Category Archives: Trance

Donald Trump uses hypnosis as his "secret weapon" to win people over and to get voters to believe his words, an expert has claimed.

Lisa Morgan has spotted a number of popular techniques in the addresses he's made since moving into the White House and claims his handshakes with politicians, including Theresa May, "knocks them off guard".

Speaking to The Mirror, Lisa explains how the 45th President uses emotion, vagueness and "sing-song delivery" to shift people further into a dreamy state.

She explains: "Hypnosis is Trumps secret weapon. He has used it from the start.

"He uses hypnotic handshakes other under-the-radar hypnosis tricks he uses to win people over.

"Remember those weird handshakes that he gave politicians like Theresa May and even the Queen? The put people into a short trance. It's jerky push and pull knocks them off guard.

"Their minds go blank and at that point Trump mutters a hypnotic suggestion.

"He tried it on when shaking the hand of US governor of South Dakota, home to Mount Rushmore: Do you know its my dream to have my face on Mount Rushmore he told her.

"That suggestion failed but many have succeeded only too well.

"Trumps rallies are similar to a hypnotists show. The crowd wait through hours of rhythmic music and sometimes hypnotic films in which Trump, in silhouette, is shown with military, warlike images, backed by jarring soundtracks full of crashes, bangs and whistles.

"He is depicted as their leader supreme. Many of the crowd are already in a trance before he appears.

"When Trump speaks, hypnotic suggestions are hidden in waffle.

"His sing-song delivery shifts people further into a dreamy state. He marks his key commands through subtle emphasis and repetition, saying what he wants people to absorb, over and over again.

"Artful vagueness is a style of hypnosis in which Trump excels.

"As well as repeating words, Trumps language is often vague. Listeners have to make up their own minds what he means, so that his thoughts become theirs.

"The result is that he cant be blamed if they do something illegal. He can claim that his speech was appropriate like he did when the crowd attacked the Capitol or that his phone call to the President of Ukraine trying to bribe him to dig dirt on Bidens son was perfect.

"For Trump his priority is managing how people feel about him. He uses emotional words like love, good, beautiful about himself and his fans while using nasty, weak and fake about his enemies. He tells rambling stories, with emotional suggestions woven through them.

"This helps him build strong feelings of loyalty in his supporters.

"For Trump to manage listeners feelings successfully, inconvenient facts are ignored or distorted. In other words, he tells them lies.

"Another hypnosis trick he plays is misdirection. Remember Greenland? When the press could have written about the suicide of his paedophile friend, Jeffery Epstein or several mass shootings, Trump announced he wanted to buy the largest island in the world.

"Trump has made no secret of his goal to have what Putin and Xi, President of China have the job for life.

"His hypnotic suggestions primed his followers to fight for him to be president for life, aka their king."

Lisa focuses on Trump's use of hypnosis in her book, Comply with Me: Trumps Hypnosis Toolkit Exposed.

Last year, she predicted that he would "up the ante and take more outlandish steps to hold onto power.

She writes: "By January 6th, after hearing thousands of repeated claims that the election had been stolen, the rally crowd were convinced and ready to help Trump to stay on as president. In his 'Stop the Steal' rally speech he repeatedly told the crowd how much he loved them and at the same time he fired them up.

"He was often vague. Being peaceful, only mentioned once, was not stressed, but "fighting"was.

"Trump told them: "And we fight. We fight like Hell and if you dont fight like Hell, youre not going to have a country anymore".

"In total, Trump repeated the word fight 17 times, along with repetition of fought, reinforced by a stage-managed chant of Fight for Trump yelled a dozen times.

"By now the crowd knew what they were to do. They had been programmed.

"Of course, there were loyalists who had come prepared for battle, but this speech reinforced the combative message and carried many other Trump fans along towards the Capitol with them.

"Hypnosis in the right hands can be a force for good. It can help people relax, gain confidence get rid of habits, relieve pain and live more fulfilling lives.

