tesla. Someones going to monopolize electricity. We just dont know which one it is.

It all sounds very promising, and Im letting myself get cautiously optimistic given Hawleys work on Fargo, and the good job FX has done with its What we do in the Shadow TV adaptation. The Alien TV series currently doesnt have an official air date.

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Amid fear and censorship, FL school districts are pulling books off shelves in public schools – Florida Phoenix

Posted: at 8:45 pm

In Central Florida, in a county named Polk, the The Kite Runner, a bestseller, is in quarantine.

In Flagler County, in Northeast Florida, All Boys Arent Blue, has been pulled from school library shelves.

And in Hillsborough County in the Tampa Bay area, The Bluest Eye was challenged by a parent who felt the novels explicit content was inappropriate for school-aged kids. The author: The late Toni Morrison, a Nobel Prize winner and a Pulitzer Prize winner.

While some advocates and lawmakers fear more books will be banned or challenged for telling the stories of LGBTQ people and racial minorities, GOP lawmakers are working to make it easier for parents and community members to weigh in and challenge books available for students in school libraries, potentially taking them off the shelves for weeks at a time or permanently.

Legislation moving through the 2022 legislative session would require that each new book or other material be open for reasonable opportunity for public comments.

That sounds okay, but maybe not. Current book bans and challenges in Florida and across the nation leave some lawmakers and activists concerned that the legislation will lead to an onslaught of removal of books relating to the experience of the LGBTQ community and certain perspectives on history, such as the Holocaust.

In a bill that passed the full House last week, district school boards must report to the Department of Education any material for which the school district received an objection to and report any material that was removed as a result of the objections. Then the department would publish a list of materials that were removed or discontinued as a result of an objection and disseminate the list to school districts for consideration in their selection procedures.

National outlets have reported increased scrutiny on what books are available in school libraries.

In Virginia, several books focused on the experience of LGBTQ teens have been pulled from school library shelves, ABC News reports.

A county in Tennessee banned a Pulitzer Prize-winning graphic novel called Maus by Art Spiegelman from its schools. It depicts the Holocaust through anthropomorphic animals, but was removed for crude language and depictions of nudity, according to CNN.

In Missouri,The Bluest Eye by acclaimed author Toni Morrison, was banned by a local school board, Today reports. The novel tells the story of a young Black girl growing up in the Great Depression. The American Library Association placed Morrisons book in the top ten most challenged books in 2020.

Meanwhile, in Florida, George M. Johnsons book All Boys Arent Blue was pulled from Flagler County Public Schools in December, according to FlaglerLive reports.

Jason Wheeler, a communications staffer with the Northeast Florida school district, confirmed with the Phoenix that as of Monday, Johnsons book is still not available for checkout in Flagler public schools, and its not clear when it could be again, if at all.

The book relays Johnsons experience of growing up as a Black queer man.

It is very interesting, and sometimes just overwhelming to, daily, get Google Alerts of new counties, every single day, removing the book from classrooms while also getting direct messages from students and from parents who are desperately fighting to keep the book in school systems, Johnson said during a virtual press conference Monday.

The press conference was hosted by Free-Speech advocacy group PEN America. The conversation focused on various legislation that members of the LGBTQ community say work together in order to diminish the visibility of LGBTQ people in Florida schools and nationwide, including the Florida Legislatures so-called Dont Say Gay bill.

In the Polk County school district, 16 books have been pulled from middle and high schools for the time being, as district officials evaluate whether to keep them in libraries following complaints from a group called County Citizens Defending Freedom, the Ledger reported late January.

Polk communication staffer Jason Geary told the Phoenix that the 16 books are currently under review and it could be weeks before a decision is made on whether the books will return to Polk school library shelves. Meanwhile, the books are in quarantine, Geary said.

One of the books is I am Jazz, which documents the life of a young transgender girl native to South-Florida. Another is called Two Boys Kissing, which explores the experiences of young gay boys.

The books in this list are not just focused on LGBTQ issues either. Two are Toni Morrison books, The Bluest Eye and Pulitzer-prize winning Beloved.

The Kite Runner is on the list as well. It was on the the top 10 most challenged book in 2017, according to the American Library Association. The book includes sexual violence.

The Phoenix reached out to County Citizens Defending Freedom (CCDF-USA), a group describing itself on its website as an organization that provides the tools and support needed to empower citizens to defend their freedom and liberty, and place local government back into the hands of the people. As patriots have done throughout Americas history.

