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Category Archives: Transhuman News

How Social Media Memes, Palettes of Emotions And Intuitions, Make Us Who We Are – Outlook India

Posted: March 8, 2022 at 10:21 pm

The power of human imagination is endless and so is the realm of creativity. With greater access to the Internet and social media, more and more people are able to hone and harness their divergent thinking patterns these days. It is the basic human senses that help us observe the world around us. And that panoramic observation often leads to the evolution of the funniest visuals or graphics called memes.

A meme is like a palette of emotions and intuitions. They work with the idea of playing wicked, but not sleazy; you can connect with memes as easily as a five-year-old connects with any rough sketches. But whats the best way to describe it? Should it be termed as illustration or skill of using concise words with art to connect with the world?

What makes it so easy for us to connect with memes? Is it the play of emotions, the human element that makes us go, Oh My God! This meme is so me? Most of the time, it shows what we, as humans, feel, do or think; things which we may not feel comfortable expressing about, we have memes to do that for us. Be it happiness, sadness, enchantment, admiration, relief, calmness, confusion, nostalgia, entrancement, or boredom, memes help us vent it out. Memes are like a vocabulary for your emotions. They offer us a way to channelize the otherwise suppressed hysteria of life.

Be it in your heart, mind or soul, it straightens all the creases. Memes blend a pinch of sarcasm with a punch of humour. It stimulates your imagination, an exercise that further oils and sharpens your brains. With the changing times, reading books has kept us sane and alive all this while. Yet, one just cant deny how truly magnetic the field of art is vast and infinite. Memes are also works of art.

Nevertheless, Richard Dawkins, the man who coined the term meme in 1976, must be confused by its constant mutation: memes. He used the term to refer to an idea, behaviour or style that spreads from person to person within a culture. According to the genes-eye view theory Dawkins propounded, genes possess the required evolutionary longevity and they pass on their structure intact from one generation to the next. The theory of gene mutation finds a parallel in meme mutation.

There is more to what we call memes. Is it just the result of human creativity or something more? The damage the pandemic has wreaked could be irrevocable. Slowly, but steadily, we are all rolling with the punches; somewhere we have found new habits or ways of channelizing our emotions and anxieties. We enhance their appearance by giving them the form of art and presenting them to the world. These are then shared widely and circulated with a general acceptance of variegated human emotions. Sharing memes help each one of us connect with even those living in the most distant parts of planet earth, proving that the world is round.

Meanwhile, social media is doing its job of bridging the big generation gap between Gen X and the Digital natives. Visual arts, memes, and cultural trend reels are helping even those who feel technically crippled.

This has somewhere also increased the touchpoints that exist between the users. When people were homebound during Covid-19 lockdown, the pith and brevity of human creativity and memes kept them sane and uplifted.

In a nutshell, memes tickle our fancy, satiate our artistic appetites, apart from giving us brief moments of laughter and giggling.

(Hina Fatima Khan is an independent multimedia journalist, who thoroughly enjoys writing on social issues, space and world affairs)

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Sunflower Bean discuss Headful of Sugar and a return to the road – Kansas City Pitch

Posted: at 10:21 pm

Sunflower Bean. // Photo by DreilyS

Regarded as one of the hardest working bands from NYC, rock trio Sunflower Bean are currently on the road ahead of their upcoming third studio album Headful of Sugar. We caught up with Julia Cumming (lead singer/bass), Nick Kivlen (lead guitar), and Olive Faber (drummer) to discuss the bands history, returning to the road, and their third studio album out May 6.

The Pitch: We were first introduced to your music shortly after the release of your album Human Ceremony back in 2016. All of you are students of the game when it comes to rock music. Who were some of the artists or bands that inspired you to start playing?

Olive Faber: Ive been inspired by so many different kinds of music over the years. Around the time we started Sunflower Bean though, I think we all felt inspired by what was happening around us in NYC. Diiv, Heavens Gate, Night Manager, Total Slacker, Tonstartssbandht

New York has such a huge role in American music history. Can you talk about living there and how the various music scenes helped cultivate Sunflower Beans career when you were first starting?

Olive: I think the biggest thing for us was just having the opportunity to play live so often. Like there were so many venues and bands we were able to play shows three or four times a week.

A few months back you did an interview and talked about how after touring for five years straight, the lockdown at the beginning of 2020 forced you to re-evaluate a lot of different things. With your upcoming tour starting in March, how have your views on touring changed over the past few years?

Nick Kivlen: Im not sure because we havent done it yet, but I love touring so much. Im super excited. I love hotels, soundcheck, living communally, and constantly moving. The day-to-day schedule and routine. And of course, seeing the country in a very unique zoomed-in way has changed my life.