"When Trump uses hypnosis, he pays no attention to the consequences the impact on those he deceives.

"Thousands of peoples peaceful lives are now threatened because they believed him, perhaps because they didnt wear a mask or, for many, marched in a trance to attack their own government building."

For more information about Lisa's work and to get a copy of her book visit lisa-morgan.co.uk futureseeing.com or see her YouTube page.

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Donald Trump's 'hypnotic handshake' and 'secret weapon' he uses to win people over - Mirror Online

One World Radio is celebrating a milestone with the 50th edition of the Tomorrowland Friendship Mix this week 50 hours of unique dance music catering to all genres from trance and techno to house and future bass and everything in between.

The planets biggest names in electronic music including Adam Beyer, Charlotte de Witte, David Guetta, Dimitri Vegas & Like Mike, Klsch, Martin Garrix, Steve Aoki, Tisto and many more have graced Tomorrowlands One World Radio with their own uniquely curated 1-hour Tomorrowland Friendship Mix, each week filled with brand-new and unreleased records, all-time favorites and iconic tunes.

This weeks special anniversary edition has been put together by Brazilian superstar Alok. Having wrapped up an explosive 2020 filled with releases and collaborations, the talented DJ & producer had the honor of putting together the 50th Tomorrowland Friendship Mix a 19-track birthday gift with a mix of his own releases and some of his favorite songs at the moment by Dua Lipa, Meduza, HUGEL and Bhaskar.

Listen to the mix below.

Founder of Rave Jungle. Part time writer, full time raver. A lover of most electronic music genres, with a special taste for Deep House and Techno. Get in touch with me via email.

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One World Radio celebrates a milestone with 50 Tomorrowland Friendship Mixes - Rave Jungle

Electronic Dance Music first began to take shape in the early 1980s. It was the decade of synthesizers and other technological advancements that spurred the creation of new music. In fact, it has come to define many genres of music. At the time, many music producers were beginning to see the potential of DJ mixes as a method to increase the club experience. However, with the advent of sampling and other new methods of audio recycling, the DJ became somewhat obsolete.

Today, electronic dance music continues to thrive, and even more artists are beginning to explore new ways to make it grow even further. Electronic dance music is basically electronic music which is predominantly produced for use in clubs, raves, or anywhere that is focused on electronic dance-based music. This is typically where a DJ put together a consistent, eclectic selections of songs which progresses from one song to the next in a smooth, continuous transition or seamless mix. Many DJs have emerged as legends because they were able to combine multiple styles and use them all over the club or radio station.

Some electronic dance music is created specifically by an artist. For example, Swedish House Mafia has made quite an impact because of the incredible music selection they have made. Other acts also have a hand in establishing trends in electronic dance music. For example, trance legend Kraftwerk took electronic dance music to the masses with their unforgettableMachines album. Their Hurt album went on to become an even more popular album of the decade.

There have been other artists that have had a profound impact on electronic dance music. One of these would be the rave-up group dubstep. This particular style of electronic dance music is extremely popular with many youngsters today. In fact, many people often compare it to reggae because of the drum programming and the use of complex dance routines. The first dubstep single that came out was the epic Reckless and Dangerous, although it has taken some time for it to reach the peak of popularity.

Another group of artists who were key players in the development of modern day electronic dance music are the producers of jungle and hip-hop. These producers influenced the sound of countless clubs throughout the world in the early to mid 1980s. Though this form of dance music has not remained static, it has definitely evolved through the years. Dubstep, jungle, and hip-hop each achieved major popularity during this time.

Today, even though electronic dance music continues to evolve and change, certain elements of it continue to appear. For example, many clubs and parties feature a set list of popular dance songs which is constantly changing. The list changes on a weekly or monthly basis depending upon who is booking the venue. New trends may come up and old favourites may be brought out again. These songs have become an integral part of electronic dance music.

