Category Archives: Trance

Both coming off serious hot streaks in 2021, Gryffin and Jason Ross have united for their new future bass hit, After You featuring Calle Lehmann.

After You tells a story about love and the struggles one can find in experiencing it, Nobody gets me like you do, Im not the same, not after you. It perfectly captures both artists styles; Gryffins catchy melody and Ross trance influence. Not to mention the pristine vocals of Calle Lehmann, who is renowned for Gryffins collaboration with SLANDER, All You Need To Know.

Dan Griffith, or better known as Gryffin, has continued on his dominant form this year. After You adds to his impressive recent releases Piece Of Me with LOWA, New Blood with Boy Matthews and Best Is Yet To Come with Kyle Reynolds. He has also kept busy on the touring front, delivering stunning festival performances across the United States at Beyond Wonderland, Breakaway and most recently Las Vegas Electric Daisy Carnival. Gryffin tells of the collaboration process in a recent Facebook post:

After You started as an idea tossed around at the end of a long Zoom writing session. The hook immediately captivated me, and I had Calle send me his vocals right away. Jason and I were also looking to work together, and I sent him the idea and he loved it. Over the next several months we passed the record back and forth, working in LA and virtually with Calle in Sweden to get it as perfect as possible. Were so thrilled to share this record with you all.

After You is only the second release this year for Jason Ross, following the success of his Convergence EPon Seven Lions Ophelia Records, which features his future bass anthem One More Day with Blanke and Chandler Leighton. Ross too has also recently performed at Beyond Wonderland and Nocturnal Wonderland, as well as performing on Electric Daisy Carnivals main stage, Kinetic Field. Jason Ross also described the track on his Facebook:

Ive always loved Gryffins work and its been such a pleasure working on this song with him and Calle. We got connected after I remixed his track with Slander and Calle, All You Need To Know, and have been talking about working on a track together for quite some time. Dan sent me Calles topline and instantly fell in love with it, working on it together in LA and bouncing projects back and forth. So stoked with how this turned out, and hope you guys love it as much as we enjoyed making it.

This track will undoubtedly feature heavily in their upcoming sets! Its also worth noting that After You was premiered by both artists at Electric Daisy Carnival last weekend, with Gryffin welcoming Jason Ross on stage to close out his set at the Cosmic Meadow stage.

For more information regarding Gryffin, click here, and for more information regarding Jason Ross, click here. You can view the tracks music video below, be sure to let us know your thoughts!

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Gryffin, Jason Ross team up for their new future bass hit, 'After You' - We Rave You

I spoke about my need to be highly productive every day and how my inability to stop working had led to anxiety. She used a term that Id never heard before:'RushingWoman Syndrome'.

'Rushing Woman Syndrome' is basically a heightened state of mind where your brain is running at 95 per cent capacity. Its highly unsustainable and can lead to finding comfort in coping mechanisms such as alcohol or food.

The more she spoke about it, the more I realised she was describing my last year. It was common for me to have short bursts of intense productivity followed by sudden bouts of no energy, extreme tiredness, and guilt.

Kind-of like a sugar high... followed by a crash. Except my highs lasted weeks months, even. And my crash lasted a few hours.

She explained the hypnotherapy process to me, letting me know that whilst she would be able to hypnotise me, I had complete control of whether I wanted to allow myself to be taken into a trance. My subconscious would also be completely active and awareof what was happening around me.

"Every time we walk into a room, our brainis presented with an overload of information that it cant process. From the blue specks on the carpet to the brass stool covers. When our mind is in a state of relaxation, it can pick up on the things wewerent able too before. Sounds may become sharper and scents more pungent," she said.

I nodded, "Okay, good to know."

"You can also come out of the trance at any timeyoud like, you have complete control, Im just here to help guide you to relaxation."

I nodded again, got comfortable on the couch, and chose a spot to focus on as Mandy began talking.

Her voice was soothing, and she spoke in a certain pentameter that instantly washed a sense of calm over me. Within minutes, my eyes felt heavy and the spot I had been focusing on began to blur. My eyelids began to flutter, slowly at first, then fasterand faster as I felt the overwhelming desire to close my eyes.

The trance had begun.

Mandy encouraged me to become aware of what was happening in my body. The session followed a similar pattern to meditation, focusing on deep breathing, feeling the energy flow through the body.

As the session continued, Mandy kept talking about moving into a deeper level of trance. From level one to two to three, she guided me to unlock a deep sense of relaxation.