Olive: I think there will be a renewed appreciation for it.

In your latest single, Baby Dont Cry, Julia said something that really resonated: TV makes me so mad / NPR is always telling me something bad. As a Black, queer man in his mid-20s, its hard trying to build upon your career while dealing with different forms of bigotry from the music industry and the world in general. How do you find the balance of pursuing creative interests while taking care of your mental health?

Julia Cumming: Im really glad to hear that line resonated with you. There are no clear pathways in these fields, which is really terrifying and freeing. I feel like the way I deal with it now is to just check in with myself and be realistic about my needs. If I prioritize something, what are the consequences? I could work myself into the ground but then theres nothing to make art with.

Baby Dont Cry and Who Put You Up To This are from your third studio album Headful of Sugar. Without giving too much away, can you talk about what fans can expect?

Nick: The record is tough and determined but also extremely hopeful, and above all, fun. We wanted to make something gleefully powerful. You can read into the lyrics, but you can also just bob your head and feel empowered.

You three will soon be celebrating ten years together as a band. The music industry landscape has changed a lot over the past decade. What are some things that have contributed to your success and longevity as a band?

Nick: Our band is centered around us as a family. We also have a huge community of friends in New York who all play their roles in our band while using their creative skills. Three people who deeply connect at the center of all that support is a really special thing.

Sunflower Bean are currently on the road and will be performing at Off Broadway in St. Louis on March 12. Tickets here.

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Dermal Fillers Market to Cross Us$ 5,411.2 Mn by 2026, Increasing Awareness about Esthetic Appearance among People to Drive the Market – BioSpace

Posted: at 10:21 pm

Albany NY, United States: Transparency Market Research (TMR) has Published a new report titled, Dermal Fillers Market - Global Industry Analysis, Size, Share, Growth, Trends, and Forecast, 20182026. According to the report, the global dermal fillers market was valued at US$ 2,584.9 Mn in 2017. It is projected to expand at a CAGR of 8.6% from 2018 to 2026. Expansion of the market can be attributed to technological advances leading to the development of newer hyaluronic acid dermal fillers with higher efficiency and long-lasting abilities, marketing strategies employed by market players, increasing awareness about these products on social media, and rising fad of anti-aging among people.

Biodegradables is anticipated to be a lucrative segment

The report offers detailed segmentation of the global dermal fillers market. Based on product, the market has been classified into biodegradable and non-biodegradable. The biodegradable segment dominated the market in 2017. It is likely to maintain its dominance during the forecast period. Biodegradable dermal fillers usually consist of purified dermal components derived from animal, human, or bacterial sources. Expansion of the segment can be attributed to the high safety profile of these fillers and recent technological advances that offer longevity on the usage of biodegradable fillers.

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Hyaluronic acid segment to expand at a robust CAGR

In terms of material, the dermal fillers market has been split into calcium hydroxylapatite, hyaluronic acid, collagen, poly-l-lactic acid, PMMA, fat, and others. The hyaluronic acid segment dominated the market in 2017. It is likely to maintain its dominance and expand at a high CAGR during the forecast period. More than 60% of dermal filler procedures performed globally are carried out with hyaluronic acid fillers. According to International Society of Plastic Surgeons (ISAPS), over 3,298,266 hyaluronic acid dermal filler procedures were performed annually.

Additionally, technological advances have led to the development of various forms of hyaluronic acid dermal fillers, which differ according to the concentration of hyaluronic acid and the degree of crosslinking. These are known to enhance the longevity of the filler effect. These factors are anticipated to drive the market.

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Rising fad of anti-aging driving the facial line correction treatment segment

Based on application, the dermal fillers market has been segregated into facial line correction treatment, lip enhancement, scar treatment, and others. The facial line correction treatment segment dominated the market in 2017. It is likely to continue the trend and expand at a high CAGR during the forecast period. Expansion of the segment can be attributed to the rising trend of anti-aging and increasing awareness about esthetic appearance among people.

Additionally, facial line correction treatment appeals to varied age demographic, ranging from young adults to enhance their youthful features to middle-aged adults for volume restoration and older individuals to maintain age-related symptoms. Marketing strategies employed by market players, wherein celebrities promote their products, are fueling the desire among the population to mimic their favorite celebrities. This, in turn, is boosting the demand for facial line correction treatment procedures.

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Dermatology clinics to expand at high CAGR

In terms of end-user, the market has been split into hospitals, ambulatory surgical centers, dermatology clinics, and others. In terms of revenue, the hospitals segment dominated the market in 2017. It is likely to maintain the trend during the forecast period. However, the dermatology clinics segment is anticipated to expand at a robust growth rate during the forecast period. Robust expansion of the segment can be attributed to the increase in dermatology consultations and surge in preference for specialist dermatologists.