Another important part of electronic dance music is the production of the music. The production techniques which are used will vary from artist to artist. Though some producers use the traditional format of sampling keyboards and playing chords on the keyboards, others may use new and innovative techniques. Some use only one instrument, while others may use a large number of instruments. The mixing techniques employed will also differ from producer to producer.

Electronic dance music has gone through many changes over the years. It is now evolving into other forms such as house, techno and urban. However, the most popular form of dance music is still break dance. It can be described as an amalgamation of breakdancing and hip-hop. Other styles include ballroom dancing, meringue, ballet and Latin-inspired dances.

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Electronic Dance Music In The 1980s - One EDM

It has been 5 years since the talented BEC started making a name for herself. Now, BEC is starting 2021 with a hypnotic 3-track EP Psilocybin Therapy out on beloved German techno icon Monika Kruses illustrious Terminal M imprint.

BEC kicks off her EP withPsilocybin Therapy. This track is a fantastic, gritty, dark trance techno track. The moment the hypnotic call and response vocal riff hits you, you cannot stop moving. Overall, Psilocybin Therapy houses a direct kick and a trance-laden synth lead. It is all too fitting that this titular track champions all of the qualities this Brighton-born producer can muster.

In Energyshe highlights the meditative sensibilities of militant percussion, unearthing an ethereal experience for anyone who has the pleasure of listening. The fluctuating drone-style synth and airy vocal chop bolster the tracks motive to another level. In short, this is the ear candy we expect from BEC.

For the EPs final chapter, Egbert steps up to remixPsilocybin Therapy. Staying true to many of the originals intricate sound design elements, the Dutch producer steers the cut into heavier techno waters. He reworks the track with some percussion and extended synth lines. Consequently, the track has a dark atmosphere that is a great addition to this gritty EP.

Overall, BEC possesses a certified mastery for euphoric techno anthems. All of her early releases are chartered at the circuits top-charting imprints, such asDrumcode,Second StateandIntec, to name a few. Starting the year with a release on the famous label Terminal M shows us that BEC is here to stay. We can only wait patiently for the other masterpieces she will release in the near future.

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BEC Kicks Off 2021 with Psilocybin Therapy EP - The Nocturnal Times

CLAREMONT, California The 17th annualConference of Current Pagan Studies ran from Jan. 16 to Jan. 17. Due to pandemic restrictions, the conference was conducted solely online via Zoom, with no in-person component.

The conference focused on how the years changes affected the Pagan communities. COVID-19 had the greatest impact. At any given time, the number of attendees ranged between the 50s and the 60s.

Organizers separated the conference into four sections and two keynote addresses. Each section consisted of several presentations. Summaries of some of the presentations follow.

Melissa Harrington felt that online rituals could provide a way to examine ritual dynamics. The experience of ritual in cyberspace could change a Pagan understanding of sacred space and trance work. None occur on the physical plane.

According to Harrington, healing rituals showed that energy could travel. The person seeking healing seldom shared the same physical space as those doing the healing.

Many people reported problems with group chanting and singing. In a face-to-face ritual, these group sounds created social cohesion. In online meetings, the sounds of song or chant may lack synchronization, causing disharmony.

Several people mentioned the lack of physicality as a deficit of online rituals. Harrington interviewed one person who said, I miss the sweatiness of the circle.

Harrington said that online rituals worked better for introverts than face-to-face rituals. She reported that people on the autism spectrum have found online rituals difficult.

James Pigeon Fielder noted the presence of class issues in online rituals. People need access to computers, cell phones, and cams. In contrast, Harrington stated that online rituals and conferences removed the barrier of travel time and costs. She said that without the online format she could not have come to this conference.

Murtagh anDoile examined the impact of COVID-19. He conducted interviews across traditions and generations.

In southern New England, anDoile reported that a group had set up a large outdoor area for ritual. They held socially distant, masked rituals. Only the priest and priestess went without masks.

