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Second-Wave Feminists Pushed The Sexual Revolution To End America, And It’s Working – The Federalist
Posted: April 20, 2022 at 11:02 am
The hottest flashpoint in the culture today is the trans movement, with the mob coming after anyone, like J.K. Rowling, who dares to oppose the idea that men can become women and women men. Few are aware that the seeds for this effort were planted decades ago by a small group of women who gathered regularly to promote the creed of Marxism. We live under their triumphant umbrella daily.
The Supreme Court confirmation of Ketanji Brown Jackson is just the latest feather in their cap, as a justicewho claims she cant define a what a is woman because she lacks a biology degree. (Ironically, the new women she is trying to include arent biologically women, so a biology degree wouldnt actually help her.)
This group of women was led by Kate Millett (1934-2017), one of the early grandmothers of feminisms second wave. She was the author of the Sexual Politics, the academic justification for feminism that became the backbone of womens studies programs nationally and was featured on Time Magazines cover twice.
Mallory Millett, Kates sister, has been telling the story of the 12 women Kate brought together in New York City in the late 1960s and early 70s. These are the women who laid the groundwork for second-wave feminism, which gave way to the world of woke.
It was 1969 and she took me to a meeting at her friend, Lila Karps place in Greenwich Village, Mallory explained to me for my book, The Anti-Mary Exposed. At a consciousness-raising [an idea imported from Maos China] twelve women gathered at a large table. They opened with a type of Litany from the Catholic Church but, this time it was Marxism, the church of the Left.
The litany went like this:
Why are we here today? the chairwoman asked.
To make revolution, they answered.
What kind of revolution? she replied.
The Cultural Revolution, they chanted.
And how do we make Cultural Revolution? she demanded.
By destroying the American family! they answered.
How do we destroy the family? she came back.
By destroying the American patriarch, they cried exuberantly.
And how do we destroy the American patriarch? she probed.
By taking away his power!
How do we do that?
By destroying monogamy! they shouted.
How can we destroy monogamy?
By promoting promiscuity, eroticism, prostitution,abortion,and homosexuality! they resounded. (Gress, 73-74)
Read the last line again. These were not things that were a part of American culture, although burgeoning then with the sexual revolution, but all of them have been achieved, probably beyond the wildest dreams of those present, by this very specific targeting.
Phyllis Chesler confirmed much of Mallorys account in her 2018 book, Politically Incorrect Feminist: Creating a Movement with Bitches, Lunatics, Dykes, Prodigies, Warriors, and Wonder Women. Chesler, while trying to tell the honest truth of the good, bad, and ugly of the feminist movement, reveals much of the story that has been jealously guarded by feminists for decades: that most of the women in the movement were incredibly broken by mental illness and drug abuse. Chesler calls them the lost girls.
Their brokenness wasnt considered a weakness, but the glue that held them together. We who only yesterday had been viewed as cunts, whores, dykes, bitches, witches, and madwomen; we who had been second- and third-class citizens had suddenly become players in history. The world would never be the same, and neither would we, writes Chesler in her introduction.
Speaking specifically of Kate Millett, Chesler wrote:
Kate had a stload of charm and, in the beginning, a commanding presence, but she also had periods in which she didnt sleep, raged at others, attempted suicide, and exploited her groupies all the while feeling victimized by them (which she was). She couldnt be counted on to remain lucid at a press conference. She also fell in love, and tried to have her way, quite aggressively, with woman after woman (including me). (Chesler, Politically Incorrect, loc. 2939.)
Given her anything-goes approach to sexuality, Kate Millett finally alienated her own sister from the movement when she tried to take her to bed. The erasure of the categories of male and female and even ending the stigma of sleeping with children were issues Kate Millett promoted for most of her career.
Millet, her minions, and the other grandmothers of second-wave feminism set the diabolical narrative that has affected nearly every woman on the planet. These broken women are responsible for the 50-year-old narrative that says female empowerment can only be achieved through promiscuity, abortion, and the destruction of the family.
The matriarchy made up of elite men and women dictates to the rest of us what we are to believe through their control of the press, Hollywood, academia, daytime TV, book publishing, public policy, magazines, the fashion industry, public schools, and now even Disney. While the world stopped under the threat of Covid and the 3.5 million deaths, the 43 million abortions procured by women worldwide in the year 2021 can be laid at their feet.
The biggest question is, why havent men and women of goodwill and reason been able to stop this movement? Much of the answer resides in the fact that the matriarchy has been able to create a closed system that ignores, maligns, or suppresses any competing data, bullying or railroading any opposition. Power and control are the emphasis, not debate, real science, and reason.
The other key to their success goes back to Kate Milletts litany. The greatest tool that has silenced opposition is the continued rail against the patriarchy, a vague wordmuch like racism todaythat has silenced much of the population like kryptonite, particularly men. Few slogans have had more staying power than smash the patriarchy; it shows up at every womans march and in every feminist diatribe.
At its heart, it is the belief that all women are victims (even if they havent been victimized), while all men are the oppressors (even if they have never oppressed anyone), but again, it is about exercising control. Few could define patriarchy, no one wants to be guilty of engaging in it, so apologies and denunciations abound anytime it is asserted. So men and women continue to bow to every feminist demand for womens equality, while real women are trounced and triumphed over by men in heels and swimming suits.
The trans movement is the biggest fulfillment yet of the second-wave ideal of erasing gender, and is perhaps the final battle before Kate Milletts vision is complete. That pseudo-litany chanted by the 12 women in the upper room has been heard, felt, and suffered by all the world as the family has been destroyed, replaced by a population of noble narcissists.
Most of us feel weak and powerless to stop the ideological juggernaut, especially as we watch institution after institution cave to the narrative. The true antidote to the problem of trans and all Marxist ideologies is also in the litany: to restore the family.
Carrie Gress is a Fellow at Ethics and Public Policy Center. A mother of five, she is a scholar at the Institute for Human Ecology at The Catholic University of America and is the author of several books, including The Anti-Mary Exposed: Rescuing the Culture from Toxic Femininity," and "Theology of Home." She is the editor of the online women's magazine Theologyofhome.com.
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The Lisa Scene On The Simpsons That Went Too Far – Looper
Posted: at 11:02 am
In Season 29, Episode 15 ("NoGoodReadGoes Unpunished"), the show's writers and producers addressed the budding controversy about white actor Hank Azaria's portrayal of Indian shopkeeper ApuNahasapeemapetilonby having Marge share a classic story from her own childhood with Lisa. After discovering problematic passages in the book, Marge makes her own edits.
Lisa notes that Marge's revised main character, Clara, "starts out pretty perfect. But since she's already evolved, she doesn't really have an emotional journey to complete. Kinda means there's no point to the book." Marge asks what she should have done, and Lisa turns and addresses the camera to deliver a defensive sermon on behalf of the show's creative forces, saying, "Something that started decades ago and was applauded and inoffensive is now politically incorrect. What can you do?" Marge tells her "Some things will be dealt with at a later date," and Lisa responds, "if at all" and the pair give the camera a very long, glum look.
The scene is preachy, forced, and out of place. The moment is clumsy and uses the show's only true progressive voice to defend its most problematic characterization. Azaria later apologized, and the show recast Apu and other characters of color that had been portrayed by white actors (via TheHollywoodReporter). But in this moment, the show's creators and Lisa, its most sensitive character were obnoxiously and needlessly defiant.