Growth in Asia Pacific to be driven by Japan and India

In terms of revenue, North America dominated the global dermal fillers market in 2017. The U.S. was the major revenue generating country in the region. Expansion of the market in the country can be attributed to a rise in the number of dermal filler procedures performed annually. According to American Society of Plastic Surgeons (ASPS) over 2.3 million dermal filler procedures were performed in 2017, an increase of over 3% over 2016. The market in Asia Pacific is expected to expand at a high CAGR during the forecast period. Expansion of the market in the region can be attributed to the increasing demand for dermal filler procedures in Japan, India, and China. Hyaluronic acid dermal filler procedures are highly common non-surgical procedures performed in various countries across Asia Pacific, including Japan, China, India, and Thailand.

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Strategic acquisitions is a key strategy adopted by key players

The report provides profiles of leading players operating in the global dermal fillers market. These players include Allergan plc, Sinclair Pharma (a subsidiary of Huadong Medicine Ltd), Merz Pharma GmbH & Co. KGaA, Nestle Skin Health (Galderma), BioPlus Co., Ltd., Bioxis pharmaceuticals, SCULPT Luxury Dermal Fillers LTD, Dr. Korman Laboratories Ltd., Prollenium Medical Technologies, Advanced Aesthetic Technologies, Inc., and TEOXANE Laboratories.

For instance, in 2014, Nestle acquired several dermatology brands owned by Canada-based pharmaceuticals group Valeant, which added a range of dermal fillers to the Nestle skincare business. Nestles skincare business was established through the acquisition of Galderma. In the same year, Allergan acquired Aline hyaluronic acid (HA) thread technology from Aline Aesthetics, a wholly owned subsidiary of TauTona Group.

Browse more Reports by Transparency Market Research:

Hospital Infection Therapeutics Market: The global hospital infection therapeutics market is characterized by increase in incidence of infections of resistance bacteria. The market is witnessing gradual rise in research and development activities to develop novel antibiotics, which are supported by government policies.

Vaginal Slings Market: Rising prevalence of urinary incontinence, increasing number of vaginal slings procedures, and intensive research activities being performed to determine the efficacy of vaginal slings over other surgery and procedures are some factors that are estimated to propel the vaginal slings market during the forecast period.

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Dermal Fillers Market to Cross Us$ 5,411.2 Mn by 2026, Increasing Awareness about Esthetic Appearance among People to Drive the Market - BioSpace

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China is censoring the invasion of Ukraine – Axios

Posted: at 10:16 pm

The Chinese government is scrubbing the countrys media of sympathetic or accurate coverage of Ukraine and systematically amplifying pro-Putin talking points about Russia's invasion of Ukraine..

Why it matters: Chinas wide use of its propaganda and censorship muscle helps insulate Beijing from a domestic backlash against its support for Putin and leaves its citizens with an airbrushed, false version of events, similar to whats seen in Putins state-controlled Russia.

What's happening: Chinese media outlets were told to avoid posting "anything unfavorable to Russia or pro-Western" on their social media accounts, and to only use hashtags started by Chinese state media outlets, according to a leaked censorship directive.

But the Chinese government made a miscalculation in the early days of Russia's invasion, according to a new analysis published by Doublethink Lab, a Taiwan-based organization that researches online disinformation suggesting that Beijing underestimated Europe's resolve.

"They tried to depict the U.S., the West and NATO as not trustworthy, and people in Taiwan as delusional to think the U.S. will protect Taiwan at all," Doublethink Lab CEO Min Hsuan Wu told Axios.

Yes, but: Censorship means that opposing viewpoints are muted, making it seem like anti-west, pro-Russia sentiment is more ubiquitous among Chinese people than may actually be the case.

Go deeper: Governments around the globe hold upper hand online

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YouTube’s Censorship Reflects Broad Problems With Big Tech – The Intercept

Posted: at 10:16 pm

Ryan Grim, left, and Robby Soave, right, host The Hills morning politics show Rising, in a screenshot from a YouTube broadcast in March 2022.

Photo: The Hill

The politics morning show Rising, produced by The Hill and which I currently co-host, was suspended by YouTube on Thursday for allegedly violating the platforms rules around election misinformation. Two infractions were cited: First, the outlet posted the full video of former President Donald Trumps recent speech at the Conservative Political Action Conference on its page. The speech, of course, was chock full of craziness. Second, Rising played a minutelong clip of Trumps commentary on Russias invasion of Ukraine, which included the claim that none of it would have happened if not for a rigged election.

