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Category Archives: Futurism

Zaha! : Zaha Hadid, of All People, Will Design a Human Rights Institute

Posted: October 11, 2014 at 1:42 pm

Controversial starchitect Zaha Hadid just unveiled renderings for the Sleuk Rith Institute in Phnom Penh, Cambodia, presenting a slight departure from her signature colorless blob futurism. Instead, the future home of some one million archival documents of the Khmer Rouge era will be five wooden towers inspired by ancient Cambodian temple sites.

The towers, to be built from locally-sourced timber, will be distinct spaces on the ground level. But the higher you go, the more the towers will "interlock" to encourage more interaction among different components of the institutionwhich in addition to the massive archive, will also include a media center, library, and graduate school, all dedicated to preventing human rights atrocities in the future.

In all it's an interesting project for Hadid, who's been embroiled in a string controversies of late. Her name has been dropped in connection to forced evictions in Azerbaijan (to make room for the construction of her Heydar Aliyev building), deplorable labor conditions in Qatar, and Olympic stadiums that are, in the words of petitioning architects, "overwhelmingly large for the context." That's not even mentioning the fact that she's got a lawsuit going against a critic. This is all to say thatwho knows?perhaps this project is an attempt to ameliorate her public image. Anyway, it looks pretty cool:

Renderings via ArchDaily

Renderings via ArchDaily

Renderings via ArchDaily

Renderings via ArchDaily

Renderings via ArchDaily

Zaha Hadid Designs Five Wooden Towers to House Cambodian Genocide Institute [ArchDaily] All Zaha! posts [Curbed National]

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Vertigo: A Century Of Multimedia Art From Futurism To The Web – Germano Celant – Video

Posted: October 10, 2014 at 5:40 am


Vertigo: A Century Of Multimedia Art From Futurism To The Web - Germano Celant
Book Summary: Vertigo: A Century Of Multimedia Art From Futurism To The Web - Germano Celant ISBN: 9788861305625 Share the book of your favorite author. See more ...

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Futurism – Flaminio Gualdoni – bluecoffeeandbooks.com – Video

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Futurism - Flaminio Gualdoni - bluecoffeeandbooks.com
Book Summary: Futurism - Flaminio Gualdoni ISBN: 9788861305366 Share the book of your favorite author. See more http://www.bluecoffeeandbooks.com http://www.youtube.com/subscription_cente...

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Futurism – Sylvia Martin – bluecoffeeandbooks.com – Video

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Futurism - Sylvia Martin - bluecoffeeandbooks.com
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In Defiance Of Painting: Cubism, Futurism And The Invention Of Collage – Video

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In Defiance Of Painting: Cubism, Futurism And The Invention Of Collage
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Lucie Greene Joins JWT as Worldwide Director of JWTIntelligence

Posted: at 5:40 am

NEW YORK, NY (PRWEB) October 09, 2014

JWT announced today the appointment of Lucie Greene as Worldwide Director of JWTIntelligence. Greene will be responsible for driving JWTs consumer insights and trends-focused initiatives, adding bench strength to the agencys trends unit, JWTIntelligence. She will join the agency in October and be based in New York while reporting to JWT Worldwide Planning Director Guy Murphy.

Joining JWT from LS:N Global, the forecasting division of leading London-based trends consultancy The Future Laboratory, Greene brings more than a decade of experience exploring emerging shifts in lifestyle and consumer behavior for both international publications and brands. During her time at The Future Laboratory as the editor of LS:N Global, Greene led a team of researchers that forecast trends for clients including Google, Marks & Spencer, LVMH, Westfield, H&M, Nike, Pernod Ricard and Este Lauder, among others.

Lucies experience is a strong complement to JWTs longstanding and highly respected trends unit. She will deepen our understanding of cultural shifts and drive innovation possibilities for our client brands, said Murphy.

Greene is a well-respected journalist and editor. Prior to joining The Future Laboratory she was a regular contributor to titles including The Financial Times, Womens Wear Daily, Vogue UK, Elle Decor UK and The Telegraph, and worked with clients including LVMH, Richemont Group and Space NK on branded content projects. She started out as a reporter for Womens Wear Daily and still contributes to the Financial Times.

During her time at The Future Laboratory, Greene presented for leading international organizations including Este Lauder, FitFlop, Virgin, Rolls-Royce, Ralph Lauren, and Soho House Group on trends, and led strategic content partnerships with Retail Week Live and Cosmetic Executive Women. She has also consulted as an expert on various bespoke projects for The Future Laboratorys consultancy division.

She has also been featured as an expert on trends and consumer insights on CNBC and Brand Republic television, and quoted by CNN as well as The New York Times, Bloomberg Businessweek, The Sunday Times, The Guardian UK and Newsweek, among others.

