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Futurism Technologies

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Futurism Technologies - Custom Offshore Software ...

Futurism. Its something of a paradox. The future cannot be predicted; but in envisioning it, we can create self-fulfilling prophecies. You could go crazy just thinking about it so instead lets just say that the dawn of a new decade has sent 2010s fashion trends into sci-fi and futurism overdrive.

So how do we define futuristic fashion? As a Spring 2010 fashion trend it seems to be less about gadgetry and more about future environments. Were faced with collections that contemplate dystopia or evolutionary change. Topics of science fiction are woven into the threads of some designers clothing, while others base their designs on more traditional views of futurism.

Futuristic fashion at Alexander McQueen Spring 2010

The futuristic influences upon fashion in 2010 are far and wide. Weve seen everything from the re-interpretation of 1960s views of space age fashion (like the raised collars and metallic fabrics at Louise Goldin), through to reptilian eco-evolutionary creatures at Alexander McQueen and Julien MacDonald; while the likes of Karl Lagerfeld had metallic foil detailing which more called to mind the abstract art of the original early 20th century futurists, who revered technology and speed.

If anything the continual thread through it all is a deep contemplation about what the future might hold. Theres wonder more so than excitement; and, for some, trepidation. Science, technology, and the environment and humankinds effect on the world are playing upon many minds. But its not all doom and gloom. Futuristic themes can be fun and playful, as well as stark and fierce.

A subset of the futurism trend is the future warrior; a fierce and forwards-looking collision of the military and tribal trends. Ancient civilisations come to life with a futuristic twist, in leather tunics, metal plating, and war paint. Unequivocally fearless and with room for endless creativity, the main criteria for the modern warrior is confidence. Click to read more about the future warrior trend.

Again this trend spans multiple styles and influences, but here are some of the significant common elements weve seen appearing:

Louise Goldin Spring 2010

This is one trend for which the runway interpretations were spectacular especially the likes of Alexander McQueen, who put together an entire evolved look. But if you dont want to look like an Avatar creature from the world of Pandora, or a twisted faun that belongs in Pans Labrynth, maybe the whole horn-hair and prosthetic gills things isnt for you. Were not surprised.

McQueens dresses translate well to the street, however, once you leave all that stuff behind; as do many others of the sci-fi inspired looks. The key is to be bold and embrace things a little strange and, well, alien. But you can also play them down by pairing futuristic pieces with more classic ones. Just remember that when it comes to the future, were dealing with something that doesnt exist yet and so, the possibilities are endless.

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Fashionising: Futurism and Sci-Fi: Futuristic Fashion ...

CHRISTIAN ESCHATOLOGY | home

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FUTURISM AND DISPENSATIONALISM

" (1) The time of the end in Daniel begins with the violation by "the prince that shall come" (i.e. "little horn," "man of sin," "Beast") of his covenant with the Jews for the restoration of the temple and sacrifice Daniel 9:27 and his presentation of himself as God; Daniel 9:27; 11:36-38; Matthew 24:15; 2 Thessalonians 2:4; Revelation 13:4-6 and ends with his destruction by the appearing of the Lord in glory. ; 2 Thessalonians 2:8; Revelation 19:19,20.

(2) The duration of the "time of the end" is three and one half years, coinciding with the last half of the seventieth week of Daniel. Daniel 7:25; 12:7; Revelation 13:5."

So the "time of the end" isn't supposed to begin until the middle of the 7-year tribulation at some point in the future, which would be 3-1/2 years after Christians are to have been removed from the earth, during the "pre-tribulation" "rapture". Here's how Daniel's book closes:

Daniel 12:4 But thou, O Daniel, shut up the words, and seal the book, [even] to the time of the end: many shall run to and fro, and knowledge shall be increased.

Daniel 12:9 And he said, Go thy way, Daniel: for the words [are] closed up and sealed till the time of the end.

Since the book of Daniel was "shut up" and sealed until the "time of the end", and Scofield suggests that time is not supposed to begin until the middle of some seven-year period yet in the future, then how could any 19th century interpretation of the figurative language of Daniel's prophetic vision from prior to the "time of the end", be considered other than hopelessly compromised? Yet the seven-year tribulation - upon which Darby's eschatological scheme is based, as held throughout the 20th century futurist church - comes directly from John Darby's early 19th century interpretation of Daniel's 70th week, which is the most contentious and hotly debated element in the book of Daniel! Was John Darby given an exclusive franchise and access through the seal on the book of Daniel in the early 19th century, prior to when futurists themselves are expected to believe the book will be unsealed yet in the future?

"CHAPTER V

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FUTURISM AND DISPENSATIONALISM - Christian eschatology

We had stayed up all night, my friends and I, under hanging mosque lamps with domes of filigreed brass, domes starred like our spirits, shining like them with the prisoned radiance of electric hearts. For hours we had trampled our atavistic ennui into rich oriental rugs, arguing up to the last confines of logic and blackening many reams of paper with our frenzied scribbling.

An immense pride was buoying us up, because we felt ourselves alone at that hour, alone, awake, and on our feet, like proud beacons or forward sentries against an army of hostile stars glaring down at us from their celestial encampments. Alone with stokers feeding the hellish fires of great ships, alone with the black spectres who grope in the red-hot bellies of locomotives launched on their crazy courses, alone with drunkards reeling like wounded birds along the city walls.

Suddenly we jumped, hearing the mighty noise of the huge double-decker trams that rumbled by outside, ablaze with colored lights, like villages on holiday suddenly struck and uprooted by the flooding Po and dragged over falls and through gourges to the sea.

Then the silence deepened. But, as we listened to the old canal muttering its feeble prayers and the creaking bones of sickly palaces above their damp green beards, under the windows we suddenly heard the famished roar of automobiles.

Lets go! I said. Friends, away! Lets go! Mythology and the Mystic Ideal are defeated at last. Were about to see the Centaurs birth and, soon after, the first flight of Angels!... We must shake at the gates of life, test the bolts and hinges. Lets go! Look there, on the earth, the very first dawn! Theres nothing to match the splendor of the suns red sword, slashing for the first time through our millennial gloom!

We went up to the three snorting beasts, to lay amorous hands on their torrid breasts. I stretched out on my car like a corpse on its bier, but revived at once under the steering wheel, a guillotine blade that threatened my stomach.

The raging broom of madness swept us out of ourselves and drove us through streets as rough and deep as the beds of torrents. Here and there, sick lamplight through window glass taught us to distrust the deceitful mathematics of our perishing eyes.

I cried, The scent, the scent alone is enough for our beasts.

And like young lions we ran after Death, its dark pelt blotched with pale crosses as it escaped down the vast violet living and throbbing sky.

But we had no ideal Mistress raising her divine form to the clouds, nor any cruel Queen to whom to offer our bodies, twisted like Byzantine rings! There was nothing to make us wish for death, unless the wish to be free at last from the weight of our courage!

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The Founding and Manifesto of Futurism