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'I tried hypnotherapy to cure my chronic anxiety. Here's what happened.' - Mamamia

Janhvi Kapoor has recently opened up about her admiration for South cinema and also Malayalam actor Fahadh Faasil. The Bollywood diva who is currently working on the remake of the Malayalam movie Helen, couldnt stop gushing about the industry. In a recent interview with an entertainment portal, Janhvi Kapoor shared that she closely follows South cinema, especially Malayalam and her OTT watch history is proof of it. During the interaction, when the interviewer mentioned Malayalam actor Fahadh Faasils name, Janhvi shared her thoughts. The Roohi actress shared that she had watched Trance lately and was blown away by Fahadh Faasils performance. I think he is superb, Janhvi said. For the uninitiated, Trance is a Malayalam film helmed by Anwar Rasheed. The film revolves around the life of Viju Prasad, a small-time motivational speaker, who transforms into Pastor Joshua, a Christian cleric, who is a miraculous healer. Fahadh Faasil stepped into the shoes of Viju Prasad aka Pastor Joshua and gave away an exceptional performance. The film was released in 2020. Meanwhile, Janhvi Kapoor also expressed her wish to work in South movies, as she wants to explore the South world as well.As late Sridevi has begun her career from South and has been part of some impeccable movies here, Janhvis entry into South Indian movies was highly talked about. And as Janhvi too has expressed her wish to work down in the South fans of the diva are eagerly waiting for the same.Meanwhile, on the work front, Janhvi Kapoors last outing was Roohi. She essayed the lead role alongside Rajkummar Rao.

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Janhvi Kapoor refers to Fahadh Faasils performance in Trance as superb! - Times of India

gardenstate, the melodic multi-genre duo ofSwedens Marcus Schossow & American-born Matthew Felner have been creating some buzz in the industry with the release of their latest album Inspirations. Boasting a strong command over their music production skills, the duo after getting together in 2019 quickly garnered the support of artists such as Above & Beyond, Joris Voorn, Yotto, etc. landing them releases on their respective labels Anjunabeats, Spectrum & Odd One Out. One of the major highlights of both Marcus & Matthews discographies is the versatility in their music. The same is evident in their debut album as the tracks seamlessly flow from one genre to another knitting a perfect storyline.the gardenstate sound is an amalgamation of 90s trance nostalgia, brooding melodic techno, peak-time breaks and poignant songwriting. To discuss more about their debut album & music production process,We Rave You Tech recently had the pleasure of catching up with the duo for an exclusive interview.

We Rave You Tech: Hi gardenstate, thank you for taking the time to speak with us! Where are you currently located?

gardenstate: Thank you yourself, currently sitting in Helsingborg, Sweden!

We Rave You Tech: gardenstate is quite a unique name. How did you come up with it?

gardenstate: When me and Matt discussed the name of the project we had a few names on the table, but this friendship started in the state of gardenstate and we felt it suited the vibe we are.

We Rave You Tech: Since when have you been making music & how did you get into music production? When did you decide to dedicate yourselves fully to the music?

gardenstate: It is no secret that I (Marcus) do all the music. But we bounce ideas back and forward to each other since we share a passion for it. But I started about the age of 15 (21 years ago) and Ive always known that this is something I want to do. Ive been a full-timer in that aspect since I was 21 years old. Ive been releasing music through every possible label out there for the last 16 years including Size, Revealed, Axtone, Spinnin, Armada, and so on but Its only recently where I found my home, and that is Anjunabeats. They have been incredibly supportive of my creative freedom which has led me to do the things I love, and out of love comes great things! I have much to thank them for.

We Rave You Tech: Your latest album, Inspirations just came out via Anjunabeats. Can you walk us through the inspiration behind the album and the process?

gardenstate: The album production kinda just happened! There was no plan or no timeline, I kinda just went into the studio focusing on making the music and then came out with a bunch of tunes that then later became an album. I think thats the best way to approach music, just to let it all flow out of you. Its easy to get stuck in something if there is a plan and rely too much on input rather than just going for it.

We Rave You Tech: Whats your favorite track of the album?

gardenstate: On a technical aspect I really like 5am, the melody is just something different and the sheer details in it is immense. Mastering wise I think The Best Part sounds incredible, but thats teamwork between me, Igor and Vladimir (our mastering guys at Anjuna). They both have done an incredible job without colouring the vision of the sound too hard.

