Category Archives: Futurism

An unusual drug trial just kicked off in the UK.

A group of 11,000 National Health Service patients across England who have experienced symptoms of bowel cancer are lining up to receive a special drug capsule that stores a tiny camera inside of it, which is designed to check for a variety of cancers.

As we come out of peak COVID and the disruption of the pandemic, the NHS is now pushing ahead with genuine innovation to expand services for many other conditions, NHS CEO Simon Stevens said in a statement.

Thats why were now trialing these ingenious capsule cameras to allow more people to undergo cancer investigations quickly and safely.

What sounds like sci-fi is now becoming a reality, and as these minute cameras pass through your body, they take two pictures per second, checking for signs of cancer and other conditions like Crohns disease, Stevens said.

The capsules, called PillCams, are easily swallowed and are far less invasive than other cancer screening methods, according to the researchers behind the capsule. The cameras inside each pill can take two pictures per second as they travel through the entire digestive system. The images are stored in a data recorder that the patient carries around with them.

Every year in England, we diagnose around 42,000 people with bowel cancer, thats more than 100 people a day, NHS clinical director for cancer Peter Johnson told Sky News. We think that this camera test might be a better option than waiting for a normal colonoscopy.

Swallowing the camera is also a lot less uncomfortable than traditional endoscopy, which involves sending a long flexible tube down the patients throat and into the esophagus.

The whole process was so smooth and so comfortable; it was literally pain free, patient Maryam Rad told Sky.

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Thousands of Patients Are Swallowing Tiny Pill-Cameras to Look for Cancer - Futurism

No one does retro-futurism better than Nicolas Ghesquire. The French creative director of Louis Vuittons womenswear has a quixotic vision that blends the past and future: its just as inspired by Japanese video games as Nouvelle Vague, 80s sci-fi as much as city-slicker tailoring; old-school haute couture as much as high-tech sportswear. Its what makes him the master of the genre-blurring sartorial collage; his collections are always a brilliant mash-up of past, present and future. For AW21, however, he took it one step further or should that be back and looked to classical antiquity, collaborating with Italian design company Fornasetti and staging his show in the Louvres Greco-Roman and Etruscan galleries.

Founded in 1940 by Piero Fornasetti, Fornasetti is the Milanese design house that incorporated the classical world into modern design its most famous creation is its plates, which feature the face of Italian opera singer Lina Cavalieri. It was postmodernism before the word existed, which makes it the perfect pairing for Nicolas, the designer who has juxtaposed references like no other. Nicolas excavated never-before-seen motifs and drawings from the firms 13,000-piece archive and set to task on turning them into accessories and cashmere coats, overlaying its antiquity-inspired prints onto high-tech thermal-camera imagery and laser-printing it onto luxe fabrics and glittering embroidery. As a designer who has always loved fashions ability to evoke the past, present and future simultaneously, I wanted to add new layers to this creative palimpsest, he said in the show notes.

What does that look like? This season, Nicolas played with the idea of frothy, smocked skirts and trophy parkas, creating bubbled silhouettes that were artfully spliced-together from myriad textures and his signature acrylic colours. Each outfit had plenty to look at, whether it was the cocoon-like silhouette of a satin bomber, digi-printed tunics and outdoorsy anoraks, or the slouchy, sculptural boots some with buckled toe straps, others in the style of Roman Gladiator sandals. Daft Punks Around the World set the tone for the models sauntering through the galleries, perhaps as a nod to Louis Vuittons associations with travel, but also because, well, the French DJ duo just split up, and its a house banger! The show ended with a tunic-style lurex dress (trs Tiberius) emblazoned with motifs of Roman busts, the model wearing it standing atop the Daru staircase, right underneath the Winged Victory of Samothrace. It brought to mind another famous fashion scene that took place in the exact same spot: a scarlet-clad Audrey Hepburn in the 1957 film Funny Face. It was a great note to finish the AW21 season on, one with a pertinent message: soon the past will be behind us and well be dressing for a bold, new future.

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Retro-futurism? Louis Vuitton AW21 was an ode to ancient-futurism at the Louvre - i-D

Image by Image via Pixabay/Victor Tangermann

Victor Smith, a 91-year-old man from Ohio, accidentally got two shots of the COVID vaccinein a single day.