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Jeep Grand Cherokee 4xe first drive review: Do-it-all plug-in – Digital Trends
Posted: at 11:02 am
Jeep is embracing electrification but, like a 44 crawling over a pile of rocks, its doing so slowly and methodically.
The first all-electric Jeep is scheduled to launch in 2023, but in the meantime, were getting plug-in hybrids. With gasoline engines to curb range anxiety and traditional mechanical four-wheel drive systems to preserve off-road capability, Jeeps 4xe (pronounced four-by-e) plug-in hybrids bridge the gap between two eras.
Jeep started with what was arguably the tougher job a 4xe version of its iconic Wrangler. Now its moving on to another familiar nameplate. The 2022 Jeep Grand Cherokee 4xe is an electrified version of the brands family SUV mainstay. While several similarly sized plug-in hybrid SUVs are hitting the market, none are quite like this Jeep.
The Grand Cherokee 4xe splits the difference between mainstream entries like the Hyundai Santa Fe and Kia Sorento plug-in hybrids and more luxury offerings like the BMW X5 xDrive45e, Lincoln Aviator Grand Touring, and Volvo XC90 Recharge but with unmatched off-road capability.
Pricing starts at $59,565 for the base model. Thats a big increase from the base non-hybrid Grand Cherokee, but you do get more standard equipment, including a three-screen infotainment system. If you move up through the Trailhawk, Overland, and Summit trim levels to the top Summit Reserve, youll pay $76,095 before any options. The Grand Cherokee 4xe does at least qualify for the full $7,500 federal EV tax credit because of its large 17-kilowatt-hour battery pack.
The entire Grand Cherokee lineup is getting a redesign that started rolling out for the 2021 model year on the three-row Grand Cherokee L model and continues for 2022 with two-row models. Code-named WL, the new Grand Cherokee is a big change from the previous-generation WK2 model.
The seven-slot grille and politically incorrect name carry over, but everything else is different. In contrast to the somewhat pudgy WK2, the Grand Cherokee WL has a more graceful, elongated profile with upright sides and nice proportions. The styling was inspired by the classic SJ Jeep Grand Wagoneer, Jeep exterior design manager Eugenio Sellano-Neto said in a presentation ahead of our test drive. We think this Grand Cherokee is a better homage to the SJ than the actual current-generation Grand Wagoneer, in fact.
The interior was fairly upscale, with nicely integrated screens and appealing details.
You cant get a three-row Grand Cherokee 4xe, something that is available on the lower-priced Kia Sorento plug-in hybrid, as well as the pricier Lincoln Aviator Grand Touring and Volvo XC90 Recharge. The 4xe does have comparable interior space to these similarly sized SUVs, as well as non-hybrid Grand Cherokee models, though. Its 32.7 cubic feet of cargo space with the rear seats in place, and 70.8 cubic feet with the rear seats folded, is on the low end for an SUV of this size, but identical to a comparable non-hybrid Grand Cherokee.
We found the interior to be fairly upscale, with nicely integrated screens and appealing details like the large gear selector knob and switches for the drive modes and four-wheel drive system. Fit and finish also seemed worthy of a luxury vehicle, let alone a rugged Jeep. We werent as impressed with the copious piano black plastic (which attracted lots of dust), the Trailhawks vinyl seats, or the molded wood trim on Overland models, but the latter does at least get Nappa leather upholstery. And we had no issues with material quality on the high-end Summit and Summit Reserve models.
All 4xe models come standard with a 10.1-inch touchscreen, 10.1-inch digital instrument cluster, and a 10.2-inch touchscreen for the front passenger. Wireless Apple CarPlay/Android Auto and a built-in 4G LTE Wi-Fi hot spot are standard as well. A 10-inch head-up display, rear-seat entertainment system with built-in Amazon Fire TV connectivity, and a 19-speaker McIntosh audio system are also available.
The Uconnect 5 infotainment system kept the various screens working well. Jeep crams in a lot of information, from typical features like navigation to pitch and roll angles for off-roading, but it was easy to toggle between everything. The main touchscreen was set up to show a few different widgets at once without looking cluttered, and Jeeps UX designers made some smart decisions. Climate controls stay in a menu bar at the top of the screen, so you can make adjustments without having to exit Apple CarPlay or Android Auto. Jeep also lets drivers quickly pull up a front camera view with one tap thats not always the case in other vehicles.
Jeeps UX designers made some smart decisions.
The front-passenger screen only works when someone is sitting in the seat and, because we drove solo, we werent able to test it out. But we think Jeeps approach of decentralizing the interface with multiple screens makes more sense than using one oversize screen for everything. Aside from the latest Mercedes-Benz EVs, you wont find a similar setup anywhere else, either.
Standard driver-assist features include forward-collision warning, automatic emergency braking, rear cross-traffic alert, blind-spot monitoring, lane-keep assist, lane-departure warning, adaptive cruise control, and rear park assist. Optional features include night vision, a 350-degree camera system, a digital rearview mirror, traffic-sign recognition, a driver-attention monitor, parallel and perpendicular park assist, and Travel Assist, which adds automated lane centering to the adaptive cruise control.
Similar to the Wrangler 4xe, the Grand Cherokee 4xe uses a 2.0-liter turbocharged four-cylinder engine, eight-speed automatic transmission, and two electric motors.
One motor acts purely as a starter/generator, while the second motor, which is positioned between the engine and transmission, is used for propulsion. In electric mode, a clutch allows it to connect to the drivetrain while decoupling the engine. The engine then clutches back in for hybrid mode. An electric air conditioning compressor also helps improve efficiency by shifting some of the power demand from the gasoline engine to the electric motors.
This complex system produces 375 horsepower and 470 pound-feet of torque, enabling a robust 6,000-pound maximum towing capacity, according to Jeep. Thats less than some non-hybrid Grand Cherokee models, but about the same as the BMW X5 and Lincoln Aviator plug-in hybrids. The automaker also quotes zero to 60 mph in about 6.0 seconds, which it claims is about a second quicker than a non-hybrid Grand Cherokee with the largest-available V8 engine.
At one point, we were guiding a 4xe up a rock face with two wheels off the ground.
Unlike non-hybrid Grand Cherokee models, the 4xe also gets standard four-wheel drive. And unlike other plug-in hybrid SUVs, it gets the hardware needed for serious off-roading. The four-wheel drive system is similar to non-hybrid Grand Cherokee models, with a two-speed transfer case and low range that allow the 4xe to crawl over low-traction surfaces. An optional air suspension system enables 10.9 inches of ground clearance (on Trailhawk models), and if thats not enough, you still have steel skid plates protecting the vehicles underside including the battery pack.
This adds up to an SUV that can off-road like a conventional Jeep, while using less fuel. Jeep was eager to show off the Grand Cherokees capabilities, sending us through an off-road course where, at one point, we were guiding a Trailhawk model up a rock face with two wheels off the ground. The fact that we were doing this in a plug-in hybrid caused no issues. It was even possible to cruise along in electric mode (although the amount of throttle required to get up steep inclines caused the gas engine to kick on). When it comes to off-roading, the Grand Cherokee 4xe is the real deal.