We Rave You Tech: Name a music producer youd like to collaborate with, and why?

gardenstate: In a parallel universe Id like to go into the studio with Charlie May, James Holden and Trentemller. These 3 amazing talents have been the strongest inspiration to my vision of how I want the music to be like.

| Sarah de Warren Chill Vocal Sample Pack Click here to checkout

We Rave You Tech: Your recent releases have been quite diverse ranging from melodic breakbeat to trance to progressive house to acid etc. How do you envision the same while writing the track?

gardenstate: Most of the time its just about a vibe or a memory. Most of these songs are memories put into music, something that Ive experienced and then later want to recreate in my own way and version. We both like all sorts of music, so being diverse as we have just been a natural process. Its easy to argue that a sound of an artist should be that one sound, but the vision for us is that the vibe is our sound, not the sound itself.

We Rave You Tech: Do you make your drums from scratch or prefer using sample packs? In case you use samples, currently what are some of your favorite/go-to sample packs?

gardenstate: I pretty much do everything from scratch, even the hi-hats etc. That way, in whatever way I do it, it will always for some reason sound unique. Im not a massive fan of sound banks because it makes everything sound the same and it bores me to death.

We Rave You Tech: Arrangement, Sound design, Melodic structure, Mixing, Mastering. Rank them on priority for you.

gardenstate:

For the single reason that a song still can be amazing even if it sounds less great.

We Rave You Tech: What DAW are you currently working on?

gardenstate: Ableton 11. Ive been on Ableton since v6 and the reason is that I can very quickly get an idea down in it. The speed is important, not to lose the flow of the wave of ideas.

We Rave You Tech: Melodies are one of the core elements of Trance and progressive music. How do you write your melodic structure? Do any one/both of you play any instrument?

gardenstate: None of us really plays any instrument, as boring and strange as that might sound. But I play the melodies in my head and then I try to translate that into the sequencer. It has always been my issue but its also great because happy mistakes can happen

We Rave You Tech: Throughout the album the drums punch through the mix nicely. How do you usually process your drums?

gardenstate: Thank you for noticing. It all starts with a proper mixdown and then the right type of compression. Most people compress the drums to death and then wonder where all the transients went. The various SSL racks out there do a great job to get the peaks out in the mix. For me, I always start the mix down around the kick and make sure its clear throughout the mix.

*Note: For user convenience, we have added relevant links to the mentioned tools.

We Rave You Tech: What are some of your favorite synth plugins/kontakt libraries?

gardenstate: All the things from u-he and Plugin Alliance do are amazing. My sound literally got better with these two companies doing the incredible job they do!

We Rave You Tech: What are some of your favorite mixing & mastering plugins?

gardenstate: I dont do the mastering myself on my own projects as I, by nature, lack the proper perspective to do it since Im emotionally attached to the music. Its like a relationship, you sometimes only see the good things but fail to see the reality of them. Again, I think the SSL racks out there do an amazing job to make things cut through.

We Rave You Tech: Do you possess any analog gear? If yes, which ones and what do you use them for?

gardenstate: Loads, I love them! On the album, I used a Moog Sub37, Moog Voyager, Erebus Dreadbox, and a few other fun toys. For me, the analog just comes with dynamics and depths. Have you ever heard the sub for a Minimoog? You cant replace that, no matter how hard you try. There is just something magical to it that translates so well into the sound Im trying to achieve!

We Rave You Tech: Inspirations counts as your first album. Did you discover anything new or develop any new skills in the process?

gardenstate: Never switch laptop during an album process. that was the first painful skill I learned haha! But I think I started to use less and less extreme processing on things, and that comes from watching how Igor and Paavo work.

We Rave You Tech: How was your experience playing at the massive ABGT 450?

gardenstate: It was unreal. It felt like 5 minutes because your head cannot possibly process every impression that it gets. About halfway through I had a little man tear because it meant so much to be back.

We Rave You Tech: What advice would you give to upcoming music producers?

gardenstate: Dont listen to anyone, you do you and do it the best way possible. And be street smart, you are about to enter one of the roughest businesses in the world if you dont have your head on straight you will be eaten up alive. Welcome to the jungle!

Thats all for this interview!

Check out gardenstates album Inspirations down below:

Read More:Top 7 Tape emulation plugins for adding analog warmth

Image Credits: gardenstate(Press kit)

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gardenstate talks process behind "Inspirations", music production & more - We Rave You

The other with a mournful voice and violin draws on the equally stripped-down and drone-inflected roots of Southern Italian tradition. The Italian also plays a range of frame drums with phenomenal energy and technical prowess. Mixing the rocking and rolling lilt of John Lee Lee Hooker with the frenetic pulse of pizzica music from Italy might seem an unlikely combination, but the result of collaboration based on a shared passion for the music of healing and trance

Justin Adams is probably the most underrated musician in Britain. This may be because he has never been a slave to fashion or stuck in the rut of genre. He has devoted his life to collaborating with others, and enabling his musical partners to reach for the stars from Robert Plant to Tinariwen, the Gambian virtuoso Juldeh Camara to the brilliant French band LoJo and Rachid Taha. It is evident, when he plays on stage at Camden Towns Green Note, a venue whose micro-size acts as an alchemical vessel for intense and intimate music-making: he loves music, and savours the joy of collaboration.

