Category Archives: Trance

Attention, attention! This is not a movie! This is real life . . . or what remains of it.

You remember all those old movies where the zombies, the pods, the aliens have descended from . . . wherever . . .and have taken over the brains of the unsuspecting humans on their way to conquering the earth? We are saved by the herocoming forth to battle the wayward, slavering minions of already mind-dead citizens intent on eating others brains, or at leasttaking over the world. By the end of the movie, he or she has opened the eyes of whomever they can save and turned the tide of the invasion to save the planet.

Gulp. Well its here but this time, the zombies might be altogether unstoppable. They look exactly as we do and walk, talk and wiggle exactly as we do, but zombies often have looked like us, just with drool. And they are everywhere!

You come around a corner in your car and there he is! Standing right in the middle of the road, oblivious, gazing down in their zombie trance at their cell phone, usually an iPhone or an Android. Aha! That should be enough of a telltale alone: An Android?!

I knew it! Droids and Iphoneys, roaming the streets, gazing helplessly into their machines of dominance, in a trance. The Crystal Ball Gaze, as some call it. They cant look away. They have given up their brains and their will to survive. People walking and Crystal Ball Gazing,three abreast in the street, out past the center line, oblivious of the traffic. The Gaze unfortunately reduces their survival instincts to basically a mosquito level just flitting away, waiting to be swatted. Their backs are turned to the danger of the speeds and tendencies of Gloucester drivers. Just like when their mommies had to grab them by the collar to keep them out of harms way. Their brains formerly fully formed and self-protecting, have turned to mush.

On a recentmorning, this writer came around a blind corner to a smallish car sitting on a two-lane road in the left lane!, no less the driver was stopped, gazing away at his crystal ball. But so was his passenger, both of them so there was no one to grab him by the collar. Almost rear-ended them. Its a street, I yelled, as I edged around them get off the phone. Naturally, they couldnt hear a thing with all the windows rolled up tight. When I looked back, they were still sitting there they had no plans to move. Another attack of the zombies that almost got me (and themselves). Not what Mr. Darwin would call survival of the fittest.

And its spreading. You cant go into a restaurant without seeing a majority of the customers glued to their screens, ignoring their fellow diners and even their meals after they arrive. Been on a sidewalk in a city lately? The zombies have taken over even more minds in the bigger cities. In NYC, absolutely everyone is trapped by their phone. No surprise they lead the nation in pedestrian deaths. And even here, you see zombies at Gloucesters only two traffic lights they immediately reach for their phones to make sure they havent missed any messages maybe zombie instructions from the great zombie leader? I hear complaints of some married couples that their mates must check their crystal ball before sleep at night and then hurriedly first thing upon waking in the morning. Of course how else can they report to their phone? And, of course, we are training the next zombie generation of children to do the same.

So, real world or virtual world? In virtual world, you can check the weather in Instanbul or Cleveland instantly. But out in the real world, people cant remember phone numbers or add or read a map or remember Mickey Mantles number (7). In a drink ticket line at a sailing event last week, the cashiers phone ran out of juice. Twotickets were $12 and I gave her a $20 bill. She couldnt do the subtraction in her head. She had been zombie-ized! Finally, she looked helplessly at me and held out $7. I shook my head and said $8. She was desperate to get her phone back, she said.

But is Crystal Ball Zombie Brain also behind people not getting COVID-19 shots, blinded by their online telephonic masters to be ruled and misinformed by the Zuckerberg forces over the hordes of the already mash-brained Iphoneys? One can only wonder how we will all survive. Hoorah for my flip phone! Hoorah for the real world. Now get off that phone!

Gloucester resident Gordon Baird is an actor and musician, co-founder of Musician magazine and producer of The Chicken Shack community access TV show.

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Fishtown Local: Attack of the zombies | Opinion | gloucestertimes.com - Gloucester Daily Times

Another day of writing lay ahead of Lawrence, the King Ghostwriter of Blurbs. He spilled the cereal into the glass bowl. He poured the milk. He made the coffee. He fed Geraldina, the elderly French Bulldog. He noticed a text from his friend at the publishing house.

"Need 15 blurbs by noon!"

"Well, shit," said King to the lavender walls.

He splashed some water on his unshaven face, then sat down and let the hyperbole stream forth.

"This collection is jaw-dropping. I picked my jaw up, drove myself to the hospital, and kept reading while I sat in the waiting room, holding my jaw in place."

"An epic novel. So goddamn epic that you might injure your ego reading it."