As an American, Im angry about it and Im saddened by it, and it all happened because of a rigged election. This would have never happened, Trump says in the clip, which you can watch here.

The crime, we learned, that got the show suspended for seven days from its platform was that neither I nor my co-host, Robby Soave, paused to solemnly inform our viewers that Trumps phrase a rigged election referred to his ongoing claim that the election was stolen from him in 2020 and that this claim is false.

We did scrutinize Trumps claims. Along with a guest, The Federalists Emily Jashinsky, we discussed a theory floated by my Intercept colleague Murtaza Hussain that Trump is such a madman of such aggressive unpredictability that perhaps that instability did have some deterrent effect.

Later in the segment, we discussed the New York district attorneys apparent lack of enthusiasm for prosecuting Trump over bank fraud. I argued that whatever the outcome, If you ask the public, do you think Donald Trump would have inflated his property values when trying to get loans and deflated his property values when paying his taxes,youd probably get100 percent of people being like, yes, I suggested.

The notion that any viewer came away from watching that segment with the mistaken idea that Trump whom we described as a fraudster and an actual madman had indeed won the election and that ithad been stolen from him cant be taken seriously. Its absurd, and The Hill is appealing the decision, so far with no success. But YouTubes approach reflects a broad problem with Big Techs approach to censorship: It has nothing but contempt for the viewer. If we had paused to note that Trumps gripe about his election loss was unfounded, what voter who previously believed that claim would be convinced by my simple rejection of it? And who was the person to begin with who was not previously aware that Trump disputes the election outcome? It might possibly be the most known political fact in America.

De-platforming any mention of a rigged election hasnt done anything to slow the theory down. Since YouTube and other platforms cracked down on Trumps election fraud nonsense in late 2020, the belief that the election was rigged has only grown, particularly among Republicans. And the policy has actuallystifled a rational response. As Soave pointed out in Reason, Not only does YouTube punish channels that spread misinformation, but in many cases, it also punishes channels that report on the spread of misinformation.

Last year YouTube came down hard on a wide swath of progressive content creators who had mentioned Trumps claims in order to debunk them. The independent outlet Status Coup, which captured some of the most revealing footage of the January 6 riot at the Capitol photojournalist Jon Farinagave a riveting interview to our podcast Deconstructed that evening licensed much of that footage to cable and network news outlets but was suspended for posting it on its own channel. Covering the event,Status Coupwas told, was tantamount to advancing false claims of election fraud. And so the left was disincentivized from talking at all on YouTube a major source of news particularly for young people about the election or about the January 6 assault, while the right has moved off into other ecosystems.

YouTube created the very mess it now claims its new policies are aimed at cleaning up.

As an aside, news outlets that post and house raw feeds of political events, like C-SPAN, are to me as a reporter invaluable. Long before I co-hostedRising, I found The Hills prolific posting of speeches and press conferences immensely useful. That YouTube wants to end that in order to spare fragile minds from the direct words of politicians is a tragedy for the public, for journalism, and for future historians. (Byits own rules,itought to de-platform C-SPANs channel, but thats probably too idiotic even for YouTube. Or maybe not.)

YouTubes preening is also maddeningly hypocritical. To a quite significant degree, YouTube created the very mess it now claimsits new policies are aimed at cleaning up. In the early days of the platform, YouTube did all it could to funnel viewers to Loose Change, the film arguing that 9/11 was an inside job, helping make it a phenomenally influential take. Conspiracy garbage on Covid-19 vaccines, Davos, flat Earth is favored content by YouTube to this day, because it engages viewers for hours on end. The most reliable way to draw viewers in the politics space over the past year has been to play footsie with all manner of vaccine-related conspiracies, and the pull of the algorithm has drawn entire swaths of commentators into its maw.

YouTube pretends not to like this, and to have rules about it, and yetit programsits algorithm to actively encourage people to tiptoe right up to that line but dont tell creators where exactly that line is and when one crosses it, they get hit with a sniper round from a moderator. The carcass becomes a warning to other hosts but a warning of what? Of whos in charge.

Moderation is reasonable as a principle. If YouTube doesnt want, say, porn on its site, nobody has a constitutional right to post porn there. If YouTube was interested in some sort of moderation that was intended to discourage flagrant lies from getting a boost from the algorithm and thats the key; again, its discussed as a black-and-white speech debate, but its largely about boost and suppression there are waysit can do this. But its not.

YouTube is obviously failing at its stated goal of producing reliable, accurate, informed content, but not because it doesnt know how to do it. It doesnt know how to do it and also maximize profits all of which is more evidence thatits flamboyant moderation decisions are all political posturing to fend off pressure for regulation. YouTube has long wanted the crazy stuff, because thats what pays the bills, and as a result its played a role in the crazy-making of our politics.