A group in Seattle did something similar. The Minoan Brotherhood found online ritual impossible. One coven/circle became a quarantine pod. Some groups stopped doing rituals and now, only do online classes. ADF broadcast some rituals on YouTube.

anDoile reminded people that Pagan online rituals began before COVID-19. People in covens or circles move out of the area. Sometimes those covens/circles have used online rituals to retain those members.

According to anDoile, some interviewees experienced division in online rituals. Those with formal roles became ritual participants. Those with no formal roles became ritual voyeurs. The more professional and polished the video, the greater this division became.

Jeffrey Albaugh spoke about Pagan practice from his experience in theater. He explained that sense of division. Some online rituals stress performance with staging and camera angles. Those rituals resemble the passive experience of watching a movie or a TV show.

Pagan author, Diana Paxson described her expectations for 2020. She said, 2020 was supposed to be the year when every month I was supposed to go to a conference or festival. Her plans changed. She described 2020 as an endless weekend of quarantine. Paxson reminded people that the story of contemporary Paganism is the story of change.

In her address, Paxson alternated between two voices. One voice spoke in a standard conference presenter tone. The other voice spoke from deep within sacred space. She moved between the two voices effortlessly. She also quoted Dylans The Times, They are a-Changing.

Paxson suggested using of the symbols of the U.S. civil religion to challenge domestic terrorists. She noted the appropriation of heathen symbols among the people attacking the Capitol. In contrast, she asked, if Pagans could, and should, work magic with symbols of the U.S. civil religion.

In the ancient Roman civil religion, people burned incense as an offering to the Emperor. Paxson argued that Roman Pagans would burn incense to the Emperors higher self. They did not sacrifice to his living being with all his flaws.

U.S. Pagans could do something similar with U.S. symbols. The U.S. flag has accumulated spiritual power over the years. Troops fighting against Nazis and the Confederacy carried it. Other troops, however, carried it when they seized land and massacred Native Americans.

Paxson argued that U.S. symbols contain more than its flaws. Modern Pagans could work with U.S. symbols with the intent of strengthening their higher ideals. Those higher ideals include democracy, liberty, and justice for all.

Paxson closed with, The time for talk is ending; the time for work has begun.

Angela Puca reported on The TikTok Witches. TikTok, a relatively new social media platform, features one-minute videos. These videos range from dance moves to concise explanations. While largely designed for smartphones, TikTok can also be accessed using a desktop computer.

A community of witches has developed on TikTok. They produce one-minute videos that explain a single aspect of witchcraft. Their videos have focused on making a potion or casting a spell.

The Witches of TikTok appeal to younger witches and people new to the craft. Some older witches produce TikTok videos, but it leans to the young side. These videos stress reading books besides watching the videos. Puca described their message as, If I can do this, you can do this.

A new vocabulary has emerged from the Witches of TikTok. Baby witches refer to people just getting into witchcraft no matter what their age. Several conference attendees found that term disempowering and infantilizing. Cottage-core refers to a sub-culture with an idealized view of rural life.

Nancy Meyer presented on re-mything. She argued that the modern, secular world lacks the gravitas of sacred myths handed down over centuries. Instead, it has calcified texts with fixed meanings.

In contrast, the stories of the ancients changed over time and with locations. For example, in Dionysia, Greek poets reimagined the living myths of the Greek world. Those re-imaginings fostered debates about the ancient Greek world.

Re-mything would involve looking at classic myths from different perspectives. These re-imaginings would foster debate about the modern world.

According to York, Paganism has no concept of evil. Under animist theory, all things, including viruses, are living beings. If all life is divine, then a virus also partakes of the divine.

He said, As Pagans, we may not like it, but we have to accept it. He quoted Howard Zinn, human history is not only [a story] of cruelty, but also of compassion, sacrifice, courage, [and] kindness.

COVID-19 has ravaged the most vulnerable and least powerful. When someone from the audience questioned York about this, York replied We are all in this together, none of us are immune. It will hit everyone.

