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Category Archives: Transhuman News

Greg Gutfeld: Trump Turned Liberals Into Dean Wormer [Podcast] – Reason (blog)

Posted: July 22, 2017 at 7:44 am

"Conservatives and libertarians were always portrayed as the shrill and unhappy guys, and the left and liberals were always the people who are having fun," says Greg Gutfeld, host of Fox News' The Greg Gutfeld Show, co-host of The Five, former host of Red Eye, bestselling author, and Reason magazine intern reject.

"What you're seeing now is a lot more fun on the libertarian and right side than you've ever seen on the left."

Gutfeld sat down with Reason's Nick Gillespie to discuss his "ugly libertarianism," Donald Trump's love of Red Eye, why he was excited about the U.S. withdrawal from the Paris Agreement, and why Trump's comments on the campaign trail were best understood in the context of a Comedy Central roast.

The interview took place on stage at Freedom Fest 2017, an annual gathering for libertarians in Las Vegas.

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Audio post-production by Ian Keyser.

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It’s time to say goodbye to Sean Spicer, the human meme of the Trump White House – Washington Post

Posted: at 7:43 am

The transformation of Sean Spicer from mere press secretary to human meme began the day after Trump became president. This was the largest audience to ever witness an inauguration period both in person and around the globe, Spicer said in a forceful statement to reporters on Jan. 21. He was sent out to dispute reports about the size of the crowd on Inauguration Day, but several of his key facts were wrong, and #spicerfacts became a Twitter meme. The joke was, #Spicerfacts were not, strictly speaking, facts.

[Spicer resigns as White House press secretary, Scaramucci to be communications director]

Spicer resigned as White House spokesmanon Friday, afterAnthony Scaramucci was appointed White House communications director. With Spicersresignation, its also time to say goodbye to the semi-fictional character the Internet created out of Spicer.

Spicer, the human meme, was at times the embodiment ofthe Trump administrations combativeness withthe mainstream media hence the lasting power of #spicerfacts. At other times, he was kind of a sequel to the character the Internet created of Jeb! please clap Bush a sad figure whose dreams were crushed by the surprise rise of Trump.

A few weeks ago, Funny or Die re-cut Sarah McLachlans famous ASPCA commercial to plead for help for Spicer. Being the White House press secretary was Sean Spicers dream, the parody says. He will have nowhere to go and no one to turn to. Sean Spicer needs your help.

The memes of Spicer hiding in or, more precisely among the bushes caught the Internets imagination so fully in May that someone made real cutouts of an image of Spicers headto place in real bushes. The idea went viral.Lisa Kadonaga, the creator of the cutouts, speculated in interviews that the meme spread in part because people feltkind of bad for the press secretary:

I think it really struck a chord with people realizing, Gee, that could be me up there, she said to a Canadian media outlet. Later, she added, I do feel sorry for the guy.

The memed version of Spicers short tenure as press secretary is often a bit more fan fiction than documentation, but there were several real-world moments that helped to fuel it. There was, of course, the bushes incident. But the most heartbreaking one was probably when Trump met Pope Francis: Spicer, a Catholic,wasnt invited to the meeting. Reporters publicly expressed sympathy:

When asked about the absence, a source close to the White House said the following to CNN: Wow. Thats all he wanted.

The Spicer meme character was always chaotic, a weird juxtaposition how Spicer did his job while defending the administrations statements and policies, and of the mans more lighthearted idiosyncrasies. Just days after his tense address to the media about the inauguration crowd size, a side story emerged about his longtime feud with Dippin Dots, the ice cream-like product. There was also the mystery of some truly strange tweets from his @PressSec account during his first week on the job (many speculated that perhaps Spicer had inadvertently tweeted his password).

But it was Melissa McCarthys portrayal of Spicer on Saturday Night Live that best captured the mix of absurdity and sympathy of the Internets vision for him. McCarthy played Spicer as an ineloquent bully, but onethe audience still sort of rooted for. When Spicer returnedto the show in May, this was in full effect.

But what if hes lying to you? a reporter asks McCarthys Spicer in the sketch.

He wouldnt do that; hes my friend, Spicer replies.

If hes your friend, why does he make you come out here and humiliate yourself every day? another reporter asks.

