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Category Archives: Transhuman News
Transhumanism: Repairing and Improving the Human – MedicalExpo e-Magazine
Posted: January 18, 2020 at 9:59 am
The American sociologist and bioethicist James Hughes talked to us about transhumanism, artificial intelligence, genetic modification and other new technologies that could create new capacities and senses for human beings.
MedicalExpo e-mag: What is transhumanism?
James Hughes: Transhumanism is the idea that we can use technology to transcend the limitations of the human brain, body and reproduction. It is a small philosophical and cultural movement, but it represents a broad trend in the kind of ideological developments in Western thought. For hundreds of years there have been thinkers advocating that we could transcend sickness and death. Its been a thread of utopian imagination ever sincebut in the 21st century we actually have the technologies [to do that] and it comes at a very uneven pace.
ME e-mag: CRISPR-Cas9 is a new method of genome editing. Is it a complete revolution?
James Hughes: It is a complete revolution that raises many social-ethical questions. We have been arguing about this for a while: People were saying it is science fiction, and all of a sudden science fiction becomes real. So thats why its very important to have these discussions now because who knows what will happen tomorrow?
For hundreds of years there have been thinkers advocating that we could transcend sickness and death. Its been a thread of utopian imagination ever sincebut in the 21st century we actually have the technologies to do that.
One of the risks we have to take very seriously with CRISPR is biosecurity. People, either accidentally or intentionally, could create microorganisms or even bigger things that could pose a catastrophic risk, such as tailored gene plagues or tailored insects. Modified humans would be pretty easy to track down and shoot. Microorganisms, not so much. For example, the U.S. CIA tried to bring down Fidel Castro. One of the things they imagined 30 years ago was creating a plague that would just kill Cuban crops, but they didnt have the technology. The apartheid government of South Africa wanted to develop a plague that would just kill black people. And now they have the technology.
(Credit: Getty Images)
So I think we live in a world that is on the cusp of that kind of danger. But we cant prevent those technologies. The best response is to have widespread surveillance for microorganisms and widespread capacity to create vaccines and therapies for them. We basically need a global immune system.
ME e-mag: In the end, CRISPR is good news or bad news?
James Hughes: With CRISPR, we could create more genetically modified organisms (GMOs) very easily. I believe that GMOs can be very good because we need to feed a lot more people on this planet with fewer fertilizers in a world where the climate would be declining very quickly, and to do that we need GMOs.
ME e-mag: But we dont know the possible long-term effects of GMOs on health.
James Hughes: Yes, but CRISPR precisely means that if we make a mistake we can fix it. For example, theres a disease called sickle-cell anemia that Africans and African Americans are more prone to, and that seems to have provided stronger protection against malaria. People say: If you take sickle-cell anemia out of future generations then they wont have that immunity to malaria. But we have many other better ways to get rid of malaria. We could also get rid of the mosquito that transmits malaria, thanks to CRISPR. Plus, in a hundred years, if we decide: Oh my God! We took out sickle-cell anemia, we need to put it back!, we can put it back!
Our cognitive capacity is now super powerful because we all carry smartphones around. We have access to all the worlds knowledge at our fingertips if we know how to use it, so thats the first step towards experiment capacities of the brain.
ME e-mag: What are the other technologies that help the development of the post-human?
James Hughes: Artificial intelligence, and in general, information and communication technologies. Our cognitive capacity is now super powerful because we all carry smartphones around. We have access to all the worlds knowledge at our fingertips if we know how to use it, so thats the first step towards experiment capacities of the brain.
The Exiii HACKberry bionic hand (Credit: Exiii Inc.)
The next step is to connect our brains directly to computing and that would require nano-neural interfaces. Were beginning to develop those with prosthetics limbs that you can indirectly control with your mind. For people with severe paralysis, we are also beginning to put chips into their brains so they can communicate directly with computers, but these are very crude. What we need now are very tiny robots that could communicate directly to our neurons. And were probably about two decades away from that.
Weve already got things like nanodust. They are tiny bits of computing power that you could distribute inside the cortex. Theyre non-invasive and they are powered by external, non-damaging radiation. You dont need to open the skull, thats the key thing.Also right now we dont have very good materials for putting in the brain, so we need advances in biocompatible materials. And we need advances in miniaturization of computing and telecommunication capacity inside the brain.
The next step is to connect our brains directly to computing and that would require nano-neural interfaces. Were beginning to develop those with prosthetics limbs that you can indirectly control with your mind.
ME e-mag: You often talk about silicon brains? What does that mean?
James Hughes: We are modeling more and more of the capacities of the brain in silicon, meaning computing power. One of the consequences of that is that for instance we are developing what is called neuroprosthetics. The hippocampus is very important for memory. On rats and mice with damaged hippocampuses, weve been able to develop a computer chip that mimics the input and the output of hippocampus and allows them to create memory. We can imagine not only replacing damaged parts of our brain but also giving our brain new capacities and senses.