The group has not yet responded to the Phoenix. Heres what the national branch of County Citizens Defending Freedom said about the situation in Polk County schools, in a written statement on Jan. 31:

County Citizens Defending Freedom has received an overwhelming positive response for bringing to light content within library books available in Polk County public schools that is explicit and inappropriate for minors.

The statement continues: The family values and virtues that shape a child should be and are developed in the home, and the content found in these books stand in opposition to those very core values. Parents should have confidence in sending their children to school without worry that undesirable, even unthinkable material is available to their children in their school libraries; especially books that potentially violate Floridas decency and child protection statutes.

The current bill in the Legislature about potential book bans and censorship is HB 1467, sponsored by Republican Rep. Sam Garrison. Hes an attorney and represents part of Clay County in Northeast Florida.

What this bill is seeking to do is provide transparency to reinforce, for parents, the security and the confidence of knowing that when they drop their kids off at the local library and be comfortable of where they are. They want to encourage their kids to go to the library. We want people to be talking about libraries, Garrison said last week on the House floor.

Jon Harris Maurer, Public Policy Director with Equality Florida, a statewide LGBTQ advocacy group, told the Phoenix:

But our fear is how we see this bill potentially being manipulated by anti-LBGTQ extremists.

Maurer noted that public comments in support of the House bill and the Senate version wanted LGBTQ materials removed from classrooms.

He continued: We know that these bills also have a chilling effect and can make schools less likely to want to have those materials that are supportive to the LGBTQ community because they dont want to face these challenges and liabilities from the anti-LGBTQ opponents who may try to use the system just to object to those materials that they dont like.

The House passed the bill 78-40, generally on party lines. Its now headed to the Senate for deliberation.

Here are some of the other components of the bill:

All elementary schools would have to publish in a searchable format a list of all materials in the school library or on a required reading list.

The bill works to integrate public participation in the material selection process for school districts, meaning that parents and community members would be more included when school districts are considering new books and instructional materials.

The bill includes meetings that must be open to the public when a district is selecting books and other materials.

During debate on HB 1467 last week, Rep. Carlos Guillermo Smith of Orlando worried that more books representing members of the LGBTQ community will be targeted.

I agree with the fundamental concept that parents have the right to control what their child reads. But they do not have the right to control what other parents children are reading, Smith said. And lets be real, most of these movements to ban books in our schools, which should trouble all of us, are mostly movements to ban books about us. And by us, I mean LGBTQ Floridians, LGBTQ students, LGBTQ families.

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Opinion | You Just Cant Tell the Truth About America Anymore – The New York Times

Posted: at 8:45 pm

Last month, for example, the Indiana House of Representatives approved a bill not yet signed into law that would limit what teachers can say regarding race, history and politics in the states classrooms. Under the law, schools could be held liable for mentioning any one of several divisive concepts, including the idea that any individual should feel discomfort, guilt, anguish responsibility, or any other form of psychological distress on account of the individuals sex, race, ethnicity, religion, color, national origin or political affiliation.

The bill would allow parents to allege a violation, file a complaint, sue and even collect damages (up to $1,000). It would also, in the name of transparency, create curriculum review committees for parents and require schools and teachers to post lists of material on websites for parents to inspect.

In South Carolina, lawmakers have introduced a bill known as the Freedom from Ideological Coercion and Indoctrination Act that would prohibit any state-funded institution from stating that a group or an individual, by virtue of his or her race, ethnicity, sex, sexual orientation, national origin, heritage, culture, religion, or political belief is inherently racist, sexist, bigoted, ignorant, biased, fragile, oppressive, or contributive to any oppression, whether consciously or unconsciously. If signed into law, this bill could make it illegal, for instance, for teachers and college professors in the state to criticize members of a white supremacist group since that affiliation might count as a political belief.

Schools that repeatedly distort or misrepresent verifiable historical facts or omit relevant and important context or advertise or promote ideologies or sociopolitical causes or organizations could face a loss of state funding, state accreditation or tax-exempt status. As for what these violations would actually look like? The bill does not say.

The most disturbing efforts to monitor schools and teachers for wrong-think involve actual surveillance. Bills introduced in Iowa and Mississippi would install classroom cameras that would stream lessons over the internet for anyone to observe. The Iowa bill, which died in committee this week, would have forced schools to place cameras in all K-12 classrooms, except for physical education and special-needs classes. Teachers and other staff members who obstructed cameras or failed to keep them in working order would face fines of up to 5 percent of their weekly pay for each infraction.