Spicer then abruptly leaves the news conference and heads to New York to ask the president, Have you ever told me to say things that arent true? Please watch, if you havent:

Upon news of Spicers resignation Friday morning, the Internet filled up with tributes to the character theyd created out of the mans six months as White House press secretary.

Well miss you, Super Deluxe tweeted Friday, after changing their Twitter name to Spicer Deluxe in tribute. The outlet known for its political satire then published a supercut of Spicer stuttering at the White House lectern.

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Spokane Human Rights Commission will apologize to sheriff’s office for comments on Facebook – The Spokesman-Review

Posted: at 7:43 am

UPDATED: Fri., July 21, 2017, 10:50 p.m.

After Sheriff Ozzie Knezovich Commissioned seven new deputies, this picture was posted on the sheriffs office Facebook page. From left to right the new deputies are Jeffrey Bailey, Matthew Peterson, Benjamin Ehlers, Jessica Baken, Shawn Lundgren, Collin Hayett and Scott McKenney (Spokane County Sheriffs Office Facebook page)

When the vice chairwoman of the Spokane Human Rights Commission, Ashley Torres, shared a post announcing the swearing-in of seven new Spokane County Sheriffs Office deputies on Facebook, it wasnt with a congratulatory message.

So much for diversifying our police force Torres wrote.

Torres didnt step in when another commenter wrote the group of deputies looked white-washed and that the woman in the picture was put out front so she wouldnt be missed.

Spokane County Sheriff Ozzie Knezovich said he was disappointed by the post, especially since it came from a member of the Human Rights Commission, and that it sent a terrible message to the seven new deputies.

Welcome to Spokane and the first day of your new job, Knezovich said Thursday. You already have part of the community against you.

Knezovich, whose agency, like many other law enforcement agencies in the country, is struggling to fill open positions, demanded an apology.

Torres said she was just stating a fact that seven more white people had been hired.

I dont feel like the hiring process is working, Torres said. There are barriers to hiring minorities and those barriers need to be addressed.

Torres said she didnt immediately understand the white-washed comment as being racist.

She added that the post was not directed at the people in the photo, and that she did not intend to support sexist comments about the female deputy.

I understand how it could have been misconstrued, Torres said. But I have issues with the disparity within the sheriffs department, and Im not going to back away from that.

Knezovich said that pointing out there is a disparity issue in his agency is a Captain Obvious moment.

How about helping with a solution? Knezovich said. We reach out to every aspect of humanity we can think of when we hire.

Human Rights Commission Chairman John Lemus said the commission will apologize to Knezovich and the new deputies at its meeting at 5:30 p.m. Tuesday.

Ashley and I are not racists, Lemus said. Deputies have human rights, too, and this is never anything that could have happened on the commissions page.

Lemus, whos running for mayor of Spokane, also said hed issue a warning to commissioners on Tuesday.

We are appointed by the mayor and we are public officials, Lemus said. We have to think about what we are posting on social media and how its perceived by the community.

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A testament to the human impulse to help one another – Washington Post

Posted: at 7:43 am

July 21 at 8:00 PM

I was brought to tears by the story of the human chain that savedswimmers who were perilously close to drowning off a Florida beach [Florida beachgoers form a human chain to save 10 swept off by riptide, Politics & the Nation, July 12]. Dozens of beachgoers some of whom couldnt swim responded to the alarm, left their complacency behind and joined hands in a rescue effort, endangering their own lives in the process. This remarkable and spontaneous show of unity, this act of courage and compassion by strangers, left me in awe.

How badly is such a story needed now, when the daily headlines are filled with the hatred and division consuming our nation. Ill bet that human chain consisted of both Democrats and Republicans, people of different races, religions and sexual orientations. When disaster is at hand, these differences are utterly irrelevant; the human impulse to help one another is as strong as any force of nature. We should all learn from their extraordinary spirit of cooperation.

Rebecca Frank, Oakton

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New ‘Star Trek: Discovery’ Clips Show Off Beautiful, Retro-Futurist Tech (Including a New Phaser) – Outer Places

Posted: at 7:40 am

A lot of noise has been made by creative decision-makers involved withStar Trek Discovery concerning the show's very impressive production quality. Apparently it's the design of props and costumes that caused significant delays to the show's release this fall.