"A spellbinding, earth-shattering, soul-shaking thrill ride to the edge of sanity."

"Almost as satisfying as a pastrami sandwich."

"A kaleidoscopic wallop of word-spells."

"Peculiarly trance-inducing. As if written by a seagull on a cruise ship at dawn."

"A decent way to spend a few hours after dinner."

"Tender yet ruthless. Sidesplitting yet serious."

"A novel that contains something for everyone, but not quite enough for me."

"A fantastically baroque journey to the center of the psyche."

"Good enough for most."

"A harrowing read, full of hoots, gasps and claptrap."

"A desultory swim in the swamp of disillusionment."

"A high-wire act full of wit, devastation, levitation and annihilation."

"A ferocious yawn."

The King Ghostwriter of Blurbs pressed send on the email. Phew. Another day's worth of extreme wordsmithery to his friend at the publishing house to help keep the lights on.

Next, the King Ghostwriter of Blurbs took a shower and got to work writing his unending life's work. A single sentence whose word count now eclipsed one million. One day he would have to submit this to his friend for the edit of all edits. Maybe his friend would reply, "Good enough." Or maybe he'd die before sending the document at all. Maybe he would print it out and leave it all in a drawer for dramatic effect.

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The King Ghostwriter of Blurbs - Splice Today

This is a big moment forAbove & Beyondfans as the trance titan trioAbove & Beyondare not only releasing a new single again, but its with long time Oceanlabcollaborator Justine Suissa, titledAlmost Homereleased via Anjunabeats.

Certainly an emotional release for both the artists and fans alike, Almost Home is set to be one of the most special releases of this year, and it also coincides with their massive upcoming ABGT450 event in London this September. Releasing their first track together in over four years, the artists come together once again at last. Creating a sense of unity and power within this track, it has come just at the right time, and also happens to be Above & Beyonds first club track of 2021 starting it off with a high.

We all know that Above & Beyond and Justine Suissa are an epic pairing, but this is further proven with Almost Home. Punching synths carry Justines unique power-driven vocals forward, creating a strong foundation to build upon. Uplifting and energetic yet filled with passion and emotion at the same time, this is the beauty of an Above & Beyond and Justine Suissa collaboration, and this rare feeling that drips from the track cannot be found anywhere else or be replicated. Also, in true Above & Beyond fashion, a Club Mix version of the track has been released alongside it, giving avid listeners different versions to excitingly explore.

This is a track that we originally wrote with Justine some years ago. Like many musicians during the lockdown, we buried ourselves in the studio and had plenty of time to pick through old ideas. Almost Home, with its 80s production influences, caught our ear. We sent it across to Justine again, and she rewrote the second verse to reflect her feelings on it today we wont tell you what its about though, well leave that for you to decide. This track started in quite a different form, so weve also done a Club Mix to bring it a bit more up-to-date. Its quite emotional to think that well be able to play this one live for you all very soon. Take care for now! Above & Beyond

Almost Home is out now, and you can stream it below.

Image Credit: Above & Beyond (via Facebook)

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Above & Beyond return with stunning new track 'Almost Home' - We Rave You

KATHMANDU, AUGUST 23

The origin of Gai Jatra, or the 'Holy Cow Festival', is traced back to the period of King Pratap Malla (1624 to 1674 A.D.) of Kathmandu. To this day, the Newah community of the Kathmandu Valley and other Newah settlements celebrate the festival in memory of the deceased family member.

In Thecho, a Newah settlement of the valley, a typical dance known as Jogi Pyakhan, or the 'Hermit Dance', accompanies the Gai Jatra procession.

A group of 11 barefoot males in exceptional attire exits the narrow entrance of one of the houses on a busy lane of Thecho. One of them is dressed in a yellow wrap and carries a Kalash, or 'sacred water vessel'.

The fake matted and braided dreadlocks on his head and a fake cobra curled around the neck depict him as Lord Shiva.

The remaining men wear caps and shirts which are yellow or maroon coloured.

Clad in a Rudraksha Mala, or 'blueberry prayer beads' around the neck, each of them holds a yellow sheet of paper with lyrical verses printed on them. The lyrics is meant to inform the heavenly god about the name of the deceased person, the day, month and year of the passing and also the names of the entire family members who are left behind.

Some stanzas describe the last wish of the departed to see the family living together.

On the street, the group assembles in a circle with the Shiva look-alike in the centre.

Some hold a Jhyali, a traditional folk percussion instrument, while others the Rudraksha Mala. A few members outside the group play the Khairani, another percussion instrument.