The results werent great, according to local NBC-affiliated news station WLWT5.

His blood pressure at [one] point was 86 over 47 and so they could not administer Lasix which would help the fluid around the lungs because his blood pressure was too low, daughter Dawn Smith Theodore told WLWT5. They pretty much told me he was not going to make it.

According to Theodore, Smith felt extremely tired and fell after his first dose of the vaccine on January 22. While at the rehab recovering from the fall, he was scheduled to get another shot on February 25.

They transported him to get his shot, and when he came back, I spoke to him, he was good, and then at 3:45 p.m., I guess a city firefighter came in and said they have a shot for Victor, and the nurse said Victor Smith? and he said Yes so they gave him the room number and sent him to room 202 which is where my dad was, Theodore told WLWT5.

According to Theodore, they got the wrong Victor. The result: Smith got two more vaccine shots following his first in January.

After becoming quite sick, WLWT5 reports, Smith is now recovering.

The facility that was housing Smith placed the blame for the incident on first responders.

The individual was a patient of Jamestowne Rehabilitation where all vaccinations are completed by outside parties who are trained and appropriately certified, in this case the City of Hamilton Fire Department, a joint statement by the City of Hamilton and Community First Solutions, received by WLWT5, read.

Our thoughts are with the patient and his family as he continues his recovery, the statement continued.

Following the madness, at least Smith will be able to safely reunite with his children after his recovery, as per the CDCs latest guidelines.

READ MORE: Mix-up sends Hamilton man to hospital after getting two vaccines in one day [WLWT5]

More on COVID vaccines: CDC: People Who Are Fully Vaccinated Can Gather Indoors

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A Man Accidentally Got Two COVID Vaccines on the Same Day and It Was Not Good - Futurism

The suits that Iron Man makes in Avengers Mech Strike take clear inspiration from the 1980s and classic pop culture like the Transformers.

Warning: spoilers ahead for Avengers Mech Strike #2

The Avengers arent wearing Flock of Seagulls haircuts, but the mech suits Tony Stark builds for the super team definitely pull from 1980s style and pop culture staples like Transformers. The Avengers are facing biomechanoid monsters and need to match tech-for-tech, so Iron Man has given each of the founding members of the team their own mech suit.

Marvel Comics super team of the worlds mightiest heroes get a metal upgrade with each member getting their own personalized mech suit. Avengers Mech Strike #2 by Jed Mackay and Carlos Magno, borrows from the vaporwave aesthetic popularized in the 1980s beginning with the credits on page two. The main heroes are outlined in highlighter yellow on a spacey blue backdrop with the description and title in neon. The Avengers are facing an autonomous weapon sent from the future by Kang the Conqueror. The biomechanoids are intent on absorbing and converting matter into more mechanoid weapons.

Related: What The MCU's Avengers Would Look Like As Teenagers

Each Avenger mech suit lets its hero use their own distinct powers. Thor has a big hammer attachment to his mechs hand and the lightning doesnt seem to short out his suit. Thors mech also has a design that harkens to early Optimus Prime. The Transformers franchiseappeared in the '80s and its chief character, Prime, had a unique blocky design that marked the style as both of its time and a shade of futurism. Thors mech suit has a similar face shield to Prime and the same color scheme. Thors color pattern of red, black, blue, and gold was already similar to Optimus Prime before the Odinson got a mech upgrade. But his mech suit appears to pay homage to the old comics and cartoons in both design and color palette.

The 1980s are alive in this issue, with the vaporwave look of blazing colors exploding from each page. This is contrasted with the biomechanoids, which are ugly, fleshy monsters with random mechanical bits jutting out at odd angles. These monsters are similar to the deformed monster in The Fly, a David Cronenberg film. Cronenberg is iconic for his brand of body-horror that populated multiple '80s films with practical prosthetic monsters mashed together into fleshy blobs. The biomechanoids in this comic also seem inspired by Cronenbergs aesthetic in films like Scanners and Naked Lunch.