Its unclear how many owners will take their circa-$60,000 SUVs off-road, but everyone will appreciate the Grand Cherokees on-road manners. We did our on-road driving in a midlevel Overland model, and were impressed by its comfortable ride, quiet cabin, and predictable handling characteristics. While there were some minor blemishes, such as an occasional clunk when the drivertrain switched from electric to hybrid mode and an unattractive engine note, the overall experience was downright luxurious.
The Grand Cherokee 4xe is rated at 25 miles of electric range with a 56 MPGe combined efficiency rating. A standard 7-kilowatt onboard charger allows for a full recharge in 3.4 hours using a 240-volt Level 2 AC source, Jeep said.
Electric range is slightly less than you get in the Hyundai Santa Fe and Kia Sorento plug-in hybrids, as well as the BMW X5 xDrive45e and Volvo XC90 Recharge. We also fell short of that rating, even in low-speed driving, but the Jeeps aggressive regenerative braking allowed us to get a few miles of electric range back fairly easily. We also found that, in normal driving, the Jeep was able to stay in electric mode consistently without turning on its gasoline engine.
In hybrid mode, the 4xe is rated at 23 mpg combined, meaning its only slightly more efficient than a Grand Cherokee with the standard V6 engine, which is rated at 22 mpg combined. As with all plug-in hybrids, you only get an efficiency benefit if you actually charge the 4xe regularly.
Crash-test ratings from the Insurance Institute for Highway Safety (IIHS) and National Highway Traffic Safety Administration (NHTSA) were not available at the time of publication. The previous-generation WK Grand Cherokee did not get perfect scores from either organization, so there is definitely some room for improvement.
Jeep offers a three-year, 36,000-mile limited warranty and five-year, 60,000-mile powertrain warranty, plus three years of free scheduled maintenance.
The 2022 Jeep Grand Cherokee 4xe is both a good SUV and a good plug-in hybrid. Its off-road and towing abilities, as well as generous interior and cargo space, fulfill the SUV design brief. It also offers a usable amount of electric range, an electric mode that works well in normal driving, and aggressive regenerative braking.
The standard Uconnect 5 infotainment system and its three large displays, along with wireless Apple CarPlay/Android Auto and available Amazon Fire TV connectivity, also make the Jeep fairly compelling from a tech standpoint. Most trim levels also felt fairly luxurious for a vehicle from a non-premium brand.
All of that adds up to a singular vehicle thats hard to categorize. If all you want is a plug-in hybrid with lots of room, the Hyundai Santa Fe and Kia Sorento will take care of that for a lower price. However, the Grand Cherokee offers a more upscale feel and more tech than the Korean models at a lower starting price than luxury brand plug-in hybrids from BMW, Lincoln, and Volvo. By combining rugged capability, tech, and efficiency, Jeep has found itself a good niche.
Yes. This plug-in hybrid does it all.
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New To Disney+ This Week (UK/IRE) – Disney Plus Informer
Posted: at 11:02 am
Here is a look at everything thats coming to Disney+ in the United Kingdom this week.
Highlights include three new movies and specials launching this Earth Day to celebrate the power within each of us to create change for the better and inspire connections with the wonders of the world we all share. Polar Bear, the next wildlife movie from Disneynature; Explorer: The Last Tepui the newest installment of National Geographics long-running Explorer series; and The Biggest Little Farm: The Return, a special update based on the 2018 critically-acclaimed documentary on the making of Apricot Lane Farms, will premiere exclusively on Disney+ on April 22, 2022.
Another episode of the Disney+ Original series Marvels Moon Knight premieres alongside the Season 1 finale episode of The Proud Family: Louder and Prouder and more.
New episodes continue to be released for The Kardashians NCIS Season 19, Our Kind of People and more.
New library titles include Captive Audience, Season 4 of Club Mickey Mouse, Seasons 1-2 of Trust Me and more.
Marvels Moon Knight Episode 4
The series follows Steven Grant, a mild-mannered gift-shop employee, who becomes plagued with blackouts and memories of another life. Steven discovers he has dissociative identity disorder and shares a body with mercenary Marc Spector. As Steven/Marcs enemies converge upon them, they must navigate their complex identities while thrust into a deadly mystery among the powerful gods of Egypt.
Moon Knight stars Oscar Isaac, Ethan Hawke and May Calamawy. Mohamed Diab and the team of Justin Benson & Aaron Moorhead directed the episodes. Jeremy Slater is the head writer, andKevin Feige, Louis DEsposito,Victoria Alonso, Brad Winderbaum,Mohamed Diab, Jeremy Slater and Oscar Isaac are the executive producers. Grant Curtis, Trevor Waterson and Rebecca Kirsch serve as co-executive producers.
The Proud Family: Louder and Prouder Episode 10 Season Finale
A continuation of the acclaimed series, The Proud Family: Louder and Prouder follows the adventures and misadventures of newly 14-year-old Penny Proud and her Proud Family as they navigate modern life with hilarity and heart. The 2020s brings new career highs for mom Trudy, wilder dreams for dad Oscar and new challenges for Penny, including a socially woke neighbor who thinks she has a lot to teach her, bullying social media influencers who want to cancel her and her own teenage hormones. Pennys friends return, including Dijonay, LaCienega, Zoey and Michael. Pennys Suga Mama also returns, ready as ever to dispense tough love or a gentle hand whenever Penny needs it. Among the new faces are Maya and KG, new kids who not only have to deal with the struggles of being the new kid but also having two dads, a first for Smithville.
The Resident Season 5 Episode 14
Season 5 continues to shine a light on the daily heroism of todays health care workers. The provocative medical drama follows the doctors and nurses at Chastain Memorial Hospital, as they face personal and professional challenges and fight for their patients health.
Our Kind Of People Episode 10
Angela is close to getting everything she wants. Teddy confronts Leah. Raymond is desperate to get Jacks Darmon shares away from Teddy and cover for Olivia with the police. Piggy comes clean to Tyrique about his father
The Great North Season 2 Episode 9
The Great North follows the Alaskan adventures of the Tobin family, as single dad Beef tries to keep his kids close, including Judy, whose ambitions lead her into the glamorous world of the local mall; Judys brothers, Wolf, Ham and Moon; and Wolfs fianc, Honeybee. The show is created by the creators ofBobs Burgers.
NCIS(Naval Criminal Investigative Service) is more than just an action drama. With liberal doses of humor, its a show that focuses on the sometimes complex and always amusing dynamics of a team forced to work together in high-stress situations. NCIS Special Agent Leroy Jethro Gibbs, a former Marine gunnery sergeant whose skills as an investigator are unmatched, leads this troupe of colorful personalities.
Bobs Burgers follows a third-generation restaurateur named Bob as he runs Bobs Burgers with the help of his wife and their three kids. Bob and his quirky family have big ideas about burgers but fall short on service and sophistication. Despite the greasy counters, lousy location and a dearth of customers, Bob and his family are determined to make Bobs grand re-re-re-opening a success.
In a wacky Rhode Island town, a dysfunctional family strive to cope with everyday life as they are thrown from one crazy scenario to another. Sick, twisted and politically incorrect, the animated series features the adventures of the Griffin family.