We already have cochlear implants, which are just on the cusp of becoming more capable than ordinary hearing.With the cochlear implant you can have Bluetooth, you can connect it to your phone, you can tune it so that you hear higher frequency than most humans can hear. With future artificial eyes, we will be able to tune them so they can see infrared, radiation and things like that.
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Transhumanism: Repairing and Improving the Human - MedicalExpo e-Magazine
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‘Cyberpunk 2077’ Delayed as CD Projekt Red Polishes ‘Crowning Achievement’ Over ‘Witcher 3: Wild Hunt’ – Newsweek
Posted: at 9:59 am
Cyberpunk 2077, originally planned for an April 16 release date, but has now been delayed until September 17, developer CD Projekt Red announced on Thursday.
In a statement posted to social media, the Cyberpunk developer did more than announce the delay, further describing just how far along the game is in its development. According to CD Projekt Red, the game is currently "complete and playable," throughout its open world setting of Night City. Instead of core story, content or environmental changes, the delay is primarily motivated by the need for additional "playtesting, fixing and polishing."
Indicating their confidence in the game they've created, CD Projekt Red also set a bold goal for Cyberpunk 2077: topping their own critically acclaimed Witcher 3: Wild Hunt to become their "crowning achievement" in the current console generation. Witcher 3 is often named among the best open world games and best RPGs ever createdit's not even uncommon to hear Witcher 3 named as the best game ever made. So while Cyberpunk 2077 has a lot to live up to, its delay announcement suggests CD Projekt Red feels as if they're near to realizing their complete vision.
CD Projekt Red also promised more frequent updates on the game's progress, particularly as the revised release date approaches.
In Cyberpunk 2077, players start off in Night City as V, a customizable mercenary who acquires transhumanist enhancements throughout the game. Night City is a gigantic corporate-controlled metropolis in the Free State of California, with six different regions for players to explore, each with their own rival factions and gangs. Along the way, players are guided by Johnny Silverhands, a digital ghost played by Keanu Reeves, who haunts the player and nudges him or her towards his own objectives.
Signed by CD Projekt Red co-founder Marcin Iwiski and the head of studio, Adam Badowski, the full statement reads:
"We have important news regarding Cyberpunk 2077's release date we'd like to share with you today. Cyberpunk 2077 won't make the April release window and we're moving the launch date to September 17, 2020.
We are currently at a stage where the game is complete and playable, but there's still work to be done. Night City is massivefull of stories, content and places to visit, but due to the sheer scale and complexity of it all, we need more time to finish playtesting, fixing and polishing. We want Cyberpunk 2077 to be our crowning achievement for this generation, and postponing launch will give us the precious months we need to make the game perfect.
Expect more regular updates on progress as we get closer to the new release date. We're really looking forward to seeing you in Night City, thank you for your ongoing support."
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'Cyberpunk 2077' Delayed as CD Projekt Red Polishes 'Crowning Achievement' Over 'Witcher 3: Wild Hunt' - Newsweek
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How 070 Shake, the North Bergen music sensation, made em proud with Modus Vivendi,’ her debut album – NJ.com
Posted: at 9:59 am
Danielle Balbuena found herself in a Wyoming field, dancing and waving her arms above a crowd that had gathered for a major music industry event.
Kanye West, the host, closed his eyes and sang along to Ghost Town, a track on his new album Ye. He then walked over to Balbuena and helped hoist her in the air. It was his listening party, but this was her moment.
Balbuenas voice rang through the loudspeakers under the night sky, beckoning everyone to let go of their burdens, at least for one evening.
And nothing hurts anymore, I feel kinda freeeee! Were still the kids we used to beee!"
The North Bergen singer and rapper egged on the crowd like a freewheeling conductor, swaying and bouncing to her words in the song. Back on the ground, in the shadow of the floodlights illuminating the grass, Balbuena windmill-strummed an air guitar as a gaggle of onlookers filmed her with their phones.
Before the albums release in June 2018, she had no idea which parts had made the cut.
Another one, another one!! Balbuena told them, recognizing her voice as the next song cued up.
Balbuena, an up-and-coming artist known as 070 Shake, is ready for the spotlight once again. Shes seen her career blast off from the streets of North Bergen to the musical firmament like some kind of Jersey-powered spaceship.
After signing to Wests G.O.O.D. Music in 2016, the former North Bergen High girls basketball player became known for her contributions to some of the biggest West-produced albums of the summer of 2018 his own Ye, Pusha-Ts Daytona and Nas Nasir.