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Taiwan Ministry of Culture responds to China’s censorship of word ‘kill’ – Taiwan News

Posted: at 8:45 pm

TAIPEI (Taiwan News) After Chinese subtitlers self-censored by replacing the word kill with suck in the American series Hannibal, inadvertently making suggestive dialogues, Taiwans Ministry of Culture (MOC) discussed the value of freedom by reviewing the countrys own history of censorship under authoritarianism.

In a Facebook post, the MOC wrote that while the public may find the over-censorship of Hannibal a funny topic, the incident reflects a serious issue. The freedom to use whichever word, to look back upon whichever period in history, and to create without restriction should not be subject to authoritys inspection and suppression.

The MOC added, This is a shared belief and value in Taiwan as well as our predecessors deep realization and historical experience. From the present, free standpoint, we hope that everyone can remember history without freedom and cherish what you hold in your hands."

The MOC wrote that in Taiwan, creators also lived with censored speeches and publications under authoritarianism. It mentioned the Popeye Incident of 1968 as a symbolic example, in which author Bo Yang (), who translated the Popeye the Sailor Man comics, was accused of alluding to Chiang Kai-shek () and Chiang Ching-kuo () and sentenced to prison.

Another example is the upcoming 228 Peace Memorial Day, which commemorates the painful time in history over 70 years ago that survivors dared not discuss, textbooks loathed to mention, and the government blacklisted as sensitive terms in the past, according to the MOC.

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If the Marvelous Mrs. Maisel Met the Dynamic Mrs. DennettSex Ed And Censorship Would Be So 20th Century – Ms. Magazine

Posted: at 8:45 pm

Rachel Brosnahan as Midge Maisel. (Courtesy of Amazon Studios)

Like other fans of Amazons The Marvelous Mrs. Maisel, Ill be binge-watching when the fourth season of the hit series finally drops on Friday, Feb. 18. Theres something deeply cathartic about watching the glamorous Midge Maisel battle sexism and censorship. Wielding words like poison stilettos, Maisel turns the narratives of everyday life into comedic shards that cut to the truth of self doubt, setback and triumph on the path to personal reinvention. We dont need to be a 20-something, divorced mother of two in the late 1950s to relate to her experiences as awoman battling to be heard.

I cant help but wonder if the fictional Midge Maisel was influenced by the real-life Mary Ware Dennett or what would happen if they met. Its possible that at least some of Maisels pluck and fortitude was derived from learning about women like Dennett in newspapers and magazines. Dennett wasnt a comedian, she was an activist. From 1915 through the 1930s, Dennetts pioneering battles against the U.S. governments censorship helped pave the way for the freedom of speech that Maisel both relies on and fights to expand.

Dennett was a chink in the armor of U.S. obscenity laws, a just-the-facts advocate for honesty in sex education. Unlike Maisel, who grew up in New York, Dennett was a transplant to Manhattan from Boston. Thats where their differences end, and the story of two fearless women pushing the boundaries of legal and cultural norms begins.

As young wives, Maisel and Dennett seemed to have it allthe man of their dreams, healthy children, up and coming lifestyleseverything they thought they desired. But each womans perfect world came crashing downand for both, it was about sex. Maisels man left her for his secretary. For Dennett, difficulties in childbirth left her with a painful choice: risk death if she had another child, or abstain from sexual intercourse. Abstinence proved impossible for Dennetts husband and in 1908, he scampered off to start a commune in New Hampshire.

Betrayed and humiliated, both women channeled their considerable creative energies into reinventing themselves. Maisel followed her penchant for wisecracks into a career as a standup comedian, initially doing gigs in back-alley clubs in Greenwich Village. Dennett joined the suffrage movement in Massachusetts, and was later recruited to the national headquarters in New York. Arriving in Manhattan in 1910, Dennett cut her hair and her corset, then she took a lover. Like Maisel, she found her tribe in the smoke-filled back rooms of the Village, but Dennetts group called itself Heterodoxy, a secret sorority of feminist artists, writers and reformers.

Betrayed and humiliated, both women channeled their creative energies into reinventing themselves. Maisel followed her penchant for wisecracks into a career as a standup comedian. Dennett joined the suffrage movement.

But wait. Back up, Midge Maisel might say, pausing for effect and raising an eyebrow in suspicion. Why would Mary Ware Dennett and her husband have to abstain from sex? Couldnt they use condoms?

The answer is no. In 1873, Anthony Comstock, the anti-smut crusader and head of New Yorks Suppression of Vice, succeeded in making all forms of birth control illegal after Congress passed his anti-obscenity statutes. Later known as the Comstock laws, these statutes even prohibited information about theprevention of conception by equating it with pornography. With the stroke of a pen, conversations abouthowto prevent pregnancy became illegal even between doctors and patients. Anyone found guilty could be fined up to $5,000 and sentenced to prison. Comstock himself once boasted that hed been responsible for more than 4,000 arrests and the suicides of 15 deviants.