The Kardashians Episode 2
The family you know and love is here with a brand new series, giving an all access pass into their lives. Kris, Kourtney, Kim, Khlo, Kendall and Kylie bring the cameras back torevealthe truth behind the headlines. Fromthe intense pressuresof runningbillion-dollar businessesto the hilarious joys of playtime and school drop-offs, this series brings viewers into the fold with a rivetingly honest story of love & life in the spotlight.
Disneynatures Polar Bear
Narrated by two-time Academy Award nominee Catherine Keener (Capote, Being John Malkovich), Disneynatures Polar Bear tells the story of a new mother whose memories of her own youth prepare her to navigate motherhood in the increasingly challenging world that polar bears face today. Helmed by Alastair Fothergill and Jeff Wilson, the directing team behind Disneynatures Penguins, and produced by Fothergill, Wilson, Jason Roberts, Keith Scholey and Roy Conli, Polar Bear launches exclusively on Disney+ on April 22, 2022.
Explorer:The Last Tepui
The Disney+ Earth Day special Explorer: The Last Tepui, from National Geographic, follows elite climber Alex Honnold (Free Solo) and a world-class climbing team led by National Geographic Explorer and climber Mark Synnott on a grueling mission deep in the Amazon jungle as they attempt a first-ascent climb up a 1000 foot sheer cliff. Their goal is to deliver legendary biologist and National Geographic Explorer Bruce Means to the top of a massive island in the sky known as a tepui. The team must first trek miles of treacherous jungle terrain to help Dr. Means complete his lifes work, searching the cliff wall for undiscovered animal species. The one-hour special is the newest installment of National Geographics long-running Explorer series. This Earth Day, learn why the tepuis much like the Galapagos are a treasure trove of biodiversity worth protecting.
The Biggest Little Farm: The Return
The Disney+ Earth Day special The Biggest Little Farm: The Return, from National Geographic, is based on the 2018 award-winning feature documentary film that tells the story of John and Molly Chester, who abandon their urban life in Los Angeles to live on a barren farm to grow delicious food in harmony with nature in Ventura County. The new special follows the farmers 10-year tireless journey as they transform the land into a magical working farm and document the whole process in this heartwarming special that is akin to a real-life Charlottes Web. Apricot Lane Farms is a beautiful, complex world that reflects our planets biodiversity, and this special introduces audiences to animals that will quickly burrow into their hearts, like Georgie the gopher-eating egret, Emma the pig who welcomes her newest litter, and an adorable lamb named Moe who believes hes a dog. This Earth Day, see how the farmers utilize the interconnectedness of nature to help build soil health, maximize biodiversity, and regeneratively grow the most nutrient-dense food possible.
In When Billie Met Lisa, Lisa Simpson is discovered by chart-topping artists Billie Eilish and FINNEAS while searching for a quiet place to practice her saxophone. Billie invites Lisa to her studio for a special jam session shell never forget.
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Fruit stickers are the scourge of the compost pile – The Verge
Posted: at 10:54 am
There they are again in the compost caddy, littered through the backyard pile, stuck in the sifter, peeping out of the garden beds the eternal bane of many home gardeners: the small, ubiquitous, and remarkably indestructible produce sticker.
I painstakingly remove every produce sticker from every piece of fruit and veg that enters our home, says James Hohman, a professor at the University of Connecticut. But his compost pile lives on top of a compost pile used by the previous owners of his house. When Hohmans family first moved in, he sifted the pile, removing probably hundreds of stickers. But more stickers kept showing up for years in the pile and in the garden beds.
Joshua Simpson, who lives in Washington, knows his pain. I have composted blue jeans well before those dumb stickers have gone away, he says. His family also feeds their food scraps to their chickens, resulting in produce stickers all over the yard.
I have to put down the shovel and pick the stickers out by hand every other scoop, says Gretchen Cheverton, who constantly finds stickers in her compost pile at home in Colorado. No gardener could sleep at night if they left them in the finished compost and spread them around the yard.
Composting is about accelerating the decomposition of organic matter. Your kitchen scraps and lawn clippings are all going to rot eventually. But a compost pile gets it done faster and, ideally, with minimal smells finished compost smells like forest floor and fewer greenhouse gas emissions. The same anaerobic bacteria that make rotting garbage smell so bad also emit methane; home composting focuses on boosting aerobic decomposition, which is both more sustainable and less disgusting.
Home composting can be a fairly hands-off process, but the science behind it can turn this household chore into an optimization mini-game. On the subreddit r/composting, composters fuss over their nitrogen to carbon ratios and post pictures of the thermometers theyve stuck into their piles. (A very hot pile is an achievement worth celebrating.)
For home composters, vegetable scraps and fruit peels are often a source of nitrogen, an integral part of the chemistry of a compost heap. Nitrogen feeds the microorganisms that break down the compost, generating heat in the process. Too little nitrogen, and a pile will stay cold and will break down slowly. Too much, and it starts to smell very bad. Maintaining the balance between nitrogen and carbon is key to composting at home. (Other common nitrogen sources include grass clippings, used coffee grounds, and for the open-minded home composter urine).
Alas, the produce stickers ride alongside the nutrient-rich kitchen waste. They cling to a spent orange rind; they linger on a discarded banana peel; theyre brushed into the compost bucket with a pile of woody kale stems and carrot tops. It requires hypervigilance to prevent a produce sticker from entering a compost pile.
Its worth mentioning the vast range of things people successfully compost at home. While most backyard piles arent capable of breaking down a compostable bioplastic fork (which does break down sustainably but can last for years outside of an industrial composting setting), people have composted popsicle sticks, fingernail clippings, bones, T-shirts, blue jeans heck, even a copy of Ron Pauls The Revolution: A Manifesto. (Hohman, who composted the book after downgrad[ing it] from table leg support, specifies that he first removed the cover). The bones, the T-shirt, or the book disappears and comes out as a nutrient-rich, dark brown humus. But the produce stickers remain.
Produce stickers, which are often made of plastic, will maintain their shape and sometimes their bright colors, though they often wash out to a blinding white. When compost has fully broken down, they stand out like a sore thumb perfect little ovals, circles, and rectangles contrasting sharply against the dark brown earth of finished compost.
It seems like they can get away with just not putting stickers on the fruit, and we would be OK, says Simpson. But Im just some guy who eats fruit so there might be something I dont know.
The Produce Marketing Association (PMA), which has since become the International Fresh Produce Association (IFPA), created the Price Look Up (PLU) system and its accompanying scourge of stickers starting in 1988. A PLU sticker has a number and sometimes a bar code. It exists to help a cashier correctly ring up produce at checkout. The stickers themselves consist of three components: adhesive, plastic or paper, and ink. The stickers are required to be food grade but that isnt the same thing as being compostable. Chewing gum, for instance, isnt compostable, an interesting fact that has finally gotten me to stop swallowing my chewing gum.
Many of the individual components that make a PLU sticker can be either recyclable or compostable, claims the International Federation for Produce Standards, a larger industry group that includes the IFPA. But what good is it for the glue to be compostable if its stuck to plastic that isnt? The IFPS acknowledges that recyclers see the stickers as contaminates to the recycling process.
