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Category Archives: Transhuman News

Anavar – Post-Human Design (2014) – Video

Posted: February 28, 2014 at 5:40 pm


Anavar - Post-Human Design (2014)
Band: Anavar Genre(s): Death Metal/Deathcore Anavar #39;s Facebook: https://www.facebook.com/anavarbandofficial Pig Squeals And Breakdowns #39; Facebook: https://www...

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State Dept. Report Decries LGBT Persecution Around the World

Posted: at 5:40 pm

Secretary of State John Kerry

The State Departments 2013 report on human rights around the world, released Thursday, focuses on the situation of LGBT people to a greater degree than previous ones and makes a strong statement against anti-LGBT discrimination.

From Nigeria to Russia to Iran, indeed in some 80 countries the world over, LGBT communities face discriminatory laws and practices that attack their basic human dignity and undermine their safety, Secretary of State John Kerry said in introducing the annual Country Reports on Human Rights Practices. We are seeing new laws like the Anti-Homosexuality Bill enacted by Uganda and signed into law by President Museveni earlier this week, which not only makes criminals of people for who they are, but punishes those who defend the human rights that are our universal birthright.

These laws contribute to a global trend of rising violence and discrimination against LGBT persons and their supporters, and they are an affront to every reasonable conscience, and the United States will continue to stand with our LGBT brothers and sisters as we stand up for freedom, for justice, for equal rights for all people around the world.

This amounts to the broadest statement yet that Washington considers the treatment of gays a key measure of human rights around the world, notes The Washington Post.

The previous day, in a roundtable interview with a small group of journalists, Kerry likened Ugandas new law, which makes homosexuality punishable with prison sentences of up to life, to persecution of Jews in Nazi Germany and apartheid in South Africa, the Post reports.

You could change the focus of this legislation to black or Jewish, and you could be in 1930s Germany, or you could be in 1950s or 60s apartheid South Africa, he said. It was wrong there, egregiously, in both places, and it is wrong here.

Read the Country Reports on Human Rights Practices here.

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State Dept. Report Decries LGBT Persecution Around the World

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Photos: What a Post-Apocalyptic World Might Look Like

Posted: at 5:40 pm

Lori Nix considers herself a "non-traditional" photographer, because instead of going out to find subject matter, she constructs her own. For "The City", Nix created a series of photographs that depicted how she thinks a post-human future might look. This image is titled "Anatomy Classroom."

Lori Nix

Nix imagines buildings lying empty, yet becoming inhabited by new residents: fauna and flora. This images is titled "Vacuum Showroom" from the series "The City."

Lori Nix

Streets would be quiet without horns blaring and tires screeching. This image is titled "Subway" from the series "The City."

Lori Nix

Nix builds models of public spaces dedicated to history, science, and commerce lying deteriorating and neglected. This image is titled "Library" from the series "The City."

Lori Nix

As these spaces lie abandoned in Nix's post-human future, nature slowly takes them back. This images is titled "Bar" from the series "The City."

Lori Nix

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Photos: What a Post-Apocalyptic World Might Look Like

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20th-century utopian visions on display at Guggenheim exhibit

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Amplifying the utopian zeal of the 20th-century avant-garde, Italian futurism marched its way into modern art with a revolutionary project and the brazen machismo to back it. The launch of this incendiary crusade against the bourgeois past and the flight toward the technological future led to a radical and chaotic period of production, presented for the first time in full force at the Guggenheim Museums monumental exhibition, Italian Futurism, 1909-1944: Reconstructing the Universe.

Organized by Vivien Greene, the museums senior curator of 19th- and early 20th-century art, this landmark show takes an unprecedented sweep of the history of futurism. It brings together, for the first time, a comprehensive assemblage of almost 400 pieces, including paintings, films, furniture, and architectural sketches by nearly 80 artists. Almost half of these objects have left Italy for the first time for this exhibit.

The show breaks new ground with its exploration of the relatively overlooked post-World War I phase of futurism and its proliferation into further media and subject matter. Frank Lloyd Wrights curved ramp and rotunda are powerfully enlisted, glorifying the futurist motif of the spiral and situating the viewer at the nucleus of the work in futurist fashion. This is one example of the exhibits sensitive and comprehensive reading of such a difficult movement, which is fraught with internal paradoxes and uncomfortably bears the cross of its highly fascist and misogynistic beginning.

Framing the exhibition is an audio display of The Founding and Manifesto of Futurism, penned by the movements founder and chief firebrand, Filippo Tommaso Marinetti. The booming notes of the manifesto, recited with gusto, are an effective usher into the future conceived by Marinetti. With his combative, crowd-rallying register, we are effectively confronted with futurisms ideological thrusts: the exaltation of speed, machines, and warfare, contempt for women, and an unmitigated scorn towards the cultural institutions that would frame the works in years to come.