We don't just have to take their word for it anymoretheDiscovery Twitter account has been sharing small glimpses at the heavily redesigned technology of the show, which draws inspiration from the original Gene Roddenberry Star Trek series, but has been updated to make it look a little more impressive.

Here we have a Star Fleet officer's badge, which will probably not serve as a communicator as it does in later periods in the timelinecontinuity is important here, as in the J.J. Abrams Star Trek movies.

Instead, the classic flip-top communicator, which inspired real life cell phones, will return. This time, though, it sports a neat little computer display that makes it look at least a little more modern, if not hugely futuristic. There's something of a CASIO watch design to its circular screen and illuminated display, which can't be an accident.

Finally, there's the new phaser, which, if anything, resembles a very old movie camera from the early days of film. One thing's for certain, it's very pretty.

If there's a theme to these props, it's the idea of futuristic technology hearkening back to the old daysthis continues the theme of the very retro-looking transporters that we've already seen on board the Discovery. That is, except for this laser rifle, which looks like something out of a SWAT kit:

The solution, then, is to deliberately bake vintage designs into these items. Discovery is almost claiming that in the far-flung future, humanity prefers something that looks older and traditional because it makes space travel feel less sterile. It's a smart design choice, as it definitely reflects modern society, with our obsession with retro fashion, vinyl record players, and Instagram filters that make photos look worse. Our current culture reacts to Star Trek-style advancements in technology by yearning for our simpler past, and it seems that Discovery's props are a reflection of this.

Star Trek Discoverypremieres on CBS onSeptember 24th, 2017.

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New York Neo-Futurists to Offer ‘Fundamentals’ Workshop This Summer – Broadway World

Posted: at 7:40 am

The award-winning New York Neo-Futurists will share a little of their well earned wisdom this summer when they offer the workshop, Level One: Function and Fundamentals. The workshop that has served as a stepping stone to fifteen would-be Neo-Futurists is a twelve hour workshop that stretches over three Saturdays beginning July 22nd and wrapping up August 5th, all taking place at Playwrights Rehearsal Studios.

Workshop participants will be taught the function and fundamentals of what it means to create art in the Neo-Futurist aesthetic: performing as your most natural self, dismantling the fourth wall, creating task-based theatre, and accessing creative inspiration to eliminate writer's block. By the end of this workshop, participants will have written, performed and workshopped both individually and collectively written short plays that can be taken into the world in whichever way they see fit.

The instructors for this Level One: Function and Fundamentals workshop will be Neo-Futurists Dan McCoy and Connor Sampson. McCoy, a member of the NY Neo-Futurists since 2009 is a performer and playwright who holds an MFA in Playwriting from Hunter College and whose work has been produced or developed recently at Theaterlab, Primary Stages, Project Y Theatre and IATI Theatre. Sampson is a two-time national champion of performance poetry, the 2016 inaugural recipient of the Jeffrey Melnick New Playwright Award (Primary Stages) and has been a Neo since 2014. Connor also holds a BFA with honors in Dramatic Writing from NYU's Tisch School of the Arts.

If you've found yourself in the Kraine Theater at 10:30 on a Friday or Saturday night, witnessed the Neo-Futurists delivering their barrage of short plays, and said to yourself "I can do that" or "I could never do that," then this workshop is for you. Creative individuals at all levels of experience are encouraged to enroll for a mere $300.

The New York Neo-Futurists are a collective of wildly productive writer-director-performers that create theater that is fusion of sport, poetry and living-newspaper; non-illusory, interactive performance that conveys experiences and ideas as directly and honestly as possible; immediate, irreproducible events at affordable prices. Since opening in Brooklyn in 2004 the New York Neo-Futurists have premiered roughly 4,500 plays and have become a downtown New York institution. In addition to performing The Infinite Wrench fifty weeks a year and producing Too Much Light Makes The Baby Go Blind from 2004 until 2016, the New York Neo-Futurists have been a stalwart presence in the Off-Off Broadway community, having won numerous Innovative Theatre Awards and Drama Desk Nominations.