Following the passage of laws in Europe that ban various kinds of single-use plastics, the IFPA, in conjunction with other industry groups and the USDA, is now looking into developing PLU stickers that can be composted at home. This move comes after many years of criticism and proposed solutions, including a very fanciful idea for laser-etched fruit. Trying to create the combination of the adhesive, substrate (plastic or paper) and ink to be home compostable and durable enough to stay adhered to the produce through the supply chain is not an easy task, Ed Treacy, vice president of supply chain and sustainability for IFPA, wrote in an email.
Both Cheverton and Hohman think that the stickers are more of an annoyance than a real problem. The earth would probably be fine if we didnt fish the stickers out of the compost, says Cheverton. But the solution is just so easy its frustrating that no grower / packer is willing to just switch to biodegradable paper stickers.
I could say it causes a little angst over the sheer amount of plastic that permeates our world, says Hohman. Its symbolic of the problem. He called the stickers a 10,000-year monument to that time I bought a couple over-ripe kiwis and a tomato.
The actual lifespan of the sticker is probably on the order of decades, or possibly centuries, after which the sticker will likely erode into microplastics that permeate the water and the air and everything around us. But thats hardly reassuring. Oceans rise, empires fall, and the produce sticker remains unbowed, undefeated, and thoroughly un-compostable.
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Enter to win the Sierra Oddity: Unlike any other bike at Sea Otter Classic – BikeRumor.com
Posted: at 10:54 am
This year marks the fifth consecutive year that Sierra Nevada Brewery asked PAUL Component Engineeringto build a bike to launch at the Sea Otter Classic.
However, this year the PAUL Component crew sought to build something extra spicy and special.
If you were at Sea Otter this year, you may have caught a glimpse of this custom one-of-kind beauty by the Sierra Nevada beer tent. Well, we hope youre sitting down. BikeRumor has stellar news: there is time and potential to win this goddess.
To create the Sierra Oddity, the PAUL crew enlisted the help of other top brands in the business: Burnsey of Oddity Cycleswas immediately interested. Confirming his magician-like status, Burnsey operated as swiftly and efficiently as possible to bend, miter, weld, beadblast, polish, and anodize custom logos into the titanium frame, fork, and handlebars.
Other artists stepped up to join the construction fun as well: White Industries and Velocity USA sent the raw parts to anodize and match the Pale Ale green together with PAULs parts. Ron of King Cage custom bent two hollow titanium can cages, and Phil Wood cut custom length spokes. Dynaplug contributed one of their latest Covert bar-end tire plugging systems. Lastly, WTB sent the tires, saddle, grips, and valves needed to complete the build of this ready-to-rock, single-speed dirt cruiser.
All it takes for a chance to take home the Sierra Oddity is todonate 5 dollars or more to California Mountain Biking Coalition (CAMTB)by April 29. Your donation to CAMTB will help fuel their ongoing state-level mountain biking and trail advocacy efforts. Their efforts include working with critical land managers such as the CA State Parks and the U.S Forest Service, to track and influence state and federal legislation and elections that impact access to public lands and natural resource conservation.
1. Frame, Fork, Handlebars byOddity Cycles
2. Stem, Seatpost, Brakes, Levers, Hubs, Seatpost QR Collar byPAUL Component Engineering
3. Cranks, Bottom Bracket, Headset, and Freewheel byWhite Industries
4. Rims byVelocity USA
5. Can Cages byKing Cage
6. Spokes byPhil Wood
7. Tire Plug Bar Ends byDynaplug
8. Tires, Saddle, Grips, Valves byWTB
Link to donate and enter to win
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St. Pauls redevelopment breaks ground Tuesday – WAVY.com
Posted: at 10:54 am
NORFOLK, Va. (WAVY) Norfolk city leaders broke ground on the St. Pauls transformation project on Tuesday.
The project is the start of redevelopment for the Tidewater Gardens, Young Terrace, and Calvert Square public housing neighborhoods.
Phase one of the project includes construction on the Tidewater Gardens area after 618 units were demolished following years of discussion and controversy.
Mayor Kenny Alexander says the idea for the project had been in place for years but he finally decided to take the initiative to get federal officials on board when he took office.
We were able to get this project going and working with the residents. Putting them first has been our principal, he said.
A $30 million grant from the Department of Housing and Urban Development will help pay for this part of the $300 million project.
Historically, redlining, segregation and systemic racism pushed Black people to the St. Pauls area, which is divided off from downtown Norfolk. This created generations of families in poverty.
Alexander says the project is meant to deconcentrate poverty by building mixed-income communities.
This new development will have over 700 mixed-use, mixed-income units. One-third will be replacement public housing. Another third will be market value. Another third will be public housing voucher. Its going to be a nice 21st-century community with high amenities and luxuries and strengthen communities by deconcentrating poverty. Thats the goal and I think well accomplish that, he said.
But some worry the new homes will be too expensive for residents to return to, or they wont be able to find space at all.
Residents sued the city in 2020, calling the project racist and essentially moving poor Black people to other poor areas.
But the city settled with several changes to the plans and a judge dismissed residents lawsuit to halt the project. Residents have a right to return policy that will make sure good standing residents can come back. Right now, more than half of the residents plan to move back when the new homes are built.
In December, NRHA said more than 67% of residents had left, 214 out of the 618 units have already been leveled.
Their settlement agreement included more housing units reserved for public housing residents than planned.
Norfolk Redevelopment and Housing Association Executive Director Ron Jackson said the residential facility that will be the first built in Tidewater Gardens will be for 182 families who have already been relocated from the community.
This part is really important because it sets the stage for what comes after, he said.
Jackson says they havent really run into many issues when it comes to finding housing for those being relocated but there is a lot of educating going on.
Most of the people weve worked with eventually found housing. The folks with vouchers, we have to work with families and landlords. Theres still that stigma attached to housing choice vouchers. Theres education but also with the residents moving out of the public housing setting into private markets, he said. Its education both ways but its beneficial in the long run.
Jackson says some of those who have relocated have chosen to move to other cities across the country.
During Tuesdays groundbreaking, the People Choice Initiatives program also shared information claiming that employment rates have risen among residents in the community.
NRHA closed on Monday on the two plots where the new residential facility will be built. Construction will begin between four to six weeks.
Jackson says it should take about 14 months.
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In loving memory of Ronald F. Doering: 1945-2022 – The Reflector
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Ronald F. Doering was born in Saginaw, Michigan, on March 29, 1945. After a year-long battle with cancer, he passed away peacefully at his home in Battle Ground, Washington, on March 28, 2022.
Ronald F. Doering married his wife of nearly 56 years, Laurie Schelb Doering, in June of 1966. They had met while students at Western Michigan University in Kalamazoo. Immediately upon graduation as a secondary school teacher, he was sworn into the Air Force. He became a first lieutenant after completing his officer training at Lackland Air Force Base in Texas. During his eight years of service to our country, with multiple states of residence, a year at Osan AB in Korea and the births of their three children, Ron was honorably discharged as a regular Air Force captain. He moved the family to Portage, Michigan, where they resided for the next 30 years. He had dreamed of being a truck driver as a teen and pursued that passion for 13 years, owning his own truck and operating it nationwide. He amazed people all the time with his knowledge of our nations highways and byways. He sold the truck in 1988 when he was employed as a truck driver instructor by Eaton Corporation, thus combining his education training and experience as a truck driver. After advancing through several positions at Eaton Corp in Kalamazoo, he was asked to transfer to Washington state as an automated product specialist in the Western Region. He retired from Eaton in 2011 having worked for Eaton for 23 years. During all these years, he continued to pursue his love of the outdoors through running and cycling many miles each week. Ron and Laurie logged numerous miles on their tandem bicycle and rode in tours in many states. They also enjoyed road trips around the U.S., visiting all 50 states, and cruises to many countries of the world together.