Heather Greene spoke on Witch Waves in American Narrative Film and Television. Greene examined the relationship between practicing Pagans and how Witches appear in film and TV.

Greene identified three periods of intense focus on witches in US film and TV. Each period lasted for roughly ten years. About twenty years separated each period. Greene argued that the narrative of the witch in US film is the narrative of the American woman. Each wave reflects anxieties about womens role and power.

The first wave ran from 1968 with Rosemarys Baby to 1978. The second wave lasted from 1987 with The Witches of Eastwick to 1998 with Practical Magic. The third wave has lasted from 2011 with American Horror Story to the present.

[Editorial Note: Greene is the former managing editor ofThe Wild Hunt.]

Mark Green presented on Atheopaganism. An atheist since birth and a Pagan for 30 years, he defined Atheopaganism in opposition to hard polytheism. The latter considers deities to be distinct, conscious beings, with independent personalities. The former is a non-theist tradition. It includes people who reject deities as well as those who view deities as metaphors or archetypes.

Atheopagans have organized on the internet. They accept the universe as described by peer-reviewed science. The practice of Atheopagans involves small, intimate gatherings, and ritual workshops. It also includes a monthly book club and circles on Facebook.

A non-scheduled sub-theme involved political polarization on familial, social, and Pagan networks. No good answer emerged.

York, like Paxson, spoke about the history of the Pagan revival. This engendered a discussion of the need for a Pagan oral history project.

This conference provided a forum in which to explore those changes that COVID-19 wrought. It also introduced many present to TikTok and its Witches. James Pigeon Fielder gave a fascinating presentation on the relationship of online gaming to ritual space. Unfortunately, that complex presentation could not be summarized in this space. Intellectually stimulating, this conference offered another way to look at modern Pagan practice.

Link:

Report from the 17th Pagan Studies Conference | Living, News, Paganism, US, Witchcraft, World - The Wild Hunt

When we think of trance the first name that comes to mind is Armin van Buuren. His incredible career has been dedicated to solidifying this musical genre and spreading it around the world with an unparalleled charm, only possible by Armin. A key piece in the consecration of Armin van Buurens trance is undoubtedly the radio show A State Of Trance. It seems impossible, but the genesis of this mixshow dates back to 2001. Twenty years later, the name ASOT is recognized by the whole industry and by all consumers of electronic music, especially by fanatics of a more progressive sound. Armins relentless ear has always brought the best tracks to the radio show and revealed many rising artists. Over these two decades, the weekly show has brought us the best of trance and now its time to celebrate a very important milestone: episode 1000.

Now with less than two weeks to go, Armin van Buuren shares with his fans a playlist of 950 tracks that belong to the top 1000 of all-time trance songs of the radio show. The last 50 tracks will be revealed during ASOT1000. Armin couldnt resist building some suspense over the celebrations of this amazing landmark in his path.

Today I revealed the all-time @asot TOP 1000 list, except for the last 50, you'll find out about those during episode 1000 on January 21st! The non-stop countdown stream starts right after #ASOT999 this Thursday 10PM CET. Find the first 950 titles here: https://t.co/FhdmKI0lWQ pic.twitter.com/pKPs5e9Fp8

Armin van Buuren (@arminvanbuuren) January 11, 2021

The 1000 episode takes place on January 21, but until then, a lot of trance will take place. The celebrations begin right after the end of episode 999 and only end with the arrival of the milestone episode. Armin van Buuren will be counting down the top 100 in a weeklong streaming event co-hosted by Ruben de Ronde and the show acclaimed resident Ferry Corsten. The stream will feature the most popular ASOT played records based on the fans votes, year mixes, exclusive interviews and fan videos to the official countdown. So that you dont miss a bit of this, tune in from January 14 at 10:00 pm (CET) until January 21 at 5:00 pm (CET) when the 1000 episode begins. You can follow the streaming live on A State Of Trance Twitch and YouTube channels.