IF YOU GO: New York Neo-Futurists What: Level One Workshop: Function and Fundamentals Where: Playwrights Rehearsal Studios, 440 Lafayette Street #4, New York, NY 10003 When: July 22nd, July 29th & August 5th from 1pm-5pm. How: nynf.org or 866-811-4111 Cost: $300 ($50 deposit to reserve your spot).

Photo Credit: Kari Otero, 2015 (Center)

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On Transhumanism and Why Technology Is Our Silicon Nervous …

Posted: July 21, 2017 at 11:51 am

With films about the symbiosis of man and machine like Transcendence and Her, Hollywoods had an epiphany: to be human is to be transhuman. Jason Silva is the creator of Shots of Awe, the digital web series that has rattled the brains of millions online, the Emmy-nominated host of Brain Games, and he also was a featured speaker with Bryan Cranston and Aaron Sorkin at the Tribeca Film Festvals Future of Film series.

Transcendence, starring Johnny Depp, is the latest in a series of Hollywood films with what you might call a transhumanist flair. Other recent movies exploring the symbiosis of man and machine and our relationship with technology include the Robocop remake and Her.

What we are seeing is the mainstream finally flirting with some of the headiest ideas in the history of the world, reflecting our need to grapple with the implications of a world sustained by increasingly powerful technologies, and a redefinition of what it means to be human.

I suppose the main argument goes like this: We are no longer subject to Darwinian natural selection. Exponentially powerful technologies are transforming our sphere of possibilities. What it means to be human is up for grabs. We have taken the reigns of natural selection to become the chief agents of the evolutionary process. And now we have the responsibility to steer the starship, as Bucky Fuller would say.

Consider the words of X Prize founder Peter Diamandis who reminds us in his TED talk that more change has occurred in the last 100 years than in the last billion. Or the words of Ray Kurzweil, described as the ultimate thinking machine, who tells us that the supercomputer in your pocket (you call it a smartphone) is a million times smaller, a million times cheaper, and a thousand times more powerful than what used to be a 60 million dollar supercomputer that was half a building in size 40 years go.

What happens in 25 years where those continuing exponential advancements become blood-cell sized devices interfacing with our neurons further extending our intelligence? Or when the full flourishing of biotechnology turns biology into our new canvas that can be upgraded the way you upgrade your smartphone today? Imagine downloading a new wetware patch to fix an illness, or programming your genes to radically extend your lifespan. Stewart Brand, the creator of the Whole Earth Catalog, perhaps said it best: We are as gods and might as well get good at it.

But this is nothing new. Weve been transcending our limits and redefining who we are since the advent of stone tools and the emergence of language.

Language is perhaps the most powerful information technology of all, it allowed for a new replicator to enter the scene. When Richard Dawkins coined the term memes, he described a new agent of evolution: Ideas. Ideas were not made of DNA, but they still contained information, and language allowed us to encode and transmit this information, birthing human culture, a new evolutionary force, with the power to create and to destroy on a scale never seen before.

Shakespeare was on it when he wrote: We know what we are, we know not what we may be.

I often tell people that transhumanism is the ideal response to the human situation and has become our self-defining attribute: which is to say that humans define themselves by their capacity to extend their cognitive boundaries through the use of tools. Technology is how we impregnate the world with mind, it is how we extend the reach of our consciousness, how we extend our agency, it is Crowleys magic, defined as Willed Intent.

As maverick thinker, inventor, and futurist Kurzweil tells us, from the very moment early humans picked up a stick and used it to reach a fruit on a tree, we have been using technology to extend our reach.

The cognitive philosophers Andy Clark and David Chalmers have written about the need to make a cognitive leap, to transcend our skin-bag bias, and realize that technology is our second skin, our exoskeleton: iPhone therefore I am, one might say.

We didnt stay in the caves, we havent stayed on the planet, and soon with the biotech revolution, we wont stay within the limitations of biology.

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Technology is the embodiment of human imagination, it is the manifestation of our mental models. It is our extended self, our silicon nervous system.

As psychedelic guru Terence McKenna wrote, Through electronic circuitry and the building of a global information system, we are essentially exteriorizing our nervous system.

And why do we do this? To defy mortality. To extend our reach.