Ron is survived by his wife, Laurie, and children Deborah J. Doering Haney (Phil), Wayland, Michigan, and Robert F Doering (Sarah), Big Rapids, Michigan, and five grandchildren: Paul Jacob Haney (Casey Jo), Madeliene Krystal Haney, Maleah Haney, Emmalyn Sofia Doering and Abby Rose Doering. He was preceded in death by their daughter Barbara J. Doering Baker in 2013 and by his parents, Harold F. and Mary V. Hart Doering. His only sister, Carol Ann Doering Shankwiler, preceded him in death on March 28, 1973, as well as his beloved brother-in-law Richard Shankwiler in July of 1994. Ron remained close to his surviving nieces, Lynn Shankwiler MacDermott (Gordon) of San Rafael, California, and Karen Vanderveer Logue (Tom), of Portland, Oregon, and nephews Paul Richard Shankwiler (Heidi), of Walnut Creek, California, and their son, Kyle Shankwiler, and David Shankwiler (Ruth) of Pasadena, California, and their children Amanda and Carolyn Shankwiler. Ron was also a loved uncle to all of Lauries many nieces and nephews, grands and great-grands in Michigan and beyond.
A celebration of Rons life will be at Salmon Creek United Methodist Church, Vancouver, Washington, on May 14, 2022, at 2 p.m. We invite any of Rons friends to be in attendance. Memorials may be given to Salmon Creek United Methodist Church, 12217 NE Highway 99, Vancouver, Washington, 98686, or to Community Home Health and Hospice, 3102 NE 134th St., Vancouver, Washington, 98686.
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Republicans once went after gay couples. Now they’re targeting LGBTQ kids – Los Angeles Times
Posted: at 10:54 am
Good morning. Im Paul Thornton, and it is Saturday, April 16, 2022. Lets look back at the week in Opinion.
Before we delve into the latest developments in the dont say gay craze sweeping statehouses in parts of the nation, lets think back all the way to the mid-aughts, when marriage equality still seemed a ways off and a Republican president called for a constitutional amendment banning non-heterosexual unions. It was a time when California voted overwhelmingly for the first Black president and in the same election banned gay marriage (our second time doing so, in fact); when marriage bans were put on the ballot in several states as part of a cynical ploy to turn out conservative voters; and perhaps most curiously of all, when pundits on the right acknowledged publicly what Republican operatives said in private that marriage equality was inevitable because of unstoppable changes in public attitudes, even if doing everything to delay it still paid political dividends.
It is this cynical political calculation, the Machiavellian moral panic amid broader social progress, that I keep remembering when reading about the rash of bills in Republican-controlled states like the one recently signed by Florida Gov. Ron DeSantis restricting classroom discussions on sexual orientation or gender identity. Americans awareness of LGBTQ issues beyond marriage equality is increasing, especially with regard to gender identity and transgender people and this is happening precisely at the moment the far right is gripped by paranoia over pedophilia. Is this the opportunity that Republican governors like DeSantis hope to ride to the White House, just as President George W. Bush narrowly won reelection in 2004 on a wave of panic over gay marriage?
Florida Gov. Ron DeSantis displays the signed Parental Rights in Education law, also known as the dont say gay bill, in Shady Hills, Fla., on March 28.
(Douglas R. Clifford / Tampa Bay Times via Associated Press)
Ultimately, the political calculations fall far behind other concerns; I speculate about them only because they say something valuable about the humanity of the leaders who make them. Far more important is the grave damage these bills do to LGBTQ students in school who benefit from having their identities affirmed by their teachers and institutions. This is the reality illuminated by LZ Granderson in a column in which he wrote of yearning to be reflected positively as a closeted gay high school student:
Tennessees HB 800 would ban learning materials that promote, normalize, support or address lesbian, gay, bi-sexual, or transgender issues or lifestyle.
My God. They still refer to it as a lifestyle, as if talking about my husband were akin to talking about coastal living. And be not mistaken: The vague wording of that bill could potentially criminalize a family photo sitting on a gay teachers desk if that family doesnt look the way Tennessee lawmakers think that it should.
Meanwhile, seeing that family photo could be the very thing a queer child in Tennessee needs to feel worthy of love.
I dont know what kind of person hungers to take that away from children. I do know that such people have no business commenting on whats best for kids. But the anti-LGBTQ bills targeting trans children keep coming. The book banning in libraries keeps happening. The tropes about pedophilia have returned.
Attempting to answer Grandersons question of what kind of person does this, I suppose its the kind of person hoping to lead a party that has a history of seizing on hatred of a marginalized group whether its same-sex couples seeking recognition of their unions, immigrants desiring a life outside the shadows, or gay and trans students looking for affirmation in their classrooms. I can only hope DeSantis and Co.'s hateful political ploy signals that greater acceptance of the targeted groups is mostly a matter of time, but my heart breaks thinking of the lives and futures destroyed to serve a politicians ambitions.
Indeed, what kind of a person does this?
Amid Floridas fight with Disney over LGBTQ rights, a Disney family member comes out as trans. Robin Abcarian writes about a conversation she had with Roy P. Disneys child Charlee, who came out as transgender four years ago and has spoken out against Floridas dont say gay law: Charlee cant abide the idea that states are trying to make life harder for trans people. LGBTQ kids, Charlee said, already have to deal with high rates of depression and anxiety, not to mention bullying and suicide. Then to put something like this law on top of that? They cant learn about their community and their history at school, or play sports or use the bathroom they want to use? L.A. Times
Remember that record Sierra Nevada snowpack in December? Its basically gone, says one of the researchers who recently measured the snow depth near Lake Tahoe, further indicating how extreme drought and climate change are altering Californias ability to estimate its available water resources: Many storms with near record-breaking amounts of rain or snow would be required in a single year to make a significant dent in drought conditions. October was the second-snowiest and December the snowiest month on record at the snow lab since 1970, thanks to two atmospheric rivers that hit California. But the exceptionally dry November and January to March periods have left us with another year of below-average snowpack, rain and runoff conditions. New York Times
Were seeing how a billionaire candidates money can change the L.A. mayors race. Rick Caruso entered the crowded field seeking to succeed Mayor Eric Garcetti and quickly shot up in the polls. You cant turn on the TV or watch a YouTube video without seeing one of his ads, says the Times Editorial Board, and we need to get used to this even if this endless spending doesnt guarantee Caruso success: Blasting ads across TVs and computer screens is a good way to get voters to start paying attention if it doesnt eventually grate on their nerves. But if history is any guide, money isnt the sole determinant in winning elections in Los Angeles and California. More than one wealthy person Republican gubernatorial candidates John Cox and Meg Whitman come to mind has found that betting their millions on winning support of voters in California was a very bad investment. L.A. Times
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California should speed the transition to electric vehicles. The state will require all new car sales to be zero-emission by 2035 a groundbreaking mandate that might not be ambitious enough. The editorial board urges Gov. Gavin Newsom and state regulators to take advantage of several advances and converging crises: Climate impacts are quickly worsening, battery technology is making great strides and surging gasoline prices and Russias invasion of Ukraine have underscored the perils of our reliance on fossil fuels. This moment calls for bolder action on electric vehicles, and Californias regulators should push carmakers to go further and faster. L.A. Times
Ukraine can learn something on holding Russia accountable for war crimes from the Soviets. What Ukraine needs is a dedicated state commission to collect, systematize and analyze evidence of atrocities and other crimes committed during this war, write Francine Hirsch and Eugene Finkel. Russian propaganda falsely presents the war as a fight against Nazism. Yet, ironically, Soviet efforts during World War II to uncover and prosecute Nazi crimes in German-occupied parts of the USSR can provide a useful blueprint to hold Russia accountable. L.A. Times
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My Best Friends Wedding Is a Rom-Com You Can Talk About for Hours – The Ringer
Posted: at 10:54 am
When you find the theme week you want to spend the rest of your life with, you want the rest of your life to start as soon as possible. Thankfully, The Ringer hereby dubs this week Rom-Com Week, a celebration of one of the most delightful, captivating genres in film. Head to the top of the Empire State Building, order what shes having, and join us as we dig into everything the rom-com has had to offer over the years.