Now her debut album, Modus Vivendi Latin for way of life has arrived following several delays. The long-awaited project, released Friday by Def Jam and G.O.O.D. Music, is an effusive, futuristic work that evokes celestial bodies and outer space almost as much as relationships, longing and heartbreak.
Its different, Malick Ba a rapper and 070 Shake collaborator known as 070 Malick says of the release. He tells NJ Advance Media the new music marks an evolution from Shakes previous work. This is real artistry right there," he says.
The android-inspired cover for "Modus Vivendi," the debut album from North Bergen's 070 Shake.G.O.O.D. Music / Def Jam Recordings
Balbuena, 22, is about to set off on a tour of Europe and the United States that starts in Ireland on Jan. 19 and comes to New York and Philadelphia on March 5 and 6.
As she embraces her rise, she is taking a piece of home along with her: the 070 crew, a collective of artists and producers from in and around North Bergen hence the 070 (oh seven oh) in their names, for the North Bergen zip code, 07047.
In anticipation of Modus Vivendi, several members of the extended group spoke with NJ Advance Media about the evolution of 070 Shakes sound and success.
Balbuenas road from SoundCloud to a major deal started with one song.
Were the kids that never made em proud, she sang in one of her first recordings. Were the ones that break the rules, we live to stand out.
The declaration, from the song Proud, got the attention of social media personality and promoter Julieanna YesJulz Goddard in 2016. She wanted to know who the boy was on the track.
Part of the appeal of 070 Shakes voice can be found in its androgyny and strength. Goddard, who became Shakes manager, brought her music to Wests camp. From there, Pusha-T signed the Jersey artist to G.O.O.D. Music.
Shake, who was unavailable for an interview, participated in Wests recording sessions in Wyoming. When his album Ye came out in 2018, critics hailed her part in the outro of Ghost Town. Kid Cudi, who along with West was one of Shakes all-time favorite artists growing up, was also featured on the track. (Shake also could be heard on Violent Crimes.)
070 Shake drew critical acclaim for her features on Kanye West's album "Ye." Aristide Economopoulos | NJ Advance Media for NJ.com
Balbuena used to be a shooting guard for the North Bergen basketball team. The Shake part of her name is taken from the shake weave, one of her favorite moves on the basketball court.
Shortly after the release of Ye, Shake and the 070 crew hosted a concert for local fans in North Bergen. The crowd sang every word of Shakes part, which has become a kind of anthem.
And nothing hurts anymore, I feel kinda free. Were still the kids we used to be," Shake sings in the West song, her enchanting, youthful voice flying high and giving the lyrics authority. "I put my hand on a stove to see if I still bleed. And nothing hurts anymore, I feel kinda free.
Balbuena wrote poetry as a way to cope with depression as a teen.
Later, she turned her words into song. Her confessional lyrics cover universal themes like mental health, identity, self-expression, drug addiction and desire.
We do what we do cause we dont understand the consequence of every step we take is wrong, she says on I Laugh When Im With Friends But Sad When Im Alone," a track from her Glitter" EP, released in 2018. How could we ever see the mess? And its not just you and me, the whole youth is depressed."
She continues: Sniffing sh*t at 14, it becomes a little hard when youre living in a scene where the healthy sh*t is far, but the drugs are no further than your room or your car."
In the song, Shake implores her listeners to seize their own stories and become their own saviors.
Itll get brighter, itll get better," she sings. Its 'cause we are fighters and tougher than leather. The strong you is inside, but you just havent met her. Only we control our storm because we are the weather.
Before they formed the 070 collective, Shake and Ba both attended Robert Fulton Elementary School in North Bergen, where they later worked summer jobs as camp counselors.
I want to do music, Ba, 22, remembers her telling him. Can you help me? I dont know where to start.
We didnt want to do the regular 9-to-5 thing, he says.
Recording at Star Cloud Studios in Union City, Shake, Ba and two friends Ralphy River and Hack started 070, a roster of artists that would expand as more locals joined the fold.
In 2016, the group released The 070 Project: Chapter 1."
Now, Ba and other 070 artists are set to follow Shake on the Modus Vivendi tour.
I was there during the process of recording, and its just crazy, he says. Mike Dean mixed it, mastered it. The production is ridiculous. I really enjoyed the album. I hope everyone else does.
Dean is a veteran hip-hop producer who has worked on albums for West, Jay-Z, Pusha-T and 2 Chainz.
Album-stealing features have become Shakes calling card. For the haunting chorus of Santeria on Pusha-Ts Daytona album, Shake whose mother emigrated from the Dominican Republic sings in Spanish. She also contributed doleful vocals to Scar, a track on Beyoncs Grammy-nominated The Lion King: The Gift album released in July.
But there are no features on Modus Vivendi." Just 13 tracks of pure Shake and a brief interlude with Its Forever by The Ebonys, a 70s R&B group from Camden.