Now I get the sense and with an opaque algorithm, thats all you can have that YouTube is done with political content. Its more trouble than its worth. A platform fueled by gamers and reaction videos is less likely to fuel a ransacking of the Capitol and less likely to produce the real concern, a corporate-advertising exodus and just as able to bring in money. The conservative movement has already accepted this reality and is now building rival video platforms to hostitscontent, further polarizing politics. The left, though, has no serious backup plan, only calls for Big Tech to do more.

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Conservatives fear censorship of Russians could be turned against them – Washington Examiner

Posted: at 10:16 pm

The West's effort to curb pro-Russian websites and media outlets in reaction to Russias invasion of Ukraine is driven by lopsided business interests that could eventually censor conservatives, critics say.

Major social media companies, including YouTube, Facebook, TikTok, and Twitter, have moved to reduce Russian propaganda and disinformation on their platforms by aggressively banning or restricting content from Russian state media outlets such as RT, Sputnik, and others.

Conservatives say the social media giants' approach to censoring Russian content is hypocritical and could be aimed at Americans in the near future.

Were seeing Russia being globally deplatformed across the board, and so its impossible not to look at that and think it wont happen to others in America and elsewhere, said Dan Gainor, vice president at the Media Research Center, a conservative media watchdog that tracks censorship on Big Tech platforms.

A group of people, the global mob, have decided to target Russia, but theyre fine with genocides in China. How is that acceptable? There are no rules, and the few that exist keep changing, Gainor said.

Gainor added that there was no consistency or fairness to Russia being censored now when it has invaded other regions in the past without similar consequences. He noted that other countries have also taken violent actions without facing any clampdowns.

Russias attack on Ukraine is one of the first major full-scale military invasions of another country in the age of social media, where online platforms are used by billions and where a separate war is waged online by governments trying to shape alternative narratives.

For example, two anti-Ukrainian disinformation operations that were taken down by Facebook last week were tied to Ukraine Today, a Russian propaganda news outfit created to make Ukraine look like a failed state by using fake Facebook profiles. Russian state media last week also falsely reported a Ukrainian civilian genocide that officials believe was a way to justify the Russian invasion.

The social media giants are aligned in trying to curb Russian disinformation regarding what is happening in Ukraine due to pressure placed on them by users and government officials around the world.

Some of the platforms have even restricted access to Russian government accounts altogether.

INTERNET FRAGMENTS AS RUSSIAN INVASION PUSHES PLATFORMS TO CHOOSE SIDES

Republicans in Congress are wary of the Russian censorship effort by social media platforms because their decisions appear to be driven by government pressure.

In a very limited way, the tech companies should squash Russian disinformation, but theyre now public utilities that are essentially extended realms of the government, which gives me pause, said Rep. Andy Biggs of Arizona, one of the most conservative Republicans in Congress.

I have a dubious, skeptical eye on what the tech companies have chosen to do, which is part of why we need to revisit the laws around tech legal shields, said Biggs, who is also one of former President Donald Trumps top supporters.

Biggs added that he wished there would be a similar reaction and attention from tech companies regarding violent activities in China and Africa.

Libertarians say the targeted social media censorship of Russia versus other countries is driven by the fact that there is less money to be lost by cutting off Russians than those in other countries, namely China.

The censorship decisions are mostly a business decision. Theyre responding to what consumers want or not and trying to hit their bottom line, said Ari Cohn, free speech counsel at TechFreedom, a libertarian-leaning technology think tank.

Personally, I feel a certain level of discomfort that were all collectively saying we dont want certain content from one place, Cohn said.

Cohn added that the Russian censorship efforts by social media platforms are not indicative of significant changes with regard to online content moderation because the Ukraine invasion is a unique event.

Tech industry insiders say that if conservatives or others disagree with how major social media platforms are making content moderation decisions, they can jump to other platforms instead.

I can understand and relate to conservative frustrations with censorship, but we want private businesses to be their own arbiters of what content is appropriate or not, said Carl Szabo, vice president at NetChoice, a tech trade group that represents companies such as Facebook and Google.

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The marketplace is providing the solutions we want in terms of alternative platforms like Truth Social and others," Szabo said. "If youre not getting a square deal with one platform, you can always go to another thanks to competition."

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Ukrainian academics face exile, harassment and censorship in ongoing war – The Conversation

Posted: at 10:16 pm

Protests at universities and statements from the International Science Council denouncing Russias invasion of Ukraine point to the beginning of a massive refugee crisis and also raise urgent questions about how the conflict will affect Ukraines scholars and research.