The Avengers mech suits all have distinctive characteristics of their heroes, but the big shoulders and blocky appendages would fit in with the toys from the '80s. Those classic toysshare similar chunky shoulders and geometric design that this comic owes its design to. The intentional inspiration from the '80s gives the story its own place by paying homage but maintaining originality. The plot doesnt seem to follow any memorable arc from a piece of '80s fiction. But the style is definitely indebted to the decade.

The dialogue doesnt have any of the corniness of '80s action movies, but Kang the Conqueror sure loves to monologue. After he dispatches Black Panther by disintegrating the Wakandan King, Kang reveals his plan to wear down the Avengers with the monsters sohe can come in and sweep the globe in his conquest. Whether thisminiserieswill continue to pull inspiration from the '80s is anyones guess. And the mech suits alone are enough to relate it to Transformers in the future. But from the outset this story combines the right art elements to capture the retrofuturist outlook of much of the 1980s.

Next: Transformers 10 Ways Michael Bay's Movies Strayed From Original Canon

DC Comics Reveals New Batman Villain, The Gardener

Full-time clerk, part-time writer and reading comics in any spare time.

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Avengers' Mech Suits Take Inspiration From the 1980s and Transformers - Screen Rant

"In that context, we sometimes call the asteroid belt the blood spatter of the solar system."Coming or Going?

The unknown origin story of the asteroid belt, a gigantic minefield of space rocks orbiting the Sun beyond Mars, has long fascinated and puzzled scientists.

Two leading theories that the asteroids are either the remains of a planet that was blown apart or the raw materials of a new world thats yet to form seem increasingly unlikely, Astronomy Magazine reports. Not because theyre outlandish, but simply because theres not enough stuff out there to make up a whole new planet. And even more importantly, the cosmos are too complex for that straightforward of an explanation.

It used to be kind of a simple story, but in recent years its gotten increasingly more complicated as we learn more about planet formation, Space Studies director at the Southwest Research Institute told Astronomy.

The annihilated planet hypothesis was put to rest when scientists analyzed various space rocks that made their way to Earth and realized that several had come from different sources, Astronomy notes, rather than one big planet. And theres no chance that they join together to form a new one. While the asteroids are extremely numerous, theyre also tiny far too much so to become a planet.

Its like tiny little crumbs, Astrophysical Laboratory of Bordeaux astronomer Sean Raymond told Astronomy.

However, its possible that the asteroid belt is made up, at least in part, of the remains of multiple fledgling planets that didnt finish forming before they were smashed into smithereens.

The full answer, most likely, is that the asteroid belt came from a variety of places. Theres the demolished planetesimals, cosmic wreckage from the formation of Jupiter and Saturn, and even the shrapnel of asteroids that smashed into the Earth that careened off.

In that context, Raymond told Astronomy, we sometimes call the asteroid belt the blood spatter of the solar system.

READ MORE: The asteroid belt: Wreckage of a destroyed planet or something else? [Astronomy Magazine]

More on the asteroid belt: In Its Dying Gasp, Our Sun Will Obliterate the Asteroid Belt

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Is the Asteroid Belt What's Left of an Obliterated Planet? - Futurism

In 2018, Shanel Campbell made a splashy debut during New York Fashion Week with a showcase that celebrated the depth and beauty of Black women. It was the Bronx native's first show since graduating from Parsons with an MFA a year prior, and since then her designs have been worn by the likes of Solange, Kelela and Issa Rae.

But Campbell's work goes beyond just fashion and its aesthetics. Her multi-disciplinary practice includes everything from photography to film, the latter of which she got to explore further for the film she debuted last fall as part of GucciFest's emerging artists programming.

This month, the designer debuted her second collection but first under her brand's new moniker Bed on Water, which encompasses art production and graphic design as well. Most of the party-ready looks glamorous fringe, sultry feathers, cutout dresses and pieces depicting $100 bills were shot on mannequins since she needed less people as possible on set due to the pandemic.

"This collection is much different from my last one," Campbell told PAPER over Zoom. "I was just trying to find my design identity more and what my personal interests were before I came out with this collection. In terms of the femmewear thing, I've been having a lot of moments where I'm unpacking my own gender and sexual identity. So I decided to call it femmewear instead of womenswear because clothing doesn't have gender."