The beating of the Jhyali and Khairani together conveys the message of death to the heavenly god. Slowly the rhythm makes the dancers move in rounds, later turning them into a trance. The audience lines up to shower them with money and rice grains into the cloth pouches. The dancers stop at 11 different places for the act, each of which lasts for 10 to 15 minutes.

The Jogi Pyakhan is believed to have started by a group of Newah enthusiasts called Dapha Khala in Thecho. Jit Govinda Maharjan, Kajee or the 'team leader' of the group, the Nhyecchen Dapha Khala explains, "It is difficult to manage the group these days for lack of finances and the busy schedule of the participants."

So only a couple of dances take to the streets during Gai Jatra these days. The Dapha Khala trains the dancers belonging to its own group or other interested persons of the same locality to prepare for the day at the request of the family. Involvement of young members of the community in the act shows their eagerness to carry the cultural heritage forward.

A version of this article appears in the print on August 24 2021, of The Himalayan Times.

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Jogi Pyakhan, the hermit dance - The Himalayan Times

If youre familiar with underground electronic dance culture, youll know that dancing to electronic music has been among the most fun and exciting forms of DJ entertainment worldwide. For some people, the rave is simply an annual occasion, something that takes place outdoors, usually in public places like the central parks and malls. Other people see it as a lifestyle, an art form, and they tend to take part in parties every week or month. If you think about it from this perspective, you might realize that the rave scene is really more similar to a community or a culture than it is to a type of music. Its a party where everyone is accepted.

So, what makes a good party? Is there a secret code or a set routine that a DJ should follow when he is dancing to electronic music? Some people think that the answer to this question is that there isnt one. What you should do when you are at a rave is follow your heart and your gut when you are downing drinks with friends. Youll probably end up having a blast.

One of the best things about dancing to electronic music at a rave is that you dont have to follow a set routine. For example, its perfectly acceptable for one dj to start the evening with a drum solo and then take a break for a few minutes so that another DJ can freshen up. In fact, its a common sight for two or three DJs to switch back and forth between sets of continuous drum beats. They dont ever stop and go.

The best thing about dancing to electronic dance music at a rave is that the DJ knows every song inside out. He knows how to transition from one song to the next. He knows how to mix a song according to the audiences rhythm. This makes dancing to electronic music at a rave all the more fun because you have such a good time exploring each song. Most importantly, dancing to rave music just feels good.

Another reason why dancing to electronic music at a rave is fun is that the DJ is the master of ceremonies. Unlike a rock band, a DJ has no microphones, backup musicians, or synthesizers to make his music. He uses his knowledge of what the crowd wants and brings it to them. The crowd no longer has to sit there and take a chance with a DJ. Instead, with dancing to rave music, you have your groove on and can let loose with your own energy.

When dancing to electronic music at a rave, its important to get your feet moving. Theres nothing worse than standing in one place while someone else is spinning a beat. The energy level among the crowd can be dramatically increased by a lively DJ. A professional is always knows when to throw in some dance music to keep the party going.

One of the best things about dancing to electronic music at a rave is that you dont have to go to a club. You can go online, check out a couple videos, and start dancing the night away. Its that easy. A good DJ knows what hes doing and has an arsenal of songs to choose from. You can even dance to hip hop, pop, and trance without leaving home.

Dancing to rave music at a party can be as spontaneous as you want it to be. You can go online and find a list of music thats perfect for dancing. Then contact a local DJ to get the baddest new songs on the radio. Or get your hands on some dancing craze CDs and head to a local club. No matter where you choose to dance, dancing to electronic music in the right atmosphere is the best kind of dancing there is.

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What Makes Dancing To Electronic Music So Fun And Exciting? - One EDM

In the modest, uplifting drama "Confetti,"Amy Irving provides compassion and support as Helen, a writer in New York City who helps Chinese immigrant Lan (Zhu Zhu) and her gifted but dyslexic daughter Meimei (Harmonie He) find a proper education. Helen is initially reluctant about this arrangement, but she soon comes to appreciate the sacrifices Lan is making for her daughter.

Irving is radiant on screen, playing an elegant woman who has suffered a terrible loss herself. Helen is confined to a wheelchair. She reflects on her own setbacks as she assists Lan and Meimei with their struggles, caring for them in as much as they care for her.

As she does in her best performances think Izzy Grossman, in "Crossing Delancey" Irving projects an intelligence that engenders trust. The actress can express all her emotions in just a simple sigh or piercing glance (as when Meimei slurps at the table in "Confetti.") The film develops themes of shame and trust, but also selflessness. Helen becomes as a fierce an advocate for Lan and Meimei as they combat dyslexia.