The first time P.J. Hogan ever flew on a private jet, he was headed for disaster. On his way to Phoenix for a test screening of My Best Friends Wedding, the Australian director was eager to witness the first reactions to his new romantic comedy. But after a friendly plane ride with Sony head John Calley and producer Jerry Zucker, Hogans mood shifted dramatically on the desert ground. Despite uproarious laughter throughout the first two acts of the movie, silence reigned supreme over its final 30 minutes, Hogan recalls. And by the time we got to the end, it was hatred.
Originally, Sony executives demanded their A-list star close out the movie on a high note, prompting Hogan and screenwriter Ronald Bass to give Jules (Julia Roberts) a redemptive meet-cute with a new man (John Corbett) during the end credits. But after watching her repeatedly fail to break up a wedding between her best friend Michael (Dermot Mulroney) and his college-student fianc Kimmy (Cameron Diaz), the Arizona audience had no interest in seeing the movies hero-turned-villain get a happy ending. Inside the theater, it didnt take long to see the decision backfireaudience members crucified Jules on their note cards. Youd have thought we made The Texas Chainsaw Massacre and I was asking them to root for Leatherface, Hogan says. It was just awful.
Hogan, whod broken out a few years earlier with Muriels Wedding, headed back to L.A. believing hed blown his first shot at Hollywood. I felt like my career was over, Hogan says. I felt like it deserved to be over. But Zucker remained optimistic that Hogan had a hit on his handshe just needed to reshoot the ending, something the Aussie director had never considered as an option. When I knew there was a possibility of reshoots, hope rose like the sun over the horizon for me, Hogan says with a laugh. Soon, he and Bass began tweaking the script, revising the end so that Juless fan-favorite gay friend, George (Rupert Everett), showed up to the wedding instead, easing her single pain with a familiar song and dance. Thats the message of the screenplaysometimes the person you love isnt your lover, Hogan says. Rupert kept saying, You need me at the end. I think he knew the impact he was going to have in the film way before any of us did.
The new material rescued the movie (a second test screening proved much smoother) and the last-minute changeson top of a variety of other musical additions and rewritespaid major dividends. Throughout the summer of 1997, My Best Friends Wedding earned $127 million at the domestic box office and added another $172 million globally, turning the genres standard fairy-tale ending on its head while affirming Robertss unwavering star power. Almost 25 years later, it remains a modern rom-com classic, one that Hogan still enjoys dissecting and theorizing about to this day. And over the course of two-plus hours, he was game to answer every question we had. Theres something fizzy and vital and alive about it at its best, he says. But it has a lot to do with the fact that she doesnt get the guy.
Ive heard you say that when you read Ronald Basss script for the first time, it didnt really seem like a rom-com.
No, it wasnt very romantic and it wasnt very funny. I kind of knew around the midpoint, you had to start questioning the strength of [Michael and Juliannes] romance. If you start to think they belong together, the ending would collapse, and the ending was why I did the movie. The major thing to me was it needed to be a lot funnier, so I started riffing with [my wife] Jocelyn [Moorhouse]. Rupert Everetts character, George, was only in two scenesthe opening scene, and when he showed up in Chicago to give Julianne some sage advice.
Considering how big of a role he plays, that seems wild to me.
I wanted George to hang around. Id never read a script in the early 90s that had an openly gay character pleased to be himself in the way his best friend isnt. I said to Jocelyn, I really love this character, and I think he could really make a mark in the movie. We had some Australian friends in town, we all got drunk and we pretty much riffed the whole George visits Chicago scene when Julianne gets the great idea to pass him off as her fianc. We were just roaring with laughter.
What did you make of Julia Roberts at the time? Why do you think she was interested in portraying a darker character?
I found her absolutely charming, and I saw immediately what made her a movie star. I suspected that, much like me, she didnt expect her career to be founded on romantic comedies. I think Pretty Woman was such a blockbuster that she got pigeonholed. This was an actress who really wanted to do something that her audience didnt expect. There was a lot of pressure on Julia that she was returning to her wheelhouse: This one had better connect.
So lets get into the movie: Do you think it was in poor taste for Michael to invite Jules to be part of his wedding at the last minute? It seems obvious hes inviting disaster to happen.
Yeah, look, I wouldnt have done it. I remember talking to Ron about it and Ron simply said, If he doesnt, theres no movie, P.J. So what do you want to do about this? I chalk that up to the Big Ask. Every movie always has a Big Ask to accept this one thing, and if you accept that one thing, we promise well make it worth your while.
Michael is a 28-year-old sportswriter and Kimmy is a 20-year-old University of Chicago student. How do you think that they met?
Im not a sports guy, and I knew nothing about American football or baseball. I spoke to a Sports Illustrated journalist who told me how much of it was unrealistic and unbelievable. But if I were to change his profession, it would be like pulling a building block out of the screenplay. None of us had the time to think of another job that still worked, because it had to be unpleasantJulianne had to have something to inflame Kimmys doubts. Youre going to be stuck traveling with this dude all around the country in a low-paying job. I remember that Dermot and Cameron knew how they met, but I didnt care because the film wasnt about them. Philip Boscos character was the owner of the White Sox. Thats how they met!
Of course, if youre marrying the daughter of the White Sox owner, and hanging around the owners box, isnt that a huge conflict of interest for a sports journalist?
Yeah, I remember talking with Dermot that sportswriting was his love, but we did talk about what his future career was. He wanted to be a novelist, so I think we just decided that eventually he was going to have a shot at the Great American Novel, and maybe it would be sports relatedwhat really happens behind the scenes. I know he had bigger fish to fry than just being a sportswriter.
Well, if you marry into a billionaires family, youre not going to need to scrounge around for writing gigs.
I always thought he should have taken the PR job. When Michael was being noble and going I want to be broke, I want to struggle for a living, I remember thinking, Is this guy not very bright? Take the job with dad and do what you want to do. There should be a whole separate movie about Kimmy and Michaels relationship.
Theres a running gag throughout the movie that shows Kimmy being a terrible driver. Where did she learn to drive, and how tough was that to shoot?