Following the Feb. 24 invasion, which has now resulted in more than 1.7 million Ukrainians fleeing the country, Ukraines universities and researchers are being seriously affected with the widespread displacement of faculty and students,and a suspension of all activities.

The full extent of the damage on scholars and research will not be known for some time, but predictions are grim.

Read more: Russian capture of Ukraine's Chernobyl nuclear plant threatens future research on radioactivity and wildlife

Our research expertises are in exploring challenges associated with refugee and migrant integration into dominant societies and in intellectual traditions and the rise of populism.

We also advocate with, and for, refugee and displaced scholars fleeing conflict zones or repressive political circumstances, particularly those perceived as threatening to regimes and extremist groups, and who are at risk of being targeted as a result.

One of us, Karly, co-founded the Young Academy of Scotlands At-Risk Academic and Refugee Membership and is working on the At-Risk and Displaced Academics and Artists program for the Royal Society of Canadas College of New Scholars, Artists and Scientists. The other, Evren, has first-hand experience with dislocation as a displaced scholar from Turkey, and organizes lectures and panels exploring the challenges displaced scholars face in host countries.

Many of Ukraines researchers likely face exile, various forms of harassment or worse; a similar fate will likely await Russian colleagues who try to help them.

These predictions are based on what has happened before in countries facing war, conflict or political turmoil and strife including, in recent years, Syria, Venezuela, Hungary, Ethiopia and Turkey.

When a war or conflict erupts, educational institutions such as schools and universities are primary military targets. The United Nations Education, Scientific and Cultural Organization (UNESCO) notes that attacking schools and universities enables extremists to spread fear and indoctrinate new recruits.

Iraqs Mosul University was targeted by the Islamic State and its library destroyed in 2014.

Canada was one of 113 countries to endorse UNESCOs 2015 Safe Schools Declaration calling on countries to protect schools and universities from military use during armed conflict.

Universities are also subjected to intellectual dismantling. At the extreme, in countries like Syria, this occurs through the targeted harassment, kidnapping or even murder of professors, researchers and students whose work is perceived as being at odds with the messaging of the regime or authoritarian government.

Numerous women and LGBTQ+ researchers from various countries have told us they feel vulnerable to acts of violence and segregation because of their sex or how they identify or because of their research in the fields of LGBTQ+ or womens rights.

The International Science Council notes that early-career researchers without well-established networks often find themselves in highly precarious situations when conflicts erupt.

Being able to criticize government policy, to research subjects that are controversial or critical of an authoritarian government or toadvocate in fields like womens health is not a freedom that all academics and students possess.

As the Scholars at Risk Academic Freedom Monitoring Project shows, researcher displacement through war, conflict and targeted violence is a persistent, longstanding issue. Sample data collected from September 2020 to August 2021identified 332 attacks from 272 verified incidents in 65 countries a small subset of all attacks on higher education.

The consequences of these kinds of systemic attacks, due to armed conflict and academic censorship within countries, are severe because not only is immense human capital lost, but global research capacity is undermined.

Academic censorship often targets individual researchers whose political beliefs, activism or research does not align with the narrative that the regime or authoritarian government wishes to advance.

Credible estimates suggest there are at least 10,000 displaced scientists worldwide, but the number is likely much higher.

When a crisis hits, countless people end up internally displaced or in bordering countries. In the past decade, some of the major flashpoints have been Syria, Turkey, Yemen and Venezuela.

Ukraine is experiencing a similar mass displacement now, as many of its citizens seek refuge in other parts of the country or in neighbouring countries such as Poland, Slovakia and Hungary.

Some scholars fleeing conflict also end up in Canada. The Government of Canada and Canadian academia needs a shared commitment to recognizing research all disciplines as a universal undertaking, and to providing safe spaces for persecuted scholars to continue their work.

We are aware of numerous initiatives where some Canadian universities independently or in partnership with NGOs, provide support to displaced researchers through lectureships, visiting professorships, lab assistant roles or postdoctoral fellowships. The support is short term, usually for one, two or three years.

As far as we are aware, there is no systemic research documenting these initiatives across Canada.

While this kind of support is essential, long-term structures recognizing the various needs of scholars at risk are needed both in their home countries and in host countries.

Both Canada and academics in particular need to do more now because our colleagues in Ukraine, Syria, Yemen, Venezuela, Turkey, Ethiopia and many other countries are having, or have had, their academic freedom and rights to research stolen from them, with grave consequences for all of us.

It is essential that Canadians recognize that the Canadian research enterprise extends far beyond our own borders and we have a responsibility to make space for scholars at risk.