The actress spoke with Salon about "Confetti," singing, reading, dyslexia, and stage fright.

"Everyone has a story," Helen says in a recording she makes advocating for Lan and Meimei. So, can I ask, what is Helen's story?

She was in a terrible car accident with her son; that's why she's in a wheelchair. She kind of shuts down and has a very limited life because of that. Her world fell apart. She lives in darkness and negativity and what happens through having this family from China enter her world, helps her get out of her writing world, and back into life. The writing was therapeutic for her, and it was a good excuse for her not get back into the world.

"Confetti" has you playing a writer, which makes me think of your role in "Crossing Delancey," which also had a literary bent. I am very curious about what books you read.

I'm reading this amazing book that James Lapine wrote, "Putting It Together." It's so wonderful. I have to say, "Sunday in the Park with George" is the most brilliant musical ever written. It's my husband's and my favorite. We even have a gigantic poster of it that James gave us in our house. We are such big fans. I almost didn't get on this phone call because I was just turning pages reading this book. It's so delicious. Very delicious. That's what I'm reading at the moment. I am more of a novel reader. I finished all of the Patrick Melrose novels. I read sometime in French. Or try to. I've been taking French lessons. I don't understand it when people speak to me, though. Something shuts off.

I heard if you can play music, you can speak a foreign language.

I am very musical. I've been doing more music than acting lately because my son Gabriel has been managing a group called Goolis, and they asked if I'd sing some songs with them, and we ended up doing an album together. Ten songs from my life that he did new arrangements on. I sang with the band. It was a very cool experience it was a little terrifying, but also just wonderful. Just before COVID hit, we played a few bars downtown, and we were getting ready to launch, but then had to shut down. We set up a studio in the house and my husband and I play every day and I sing every day. I sang in "Honeysuckle Rose" with Willie Nelson. I am trying to get past my incredible stage fright, which I've always had, but to sing is even more frightening. I am trying to [perform] so when it's time to launch this album, I'll be able to get up and actually do a show.

Try karaoke!

Karaoke scared me too!

"Confetti" is also about disability. Helen is in a wheelchair; Meimei struggles with dyslexia. What are your thoughts on how the film presents its issues of disability?

Ann Hu wrote and directed this based on her own story. I don't think she wants to make a Public Service Announcement. She wanted to make an entertaining film, and I think she accomplished that. It's an important subject to be illuminated and she was the person to do it. My husband has dyslexia. I am very aware of how it affects your life. What is interesting for him was that he didn't know he had it; he never got diagnosed. He was just challenged in ways like reading that he learned to muscle through and got to the other side of it. It was only 10 years ago he was diagnosed. And he thought, "Now I get why I've had to work that much harder, and why I go left when I should go right." It helps to recognize it and not take it on as a deep insecurity and shame as many people do.

"Confetti" addresses issues of shame. I was particularly struck by a revealing scene where Lan talks about feeling like an imposter. Helen projects a certain confidence, and steeliness, which is invigorating,

I think Lan had plenty of steeliness! I love the device of glasses the fact that she looked like she could read and wasn't illiterate. It is so important that we accept all of our flaws and accept ourselves. Meimei turned her dyslexia into something beautiful in what she was able to create.

Why do you think Helen advocates for Lan and Meimei? The film wisely lets the audience connect the dots. What are your thoughts on her life and backstory?

Ann and I decided you don't get to know everything. [Helen] has retreated from life before Lan and Meimei turn up in her life. Her taking them on helps bring her out of her darkness.

Did you ever see "Shadow Magic"? The reason I did this film was because of "Shadow Magic," a period piece about bringing film to China, starring Jared Harris. The way Ann was able to depict what film is, and Jared's character is trying to explain it in China, was so beautiful. She did something extraordinary in that film. If anyone is going to able to help understand what dyslexia is, and go into the mind and the visuals, she would be able to do it.

"Confetti" is very much about selflessness. What are your thoughts about Lan's sacrifices for her daughter? She is a champion for her daughter.

I don't think of a mother helping her kid as a sacrifice. It's just part of the job. Isn't it? I worked a lot less because I was raising kids and wanted to be a mother more than anything else. But I don't think of that as a sacrifice. I had children, and made that choice, so that's what I'm going to do. Lan has a purpose. I think it enriches your life more. The challenges she took on and the fight she took on, and the people she met because of it. The world gets richer. She's out there doing it. I like your word "champion" better than sacrifice. She never sways from her goal. I love the way Zhu Zhu played Lan. She is a very thoughtful actor. I loved watching her process, and what she took in, and how she thought things through. I have no idea what the director was saying to her. It was always in Chinese. I was totally left out whenever they were talking.