Commenting on the new role, Greene said, Im thrilled to be joining JWT at this exciting time. JWTIntelligence has established a culture of futurism, trends and consumer insight at JWT. Im looking forward to building on this even further, working with JWTs new and existing clients to create innovative, inspiring and future-facing platforms and strategies. JWT has always been regarded as a pioneer in its field and Im proud to be joining such an iconic company.

ABOUT JWT JWT is the worlds best-known marketing communications brand that has been inventing pioneering ideas for the past 150 years. Headquartered in New York, JWT is a true global network with more than 200 offices in over 90 countries, employing nearly 10,000 marketing professionals. JWT consistently ranks among the top agency networks in the world and continues a dominant presence in the industry by staying on the leading edgefrom producing the first-ever TV commercial in 1939 to developing award-winning branded content today. For more information, please visit http://www.jwt.com and follow us @JWT_Worldwide.

ABOUT JWTINTELLIGENCE JWTIntelligence is a center for provocative thinking that focuses on identifying shifts in the global zeitgeist. Its aim is to bring the outside into help inspire ideas beyond brand, category and consumer conventionsand to identify emerging opportunities so they can be leveraged for business gain. As a part of JWT, the worlds best-known marketing communications brand, JWTIntelligence has conducted trends research and analysis across categories and geographies for nearly a decade. For more information, please visit http://www.jwtintelligence.com and follow us @JWTIntelligence.

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Futurism – Richard Humphreys – bluecoffeeandbooks.com – Video

Posted: October 8, 2014 at 7:40 pm


Futurism - Richard Humphreys - bluecoffeeandbooks.com
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Nuclear Futurism – Liam Sprod – bluecoffeeandbooks.com – Video

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Listen: Toby Gale – 'Air Bones'

Posted: October 7, 2014 at 6:40 pm

Ever off-kilter, Slugabeds sense of humour masks an ability to uncover raw but wildly unpredictable new talent.

The producers Activia Benz imprint acts as a hub for such producers, with new signing Toby Gale making ears glisten round these parts with his latest slo-mo, fluoro-enhanced synth jammer.

New cut Air Bones billed as their most twinkly lovely release yet has a gorgeous, near 16-Bit sense of nostalgia. Alongside this, though, theres a sci-fi futurism, a sense of the hyper-real to recall Night Slugs.

All slumped rhythms and choked samples, Air Bones continually billows outwards before collapsing under its own glitter-enhanced weight. Slugabed perhaps sums the track up best: [The EP] has a dreamy feel.Its a bit like when you ridethe horse around at nighttime on Ocarina of Timeand theres no one aroundand you feel very blissful.

Check out Air Bones below.

(via FACT)

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A Farewell to Epcot's Norway Ride: How Fake Experiences Shaped My Life

Posted: at 6:40 pm

I've never been to Norway. I guess it's supposed to be like Minnesota, but with more fjords and trolls or something. But you know where I have been? Epcot. Which is kind of the same thing. Right?

Yesterday, the Epcot attraction officially known as Maelstrom (more commonly just called "the Norway ride") carried its last visitors. The ride is getting replaced with a new attraction based on the smash hit Disney movie Frozen. I guess because snow. Oh, and vertical integration.

The Norway ride took you through some bizarre version of Norwegian history and mythology. You'd float past audio-animatronic vikings, scary three-headed trolls, and enormous oil rigs. Eventually you'd be dumped into "modern Norway" and an auditorium where you could watch a movie made in the 1980s about how great Norway is.

Epcot nerds all have different opinions on the closing of the Norway ride. Many, like myself, are a bit upset to see a beloved ride from our childhoods close down. Others invoke Walt Disney's famous words about Disneyland (the one in California, since he didn't survive to see the one in Florida built): "Disneyland will never be finished." The implication being that we should never feel bad when a Disney attraction gets a reboot that's what Uncle Walt would've wanted.

Outsiders, if they care at all, are no doubt just happy the Disney-fication of some strange experience is dead. Because Disney's version of Norway was about as representative of the country and its culture as anything else Disney does. Which is to say, not very accurate at all. But does that matter?

The three-headed troll of Maelstrom (circa 1991)

The closing of this ride is causing me to confront a strange aspect of my childhood, and I guess the way that I view the world overall: most of my experiences in life have been hyper-real imitations of the authentic thing. Which isn't so much an existential crisis as the logical conclusion of 20th century consumer capitalism.

As I said, I've never been to Norway, but a quick exploration of 1970s and 80s futurism will show you that this wasn't supposed to matter by now. The past is littered with predictions that the future would be filled with simulated experiences that make geography and history itself irrelevant. You don't need to look much further than the pages of The Futurist magazine or the 1973 film Westworld.

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