Still, there are some other notable influences at play.
The production on the catchy, propulsive track Morrow," released as a single in April, is reminiscent of some of Deans earlier work with West. Another song, The Pines, is an updated take on a folksong known as In the Pines or Where Did You Sleep Last Night? It was recorded by the blues singer Lead Belly and bluegrass singer Bill Monroe in the 1940s and performed by Nirvana in 1993 on MTV Unplugged.
Where did you sleep last night? Shake sings in the delightfully sinister track. The pines, the pines, the pines. Where the sun dont ever shine, shine, shine.
The fourth and latest single from Modus Vivendi, Guilty Conscience, was released Jan. 10. The song, centered on an act of infidelity, deploys an 80s sound that channels educational VHS tapes. Its music video features a group of men fighting with Shake in the mix. At the end, she spits blood at the camera. The video is prefaced by a note from Shake, who also goes by Dani Moon.
Although Im not a boy, I wanted to display a boy being broken," she writes. How he manages his sadness when he is not allowed to cry. From young, a boy must create a shell that protects him from his own emotions. But when that shell cracks, it creates an intense amount of vulnerability where the boy must replace the shell with actions that make him seem as if the shell never broke. He replaces this shell with ego, desire and pride.
Shake has resisted labels like gay and straight, but was featured in a 2017 Vogue spread for The Rising Stars Queering Rap" with her girlfriend, model Sophia Diana Lodato.
The cover of Modus Vivendi" depicts Shakes face framed in a metal suit. It is an android-inspired image evocative of the robot from Fritz Langs 1927 film Metropolis, and with its wriggling head attachments, the tentacles that kept Neo plugged into the Matrix. Visible at Shakes temple: her signature 070 tattoo.
Does the image represent transhumanism or that your music will evolve and live forever? a fan asked on Twitter.
Yeah man pretty close, Shake replied. It represents the evolution of humankind, in 50 years we will look back and itll represent a time where humans were being invaded by artificial intelligence. Not a bad thing. Just what it is. The era of cyborgs.
J Sebastian, an 070 producer, worked on Dont Break the Silence," the albums introductory track.
Shes always thinking about the future: electronic sounds, synthy sounds, she likes that," Sebastian says. I like it, too. I feel like our sounds complement each other.
Sebastian, 27, who hails from Paterson, North Bergen and the Dominican Republic, is part of The Kompetition, a production trio that worked on Shakes Glitter" EP. Sebastian, along with his collaborators Ether and Razsy Beats, started making music with Shake at Star Cloud Studios in Union City.
As she began to draw attention beyond North Bergen and SoundCloud, some of the spotlight found other 070 artists.
After Kanye kind of co-signed her, I feel like more doors definitely opened up they were like, What can I do for you?" Sebastian says. "Now, she has more control, which is really fire.
On Thursday, Shake shared a message with fans on Instagram, hours before the albums release, encouraging them to listen in isolation and visualize a narrative.
Create your own story, direct your own movie to it," she said. ... Instead of going to everyone elses world, I am creating my own world ... I hope that more than anything you are able to understand and receive the love I stored inside of it.
Modus Vivendi was Shakes second attempt at a debut album. The first was Yellow Girl, which was scrapped in favor of new material. Along the way, Shake parted ways with YesJulz and moved to new management.
Those songs werent her, really, Sebastian says. It was more trappish, and that wasnt really her.
She hit them with the Yandhi trick," muses Josh Lopez, aka rapper 070 BeHeard, referring to Kanye Wests anticipated Yandhi album. The project never arrived and was replaced by Jesus is King," released in October.
Lopez, 25, a Jersey City native, now lives in Union City, where he first met Shake in the studio.
She always stayed true to herself and fought for creative control of everything," he says. Lopez has a feeling Modus will give her the major moment she deserves.
Were just pushing her as far as we can as a team, and shes pushing herself also. Im extremely excited for her, I feel like its going to be something big. She has a good fan base, but I feel like it should be bigger."
070 Shake will play Webster Hall in New York on March 5 and the Theatre of Living Arts in Philadelphia on March 6; 070shake.net.
Have a tip? Amy Kuperinsky may be reached at akuperinsky@njadvancemedia.com. Follow her on Twitter @AmyKup or on Facebook.
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How 070 Shake, the North Bergen music sensation, made em proud with Modus Vivendi,' her debut album - NJ.com
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Predictions for the 2020s, From a Futurist, a Trend Forecaster and an Astrologer – Vogue
Posted: at 9:56 am
Astrologically, the new decade really doesnt start until the end of this year, on December 21. Every 20 years, Saturn and Jupiter meet. I have learned theyre happy to see each other. They set the tone for the coming 20 years, for culture, for fashion, for government, for literature, for the pace of our days, and our focus.