Early manifestations of this ideological project show the futurists attempts to inscribe speed, simultaneity, and temporality upon a static art object. Anton Giulio Bragaglias photographs with blurred movement are shown alongside the cubist and pointilist paintings of Giacomo Balla, Umberto Boccioni, and Carlo Carr. The predominance of paintings in the show embodies the paradox of this movement that sought to annihilate the past but failed to challenge the medium of painting. In Ballas The Hand of the Violinist, the serial repetition of the violin is both a pastiche of cubism and a highly literal depiction of movement through chronophotography. The vast, divisionist whirlwind of Boccionis The City Rises and its evocation of the mythical grandeur of factories and workers is particularly gripping. Carrs The Funeral of the Anarchist Galli is another highlight, amplifying chaos in movement with a throng of fighting bodies under a red mist that rivals the light of the sun.

The early heroic phase of futurism also drew its strength from Marinettis pioneering of parole in libert (words in freedom), a brand of visual poetry culminating in the typographically eccentric collection Zang Tumb Tumb. Documentary filmmaker Jen Sachs animation of the printed poems, coupled to a new recording, uses animation to convey the spontaneous energy of the poems.

While most narratives end in this phase, the breadth of the show importantly affords us a view of the subsequent mellowing of Italian futurism in the next decade. Fortunato Depero and Balla coined the futurist opera darte totale (total work of art), and the futurist aesthetic proliferated past painting into new forms of theater, film, art-deco style furniture, and even toys. The refreshing playfulness of works in this phase is striking, departing from the severity of the opening notes of the manifesto. In particular, a collection of visual sketches for Deporos Balli Plastici, a futurist ballet of machine-like puppets, stood out to me for its distinct combination of vorticist angularity and uncharacteristic fairy tale whimsy.

The later phases of futurism in the 1920s and 1930s, however, saw a return to its direct glorification of the machine with the themes of locomotion and flight, which the exhibition formidably displays. Ivo Pannaggis Speeding Train at once captures the monolithic mass of the locomotive and its dynamic lightness as it tears through space. More impressive are Benedetta Cappa Marinettis and Tullio Cralis works of aeropittura (aeropainting), restless with the movement of flight and appropriately exhibited on the highest ramp. The final paradox of futurismits apparent misogynyis brought to the fore by emphasizing Benedettas distinct presence in this phase, a clear crowning achievement of the show. A room is devoted to her dynamic canvases of rippling waves and warped space, echoing the velocity of Cralis piece and vigorously destabilizing the manifesto.

Italian Futurism is certainly an uneven ride, but one that truly captures the contradictions and complexities of futurism.

Italian Futurism, 19091944: Reconstructing the Universe is on view at the Guggenheim from Feb. 21 to Sept. 1. Entry to the Guggenheim costs $18 for students.

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What next: Inflation or Deflation? Get ready for inflation – Economics Futurist Keynote Speaker – Video

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What next: Inflation or Deflation? Get ready for inflation - Economics Futurist Keynote Speaker
What is the greatest threat to our future: inflation or deflation? What should we expect? Inflationary boom or deflationary bust or more economic cycles of b...

By: Patrick Dixon Futurist Keynote Speaker for Industry Conference

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What next: Inflation or Deflation? Get ready for inflation - Economics Futurist Keynote Speaker - Video

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Futurist Richard Worzel Discusses the Challenges and Opportunities that Lie Ahead for Farmers – Video

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Futurist Richard Worzel Discusses the Challenges and Opportunities that Lie Ahead for Farmers
Shaun Haney talks to professional Futurist Richard Worzel about what, exactly a futurist is and what the future holds for agriculture.

By: Shaun Haney

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Futurist Richard Worzel Discusses the Challenges and Opportunities that Lie Ahead for Farmers - Video

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Near-drowning of astronaut tied to wrong diagnosis, slow response

Posted: February 27, 2014 at 4:44 pm

The near drowning of a space-station astronaut from water that had collected in his helmet during a spacewalk stemmed from acceptance of unusual conditions known to increase risks.

Willingness to accept as routine minor amounts of water in a space-walking astronaut's helmet and a misdiagnosis of a previous water leak helped set the stage for an incident last summer that could have cost an International Space Station crew member his life, according to an analysis of the event.

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In a 122-page report released Wednesday, a mishap investigation board identified a range of causes for the near-tragedy, including organizational causes that carried echoes of accident reports that followed the loss of the shuttles Challenger and Columbia and their crews in 1986 and 2003.

About 44 minutes into a 6.5-hour spacewalk last July, Italian astronaut Luca Parmitano noted that water was building up inside his helmet the second consecutive spacewalk during which he reported the problem. Twenty-three minutes later, he and partner Chris Cassidy were ordered to end the spacewalk.

"The good news was that Luca was very close to the air lock when this happened," said Chris Hansen, space-station chiefengineer and head of the board,during a briefing Wednesday that outlined the findings. "When we terminated the EVA, Luca had a pretty close path to the air lock."

Still, as Parmitano worked his way back to the air lock, water covered his eyes, filled his ears, disrupted communications, and eventually began to enter his nose, making it difficult for him to breathe. Later, when crew mates removed his helmet, they found that it contained at least 1.5 quarts of water.