The powerful and monumental all-time playlist contains 950 tracks that marked all these years of ASOT radio show. These are songs that certainly say a lot to all those who have been following this incredible journey next to Armin. The list features well-known names from the trance scene like Paul van Dyk, BT, Above & Beyond, rjan Nilsen, Jorn van Deynhoven among many others. Listen to it entirety below and keep warming up until the celebrations of ASOT1000 arrive.

Image Credit: Armin van Buuren (Press)

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Armin van Buuren reveals all-time A State Of Trance Top 1000 list - We Rave You

Good Morning Britain hosts were left shocked this morning as right-wing broadcaster Iain Dale revealed how police were called to his house after neighbours thought he was having a rave.

But, it turns out the 58-year-old former Conservative MP candidate was just listening to 'very loud' trance music.

He made the revelation on the breakfast show, as he joined former Home Secretary Jacqui Smith and the Prime Minister's dad Stanley Johnson to discuss issues such as whether people should get paid for snitching on Covid rule breakers.

Mr Dale shocked hosts Kate Garraway and Ben Shephard, as he explained: "In mid-December I had a policeman turn up at my door because my neighbours had snitched on me, can you believe?

"They thought I was having a rave, because - you won't believe this Kate - I was playing trance music very loudly.

"I mean, that's the only way to play trance music. Ben will know this from his night in Ibiza."

A shocked Kate replied: "I mean, I can't believe you've got to this at the end of our time. There's so many questions to ask about what you were up to."

While Ben asked: "Is this why Kent went into Tier 4 so suddenly - because of a rave?"

Following his appearance on the show, Mr Dale tweeted: "OK, here's the story from Good Morning Britain. Police knock at my door in mid Dec; 'We've had reports you're having a party, Sir.'

"Neighbours had reported me. I wasn't. I was playing Gareth Emery trance music very loudly, and they could hear it 50-100 yards away."

He later added: "The thing is, we only have three neighbours, but we don't know which one it was. So now we have to hate all three."

A number of social media users reacted to Mr Dale's revelation on Twitter - with some complimenting his taste in music, and others criticising him for playing it too loud.

*Watch Good Morning Britain weekdays from 6am-9am*

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Police called to right-wing broadcaster Iain Dale's house after neighbours thought he was having a rave - Hull Live

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Music is medicine, the poetry professor, literary scholar, and music historian Andrea Benton Rushing used to tell me. Her words ring true. As the impeachment debate unfolds, volume up:

Impeach the President, by the Honey Drippers, immortalized an uptempo funk beat so irresistible its been sampled hundreds of times since 1973: Behind the walls of the White House theres a lot of things we dont know about. Behind the walls of the White House theres a lot of things we should know aboutImpeach the president. Impeach the president. Impeach the president.

Immortal Technique, the Afro-Peruvian hip-hop musician, adapted the Honey Drippers classic: How many times I gotta state my position before yall say, This lip service, hes wishin? I been organizing. I got a thousand petitions, been up before sunrise, writing. Im on a mission.

Impeach Me Baby, by Beverly Guitar Watkins, from 2010: Ive got to impeach youThe whole world is laughing because of how you done messed up on me. Yes you did.

Dance for Impeachment, by Taarka, is a 2004 ballad built on violin, mandolin, slapped drums, and bass that eases into a crescendo of conflict and resolution.

Impeach, by Confab, is a rock riff recorded in Alabama for a 2017 album with another resonant song: Reason Will Not Save Us.

Impeachment With Honor, by Joe Grease and the Dump Dubya Band, recorded (with honor!) in 2007: What say our forefathers? If they were around, this White House would crash on down. A disgraceful Bush administration. Cheney seems to want world domination. The presidents fate and Halliburton is on the tapefolks are wonderin whos running our nationMany times I wonder about Bushie and the lies hes tellin me. With no congressional expense he wants a long Texas fence.