This season was also about finding her own process as a designer. Being that her MFA program prioritized textiles as opposed to shapes and graphics, she felt there was a little bit of resistance to that process and that she had to find her own way of working post-grad. She also watched a lot of vintage documentaries and took screenshots of scenes she found compelling, eventually turning them into mood board.

"That's why I featured the mood board in the lookbook, because those types of things are things that I create personally that are moments that inspired the collection," she says. "Those mood boards are going to inform future things as well because it's content I don't think has been fully exasperated of all of its creative worth yet."

A lot of her influences come from the spiritual realm as well she cites things like ascension, nature and energy transfer as constant inspirations, in addition to her Caribbean background, Black history and afro-futurism. A lot of that starts with the critical visual and verbal research she conducts, resulting in work that melds new concepts, techniques and mediums.

"There's someone I used to talk to who opened me up to different concepts," she says of her early interests in spirituality. "Sometimes people find it when they're reaching a low point where all they have left is trying to just ground themselves and look to the earth for answers, because everyone around you is just not making any sense. So it's a combination of the universe talking to me and bringing me towards it and putting people in my life who were spiritual."

While the pandemic may have altered plans to show her futuristic femmewear in person, Campbell looks forward to when people will get to see the intricate details and graphics she's known for up-close. "I love the images we created and I love the collection as is, but in the future, I definitely want to make sure they're seen in person," she says.

Photos courtesy of Bed on Water

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Shanel Campbell Debuts Femmewear Collection for Bed on Water - Papermag

ITHACA, NY -- Founded in 1999 as a cooperative studio and gallery, the Ink Shop Printmaking Center is unique amongst Ithacas independent art spaces. While other galleries rely on a membership or stable of artists to fill out their exhibition calendars, the Shop taking advantage of the multiplicity and portability of the print medium highlights national and international printmakers and places them in conversation with those from Ithaca and Central New York.

Currently open to the public by appointment only, the Shop has been weathering the present health crisis by buckling down on its core identity as a working studio and planning for the future.

Open since last summer and extended through later this month (March 26), a pair of ongoing exhibits celebrate the Ink Shops commitment to its membership as well as its longstanding tradition of overseas commerce. Both Ink Shop Printmakers 20/20 Hindsight Portfolio and Limerick Studio Printmakers: 20 Years of Change represent the fruits of a portfolio exchange, made last year, between the Shop and an independent Irish print shop.

Most of the artists in the Ink Shop portfolio will be familiar in name and approach to longtime followers of local art. The diversity and technical sophistication of the Shops membership is as clear as ever, but the selections feel oddly both encapsulated and scattered. It isnt a show that stands on its own at least not any more.

Judy Barringers dark blue etching Beyond the Krmn Line the title refers to the boundary between the Earths atmosphere and outer space is characteristically rich and complex. Like an extract from a graphic novel, the piece unfolds across two panels: a cryptic explosion and placid asteroids, painterly effects played off of crisp outlines and cross-hatching.

Kumi Korfs color intaglio Chrysalis Baby displays a similar nuanced layering, embedding memories of nature in simplified abstract forms. Hunter Buck and Christa Wolf, also working in intaglio, explore varieties of gestural abstraction. Ian McCoys Past, Present, Potential, a black-and-white woodcut on an unfolded manila folder, unravels a configuration of geometric facets into a visionary landscape. Jenny Pope and Scout Dunbar both forego their customary exuberant color for near black-and-white. Popes woodcut Irish Elk and Great Auk and Dunbars transfer drawing Circus Pony the latter accented in colored pencil are characteristically irrepressible.

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The Limerick Printmakers portfolio, in contrast, ought to represent new vistas. That much of it feels over-familiar testifies to the homogeneity of much contemporary art worldwide. Much of the work displays a youth-oriented or pop aesthetic, perhaps more at home in T-shirt or poster design than in a formal gallery space. (Unlike the Ink Shop work, the Irish pieces here are unframed.)