Your career has been defined by some iconic roles, from Sue Snell in "Carrie," Hadass in "Yentl," to the aforementioned "Crossing Delancey," and even "Bossa Nova." I always want to see more of you because you so often project sophistication, intelligence, and no-nonsense in your roles. What decisions have you made and the roles you've taken?

You never know going into something how it is going to hit, or how it's going to be. I take it one day at a time. Something comes across your desk and you think, "I never thought I wanted to play that." But I've never done it, so that's much more fun. When I was offered "Yentl," I turned it down. I thought: another sweet young thing, I was doing "Amadeus" on Broadway, and I loved being back on the stage. Then Barbra wooed me, and I am very glad she did. It would have been really stupid to turn that role down, and it turned out to be a much more interesting role than I thought it was. I did have an amazing experience on that film.

Martha Clarke asked me to do a production of "Chri" in New York on the stage, and it was a piece with two world-class dancers, one world-class pianist, and one actor. It was the story of Chri done through dance, and the actor was telling the story in character while Alessandra Ferri one of the most beautiful dancers on earth and Herman Cornejo, the lead actor of the American Ballet Theatre, were doing this amazing work. I just got to stand on the side of the stage and watch this beauty happening. That's why I wanted to do that. It wasn't about needing to be seen, or to do this role. I wanted to be a part of this world. It was a new world for me, the dance world.

The same things when I went and did "A Little Night Music." Isaac Mizrahi directed me and Ron Raines at the St. Louis Opera House. I was singing with opera singers and there was a 60-piece orchestra, the St. Louis symphony orchestra. It was mind-blowing, the experience. It wasn't what I thought I'd be doing when Isaac offered it to me. Again, I have terrible stage fright, so it was the most terrifying thing I've ever done. I had to see a behavioral therapist who had to put me in trance and say, "And now the orchestra is tuning up . . ." My heart starts to beat, and he tries to help me calm my heart. To act with opera singers you don't go out saying, "Oh, this is what I want to do next." It was whatever came up for me. That it sounded like I was going to learn something or have a new experience.

Yes, I always want to see more of you.

I just did a film called "A Mouthful of Air." Amy Koppelman wrote the book. She had done a film of one of her books called "I Smile Back" with Sarah Silverman. And she decided she wanted to direct this one herself. It is her first time directing. I had the opportunity to help someone like her, a novelist, bring her work to life. It wasn't a role I needed to play. Amanda Seyfried stars in it. I loved Amy's energy, and who she was, and we became friends. The experience on the set it was fun being there for her and holding her hand through it. She did a wonderful job but had to cut a bunch of me out. [Laughs] But I loved doing it. That's the kind of thing that makes me happy. Being in a good playground.

"Confetti" is in theaters as of Aug. 20.

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Amy Irving on her new film "Confetti," stage fright and the big role she almost turned down - Salon

Widely known as one of the most popular genres of dance music and electronic dance music, trance first rose to prominence in the early 1990s in Germany. Trance artists are known for the up-and-down nature of their songs, which culminates in a big build with a soft breakdown and melodic phases. Many trance songs don't have lyrics and are purely instrumental and the atmospheric sound is a hit with clubgoers. The best trance DJs have spun all over the world and their club shows often run till the wee hours, leaving fans clamoring for more. Though trance music takes elements of techno, house and chill-out, it's a stand-alone genre that has become something separate from those genres.

So, who are the best trance artists? Any list of trance artists has to include the likes Armin Van Buurin, Above & Beyond, Paul Van Dyk, Paul Oakenfold, Gareth Emery and Tiesto. These DJs are widely known as some of the best trance artists in the world and with good reason. People love dancing to their music and their remixes for other artists are often more popular than the original songs. The best trance DJs are some of the most popular music artists in the world and with the growth of dance music, don't expect to see that change any time soon.

That said, it's up to you to determine who are the best trance artists. If you notice a current trance DJ isn't on this list and should be, feel free to add them.This list answers the questions "who are the best trance music artists of all time?" and "who is the greatest trance music musician ever?"If you know enough about the genre, please vote based on the quality of the artist's music instead of just voting for the most popular trance music artists that you might've heard of.