Jupiter and Saturn are important because theyre in the middle of the solar system. For the past 200 years, theyve always met in earth signs. It was Taurus, and Virgo, and Capricorn. This year, we have a name for it astrologers always call everything terrible namesits called the Grand Mutation. It sounds like the Ebola virus, but its not. Thats when theres a change in element. Saturn and Jupiter are going into air [signs]. Theyre aligning in Aquarius. It has a pretty huge effect on civilization.
The past 200 years, we saw the assembly line, the booming of manufacturing, and the industrial age. These are all earthy things, things you can buy, see, and touch. Now, when we move into the next 20 years where Aquarius is going to dominate, it will be the real flowering of the Age of Aquarius, like the 1960sflower power children. Its a lighter influence, a nonmaterialistic sign.
What Im really excited about is Aquarius likes to work in groups. To tackle big problems, like the environment, people will work across nations. It will no longer be, Well, the United States against France, against Germany, against China. No. These countries will work together in teams to tackle big problems that affect us all. Are the robots coming? Yes. But also, some very wonderful things with medicine.
Saturn, right now, is in Capricorn. Whenever you get a lot of Capricorn planets, you always get a conservative wind blowing through the world. You see it with Brexit, you see it here. In the late 80s and early 90s, there were a lot of planets in Capricorn. We had George Bush as president, and Ronald Reagan. We did in 2016, and Mr. Trump got in. With the next election, its sort of half and half, so its way too early to call. Its not destiny. People say, Whos going to win? I have no idea. We have to vote.
In 1982, Saturn and Jupiter met in an air sign. For the next 20 years, they were in air. Babies born in those years, from 1982 to 2000, those babies are going to lead the brigade into the future.
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Predictions for the 2020s, From a Futurist, a Trend Forecaster and an Astrologer - Vogue
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Tullio Crali: A Futurist Life review a head-on revelation – The Guardian
Posted: at 9:56 am
The Italian painter Tullio Crali ought not to be quite such a head-on revelation. After all, his astonishing vision of a solo pilot nose-diving straight into a canyon of skyscrapers, light shattering round his helmeted head, is one of the great masterpieces of futurist art. Yet this riveting survey at the Estorick Collection comes as a surprise from first to last, and not only because it is his first in Britain.
Crali (1910-2000) is a strange case, in life as in art. He grew up in Zadar, on what is now the Croatian coast, but which once belonged to Italy. His family moved to north-eastern Italy in 1922, and it was there, at the age of 15, that he created his first futurist work after reading an article about the movement.
Crali fell hard for the futurist manifesto, with its addiction to motion, speed, modernity and roaring machinery from the espresso maker to the Gatling gun, the aeroplane to the hurtling motorcar, notoriously described by Marinetti, futurist leader, as more beautiful than the victory of Samothrace.
But Cralis own painting of a car rushing round a bend is more sophisticated than anything by his contemporaries. The vehicle itself is long gone, leaving only the hint of a wheel among magnificent curving vectors of black, cream and red scintillating traces of its fast departure.
And though he was as committed as his colleagues to the plane as ultimate futurist symbol, Cralis aeropittura, as they are called, are frequently more original. A terrific painting at the start of this show, called Tricolour Wings (1932), has the plane ascending in sudden stages, scattering its target markings up through the sky like urgent thought bubbles. The planes geometry, repeated as if in stop-start motion, perfectly describes the sharp sensation of sudden uplift, catching at each new thermal current. And the sky around it running all the way from hyperreal clouds to gracious, Titianesque beauty amounts to a painted collage.
Indeed, though you could never mistake him for anything else, Crali often seems the odd man out of the futurist gang. For one thing, he is a tremendous colourist. Planes rise into moonlight-blue skies or descend through lavender mists. The scarlet stripes of a biplane burn like a cigarette among pearl-grey clouds. And in a work such as Broken Engine, the polished wood of the slowing propeller shines gold against smoke and slate-blue heavens, its deco sheen ineffably glorified.
What is more, there is an undeniably human aspect to Cralis art. People get into the picture. There are two vast seamen at the prow of a gigantic battleship, trying to steer the ship through a storm with their muckle hands. A female figure raises her shapely arms like elegant wings and the blue air around her vibrates. He can paint the most complicated machinery steam-driven pistons in a shipyard, or high-rising cranes and there will be an intimation of human beings moving about below.
Crali himself kept on moving. He left Italy after the second world war for an art school in Paris, remaining there for almost a decade. His drawings of the city describe the brasseries, stairwells and metal chairs of the Jardin du Luxembourg, the shadows along the Seine embankment: Paris, in his words, as mysterious, deep and moody. In the 60s he quit Paris for Cairo, then back to Italy, eventually ending up in Milan.