Academics and academic organizations in Canada have an important role to play in advocating for substantial support and getting started is easy. They can advocate for academic freedom in partnership with vulnerable colleagues, join or connect with NGOs such as Scholars At Risk or Scholar Rescue Fund, and work within universities to provide research positions or studentships to those forced to flee.

Academics can reach out to colleagues in dangerous situations to ask them what their needs are carefully, so as not to put them in more danger and they can read more history.

Additionally, hiring committees can spend more time reviewing applications that come in from displaced colleagues and take time to consider how they might enhance research and teaching.

When formal routes of diplomacy are severed or severely disrupted through war and conflict, its critical that researchers keep building relationships with one another. When this involves scientists and shared policy building that affects global networks, this is known as grassroots science diplomacy.

This can matter enormously. It can lay the groundwork for peace, and preserving essential research that collectively benefits societies and people across borders.

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Ukrainian academics face exile, harassment and censorship in ongoing war - The Conversation

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Letter to the editor: Censorship is un-American – TribLIVE

Posted: at 10:16 pm

On Jan. 6, 2021, extremists assaulted our Capitol. Understandably, media coverage was extensive, and even now can make the news. While I cannot equate Jan. 6 to Pearl Harbor or 9/11 as did Vice President Kamala Harris, it was undeniably horrific. An American icon was attacked, a woman was killed, $1.5 million of damage resulted, and officers and Congress experienced real terror. Outrage was palpable.

Thankfully, the media keeps us informed.

Are you sure?

After George Floyds criminal death, lawful protests by unified Americans were everywhere. But sadly, after a Portland, Ore., vigil on May 29, 2020, violence erupted, continuing nightly for months. Overall, media reported variations of mostly peaceful protests as described by one correspondent; curiously, fires raged behind him as he spoke. In contrast, APs Mike Balsamo described fireworks and projectiles coming so fast that officers couldnt react quickly enough, injuring several. Five federal buildings were attacked with damage assessed at $2.3 million; one group attempted to set the Multnomah County Justice Center on fire, with workers inside. Where was the outrage?

Theres more. In Portland, people like you and me endured damaged livelihoods. The Portland Business Alliance reported the downtown area lost more than $23 million from vandalism and lost revenue during the protests. Again, where was outrage?

No incidents are identical, but facts should be reported as straightforwardly as possible. We are Americans, and slanting news in any direction is censorship. Americans demand better. When the media chooses what they want us to know, that is censorship. Censorship is not American, no matter your political views. Its time everyone remembers that.

Mary Rita Turka

Murrysville

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Letter to the editor: Censorship is un-American - TribLIVE

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Dartmouth’s ‘safety’ rationale crumbles as records reveal censorship as the primary motivator in canceling event with Andy Ngo – Foundation for…

Posted: at 10:16 pm

The Dartmouth chapters of the College Republicans and Turning Point USA were scheduled to host conservative journalist Andy Ngo (pictured) and activist Gabriel Nadales to discuss left-wing political violence in the United States. Then the college cancelled the in-person event. (Gage Skidmore / Flickr.com)

by Zach Greenberg

Dartmouths eleventh-hour cancellation of a student event featuring journalist Andy Ngo due to safety concerns immediately raised suspicion, especially after precious few protesters actually showed up. Now, police department records cast even greater doubt on Dartmouths security rationale and demonstrate how university administrators ignored law enforcement when they censored their students.

In the weeks leading up to a Jan. 20 in-person campus event featuring Ngo and activist Gabriel Nadales about left-wing political violence in the United States, the student organizers alerted Dartmouth to online groups threatening to disrupt their event. Communications between the student groups, public safety officials, and Dartmouth show the university was well-prepared for potential violence, as it had enlisted the local Hanover Police Department to help safeguard the campus discussion.

Despite the online fervor, few came out on the blustery, New England night to protest the event. Even so, right before the event was set to begin, Dartmouth forced the student organizers to hold it online, or not at all.

If such threats did exist, Dartmouth has not shown them to the student organizations, FIRE, or the general public.

Dartmouth claimed it based its decision on concerning information from the Hanover police, yet refused to provide any details. Responding to FIREs Jan. 26 letter calling on the college to explain these alleged security concerns, university President Philip J. Hanlon furnished no additional information and instead curtly remarked that Dartmouth prizes and defends the right to free speech.

FIRE didnt buy it. Something stunk, and it wasnt the smell of stale beer emanating from Keggy the Keg the anthropomorphic barrel that serves as Dartmouths unofficial mascot. We filed an open records request for all communications logged by Hanover police about threats against the event.