Impeach, by Tom Chelston in 2007: Well hello, George! The framers of our Constitution, fresh on the heels of revolution, must have seen the writing on the wall. They secured for us an open door in Article 2 Section 4 to commence a presidential overhaul. Now weve run this play a few times before. With thousands dying and Bush go lyingillegal torture, illegal spyingI-M-P-E-A-C-H.

Impeachment, by Dream Techno, is time-warp trance with effects-heavy loops glued loosely together by a pulsing beat from 2004.

Impeach by Zemog El Gallo Bueno is a 27-second interlude of post-salsa dissonance, commensurate with the headlines. Each composition is a battleground, says Abraham Gomez-Delgado.

Impeach God by Dethklok is metal apocalypse set to an animated short: Im having my Cabinet schedule a debate. The world will be our witness, judged in eyes of hate.

Bonus tracks:Lets Impeach the President, by Crosby, Stills, Nash, and Young (live in 2008)

Impeach, Indict, Imprison, by Pro-Pain (2007)

Impeach the Planet, by Naughty by Nature (2011)

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13 Songs on the Brink of Impeachment: A Recharge Playlist - Mother Jones

In the early 1990s the electronic dance music scene was at its infancy. The fact that rave parties were becoming more common place in cities around the world was a significant factor behind this evolution. This music had been inspired by and was often named after the legendary dance music group the Fatboy Slim. At this time there were very few DJs that were skilled enough to work with an array of genres and equipment.

Thanks to the invention of the PC and MIDI controller software it has become possible for even inexperienced people to produce their own electronic dance music. Nowadays a wide range of gear is available that can be used by any type of DJ. One of the first gear demos that was released during the early years of this new style of dance music was a device called the sampler. This helped the DJ to locate and accurately locate the beat that he was playing.

While the popularity of trance tracks and popular music has declined slightly over the last few years, producers and DJs are still finding new and innovative ways to mix and manipulate this ever-expanding audio format. The introduction of MP3s and other formats has increased the possibilities to a level that was never previously seen. Now tracks can easily be compressed or enhanced and the quality of sound is superior to what it once was. Mixing and matching tracks to produce a single track that will fit seamlessly into a set or mix has never been easier.

Another factor behind the creation of this new dance music was the adoption of new musical styles. One of the biggest influences was the ravelling genre that developed in the United Kingdom and Europe during the late 1980s. These artists brought a whole new approach to dance that was more open and experimental. Electronic dance music often included sounds coming from the surrounding environment, such as wind chimes and earth tones. These were used to create a background that was completely random and unpredictable. This was a major influence on the new textures and sounds being added to Trance tracks.

When the world started to open up again with the onset of new technology, new ideas and styles started to take shape. Everything from new forms of music to new approaches to DJ mix sets emerged. Much of this is credited to the growth of electronic dance music.

Even though electronic dance music became a huge hit with the younger generation in the 1990s, it is still very much at home among people of all ages. Many DJs continue to push the boundaries and experiment with new sounds and styles. It is this dedication to pushing the envelope that keeps electronic dance music constantly exciting. There is always something new and improved in the world of electronic dance music.

This continuous exploration is what has allowed electronic dance music to develop in so many different directions. Music mixing can be as complex as an acoustic and vocals combination or as simple as using only one track for the lead sound. The possibilities are endless. Of course, technology never seems to stop trying to improve on the existing tools and equipment used to create music.

Some DJs are even starting to add video to their mixes. This is a trend that will only continue to grow as more people become more accustomed to technology. More producers are beginning to realize the impact that video has on electronic dance music. Audio-visual productions are becoming more popular throughout electronic dance music. By adding video to a mix, the artist can expand his audience significantly.

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Growth of Electronic Dance Music in the 1990s - One EDM

Netflix seems never to disappoint when it comes to bringing subscribers incredibly engrossing series that defy all expectations from the very beginning all the way to the final frame. One prime example of another Rotten Tomatoes approved, critically acclaimed resounding hit with subscribers is undoubtedly the live-action Japanese series based on the infamous manga of the same name written by Haro Aso, Alice in Borderland.