Maisel and her friend, Lenny Bruce, may be unaware, but their arrests and battles over censorship are directly related to the laws that Dennett sought to change. By 1915, then 43-year-old Dennett realized that winning the vote for women was only one prong on the path to equality. She quit her job at suffrage headquarters and co-founded the National Birth Control League, the first organization of its kind in the U.S. Its mission was to change the Comstock laws andtransform cultural views about sex.

Although the country was beginning to wrestle with its notions about women and morality, the prevailing attitude still held that procreation, or securing the future of the species, was a womans supreme duty. The idea that women might regard sex as a creative, pleasurable and emotionally fulfilling act, was beyond their comprehension.

So strong were these social, religious and legal chokeholds on women, that even in the late 1950s, when Maisel reunites with her ex in an evening of passion, or when she falls into the arms of the dreamy doctor, shes breaking accepted norms.

With the stroke of a pen, conversations abouthowto prevent pregnancy became illegal even between doctors and patients. Comstock himself once boasted that hed been responsible for more than 4,000 arrests and the suicides of 15 deviants.

Besides wanting to change public attitudes and the law, Dennett also wanted her teenage boys to learn the facts about sex rather than be tainted by Victorian myth and misconception. Scouring the libraries for suitable books to give them but finding none, she penned her own pamphlet called,The Sex Side of Life: An Explanation for Young People.If Maisel had seen the pamphlet, she might say, Women will fix it and accessorize it!

A former professor of art, Dennett illustrated it with anatomically correct drawings. Frontal and side-view diagrams of penises, vaginas and the entire reproductive system. Dennett shared her booklet with friends who shared it with friends and so on, until eventually, it found its way into the respectableMedical Review of Reviews, winning praise and endorsements. Struggling to earn money, she began selling the pamphlet to anyone who wrote to her with a request and a quarter.

About the same time, across the ocean in Switzerland, James Joyce began writingUlysses,one of literatures most groundbreaking novels. Its publication immediately became ensnared by censorship laws in Europe and the U.S. In an odd twist of fate, Dennetts pamphlet and Joyces novel became inextricably linkednot unlike the interwoven careers of Midge Maisel and Lenny Bruce.

Fast forward to January 1929 at a federal courthouse in Brooklyn. Now a grandmother and retired from birth control work, Dennett was indicted and arrested for sending obscene materialher sex ed pamphletthrough the mail. The lead counsel of The American Civil Liberties Union, a close friend of Dennetts, rose to her defense. Declaring her case to be on par with those of Copernicus and Darwin, he marshaled more than 30 experts in academia, religion and medicine to testify that contrary to being smut, Dennetts book was scientific and educational.

Dennett shared her booklet with friends who shared it with friends and so on, until eventually, it found its way into the respectableMedical Review of Reviews, winning praise and endorsements. Struggling to earn money, she began selling the pamphlet to anyone who wrote to her with a request and a quarter.

The prosecuting attorney countered that this woman and her booklet opens the window and beckons in all the neighbors children to corrupt them. In overly dramatic tones that one reporter called a caricature of performance, the prosecutor read passages to the jury that were taken out of context. A Methodist pastor and professor of philosophy at Yale University who was present for the trial, called the prosecutors remarks medieval fatheadism and hot air.

Yet the prosecutor convinced the all-male jury that the booklets discussion of masturbation, its illustrations, its discussions of the possible delights of sexual union, would lead our children not only into the gutter, but below the gutter and into the sewer. And he attempted to strike a note of patriotic duty in finding Dennett guilty:

If women practice birth control where will our soldiers come from in our hour of need? God help America if we havent men to defend her in that hour.

None of Dennetts experts were allowed to testify and the jury took just 45 minutes to find her guilty of obscenity. Maisel would have noted, as did Dennett, that there werent any female faces among the jurors. Her peers? Maisel would have mocked. You call this a jury of herpeers?raising another eyebrow. Women werent allowed to serve on federal juries until the passage of the Civil Rights Act in 1957.

Its easy to imagine Dennetts sense of utter defeat at the hands of what she called obdurate humans. She would have agreed with Maisels dad, Abe, when he laments aloud on the subway, The greatest threat to humanity is ignorance.