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Trance Artists | List of Best Trance Music DJs

Trance Music Description

Trance emerged as a form of electronic dance music around 1990, with the advent of music that was essentially techno or house, but had simplified percussion, extreme repetition, and other hypnotic effects such as sustained chords and long echoes. Trance generally has no "bump" in its percussion or "groove" in its basslines -- that is, the hi-hats and the bass in the kick drum are generally de-emphasized as compared to house or techno, and the basslines tend to consist of flat tones, with no modulation, confined to a small range of notes. Trance tempos are generally a little faster than techno, but can vary considerably. Additional info: Trance Production section of the Trance article on Wikipedia.

In trance's early years (1990-1992), it wasn't always clear whether a track was just "trancey" techno (or even beat-laden "ambient" or "deep" house), or was actually an example of what would later be called simply "trance". Consequently, on Discogs, such music might be tagged as (for example) both Trance and Techno. Example artists in this category and time period include The Shamen, Psychick Warriors Ov Gaia, The Irresistible Force, and Speedy J. From the New Beat scene, Age of Love's 1990 self-titled hit single is sometimes pointed to as the earliest "pure" trance track. Similarly, some tracks from the Acid House era, such as original versions of The KLF's "What Time Is Love?" (issued in sleeves that say "Pure Trance") were called house or acid house at the time, but are retroactively considered by some to be trance or proto-trance.

The first wave of what many now consider to be "classic" trance peaked in 1992 and waned in 1994, and was dominated by producers and labels from Germany and the UK. Key labels include Eye Q/Harthouse, Rising High, FAX, ESP, and MFS. Hits include Jam & Spoon "Stella", Jaydee "Plastic Dreams", Sequential "Prophet", Transform "Transformation", Cygnus X "Superstring". Other artists of note from this wave include Sven Vth, Cosmic Baby, The Drum Club, The Sabres of Paradise, Horizon 222, Biosphere, Lumukanda, James Bernard, and Oliver Lieb. On Discogs, this music is generally tagged as just Trance.

In the mid-1990s, although it wasn't new, harder-edged, faster, more aggressive sounding trance (Hard Trance, Acid Trance) became more popular than the mellower, more tonal classic sound. Similarly, it was in the mid-1990s that busier, more psychedelic/ear-candy-laden forms of trance became the norm rather than the exception. On Discogs, this music is generally tagged according to which style it is Goa Trance, Progressive Trance, and Psy-Trance), but plain old Trance can be used if the specific variety isn't known. When these styles became more popular, the more basic, classic sound became marginalized, and it did not really re-emerge until the early 2000s, when classic trance-infused techno/tech-house (sometimes called Neo-Trance) became popular. This newer sound is generally tagged with Trance, along with whatever other style applies, indicating it has elements of both.

Meanwhile, the mid and late 1990s also saw commercial, "clubby" forms of trance or trance/house hybrids become very popular, especially in Europe. These tracks often include vocals, overt melodies, and traditional A-A-B-A song structures, and may include remixes of 1980s pop hits. This category of commercial trance music encompasses a range of styles, and boundaries are a bit blurred. Tags on such items tend to include, in various combinations, Progressive Trance, Progressive House, Euro House, Trance, House, and sometimes Techno. Example artists in this commercial/clubby category from the late 1990s and early 2000s include DJ Tisto, Ferry Corsten, ATB, William Orbit, Dirty Vegas, Tall Paul, Peter Rauhofer.

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Trance Music | Discogs

Five years after the first installment, Tale Of Us and Afterlife return for the most exciting event of the year: Realm Of Consciousness reaches the 5th chapter. With its seventeen exclusive records, this volume aims to become the bridge between the past and the future of the label.

As Afterlife releases the next installment of their influential compilation series, its time to transcend the physical and evaporate into the Realm Of Consciousness. The collection brings together a variety of artists to showcase the outlets diverse output, which is broad yet cohesive. The compilation continues to build the all-encompassing legacy of Afterlife, with established names like Joseph Capriati and Patrice Bumel alongside new acts like Beswerda.

Teaming up into an incredible squad, Colyn and Innellea deliver the opener for this 5th installment. Obnoxious Desireperfectly describes the evolution that will have Realm Of Consciousness Pt.V. Starting slow and intimate, with a steady progressive arpeggio, the track unfolds from a deep and dark somber into a feeling-good anthem to jump again into an esoteric alternate dimension in sound. The soaring synth lines open up into euphoric and monumental elements setting the tone for the records to come.