The wild sci-fi fantasy thrill ride has unsuspecting players transported to an abandoned Tokyo to compete in sadistic, life-threatening games and was so well received by subscribers that the streaming powerhouse decided a mere two weeks after its debut that Alice in Borderland season 2 needed to happen.

Now that more episodes are on the way, its important for everyone on the fence to stop sleeping on this exhilarating endeavor, and in order to properly motivate viewers, here are five game-changing reasons to check out Alice in Borderland on Netflix.

One of the highlights of Alice in Borderland is the magnificent setup. This well-crafted show utilizes its stirring narrative direction in every enthralling episode. It masterfully creates the same palpable fear and tension of films like Hunger Games or Battle Royale, as well as superbly delivering the same unnerving and deceptive qualities seen in theSaw-esque games that they are forced to endure. The revealing flashback style seen in such TV hits as the intriguing ABC drama Lost is also an exemplary way to develop its fascinating characters. FromYutaka Yamadas excellent score to Shinsuke Satos audaciously original direction to the spectacular work fromvisual effects director Atsushi Doi and his team as well as everything in between, there are a lot of things about this show that make it a worthwhile affair to check out before Alice in Borderland season 2 arrives.

There is no denying that one of the best parts of Alice in Borderland is watching the nightmarish challenges the contestants are forced to survive in every iteration. Whether its a hide and seek game that will blow your head away or a bloody massacre of a witch hunt, every single mayhem-ridden task never ceases to amaze as well as outdo all expectations leaving viewers with their jaws on the floor when each of these harrowing ordeals has been completed. Viewers will have a blast sitting on the edge of their seats with their minds racing, wondering how they would handle such a heinous situation and if they could stay alive in this twisted game under the dire circumstances. Each endeavor is a thought-provoking spine-chilling thing to witness, making the Japanese Netflix series a must-watch affair.

A show can have the biggest stars, the largest budget, and masterful CGI but if the narrative is even lacking one bit the entire ship sinks faster than the Titanic. The story is key to getting viewers to binge the show like a boss and Alice in Borderlands chillingly effective and stunningly addictive plot will without a doubt lock viewers in a tractor beam-like trance right from the start and they wont even need to be threatened with death by laser from the sky to want to see the entire first run over and over again. The show is an action-packed thrill ride with just enough sci-fi and fantasy to eclipse the competition and allow the unique Netflix original to stand tall as something unlike anything else out there.

Critics have given significant praise to Alice in Borderlands two leads and their gorgeously realized performances. Kento Yamazaki who savvy fans will recognize from his work as L in the 2015 live-action Death Note series, does a solid job as Arisu andTao Tsuchiyas stunning take onUsagi will keep viewers entertained as well as cheering them on every step of the way.Nijir Murakamis turn as Chishiya keeps audiences on their toes in a remarkable fashion andAya Asahinas take onKuina makes a convincing case for her candidacy to be a contender for superstar status in the world of action cinema. There is no part too small in the Netflix original series and there are too many outstanding names to mention as all the talented individuals involved give an exceptional effort throughout adding substantial value to the show everyone needs to have at the top of their watch list.

Ending a season can be a difficult ordeal for a show and many have successfully botched their finales in ways people never thought imaginable. The ideal final moment will answer just enough questions to provide a decent amount of closure while leaving a few left unsolved while introducing a new set of circumstances that leaves viewers in a state of absolutely needing to know what will happen next.

Leaving subscribers anticipation at an all-time high once the credits roll is always the goal and Alice in Borderland accomplishes that and then some. Just when audiences think they will uncover it all, things take a dramatic turn and the next stage of the game is revealed leaving Arisu, Usagi, Kuina, andChishiya set to return for more gripping chaos and mayhem in Alice in Borderland season 2.

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5 reasons you need to watch Alice in Borderland on Netflix - Netflix Life