Ernest Beckers marvelous Pulitzer Prize winning book, The Denial of Death, distills the human situation down to the fact that we are unique in the animal kingdom in our explicit awareness of mortality. This unbearable realization riddles us with a paralyzing existential anxiety that we need to do something with, and quickly.

With this, he cites three historical solutions to the death problem, three psychological defense mechanisms man has employed against his mortal coil: religion, romantic love, and creativity.

The religious narrative resolved our death anxiety through faith in an afterlife. Except everyone still dies.

The romantic solution deified our lovers so that we have become purged through a perfect consummation with perfection itself. Love saves us. Or so we think.

Finally, the creative solution manifests itself in our engineering, our science, our space stations and cities, jetliners and iPhones.. The creative solution is how we actually transform and transcend our limitations.

To be human is to be transhuman.

We subvert our limitations with our engineering prowess. We literally think up new possibilities into existence. Manifold the wonders, said Sophocles, nothing towers more wondrous than man!

McKenna continues, airplanes, automobiles, space shuttles, space colonies, starships are as Mircea Eliade said, self-transforming images of flight that speak volumes about mans aspiration to self-transcendence.

Kurzweil is known for his view on the technological singularity, a moment in which man transcends his biological limits. He now works in artificial intelligence at Google. His job is to help create a sentient mind, a thinking machine This threshold, once achieved, promised to free man of his biological shacklesafter that, we spread into the universe, as Kurzweil sums up:

It turns out that we are central, after all. Our ability to create modelsvirtual realitiesin our brains, combined with our modest-looking thumbs, has been sufficient to usher in another form of evolution: technology. That development enabled the persistence of the accelerating pace that started with biological evolution. It will continue until the entire universe is at our fingertips.

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Tour the International Space Station With Google Street View – Newsweek

Posted: at 11:50 am

A gravity-free Google Street View has landedon the International Space Station (ISS).

Related: Google grant seeks to curb gun violence in 10 U.S. cities

The search engine on Thursday announced that anyone can now see inside the ISS using its popular map tool, Street View. Launched in 2007, the technology feature in Google Maps and Google Earth provides 360-degree views from different positionspreviously limited to streets aroundthe world. For the first time ever, Google has extended the feature into outer space.

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Earth is seen behind the International Space Station from Space Shuttle Discovery as the two spacecraft begin their relative separation in this NASA handout photo taken on September 8, 2009. Google Street View on Thursday landed on the ISS. NASA/Handout/Reuters

Users can poke through 15 parts of the ISS. Tiny dots within the images allow users to launch notes that explain specific functions. In the Pirs, Docking Compartment 1, for example, clicking on the description for the Orlan Spacesuitexplains that the accessory is designed to protect an Extravehicular Activity crewmember from the vacuum of space, ionizing radiation, solar energy and micrometeoroids.

The ISS is a large spacecraft and science lab that orbits around the Earth. It houses astronauts from around the world and acts as a base for space exploration, with possible future missions to the moon, Mars and asteroids. The station is made of many parts, also called modules,the first of which was launched by a Russian rocket in 1998. The first crew arrived on November 2, 2000, and NASA and its international partners finished the stationin 2011.

As Google users now can see, the space station is as big inside as a house with five bedrooms. It has two bathrooms, a gymnasium and a big bay window. Six people are able to live there. It weighs almost a million pounds and is big enough to cover a football field that includes the end zones.

Thomas Pesquet, an astronaut at the European Space Agency, spent six months aboard the ISS as a flight engineer and captured Street View imagery to share what it looks like from the inside, and what its like to look down on Earth from outer space. Looking at Earth from above made me think about my own world a little differently, and I hope that the ISS on Street View changes your view of the world too, he wrote Thursday in a blog post.

Modules called nodes connect parts of the station to each other. The ISShas science labs from the United States, Russia, Japan and Europe, where astronauts learn about living and working in space. From Earth, the ISS often can be seen with the naked eye. The ISS is one of the first steps in NASAs plan to send humans deeper into space than ever before.

Googles milestone comes 48 years after the first manned mission landed on the moon.

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In ‘Valerian,’ International Space Station Evolves into Interstellar Metropolis – Space.com

Posted: at 11:50 am

The city of Alpha in Luc Besson's latest fantasy film, "Valerian and the City of a Thousand Planets," shares a few similarities to the existing International Space Station, which is highlighted in the opening scene of the movie.