Several artists do this quite well: with a welcome measure of elegance and wit. Carol Kennedys mixed media cyanotype An Alien in Lough Derg combines the familiar deep blue with a spattering of gold the decorative effect offsetting the intricate threads of a submerged jellyfish. Eva Byrnes silkscreen Are there clouds in the night-time? and ine Finnegans monoprint and collagraph CHANGE SLOW display a seemingly Japanese-inspired kawaii sensibility. Clodagh Twomeys Cornucopia, another silkscreen print, recalls a mid-twentieth-century pop futurism.

Still, some of us long for an art of greater imaginative and expressive depth one attempted by only a few of the Limerick artists here.

David Lilburns What will I think tomorrow? is the most compelling of these by a good measure. Combining drypoint in dark brown with patches of faint blue watercolor and playful additions a U.S. flag stamp among them in chine-coll, Lilburn creates an evocative picture map of his city. The scene is full: little architectural vignettes, caricatures of people and animals, symbols of terrain and travel.

Given the etiolated condition of the local exhibitions scene and the continuing struggles of the artists and organizations that work to make it happen, these two modest shows can best be taken as a kind of institutional memory. Planned in advance of the current pandemic, they testify to longstanding ways of doing things that perhaps need to be reconstructed if not radically rethought. Too, they offer a welcome reminder of exactly what weve been missing.

For those unable to visit the gallery in person, a virtual presentation of these shows can be found at https://ink-shop.org/exhibits/.

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Ithacas Ink Shop trades prints with Limerick Studio in Ireland to celebrate their shared birth year - ithaca.com

The STEM Read Podcast: CRISPR, COVID, and Pure Curiosity with Walter Isaacson and Mike Jones (Feb. 12, 2021)

On this episode, host Gillian King-Cargile (@gkingcargile) explores the gene editing tool CRISPR, used to create the breakthrough mRNA vaccines for COVID-19. First, she talks with biographer Walter Isaacson (@WalterIsaacson), author of Leonardo da Vinci and Steve Jobs, about his new book The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race. The book chronicles the discoveries surrounding CRISPR and the brilliant scientists racing toward publications, patents, and prizes.

Next, Gillian talks to Mike Jones (@StemNinja), a science teacher at the Thomas Metcalf School in Normal, Illinois. Jones 8th grade class just spent six weeks studying everything from CRISPRs molecular structure to its implications for medical ethics. Well also hear from some of his students, who will share their thoughts and insights on how CRISPR could edit humanitys future.

The STEM Read podcast is produced in association with WNIJ. Support for the STEM Read podcast comes from NIU STEAM and Northern Illinois University.

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The STEM Read Podcast: CRISPR, COVID, and Pure Curiosity with Walter Isaacson and Mike Jones - WNIJ and WNIU

April is National Poetry Month and what better way to celebrate than with a panel discussion with Boston Poet Laureate Porsha Olayiwola, former Boston Poet Laureate Danielle Legros George, Brandeis Visiting Poet-in-Residence Chen Chen, and UMass Amherst MFA Program Director Dara Weir. They will discuss diversity in contemporary poetry and how poets use their art form to respond to the world around them.

Join GBH, in collaboration with Mass Poetry, on April 12, 2021 for a LIVE conversation with our panel of local poets. They will take your questions live, talk about their approaches to poetry and the narrative aspects of their work.

A general admission ticket ($25) includes access to the Zoom webinar discussion and a special digital collection of curated poems from the panel. Registrants will receive the collection by April 1, leaving plenty of time to enjoy the poems that will be discussed as part of the event.

If poetry is your passion and you want to support GBH at the same time, please consider our Poetry Bundle ticket ($100) that also includes the printed collections of each poet featured at the event. Quantities are limited and delivery may take several weeks.

Do not hesitateregister now for what is sure to be an educational and inspiring discussion.

Participating Poets:

Chen Chen

Chen Chen is the author of When I Grow Up I Want to Be a List of Further Possibilities, which was longlisted for the National Book Award and won the A. Poulin, Jr. Poetry Prize, the GLCA New Writers Award, and the Thom Gunn Award for Gay Poetry. The collection was also a finalist for the Lambda Literary Award for Gay Poetry and named one of the best of 2017 by The Brooklyn Rail, Entropy, Library Journal, and others. His work has appeared in many publications, including Poetry, Tin House, Poem-a-Day, The Best American Poetry, Bettering American Poetry, and The Best American Nonrequired Reading. Chen earned his MFA from Syracuse University and is pursuing a PhD in English and Creative Writing as an off-site Texas Tech University student. He lives in frequently snowy Rochester, NY with his partner, Jeff Gilbert and their pug dog, Mr. Rupert Giles. Chen is the 2018-2020 Jacob Ziskind Poet-in-Residence at Brandeis University.