Having debuted with Bird EP, his first solo release on Afterlife, Recondite returns as a solid member of the family with Scope. Tight beats and reflecting melancholy melodies underpin this cut where a feeling of solitude and isolation and confusion invades the surrounding environment. The wobbling and repetitive bassline contrast the emotive and solemn melodic theme delivering a refresher musical vision.

Over the past few years, Siamese has evolved from an upcoming label to one of the leading imprints once it comes to melodic techno. Nevertheless, Adriatique has never left Afterlife as theyre back in 2021 with a fan favorite. Trance Lessonhas been premiered earlier this year during the duos incredible performance onboard a helicopter flying over the Alps. Played by Anyma on his guest mix for RUFUS DU SOLs Rose Avenue Radio as well,Trance Lessoninterlace soaring melody with a hypnotic and intimate bassline, with a lead synth line that will undoubtedly create numerous memorable dancefloor moments.

Its been only a year since Patrice BumelTrasmission EPbut whats the best time to return on the label if not the next Realm Of Consciousness chapter?Beacon puts together gentle progression, dubby harmonies, and moments of slow-release euphoria, everything packed around an aura of mystery and perdition.

Italian techno titan Joseph Capriati makes his debut on Afterlife withSogno Profondo.Fresh from the release of his latest albumMetamorfosi where he explored new horizons of techno and electronic music, Sogno Profondofollows this new path, focusing on minimal and solid beats but injecting intimate and faithful melodic lines. A plucked arpeggio seamlessly flows through bubbling basslines for a supernatural experience.

Its now time for Afterlifes wonderboy, the master of cinematic melodies and evocative soundscapes. Stephan Jolk brings his iconic sound to Realm Of Consciousness Pt.V withMorgen. Transcendent sounds make the lead with emotive basslines and suggestive arpeggios that flow through a transcendent production masterly built to flood your soul.

The Italian duo Fideles enter in this new installment with another long-awaited song. Interface Technology is a feeling-good techno-house track that blends elements from the two genres for an incredible result. Mixing together their iconic radiant melodies the record introduces moody elements on the second part: sounds from universes away collide in Morgen creating an incredible crossover between bright harmonies and peak-time arrangements.

Tears Apartmarks the debut of Primal on Afterlife. The tune is a collaboration with sophisticated techno duo Hunter/Game. Played on a series of podcasts and radio shows, Tears Apart fuses introspective melodic sound with dark and deep beats, everything driven by the cryptic but angelic female vocal on top. The record is an intriguing journey through the unknown.

FromUnity to Realm Of Consciousness, Marino Canal presents his new tune Windspeak.Minimal and plucked arrangements flow over ancient and hypnotic synth-lines for a surreal record that will make you travel far away with your mind.

With his natural ability to craft emotive music, hes blazing a trail that continues withMechanisms. Ae:ther shows again his incredible set of weapons when it comes to music production bringing with the tune captivating compositions and haunting melodies that showcase his passion and inspiration for ambient electronica and underground music. Introspective atmospheres, climaxing in dreamlike soundscapes programmed with firm percussion make the tune a sensational part of this RoC.

Its time for another new member in the Afterlife community. With releases on IMPRESSUM, Oddity and Running Clouds, Dyzen brings his soothing sound to Tale Of Us imprint withRain Dance.A progressive techno masterpiece where non-stop percussions make the basement for the ethereal and sonic crescendo. Spacing between relaxing soundscapes and soothing arpeggio,Rain Danceis one of those tracks you will recognize in no time on the dancefloor.

Having records on RoC III, Realm Of Consciousness IV, and Unity, Agents Of Time return on this fifth chapter with Nightfall. The song begins with toned down and restrained tones that gradually unravel into a symphonic framework of analog synthesis and devote melodies. Moving along a series of emotive sections, Nightfallcontinues with extended breakdown and shuffling percussion.

Its time for some hard techno with another new addition on the Afterlife roster. Glowal mixes together massive and heavy percussive beats with extensive melodies and a robotic vocal for a new adventure on the label.Blunderis something completely different from what you may expect from Afterlife.

His 3-track EPWallsreleased this year has been a great success as Tone Depth returns on Realm Of Consciousness Pt.V withAnthizo.Fluid and elegant sounds characterize the tune that unfolds into dreamy and melodic lines with a melancholy theme. Its simple, clean, and pure, inviting your mind and soul for an exciting inner journey.