Dennetts legal dream team immediately filed an appeal. By this time, public, if not political, attitudes had shifted. The nation was riveted by the trial and like Maisel, Dennett gained something of a cult following. Fundraisers were held, letter writing campaigns were launched, and petitions were sent to then President Hoover. When the press repeatedly described Dennett as a silver-haired, grandmotherly type, continually using an unflattering picture, Dennett did what Maisel would have done: She got proactive. Dennett started sending reporters photos that were more flattering along with a copy of her resume that touted an accomplished career.

During the months that followed her conviction and the appellate courts ruling, a reporter for the New YorkTelegramuncovered the truth behind the trial. The entire thing had been a sham, a government sting operation as payback for Dennetts work to change the laws. In an act that Maisel would have declared pure Comstockery, a postal inspector named C.E. Dunbar had written to Dennett under the fictitious name of Mrs. Carl A. Miles to request a copy ofThe Sex Side of Life.Dunbar had even ordered stationery printed with the fictitious womans name and address. Dennett, as she always did, mailed the requested copy, thereby setting in motion her indictment, arrest and trial.

Maisel may be famous for her brisket, but I laugh to think of the mincemeat shed make of Mr. C.E. Dunbar.

Almost one year later, in March 1930, the appellate court reversed Dennetts conviction, setting one of the most important legal precedents of the 20thcentury. While it wasnt the victory Dennett had fought to achieve, nevertheless, it created a fracture in the laws that had held captive both reproductive rights and the legal definition of obscenity for nearly 60 years.

Three years later, Dennetts attorney was back in court, battling censorship laws, this time on behalf of Random House and its right to publish JoycesUlysses.Citing Dennetts precedent-setting legal victory, the court ruled in favor of its publication along with other previously banned books in the U.S.

As for Dennett, when the Great Depression settled in, her fame receded into the shadows. At the time of her death in 1947, 23 editions published ofThe Sex Side of Lifeand it had been translated into 15 languages. Her family continued to sell it until 1964. I own a stack of yellowed copies of the pamphlet and am struck by its straightforward, common sense approach to sex educationstill a rarity today. I can imagine an episode of the Marvelous Mrs. Maisel that begins with Maisel dropping a quarter into an envelope and mailing it to Dennett.

Receiving her requested copy, Maisel might respond as she quipped in one episode, If you have underwear on, youre overdressed.

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The Daily Stream: Horror Seeps Through The Screen In Censor – /Film

Posted: at 8:45 pm

Even if you aren't interested in film history, or giallo-inspired surrealism, maybe this will sell you: "Censor" moves at a clip, delivering a weird and dreamy punch of a horror film in a scant 84 minutes. A bloody history lesson? In less than 90 minutes? I personally couldn't hit "play" faster.

Of course, Bailey-Bond does more than deliver the worlds weirdest history lesson. Within those 84 minutes (a truly amazing number that every movie should strive for), she puts the audience into the mind of Enid, a person who wouldn't want you to be seeing the very movie you're watching, and thenBailey-Bond breaks it wide open, exposing Enid's most base motivations. It's fun to imagine what Enid would censor from "Censor." Would the axe scene make it in? The gory reveal? The scene with the sleazy producerDoug Smart (played in a perfectly smarmy way by Michael Smiley, who also kills it in "Kill List")?

While Enid might not appreciate the content of her own movie especially the ending, which manages to deliver a gruesome final spook, I think she would at least find some appreciation in the artistry of "Censor." Bailey-Bond gets the fuzzy, Lite-Brite tone of those '80s direct-to-video films just right and they slide into the movie like butter, offsetting Enid's claustrophobic and buttoned-up world. And when Enid's life starts to unspool, the style of those nasties spills right into her life, punctuating her day with slashes of blood red lighting and paranoia-filled long takes. "Censor" also knows right when to dial up the sound, giving you every squelch and slurp when an axe hits a body. It's like watching the horror version of synchronized swimming: everything comes together beautifully and feels like more than the sum of its parts.

Enid's struggle to separate truth from fiction is the bloody, beating heart of "Censor" a heart that's lit by the fuzz of never ending TV static. As she eschews all of the trappings of her job (and supposedly her own morals), to confront her own horrifying past, she gives in to every monstrous instinct. For Enid, the only way out is through, so she becomes the subject of one of the horror films she hates, and in doing so, proves the worth of her profession. After all, Enid has seen more horror films than anyone, so when they cause her to hurt and maim, aren't they to blame after all? Wasn't she right to be afraid? Or was it keeping her emotions, her fears and hopes buttoned up and locked away that drove her mad? Either way, it's a nightmare that unfolds into a deeper, weirder nightmare that makes you wonder ... how much of you is made up of what you consume? After all, you are what you eat.

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