Our skepticism yielded results: It turns out the Hanover police did not make a recommendation to Dartmouth College regarding the January 20th event. In fact, Hanover police chief Charles Dennis stated, With the information we had, we were as operationally prepared as best we could to handle the event and protest. He also added that we were not provided a reason or reasons for Dartmouths decision to cancel the event. Likewise, the daily crime logs of campus and local police detail no threats to the event.

Records of police communications to university administrators describe online posts about mythological Antifa supersoldiers, opposition to Ngos views, and some discussion of violence, but no explicit threats of harm to Ngo or students. If such threats did exist, Dartmouth has not shown them to the student organizations, FIRE, or the general public.

Dartmouths conduct is far from that of an institution that prizes and defends the right to free speech. When faced with illiberal attempts to use violence to squelch speech, a commitment to expressive freedom requires universities to address the disruption, protect the speaker, and ensure that events can go on as planned. Dartmouth did the exact opposite punishing the student groups by altering the venue and format of their event at the last minute despite no evidence of severe disruption, and law enforcements extensive preparations to ensure public safety.

In our letter to Dartmouth today, we explain why bogus safety concerns must not be used to excuse canceling students expressive events:

Sacrificing free speech rights when faced with actual violence is seldom justified; restricting expressive activity in the absence of substantial disruption is inexcusable. Far from protecting free speech, Dartmouths actions will only prompt future threats and will deter speakers from coming to campusto the detriment of campus safety and students expressive freedoms.

FIRE once again calls on Dartmouth to explain what specific security concerns necessitated the cancellation of the Jan. 20 event. We urge the college to recommit itself to free speech by promising to make genuine, serious, and transparent efforts to protect students expressive rights when threatened with disruption going forward.

FIRE defends the rights of students and faculty members no matter their views at public and private universities and colleges in the United States. If you are a student or a faculty member facing investigation or punishment for your speech, submit your case to FIRE today. If youre faculty member at a public college or university, call the Faculty Legal Defense Fund 24-hour hotline at 254-500-FLDF (3533).

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Dartmouth's 'safety' rationale crumbles as records reveal censorship as the primary motivator in canceling event with Andy Ngo - Foundation for...

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Free Speech and the War in Ukraine – Blogging Censorship

Posted: at 10:16 pm

In times of war, free speech suffers. Right and wrong appear indisputable. There is moral certainty that God is on our side. When we are convinced that the enemy is producing only dangerous lies and propaganda, we want to bar their entry into the marketplace of ideas.

The war between Russia and Ukraine is the latest test of our commitment to free speech. Vladimir Putin does not hesitate to censor his people, but Western democracies, and specifically the United States, are required to defend free speech. So far, they have done so. Today private actors do the censoring. Social media companies, under pressure to control disinformation, are bumbling along, blocking too much and too little. And now major cultural players in the US and Europe are canceling Russian artists, performers and anything else coming from Russia.

Cultural boycotts have mostly symbolic goals aimed at a Western audience. Any practical effect on Russia itself is hard to conceive. Artist cancellations will not further squeeze Russia financially. Russia lives on the export of oil and gas, not art. And the message of Western disapproval only entrenches Putins domestic narrative of a hostile West.

Cultural institutions in the US and Europe have the right, of course, to express their symbolic opposition to the war by blacklisting Russian artists. However, they must consider the full implications. Todays cultural institutions are full of artists and performers from countries across the globe. Should all these artists be held responsible for the misdeeds of their political leaders? Should they be asked to publicly condemn these leaders when doing so puts them and members of their family at risk of retaliation by their governments? Banning Russian artists based on their political views or, worse, solely because of their nationality, while welcoming artists from China and other repressive regimes undermines any moral high ground an institution can claim.

The people of a nation are not identical with its leadership and should not be equated with it. On the contrary, they can be allies in opposing a repressive regime from within. Among the Russian artists blacklisted today are people who have been critical of the war.

US institutions have so far limited their action to artists who refuse to condemn the regime, the more restrained path still fraught with questions likely to haunt these institutions for a long time. Blacklisting artists based solely on their political views is a tactic associated with the Cold War and the McCarthy era. That era also demanded loyalty oaths similar to current demands on artists to denounce the Putin regime or be canceled. Only this time artists are also asked to face risks in their home country by making such denunciations.

There are better ways for cultural institutions in Western democracies to get involved in the current political crisis. Rather than banning artists associated with Putin, they should support dissident cultural workers within Russia, as well as Ukrainian artists and institutions, by highlighting their work and offering them platforms to amplify their voices. If, after 30 years of open global cultural exchange, an iron curtain falls again, art and cultural institutions should not be complicit.

Information on resources and support for Ukrainian artists here

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Free Speech and the War in Ukraine - Blogging Censorship

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