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Category Archives: Transhuman News

#3 Fireside Chat: Nicholson1968 "Transhumanist" END TIMES // R$E – Video

Posted: December 31, 2014 at 2:40 pm


#3 Fireside Chat: Nicholson1968 "Transhumanist" END TIMES // R$E
A chat by the fireside about current events, technology, trans-humanism, mark of the beast the spiritual truth of the end times. Featuring Nicholson1968: http://www.youtube.com/nicholson1968.

By: R$E

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#3 Fireside Chat: Nicholson1968 "Transhumanist" END TIMES // R$E - Video

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Sullen – "post human" // Debut Album PREVIEW – Video

Posted: at 2:40 pm


Sullen - "post human" // Debut Album PREVIEW
Hello world! We bring you today the official preview of Sullen #39;s debut album, "post human", to be released in February, 2015. ==== Pre-orders open on January 12th ==== Get your digipack/digital...

By: Sullen PT

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Sullen - "post human" // Debut Album PREVIEW - Video

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The Post-Christmas Purge

Posted: at 2:40 pm

[An unabridged version of a short essay that ran Dec. 26]

In my house, Christmas is a secular holiday built around gifting, followed immediately on the 26th by another secular holiday built around regret.

Its the day everyone returns stuff to the store, particularly the presents that I, the Dad, bought at the last minute without fully considering whether anyone in my house would actually want, for Christmas, a wheelbarrow. But isnt that a practical gift? A wheelbarrow is particularly useful at Christmastime when one needs to convey a large quantity of heavy consumer items from the front door to the car in order to return them to the store.

This day of regret is a time for assiduous purging of anything that can be defined as stuff. Resolved: We have too much stuff. Thus, not only do unwanted, wrongly sized and/or hideously inappropriate gifts (who knew that rhinestone-studded knee-high leather boots werent fashionable this year?) depart the house, so do countless random objects in the house. This stuff is swept away as collateral damage from the general sense of revulsion and I dont think thats too strong a word over the consumerist, materialist madness has incited all of us to overgift one another at Christmas (because we fear someone might feel undergifted and inadequately loved).

How many objects now exist in a typical home? I am guessing that my house contains more than 150,000 distinct objects. Many of them are womens shoes. To my eye, many of these shoes do not appear to be useful for walking. The shapes of the shoes dont seem to match the shape of human feet! Its like, hey, this would be a nice shoe for a species of animal with narrow, tapering hooves.

A few years back, when the daughters were still interested in dolls, we probably had, on any given day, something like 20,000 shoes in the house, which may seem like a high number until you realize Im including the American Girl doll shoes, the Barbie shoes, the Kelly doll shoes, in addition to the shoes worn by the actual humans. Question: Do we really need parallel, non-overlapping, differently sized doll universes? As you know, a dolls shoe is inherently migratory, and is always lost until it is rediscovered when you step on it at 3 in the morning, hopping in pain as your unleash vile curses upon that effing Barbie.

When the girls age out of the doll phase, you have the dilemma of what to do with all that stuff. Sell it at a yard sale? Total strangers will come to your house and look at all your displayed clutter, which is an inherently undignified encounter both for seller and buyer, particularly when the buyer gets a grimace on his or her face that basically says, All this should be piled up and lit on fire.

Some people are great at getting rid of clutter. These are spiritual people who can survive for weeks on oxygen and distilled water alone. But for most of us, clutter not only survives our periodic purges, it continues to reign supreme, dominating the home. Ultimately you have no choice but to surrender. There are entire corners of the basement, attic or garage that are no-go zones.

On the day of regret you may find yourself penetrating one of these areas, fired with clutter hatred. You are subconsciously thinking you can absolve yourself of consumerist lunacy if you load up eightor 10 jumbo garbage bags with about 15,000 unnecessary objects. But the mission is never accomplished. Inevitably, youll discover a box of artwork made by the kids in elementary school. And old Christmas cards from friends you havent seen recently. And mementos of your youth and adventures long ago. Youll lose all momentum, stuck in your stuff marinating in the scrapheap of a modern life.

Joel Achenbach writes on science and politics for the Post's national desk and on the "Achenblog."

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The Post-Christmas Purge

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How Shostakovichs The Bolt changed ballet history

Posted: at 2:40 pm

Vividly energetic designs influenced by constructivism costume/design workshop for The Bolt, 1931.