There is a thread that connects the seemingly wide variety of music that Adams explores: he has been drawn for years to the music of trance the sacred and African heart of rocknroll. It was perhaps not surprising that he should decide to work with Puglian multi-instrumentalist Mauro Durante, the leader of Canzoniere Grecanico Salentino, a band devoted to the romance and frenzy of traditional music from the southernmost parts of Italy. Durante and Adams originally met and became friends through their respective collaborations with Ludovico Einaudi. They both believe in musics transcendent and transformative potential. As Durante explains, the fast-paced pizzica and tarantella styles have their origins in trance dances that graced healing ceremonies.Much of the material they present on stage which can be found, beautifully recorded on their new album Still Moving (released on 29 October) - is high-octane blues from Adams and spectacular percussion from Durante. The song Dark Road Down, as other strongly blues-inflected pieces features all their combined talents, sparking off each other with breath-taking energy that has the audience on the edge of their seat: visceral bluesy power-chords from Adamss guitar sparring with Durantes virtuosic finger-play on the frame drum, punctuated by bass-heavy strokes from the lower palm of his hand. Both men sing Adams a gruff invocation of pain, and Durante full of melancholy yearning and romance. The same mood colours his violin-playing, with its echoes of the Greek and Arab music that draws emotional power from sliding seductively up and down the space between tempered tones.

Durantes gentle and unadorned voice and fiddle come into their own on several passion-filled songs, one of them a soulful version of Domenico Modugnos massive Italian hit "Amara Terra Mia" and the very touching love song "Damme la Manu" Here, Adams, plays more delicately, in emotional harmony with the Italian, a welcome and soothing contrast with the more obviously erotic intensity of his supercharged blues.

It has almost become a clich to celebrate the return of live music and the excitement that comes from the shared enjoyment of music. We live in a world drenched in omnipresent music and sound. The preciousness and vitality of performance is all the more tangible after long months of absence. Adams and Durante rose to the occasion, helped a great deal by the scale of the event. It was easy in the context of such a tiny club, to rediscover the power of rhythm and melody, the captivating range of textures that the simplest music, played from the heart, can produce.

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Justin Adams and Mauro Durante, The Green Note review - fiery duo in an intimate space - The Arts Desk

Graphic | Cassy Tweed Possessed Judge

In the new film The Conjuring: The Devil Made Me Do It, the trial of Arne Johnson is explored. Johnson is on trial for murder. His defense: not guilty by way of demonic possession.

There have been other instances of this defense outside the U.S., but unfortunately for Johnson, Judge Robert Callahan refused his defense due to its unexplainable nature. Johnsons attorney then plead self defense instead in order to get around the halting of their demonic defense.

While admitting hes not sure whether demon possession is possible, Callahan said, He knows its not a legal defense and considers evidence of it irrelevant, unprovable and needlessly confusing to a jury, The Courant reported.

In an interview with People, Johnsons girlfriend at the time, Debbie Glatzel explained Johnsons behavior and how it was similar to her brothers possession.

[He] would go into a trance, Glatzel told People. He would growl and say he saw the beast. Later he would have no memory of it. It was just like David.

According to the family, Johnsons possession began after he told the demons inhabiting Davids body to take him instead during an exorcism. Not long after said exorcism, Johnson killed Alan Bono with a pocket knife on Feb. 16, 1981, according to the Virginia law archives.

In an interview at the time of the murder, Glatzel explained how Johnson prompted the demons to enter him.

He wanted to do what he could to help David, Glatzel said. He said, Im not afraid of you. Ill fight you. I said, Oh my God, Cheyenne, why did you say that? He said, I dont like to see your brother like that.

Arne was eventually found guilty of first degree manslaughter and sentenced to 10 to 20 years. He served five years of his sentence due to good behavior and married Debbie while imprisoned.

There are few other reported cases of attempted defenses of demonic possession, but on the flip side many people who attempt to perform exorcisms that end badly are left with murder charges.

Skeptics of demonic possession are quick to deny the defendants claims after a death caused by an exorcism and because of this, there is a continued question of how to handle such cases. Due to the inability to prove or deny possession, like Johnsons judge, many judges find the claims to be unable to stand in court.