That was Cameron driving. We lucked out there because there was a section of the freeway in Chicago very close to the inner city that was under construction, so Cameron did her own driving and she floored it. Most of the cars were only doing 30 miles per hour, and shes doing 60. So it looks like shes doing 110. I think Kimmy drives like a rich person, like an heiress. Shes also got a gleaming BMW, so nobodys ever going to hit her because theyll be paying for the damage for the rest of their lives.
Why does Kimmy have so few friends to the point of needing to enlist her fiancs former lover as her maid of honor?
As I recall, Kimmys best friend broke her hip line dancing in Abilene. But like Jules says later, You didnt trust me for a moment. You wanted to keep me close. The Michael Corleone rule: Keep your friends close but your enemies closer.
For the karaoke scene, was Camerons voice actually that bad, or did she have to act like she couldnt sing well?
No, its that bad. Cameron told me beforehand that she cant sing, and I said, well thats perfect because the character cant sing. She didnt want to do it live, but Id always noticed that Cameron was one of the easiest blushes, and I really wanted to capture that on film.
I love the bridge scene so much. Was Jules originally meant to struggle with admitting her love for Michael as the boat crosses under the bridge, or was that improvised?
It seems like an odd reference, but The Last Picture Show is one of my favorite films. Theres a character named Sam the Lion sitting by a water tank talking about a lost love, and right when it gets to his close-up, the sun comes out. They couldnt have planned it because it was an overcast day, and then when he talks about how he lost her, the sun goes back behind the clouds. I remember thinking I would love to have a moment like that. I remember trying to time the confession for a bridge, and that was virtually impossible, but it accidentally happened on the first take. The timing never worked again.
Was the rehearsal lunch always going to be centered around I Say a Little Prayer?
Yeah, the scene was conceived around that song, because to have a spontaneous sing-along, it had to be a song everybody knew but didnt know that they knew. I went through a number of possibilities and tested them on people. Id start them on the first line, but the one that really stuck was I Say a Little Prayer. Everybody knew what to say after The moment I wake up
Did every actor go into the studio at some point and record their verses with you?
No, I got them all in at once and we did it as a group recording. And I only did it as a guide track. What we ended up doing was playing the guide track on the set, and then they sang over the guide track. So its both.
Has Dionne Warwick ever reached out to you about the movie?
The original ending was really terribleit ended with leaving Julianne on the dance floor as a waiter starts singing, I Say a Little Prayer. And I thought I may as well turn this into a musical and maybe I can have Dionne Warwick in it. At that time, Dionne lived in South Africa and granted us just one day with her. But she didnt show up. She didnt get on the plane. She would have been cut out anyway, so she made the right call.
Has she ever contacted you?
No, I dont know what Dionne Warwick thinks of her lionization in the film. The most famous version is Arethas version, but Dionne recorded it first, so it was important to me that that be acknowledged in the scene.
Speaking of music, whats the story behind the kids sucking on helium and singing John Denver?
When I read the first draft it was the funniest thing in the script, but originally it was Bridge Over Troubled Water. I loved that song, but Paul Simon asked to see the screenplay because he protects his music like a hawk protecting her eggs. I wanted to get on the phone and talk him into it, but I thought theres no way you can do this song sung on helium respectfully. I just have to send him the screenplay. And Paul predictably said, No, any other song but this one. I cant have a group of teenagers singing it on helium. But Annies Song seemed to work just as well.
Id imagine those kids actually sucked helium, right?
Well, I couldnt stop them. There was helium on set, because the balloons were being filled up for the sequence. We told them not to suck helium because it could be done so easily in post, but from the moment we started rehearsing, they were sucking helium. I think by the end they were so high, and they would talk to me in their helium voices, and I remember having to film them very quickly because I thought there was going to be a helium catastrophethey were going to collapse if I didnt get them off set.
Kimmys dad writes all of his emails during the day, saves them as drafts, and then has his assistant send them all out at the end of the day. Was that a thing people did in the 90s, or is Kimmys dad a gigantic weirdo?
We shot the film in 1996 and honestly, I had never sent an email, so I didnt know. And Ron was an emailer, so I thought Ron emails with people, he knows. But in retrospect, it really is quite ridiculous to write emails, then put them in a box and just say send all my emails at the end of the day. The point of emails is you write them and send them off right then and there. I feel like Im pinning all the films mistakes on Ron. I just thought emails were something corporations and big businesses did, maybe that was true at the time.
Its pleasantly surprising to see Paul Giamatti in the hotel hallway every time I watch this movie. How did you find him for the bellhop role?
We knew it was an important scene. Paul just came in and he was wonderful. It was instantly, Ive got to have this guy. He was just so good. What I didnt know was that Paul had knee trouble and the whole sequence involved him crouching in front of Julia. Paul said, I think Id stay standing the whole time. And I went, You wouldnt, Paul, this is supposed to be an intimate moment. And then he just said, Im in incredible pain when I kneel down. Maybe you can even see a grimace.
I think you have to admit that Jules lending her and Michaels song to Michael and Kimmy seems a little strange.
Yeah. I went for it. She originally also read Michael a poem, which was very beautiful, but was basically saying, Im still in love with you, which is another reason the last act went completely wrong. The audience was going, The bitch still loves him? Whats going on? So we had to re-do the speech. She couldnt be reading a poem. What are you, setting up the sequel? My Best Friends Divorce?
Acknowledging that Georges presence saves the ending of the movie, how plausible was it that he would fly from New York to Chicago twice in two days, considering he hates to fly?
Theres no way I would fly from New York to Chicago to save my loony friend, whose actions I dont approve of anyway. But that always struck me as Jeez, hes a good friend. So I shot that first sequence to at least give him some impetus to do it. I thought in for a penny, in for a pound. Would you really not want him to show up at the end? People absolutely loved it. As implausible as it might seem, everybody in that audience wanted a friend who would do that for them.
Who is the villain of this movie? Do you think Michael is potentially worse than Jules?
Ive had a lot of people say to me, Hes complicit, at the very least. I still believe that the villain and the hero of the movie was Julias character. He still has an attraction to her, thats obvious. But I dont think thats necessarily wrong. Im married, and I know that when the weeks were counting down to my wedding day, I started having cold feet. Theres nothing like a wedding day to start focusing your mind on previous relationships and what could have been.
Why do you think people still connect with this movie so much?
I remember when I saw When Harry Met Sally for the first time. Id been through a breakup and I just remember sitting there, as much as I loved the film, like, Well, arent you the lucky ones. If youve been through a breakup or are not in a relationship, My Best Friends Wedding is a really great romantic comedy for you because its realistic. Even if you didnt live the rom-com dream, that doesnt mean your life is over, and it doesnt mean youll never be happy again. There may not be love, there may not be sex, but there will be dancing.
Do you still find that wisdom to be true?
Its been true for me. Ron had always said, I really want the ending to say that sometimes the person you love the most isnt a lover. You still have to find happiness where you can, and thats why the movie has lived on. It leaves you with hope.
Jake Kring-Schreifels is a sports and entertainment writer based in New York. His work has also appeared in Esquire.com, GQ.com, and The New York Times.
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My Best Friends Wedding Is a Rom-Com You Can Talk About for Hours - The Ringer
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