But somehow Cralis art stands still, as the man does not. In the late 1980s he is still painting aeroplanes as if they were brand new inventions, still showing solo pilots swooping about in glass cockpits. It is as if the international space race never happened.
And his devotion to futurism never seems to waver, even though Marinetti died in 1944 and the movement had its final meeting in 1950. It is hard to decipher Cralis own politics from anything he wrote or painted; the curators of this show emphasise his belief in futurism as an aesthetic rather than political ideology. But the association with Mussolinis fascism can hardly be ignored.
So perhaps that is why his later career lies in shadow. The Estorick is showing a number of Cralis Sassintesi startling collages of stones, seaweed and assorted bric-a-brac found on beaches and presented upright, on canvases. These appear entirely novel. And every now and again they hit the mark, when Crali takes some sea-carved rock and twists it out of kilter, so that it suddenly looks like a rushing futurist figure.
But he is at his best when most liberated from the movement. One of the most beautiful works in this show is a landscape of Ostia in late evening sun, as the shadows of hill and vale deepen, and rays of dying light arch between earth and sky. Translucent green patches stand for trees and clouds, and everything meets at the vanishing point of the ocean, radiant and serene perhaps the most beautiful scene Crali ever painted.
Tullio Crali: A Futurist Life is at the Estorick Collection, London, from 15 January until 11 April
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Meet the futurist with 2020 vision – Sydney Morning Herald
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Will wages finally pick up in 2020? Will politicians across the Liberal-Labor divide come to a bipartisan agreement that climate change is a real and future danger? Will the influence of our ageing Baby Boomers begin to wane in the wake of Generation Zs withering catchphrase of 2019, OK, Boomer? Can the #MeToo movement maintain its momentum? Which will be the top box office film franchise release this year: James Bonds No Time to Die in April or Fast & Furious 9 in May? Has the avocado smash had its day?
Futurology is a fascinating, if inexact, science.Credit:Tanya Cooper/illustrationroom.com.au
Answering these questions is invigorating stuff. But its all in a days work for futurist Ross Dawson, chairman of the Future Exploration Network, who compares the trajectory of major social movements to a tiny crystal spreading out across an entire frozen block. Take climate change. The anger and frustration among those who accept the science of climate change is growing, while the position of the deniers is becoming more deeply entrenched, he says. This will lead to even greater polarisation. I find it impossible to imagine a scenario in which climate activism will reduce.
Wage growth is likely to remain tepid in 2020, with an expansion in low-wage jobs resulting in a widening wealth divide. If anything, Baby Boomers economic and political clout will increase because asset wealth will continue to outstrip income wealth, with Australia boasting one of the worlds most unaffordable housing markets, Dawson says.
The #MeToo movement sparked a wider debate, not just about sexual harassment but the sexual abuse of power. While there is the inevitable pushback against social movements like #MeToo, its larger implications the balance of power between the genders still has a long way to play out, says Dawson. The recent election of a young, female prime minister in Finland showed whats possible.
While Dawson baulks when I ask him about the likely box-office hits of 2020 and shifting tastes in brunches (Thats not what I do), he predicts the era of peak entertainment content will only intensify in 2020. I read that more than $US100 billion is currently being spent in TV and film production across the Western world. With all our current existential worries, were looking for escapism.
To read more from Good Weekend magazine, visit our page at The Sydney Morning Herald, The Age and Brisbane Times.
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These Researchers Want You to Live In a Fungus Megastructure – Futurism
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Imagine that you roll out of bed onto a living fungus floor. The walls and ceiling heck, the whole apartment building, down to the plumbing and electrical systems are made of fungus too. Wood and concrete are remnants of the distant past; this entire city, from the schools to the stores to the hospitals, is made ofliving fungus constantly growing, dying off and regenerating itself.
Thats the visionlaid out in a provocative new paper, which a team of European academics say is the first-ever exploration of living fungus potential as a raw material for futuristic, eco-friendly monolithic structures that would, in their telling, revolutionize the entire built environment and economy.
We propose to develop a structural substrate by using live fungal mycelium, reads the paper. Fungal buildings will self-grow, build, and repair themselves.
The idea is a response to the prospect of catastrophic climate change. Growing our building materials from biological materials, the theory goes, would makeconstruction less dependent on fossil fuels and environmentally-destructive mining operations.
Fungal materials can have a wide variety of mechanical properties ranging from foam-like to wood-like to polymer-like to elastomer-like, Han Wsten, a microbiologist at The Netherlands Utrecht University who co-authored the not-yet-peer-reviewed paper, told Futurism. The fact that we can make wood-like materials implies that we can use it for the building industry.
Along with other forms of living materials, fungal architecture is not a new idea other research groups have explored the idea of growing building materials out of mycelium. NASA,for instance, is currently testingwhether fungus could grow in Martian soil, potentially giving the space agency a low-cost way to grow space habitats onsite.