NASA officials immediately set up the five-member mishap investigation board to uncover the broader causes behind the incident, even as a team of engineers at the Johnson Space Center worked to find the precise mechanical cause for the buildup of water.

Engineers traced the leak to a fan-and-pump assembly that is part of a system that extracts moisture from the air inside the suit and returns it to the suit's water-based cooling system. Contaminants clogged holes that would have carried the water to the cooling system after it was extracted from the air. The water backed up and flowed into the suit's air-circulation system, which sent it into Parmitano's helmet. The specific cause of the contamination is still under investigation.

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Space Station Live Student Science Heading to Space Aboard Cygnus.mp4 – Video

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Space Station Live Student Science Heading to Space Aboard Cygnus.mp4
NASA_s Space Shuttle Secret: Painstaking Pursuit of Perfection: Tiles! While I had thoroughly enjoyed my career life of 40-odd years working in aircraft engi...

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Last Shuttle Commander Virtually Flies Boeing CST-100 to Space Station

Posted: at 4:44 pm

HOUSTON, Feb. 27, 2014-- Chris Ferguson, Boeing's director of Crew and Mission Operations and commander of the final Space Shuttle flight, virtually returned to space recently in the Boeing [NYSE: BA] Crew Space Transportation (CST)-100 simulator to satisfy a NASA testing requirement for the spacecraft.

Ferguson performed manual piloting activities including on-orbit attitude and translation maneuvers, docking and backing away from a virtual International Space Station and a manual re-entry to Earth in the simulator.

"It was great to be back in the pilots seat, even if I didn't leave the ground," Ferguson said. "It's important for the spacecraft to have manual controls because although it's designed to be largely autonomous, the pilot should always be able to back up that autonomy. Manual flight controls provide a sort of a belt-and-suspenders capability for piloting the spacecraft."

The testing for NASA officials satisfied a CST-100 development milestone known as "Pilot in the Loop." It is the final milestone before the spacecraft's critical design review.

Ferguson, a veteran of three shuttle missions and commander of STS-135, the final shuttle flight, has logged more than 40 days in space and 5,700 hours in high-performance aircraft. He now oversees the crew interface of the Boeing CST-100 spacecraft and plays a key role in development and testing of system concepts and technologies for the vehicle and integrated launch and ground systems.

"This was the one opportunity to really show off, from a user's perspective, just how real our vehicle is becoming," said Ferguson. "We demonstrated that the CST-100 is on track to return Americans to space in an American spacecraft."

The Boeing-developed simulator will be used for astronaut training as part of a full suite ot training devices for crew members and mission controllers.

More information about the future of human space exploration can be found atwww.beyondearth.com.

A unit of The Boeing Company,Boeing Defense, Space & Securityis one of the world's largest defense, space and security businesses specializing in innovative and capabilities-driven customer solutions, and the worlds largest and most versatile manufacturer of military aircraft. Headquartered in St. Louis, Boeing Defense, Space & Security is a $33 billion business with 58,000 employees worldwide. Follow us on Twitter:@BoeingDefense.

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Astronaut Nearly Drowning In Space Could Have Been Prevented

Posted: at 4:44 pm

February 27, 2014

Image Caption: European Space Agency astronaut Luca Parmitano, Expedition 36 flight engineer, attired in an Extravehicular Mobility Unit (EMU) spacesuit, participates in a session of extravehicular activity (EVA) as work continues on the International Space Station. A little more than one hour into the spacewalk, Parmitano reported water floating behind his head inside his helmet. The water was not an immediate health hazard for Parmitano, but Mission Control decided to end the spacewalk early. Credit: NASA

Lee Rannals for redOrbit.com Your Universe Online

Last year, European Space Agency (ESA) astronaut Luca Parmitano nearly drowned in space due to a leaky helmet, and yesterday NASA said this isnt the first time this suit model has misbehaved.

On July 16, 2013 two International Space Station crew members exited the US Airlock to begin a spacewalk. About 44 minutes into the spacewalk Parmitano reported water inside his helmet on the back of his head. Slowly the water began to fill up his helmet, and he was just moments away from actually drowning inside his own helmet while in space.

After this incident took place, NASA launched an investigation to help identify factors that may have contributed to the incident and it recommended changes that could be implemented to prevent it from happening again.

The investigation found that the same suit failure occurred a week earlier, and if this event was properly investigated it could have prevented Luca from being placed at risk the following week.

In summary, the causes for this mishap evolved from inorganic materials causing blockage of the drum holes in the EMU water separator resulting in water spilling into the vent loop; the NASA teams lack of knowledge regarding this particular failure mode; and misdiagnosis of this suit failure when it initially occurred on EVA 22, NASA said in its report.

The space agency said the inorganic materials blocking the water separator drum holes had not been seen during a spacewalk before and is still undergoing investigation. It said the investigation does not have the required data yet to determine the root causes of the contamination source.

Essentially, when the helmet first messed up the team misdiagnosed the problem, allowing Luca to be put in a position where he used the helmet. NASA said that had the issue been discussed in more detail at the end of the spacewalk, the team would have likely realized that the water experienced in the helmet needed to be investigated further before pressing ahead.

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