. Photograph: Grad and St Petersburg State Museum of Theatre and Music

In Soviet Russia in 1930, the cultural energies of the revolution the jazz, the constructivist art, the Meyerhold experiments in theatre were still alive and bubbling. But Stalin was already turning revolution into a brutal state orthodoxy. With the launch of his 1928 five-year plan, and its attendant political persecutions, artists found themselves in serious danger if they were considered to have fallen foul of the official cultural line.

One early victim of these hardening times was The Bolt, a 1931 ballet with designs by Tatiana Bruni, music by Dmitri Shostakovich and choreography by Fedor Lopukhov. Its currently the subject of an exhibition at Londons Gallery of Russian Art and Design, which showcases a fabulously intact collection of Brunis costume designs and even a few of the actual costumes.

The designs have a vivid energy. Theres the clear influence of constructivism and Soviet poster art in their bright blocks of colour, their vibrant patterns and geometric lines, but also a dash of futurism and even a possible reference to Parade (the 1917 cubist ballet designed by Picasso) in the comically stereotyping costumes worn by dancers representing the American and Japanese navies.

That mix, however, was already too avant-garde for a state rapidly embracing the ersatz traditionalism of socialist realism, and the ballet as a whole was too playful. Despite its seemingly impeccable narrative of industrial espionage being routed by heroic factory workers, its creators were too tempted to have fun with their cast of baddies (the Lazy Idler, the Petty Bourgeois Woman, and the decadent, western types satirised by the local amateur theatre troupe). They were too obviously bored by the decent workers, the earnest members of the local Komsomol group the young communist league.

The Bolt was judged to have shown a dangerous levity in the handling of serious issues; Shostakovichs flippant score veered too close to western dance music, and the innovative wit of Lopukhovs choreography was condemned as grotesque. One critic complained about the dancification of industrial processes, while the chorus of Red Army cavalry, sitting astride a line of chairs, was considered an outrageous mockery.

The ballet was banned after just one performance, and Lopukhov was sacked from his position as artistic director of the Mariinsky or the Leningrad State Academic Ballet as it was then called. Yet, as precarious as this ballet had proved, in 1935 Lopukhov and Shostakovich attempted one more collaboration a comedy set on a collective farm. The Bright Stream was acclaimed at its early performances at the Maly theatre in Leningrad, but when it transferred to Moscow it came under the close scrutiny of Stalins cultural police. After Pravda denounced the work as ballet falsehood, the librettist Adrian Piotrovsky was sent to the gulag, and a fearful Shostakovich cancelled the premiere of his newly composed Symphony No 4.

Lopukhov, whod been in line for directorship of the Bolshoi, had to remove himself fast, and spent the next eight years as an itinerant ballet master, travelling as far away as Tashkent. Even though he was briefly back in charge of the Mariinsky (by now the Kirov Ballet) during the war years, and was kept on in the company as a teacher, his choreographic career was essentially over.

One of the great questioning talents of the Soviet ballet was thus more or less relegated to a footnote in history, and much of his choreography was lost including these two offending ballets, although theyve been recently and very successfully re-created by Alexei Ratmansky for the Bolshoi ballet.

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How Shostakovichs The Bolt changed ballet history

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Futurist Dr. Jordan Brandt talks to Digit about the future of 3D Printing – Video

Posted: at 2:40 pm


Futurist Dr. Jordan Brandt talks to Digit about the future of 3D Printing
Manufacturing Technology Futurist at Autodesk, Dr. Jordan Brandt speaks to Digit about 4D Printing, the Indian Maker Movement, and how far we are from making...

By: Digit

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Futurist Thomas Frey on Technological Unemployment & our need for Micro Colleges – Video

Posted: at 2:40 pm


Futurist Thomas Frey on Technological Unemployment our need for Micro Colleges
Business owners today are actively deciding whether their next hire should be a person or a machine. After all, machines can work in the dark and don #39;t come with decades of HR case law requiring...

By: Thomas Frey

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Futurist Thomas Frey on Technological Unemployment & our need for Micro Colleges - Video

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The Interview: When it Comes to Hot Business Trends Old Fashioned Humility & Beauty Win

Posted: at 2:40 pm

Minneapolis, MN (PRWEB) December 31, 2014

No one can predict the future; but Jack Uldrich helps organizations all over the world prepare for it. As a leading futurist, author, and speaker who helps organizations gain the critical foresight they need to create a successful future, Jack Uldrich's work is based on the transformational principles of unlearning or freeing one's self from obsolete knowledge and assumptions as a strategy to survive and thrive in an era of unparalleled change. The following are excerpts from an interview with Jack highlighting 2014 in hindsight and sharing his foresight on 2015.