But those projects all involve killing the fungus after it grows, a process that makes it sturdier as a building material that the team says has already been used for load-bearing structures or boundary walls.
So far, they say, no one else has explored the possibility of building monolithic structures out of living fungus.
The selling point of our materials is that it is biodegradable, thereby helping to create a circular economy, Wsten said. At the same time, it should not degrade when actually used as a building material. We can work around this apparent paradox by coating the material. In fact, we also coat wood with paint of oils to protect it against degradation.
It may be that we will find a fungus that creates wood-like materials without the need of pressing, he said.
Even with a coating, Wsten went on to explain, the goal is to keep the fungal architecture alive so that an architect could rejuvenate it with water and trigger further growth if repairs or alternations were necessary. Those same coatings, the team says, could be used to capitalize on the fungus internal structure of networks to replace things like a buildings plumbing, electrical wiring, or other logistical needs.
Important to note: those ideas, like much of the teams research, remain fairly speculative.
Andrew Adamatzky, a computer scientist at the University of the West of England who also co-authored the paper, told Futurism that the team is working to build fungal versions of neuromorphic circuits and other electronics. He conceded that conventional wires are cheaper and easier to work with, but added that the living circuits will be self-growing, self-assembling and self-repairing, which no traditional circuitry can do.
This is really challenging, but a real opportunity to explore how buildings could grow, self-repair, adapt and disrupt conventional ways of building production by working with highly local resources and growing in-situ to minimize logistics and energy use in material production, said Phil Ayres, a co-author of the paper from the Royal Danish Academy of Fine Arts, aiming towards a circular economy for construction.
More on living materials: Scientists Create Living Concrete That Can Heal Itself
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Scientists Create "Living Concrete" That Can Heal Itself – Futurism
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Its Alive!
Scientists at the University of Colorado, Boulder have created whatThe New York Timescalls a living concrete, teeming with photosynthetic bacteria, that can grow itself and regenerate itself much like a living organism.
The concrete is a mixture of gelatin, sand, and cyanobacteria that cools similarly to Jell-O, the Times reports. The resulting structure was able to regenerate itself three times after researchers cut it apart, suggesting apotential breakthrough in the nascent field of self-assembling materials.
The living concrete, which the Colorado scientists made in partnership with DARPA, starts out as a sickly green color that fades as the bacteria dies off, according to research published Wednesday in the journal Matter.
It really does look like a Frankenstein material, UC Boulder engineer and project leader Will Srubar told the NYT.
Even as the color fades, the bacteria survive for several weeks and can be rejuvenated resulting in further growth under the right conditions.
DARPA is particularly interested in a self-growing material that it can use to assemble structures in remote desert areas, or potentially even in space, according to the NYT.
If the living concrete can scale up to that level, it could reduce the amount and weight of materials that space agencies will need to launch.
Theres no way were going to carry building materials to space, Srubar told the NYT. Well bring biology with us.
READ MORE: Bricks Alive! Scientists Create Living Concrete [New York Times]
More on materials: Scientists Create Material With Living Metabolism
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Scientists: Ocean Warming at the Rate of Five A-Bombs per Second – Futurism
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After analyzing data from the 1950s through 2019, an international team of scientists determined that the averagetemperature of the worlds oceans in 2019 was 0.075 degrees Celsius (.135 degrees Fahrenheit) higher than the 19812010 average.
That might not seem like a significant amount of warming, but given the massive volume of the oceans, an increase even that small would require a staggering influx of heat 228 sextillion Joules worth, according to the scientists study, which was published in the journalAdvances in Atmospheric Sciences on Monday.
Thats a hard number to contextualize, so one of the scientists behind the study did the math to put it into an explosive frame of reference by comparing it to the amount of energy released by the atomic bomb the United States military dropped on Hiroshima, Japan, in 1945.
The Hiroshima atom-bomb exploded with an energy of about 63,000,000,000,000 Joules, author Lijing Cheng from the Chinese Academy of Sciences said in a press release. The amount of heat we have put in the worlds oceans in the past 25 years equals to 3.6 billion Hiroshima atom-bomb explosions.
That averages out to four Hiroshima bombs worth of energy entering the oceans every second for the past 25 years. But even more troubling, the rate isnt holding steady at that alarming figure its increasing.
In 2019, ocean warming was equivalent to about five Hiroshima bombs of heat, every second, day and night, 365 days a year, study author John Abraham, from the University of St. Thomas in Minnesota, told Vice.
And in case atomic bombs are still too abstract of a comparative unit, the 2019 rate is equivalent to every person on Earth constantly pointing 100 hair dryers at the oceans, Abraham told Vice.
The less technical term is: Its a shit-ton of energy, he said and its already having a hugeimpacting the environment.