Danielle Legros Georges

Danielle Legros Georges is a writer, translator, academic, and author of several books of poetry including The Dear Remote Nearness of You, winner of the New England Poetry Clubs Sheila Margaret Motten book prize. She is a professor in and director of the Lesley University MFA program in Creative Writing, and taught in the Joiner Institute for the Study of War and Social Consequences Writers Workshop, at the University of Massachusetts, Boston for more than a decade. Her awards include fellowships from the Massachusetts Cultural Council, the Boston Foundation, and the Black Metropolis Research Consortium. The Massachusetts Artists Leaders Coalition recognized her civic work with a Champion of Artists Award in 2017. She was appointed the second Poet Laureate of the city of Boston, serving in the role from 2015 to 2019. Her most recent work is a book of translations from the French, Island Heart: The Poems of Ida Faubert, published by Subpress Collective in 2021.

Porsha Olayiwola

Black, futurist, poet, dyke, hip-hop feminist, womanist: Porsha is a native of Chicago who now resides in Boston. Olayiwola is a writer, performer, educator and curator who uses afro-futurism and surrealism to examine historical and current issues in the Black, woman, and queer diasporas. She is an Individual World Poetry Slam Champion and the artistic director at MassLEAP, a literary youth organization. Olayiwola is an MFA Candidate at Emerson College. Porsha Olayiwola is the author of i shimmer sometimes, too forthcoming with Button Poetry and is the current poet laureate for the city of Boston.

Dara Wier

Dara Wier is the author of nine collections of poetry. She teaches at the University of Massachusetts, Amherst. The Harvard Review describes Wier's poems this way: "many of Weir's stanzas draw a reader away from a recognizable world into one in which women waltz with bears, houseflies chat with colonels, and the absence of sound makes a material presence." Her most recent book is Reverse Rapture (2005), published by Verse Press.

Special thanks to our event partner:

Mass Poetry

Special thanks to the City of Boston for facilitating scheduling for Porsha Olayiwola

By registering for this event your email may be shared with Mass Poetry.

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The Power of Poetry (Virtual) - wgbh.org

It sounds ridiculous but it just might work.Fishy Situation

A team of French scientists has a pressing concern. When the European Space Agency constructs its planned Moon Village, what exactly are the astronauts supposed to eat?

Thankfully, they have a plan: farming fish on the Moon using live eggs shipped from Earth and water harvested from the lunar surface, Hakai Magazine reports. It sounds outlandish to consider raising animals on the Moon in the nearish future, but at the very least the scientists found that the fish could survive the trip, offering a glimpse of hope that astronauts will get to eat more appetizing meals than pre-packaged food from Earth.

To test the idea, scientists from the Montpellier University Space Centre and the French Research Institute for Exploitation of the Sea (IFREMER) packed seabass and meagre eggs which they felt were hardier than adult fish into instruments that vibrated and shook them to recreate the experience of blasting off in a Russian Soyuz rocket. Impressively, 76 percent of the seabass eggs and 95 percent of the meagre eggs still hatched,according to the study they published in the journal Aquaculture International last year numbers comparable to the eggs that werent shaken at all.

It was completely crazy, IFREMER scientist and lead researcher Cyrille Przybyla told Hakai. The environment was very hard for these eggs.

Aside from the dietary benefits, the researchers also think that their proposed lunar fish farm will make life in the Moon Village more enjoyable, as it could serve as a reminder of home.

From the psychological point of view, its better to have a reminder of Earth, Przybyla told Hakai, you have a garden, you have a tank with fish.

READ MORE: The Plan to Rear Fish on the Moon [Hakai Magazine]

More on space food: NASA Let Astronauts Feast on Space-Grown Vegetables

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Scientists Suggest Farming Fish on the Moon - Futurism