Q: In one word--describe the biggest insight of 2014. A: Humility.

Q: Will you expound on that? The world is changing very quickly and 'experts' in particular must be humble to what they dont know. To be clear: it doesn't mean thinking less of yourself, it means thinking of yourself less frequently. Once one steps away from what they know into what they dont know, unexpected insights are able to crop up.

Q: What were the highlights from your 2014 speaking engagements? A: The twelve talks with Verizon Wireless Connected Technology Tour, where I specifically addressed The Internet of Things, was an in depth exploration of just one very important tech trend. Quite a bit of that information is now incorporated into almost every presentation I give. The ABB 5 city tour was fascinating too, because ABB (& Verizon) are actively creating the future with their technical advancement. They are also actively listening to consumers and inviting them to help shape the future. And the CAS presentation (Deja Vu/Vuja De) was an in depth use of history to illuminate the future for CASs centennial celebration which was a great way tie hindsight and foresight together.

Q: Did you personally do any unlearning in 2014? A: Yes, two things come to mind immediately. First there was the unlearning of the limited nature of economics. Economists are knowledgeable but they dont know what they dont know; their knowledge has a finite value. People want definitive answers but as those answers are often wrong, they will accept a fallacy. The bottom line is people need to get comfortable with unpredictability.

Second, while the end view of technology is a net plus situation, it is now beginning to eat away at the edges of what it means to be human. As technology moves forward the question needs to be asked, 'What makes us human?' In the future more and more people will define themselves by what tech trends they say 'no' to. Society is on the verge of splitting into two different tracks--those who choose technology and those who dont. I consider the second group of people to be 'The New Amish' which are people who knowingly say 'no' to technology because they dont like what technology is doing to our society. Thats a rational choice and people will have to accept other people choosing other ways.

Q: The dichotomy of delving into technology as salvation is a curious question. It creates a lot of ambiguity. A: If by technology you mean putting people out of jobs, then I am against it. If by tech you mean creating a new heart, I am for it.

Q: Is there any unlearning that you have applied to your daily life? A: As a father, unlearning the habit of asking, 'What did you learn at school today?' and replacing it with, 'What questions did you ask today?' was one of my unlearning tasks in 2014. And as a speaker, learning about the power of the pause and unlearning how to fill the pause has been valuable. In other words, limiting responses or answers while others are talking, letting go of excessive thoughts and reactions and striving to really hear what the person is saying became more important.

Q: What trends will have the greatest effect on the average American? A: Genomics, the sharing economy, and peer to peer lending as average people learn how to decrease consumption and help each other out. When it comes to collaborative consumption, Airbnb and Uber will probably have the most impact.

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The Interview: When it Comes to Hot Business Trends Old Fashioned Humility & Beauty Win

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Breathtaking Time-Lapse of Earth From Space – Video

Posted: December 30, 2014 at 5:47 am


Breathtaking Time-Lapse of Earth From Space
Watch this eye-catching time-lapse of Earth through ESA astronaut Alexander Gerst #39;s perspective from space during his six-month Blue Dot mission on the International Space Station. Subscribe...

By: Wall Street Journal

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Breathtaking Time-Lapse of Earth From Space - Video

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Space Station Time-Lapse Gives New View Of Our ‘Blue Dot’ – Video

Posted: at 5:47 am


Space Station Time-Lapse Gives New View Of Our #39;Blue Dot #39;
Time-lapses captured by ESA astronaut Alexander Gerst show storms, aurora and civilization on Earth as seen from the International Space Station. Follow Zach Toombs: http://www.twitter.com/zachtoo.

By: Newsy Science

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Space Station Time-Lapse Gives New View Of Our 'Blue Dot' - Video

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Rock Nation Live @The Griffin Earlestown "Space station Number 5" – Video

Posted: at 5:47 am


Rock Nation Live @The Griffin Earlestown "Space station Number 5"
Rock Nation Live @The Griffin Earlestown "Spacestaion Number 5"

By: Wesley Turner

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