Ice is melting faster, causing sea levels to rise. Dolphins and other marine life are dying because they cant adapt quickly enough. Even the increase in the amount of water evaporating into the atmosphere due to the heat is negatively impacting on our planet.
It makes hurricanes and typhoons more powerful, and it makes rainfall more intense, Abraham told Vice. It puts our weather on steroids.
And remember, the rate is increasing meaning that every moment we delay taking action to slow or reverse the warming, the situation is only going to get worse.
READ MORE: 5 Hiroshima Bombs of Heat, Every Second: The Worlds Oceans Absorbed Record-Level Heat Last Year [Vice]
More on ocean warming: Scientists: Warming Oceans Will Lead to Catastrophic Future
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2020 Real Estate Newsmakers: The Achievers and the Futurists – RisMedia.com
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Accomplishments in business. Charitable contributions. Daring leadership. Out-of-the-box thinking. Over the course of the past year, RISMedias 2020 Real Estate Newsmakers contributed to the housing industry in numerous ways, bettering their communities, consumers and larger sphere, across eight categories: Achievers, Crusaders, Futurists, Influencers, Inspirations, Luminaries, Trailblazers and Trendsetters. Here, we showcase their stories.
Matthew BeallCEOHawaii Life
In 2019, Beall and Hawaii Life acquired two firms: Country Brokers and East Oahu Realty. We have enjoyed incredible growth, Beall says. I love my Hawaii Life.
David MarineChief Marketing OfficerColdwell Banker Real Estate
In 2019, Marine led Project North Star, Coldwell Banker Real Estates first rebrand in 40 years. When I go to work or give a talk, I constantly think about how Im not just representing myself, but so many others, Marine says. Its never just about you.Vini MoolchandaniREALTORCompass
In 2019, Moolchandani helped a $900,000 listing sell in 21 daysafter it had been listed by two others and on the market for more than 400 days. I am beyond grateful to be part of this amazing industry and to be able to serve so many families, Moolchandani says.Ward MorrisonPresidentMotto Mortgage
In 2019, Motto Mortgage and Morrison celebrated the companys 150th franchise sale, as well as its third anniversary. One-hundred fifty franchises sold in only three years is an extraordinary feat for a startup franchisor, Morrison says. This growth demonstrates the demand and potential of our business model.Fiona PetrieExecutive Vice President & Managing Director of U.S. OperationsRE/MAX INTEGRA
From 2018 to 2019, RE/MAX INTEGRA grew substantially, with Petrie facilitating 20 new office openings, 36 expansions and 13 mergers and acquisitions. I strive to empower others to discover their own talents in the industry, Petrie says.Lindsay SmithChief Strategy OfficerTitle AllianceIn 2019, Title Alliance appointed Smith as chief strategy officer. My motto is every personemployee, partner and clientshould feel like a VIP at all times, says Smith.
Allen AlishahiCo-Founder & PresidentShelterZoom
In 2019, Alishahi and ShelterZoom debuted Mithra Contract, a fully digital, tokenized smart contract platform. I am helping to bring next-generation technology to our industry, which presents an enjoyable challenge, Alishahi says.AJ CanariaCreative Director & Executive Brand AmbassadorInside Real Estate
At the beginning of the year, Canaria was appointed creative director and executive brand ambassador for Inside Real Estate. I am one of real estates storytellers and connectors, Canaria says.Vy LuuGeneral ManagerReal Estate Webmasters
In 2019, Luu was appointed general manager for Real Estate Webmasters, contributing to its core initiatives, including bringing data standards worldwide. This will open up data and facilitate competition, ultimately benefitting both sides of real estate transactions, Luu says.Mike MiedlerPresident & CEOCentury 21 Real Estate LLC
In 2019, Century 21 Real Estate LLC appointed Miedler to president and CEO, formerly from chief growth officer. Success in real estate comes down to two factors: taking care of and valuing the customer, Miedler says.
Kasey StewartDirector of Member DevelopmentNational Association of REALTORS
In 2019, Stewart continued to develop educational programs at the National Association of REALTORS, including the Commitment to Excellence (C2EX) program. Im incredibly proud to work with NAR volunteer leaders and staff on C2EX, says Stewart. It truly takes a village to launch and grow a program of this magnitude.Gayln ZieglerDirector of Operations, Keller OffersKeller Williams
In 2019, Keller Williams launched Keller Offers, an iBuying program, and appointed Ziegler as its director of Operations. We feel very passionately that the consumer needs an advocate in their corner with all the changes going on in the industry right now, says Ziegler.For more from the 2020 Real Estate Newsmakers, go toRISMedia.com/2020-Newsmakersor RISMediasReal Estate magazine. For consideration for the 2021 Real Estate Newsmakers, please email nominations tomaria@rismedia.com.
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