In the new adventure movie "Valerian and the City of a Thousand Planets," directed by Luc Besson, the title city of Alpha has a present-day origin: the International Space Station.

The opening of "Valerian" a film inspired by the popular French comic series "'Valrian et Laureline," created by Pierre Christin and Jean-Claude Mzires has a scene that showcases the International Space Station (ISS) as it grows into a galactic United Nations, hosting meet-and-greets with representatives from Earth and, later, aliens. It grows physically, too, until it is large enough that it needs to be moved out of low-Earth orbit. [Read our full "Valerian" review!]

The fictional metropolis Alpha was inspired by Point City, which was first written about in the sixth volume of the "Valerian and Laureline" graphic novel series, entitled "Ambassador of the Shadows."

The ISS' evolution is a plausible one: The station has a history of bringing cultures together to build itself and to exchange ideas. In "Valerian," the first greeting in the montage takes place in the not-too-distant year 2020, where two human astronauts are shown embracing, and as we advance in time, we see increasingly strange aliens introduce themselves to humans on board the station.

Certainly, the international crews that have continuously occupied the existing ISS since 2000 would have milder reactions to meeting foreign astronauts than hypothetically meeting alien life-forms. However, the ISS was nevertheless groundbreaking in its ability to unite five space agencies to expand scientific research possibilities and to mend older nationalistic divisions. Many of the space programs involved with the station NASA (United States), Roscosmos (Russia), CSA (Canada), JAXA (Japan), ESA (Europe) include countries that have warred with one another in the last century.

This image is a side-by-side view of early space station concepts in fact and fiction. In the decade following these illustrations, the "Valerian and Laureline" comic was written, later inspiring director Luc Besson to create the 2017 "Valerian" film.

Early concepts for the ISS had the space station taking the shape of a giant wheel. Wernher von Braun developed an ISS station concept in 1952 that was round in order to provide simulated gravity through rotation, with a capacity to house dozens of scientists, accordingthis Space.com infographic.

Science-fiction storytellers were clearly inspired by these concepts, and a few years later, in 1968, Stanley Kubrick's film "2001: A Space Odyssey" developed a model for a space station that was in a similar wheel shape. The year before, 1967, the first issue of "Valerian and Laureline" was published by Dargaud, according to "Valerian" film representatives. Point Central, a vast space station that lies at the crossroads of space that inspired Alpha in the film adaptation, appeared a few years later, in the 1975 comic "Valerian Vol 6: Ambassador of the Shadows."

Right now, NASA and U.S. officials have only promised to fund the ISS through 2024, so it's uncertain what the future will hold for the orbiting lab. But as crews from around the world work together to research and live in space, science-fiction writers have inspiration to continue writing tales of the ISS expanding someday into that kind of vibrant metropolis.

Mission specialists Lopez-Alegria and Herrington working on a newly installed Port One (P1) truss on the International Space Station in 2002.

Follow Doris Elin Salazar on Twitter @salazar_elin.Follow us@Spacedotcom,FacebookandGoogle+. Original article onSpace.com.

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Australia’s GPS Cubesat Payload Deploys From Space Station Into Orbit – ExecutiveBiz (blog)

Posted: at 11:50 am

The International Space Station has delivered a cube satellite with a global positioning system payload, developed by Australias space engineering research center and the University of New South Wales, to orbit using aNanoRacksdeployer.

The Australian defense department said Tuesdaythe Namaru GPS technology on board the U.S.-builtBiarri-Pointcubesat will support on-orbit research activities.

Australiasdefense science and technology group organized mission integration efforts for the GPS payload.

[Namaru] is conducting a range of experiments aimed at increasing our understanding of outer atmospheric effects on small satellites and improving our situational awareness of space, saidChristopher Pyne, Australian minister for the defense industry.

He added the countrys2016 defense white paper explains the applications of space-based technology in data collection, navigation, surveillance and communication activities of its military and coalition operations.

The Australian government has also invested $1.27 billion on defense industry and innovation programs in a push to address defense capacity requirements and transform ongoing R&D programs into new defense platforms, according to Payne.

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