After his departure as a member of the Agents of Time, Fedele lands for the first time with his solo project on Afterlife.Back2Tranceinterlace acid and hypnotic techno elements with old-school trance lines. His new expanded sound spaces from analog-generated synth to futuristic plucked vibration for a production that set the beginning point of something bigger for Fedele.

We are almost at the end of this journey where another newcomer, Beswerda showcases his soothing harmonies. Spacing from raw and industrial bassline to minimal and dark-oriented elements,Turmoilcreates peak-time dancefloor moments for a night you wont forget.

The circle closes with Gardens of Gods Boiler, another newly added to the Afterlife family. Firm, clean, and in some instances raw and mechanical,BOILeR completely folds into an intimate and dream masterpiece thanks to the slow and devoted synth lines. A perfect closing for a journey that has spaced from hard-hitting techno banger to faithful and divine soundscapes.

From the start to the end, this 5th chapter does not disappoint expectations. We are transported to a life-affirming universe in which shadows and light are combined and overlaid on the same auditory plane. In some cases, darkness reigns supreme, while in others, light serves as a beacon for our journey into the infinite realm of consciousness. We've experienced melancholy, euphoria, excitement, sorrow, despair, solitude, and a variety of other emotional states by the time we reach the final chapter.Despite the absence of Tale Of Us, this fifth chapter encompasses everything Afterlife represents, lightning the way for what is coming next.

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Tale Of Us and Afterlife present Realm Of Consciousness Pt.V - The Groove Cartel

Trance legendTistois back with his mysterious alter-egoVER:WESTfor another release shrouded in suspense and mystery. Elements Of A New Life will be the second work from his alias, set to be released this Friday, July 16, via Tistos deep sound imprintAFTR:HRS.

Born in 2020, VER:WEST is Tistos latest alias but one that signifies, in a way, his past. Sonically, it seems to serve him as a legacy, as a rebirth of the artist who dazzled the world over 20 years ago. VER:WEST is a really significant name. Conceptually, it seems to symbolize his heritage, and it derives from his birth nameTijs Michiel Verwest. The trance maestro has never left anything to chance and has always been very good at naming his works. This alter-ego has proven to be very well-structured and made to delight everyone, especially those who have followed him since the early days of his career.

The first single from VER:WEST was released on July 17, 2020, and a year later the second will arrive. Is the one-year gap between releases purposeful? We dont know. Tisto seems to want to keep the tension and suspense about VER:WEST tight, but something is for sure, for his long-time fans, we believe its proving to be a real treat to rediscover the genesis of one of EDMs pioneers. It looks like youll be able to go back in time once again with VER:WEST, to the progressive origins and that delicious classic trance sound.

Listening to Elements Of A New Life certainly makes you think of the iconic album Elements Of Life, with which Tisto swept the critics, the industry, and most dance floors worldwide. Released in 2007, this masterpiece forever marked electronic music for bringing an innovative and fresh sound at the helm of Tisto and a handful of heavyweight collaborations. The most cherished tracks were the priceless Break My Fall featuringBT, In the Dark featuringChristian Burns, Dance4Life featuringMaxi Jazz(Faithlessfrontman at the time), and, of course, Ten Seconds Before Sunrise. The latter marked the beginning of VER:WEST. 5 Seconds Before Sunrise shares not only the great similarity in name with the 2007 track but its whole concept. Tisto has resurrected this iconic track and given it a lighter, more mature, and more thoughtful flavor. With a graceful serenity that makes you dance, 5 Seconds Before Sunrise is extraordinarily melodic, contemplative. It has that intensity of classic trance with the modern elements that now categorize it as melodic house and techno. Genres aside, the greatness of this sound needs no tags.

Tistos third studio album Elements Of Life seems to be the body and soul of VER:WEST, and this time it looks like it will deliver a new take on the single that gave the LP its name. What to expect from Elements Of A New Life? You can certainly expect a melodic, shimmering, and quietly uplifting approach to the power that the original offers. Last week Tisto shared the track with a rather lucky crowd atFactory 93, California. In a post of just a few seconds on Instagram, you can hear the melodic gracefulness and power bass that beats in the gut until it penetrates the soul. This new track sounds like its perfect for dancing until the sun comes up. This one feels like a pure and deep throwback to the Dutchmans classic and passionate sound.

If youre one of those who usually says miss the old Tisto, rejoice, hes here, better than ever. Elements Of A New Life will be out as early as this Friday and is just what the world needed right now.

Image Credit: Rutgr Photography https://rudgr.com / Thisismychur.ch

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Tisto is set to revive his trance legacy with single 'Elements of a New Life' - We Rave You