Something used in the film by Ed Warren, a demonologist who aided Arne Johnson, was the fact that people are sworn in on a Bible in court. Therefore, he believed it was unfair to accept the realness of God but not the Devil.

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Not guilty by way of demonic possession - NDSU The Spectrum

From: Ghent, BelgiumDJ style: Techno, acid and related.Best known for: Tomorrowland 2018 Main Stage/New Form live streams in lockdown.Fave tune of 2021: WNDRLST Vertigo.Rising star DJ/producer of 2021: Indira Paganotto.

Charlotte de Witte is one of the most recognisable techno DJs on the planet, and in ordinary times plays hundreds of gigs a year. Rather than revelling in time off during the pandemic, though, she kept on working to expand and evolve her KNTXT empire.

This year alone there have been two new solo EPs on the label, a chart-topping remix with Enrico Sangiuliano, a historic live stream from the Italian Formula 1 race track Autodromo Internazionale del Mugello (where she also got to drive around in a Ferrari), various themed playlist hook-ups with Apple Music, and even a boutique clothing range in collaboration with Belgian activewear brand 42I54. She also briefly opened up the label for demo submissions as part of her unspoken mission to diversify techno.

I think this year was a good opportunity to try and explore other things, Charlotte says with a smile over Zoom. Obviously, I couldnt go on tours, and didnt have so many shows, so it wasreally nice to stretch my arms and see what other things I could get involved with. At this point, the Belgian shouts out the behind-the-scenes team who help bring her ideas to life. She says she gets as creative as possible with them and sees no real limits as to what can be done. Although the music will always be the main focus, it doesnt have to be the only focus.

This year, that music took on a certain trance element, with her more recent Asura EP being lit up by psychedelic influences that take her back to her roots. As a youngster, Charlotte would go to all manner of acid, hardcore and trance raves, and when she first started DJing she was all about electro. She remembers those experiences fondly, and thats why their influence hascrept into her work this year.

My whole background is such a variety of electronic music that revolves around techno, so for me, its really nice to sometimes be in touch with where I come from, she says. I dont thinkanyone making music should necessarily limit themselves because something is considered not techno enough. What the hell does that mean anyway? If you just feel like doing something, Ithink you should. Its interesting to sometimes reach out to another type of electronic music that shows where you come from and show that storyline a bit.

Her biggest tune this year was the remix of Age Of Love by Age of Love, produced with Enrico Sangiuliano. Its an homage, she says, mindful of certain corners of the internet who claim Charlotte shouldnt have touched such a classic because it cannot be bettered. We were just having fun in lockdown. We didnt want to improve anything, we just wanted to pay respect with a contemporary tribute to that remix.

After winning a DJ competition 11 years ago, aged just 16, life has been pretty much non-stop for the Ghent-born artist. She has gone from being a next-gen DJ Mag cover star in 2017 to now winning the Alternative Top 100 DJs poll for the second year in a row.

This award is not the only good news Charlotte has had in the last 12 months. At the end of 2020, she got engaged to Italian DJ and producer Enrico Sangiuliano. Its not the easiest job to combine with any type of social life, she explains. I mean, youre never synchronised with anyone since youre always away at the weekend, so its very tough to maintain friendships or relationships. But it looks like now it has just worked out fine.

The idea of a small wedding somewhere in the near future, followed by a bigger celebration down the line, is what appeals to Charlotte. But it might not quite match the scale of the upcomingKNTXT parties she has just announced, with the biggest ever set to take place in her hometown of Ghent at Flanders Expo, the former home of Belgiums legendary I Love Techno event, in February 2022.

I just love it all, she says of what motivates her most, having already achieved so much at a young age. Being with sweaty bodies in the club, feeling the music, travelling, trying localfoods around the world. Its just an insanely exciting adrenaline rush. That said, one thing she did take from the last year was that she needs to make better decisions to preserve herphysical and mental health and ensure career longevity. Before, I would fly from the East Coast to the West Coast of the US on consecutive days. Thats just too demanding, its not humane.

Over Charlottes shoulder in the background is a DJ bag, packed and ready for weekend gigs in France and then Switzerland. Unlike many high-level DJs, she still checks new music for herself,every single day of the week, and reloads her SD cards with whatever she finds. I still love doing that, but what has become more difficult these days is actually going to the club myself and enjoying the music from the dancefloor.

While thats a pleasure shes missing out on herself, its one she provides each and every weekend for fans all over the world.

The rest is here:

Alternative Top 100 DJs 2021, powered by Beatport | DJMag.com - DJ Mag

Hailing from Denmark, Terry Golden is somewhat of a veteran in the dance music industry, with almost 30 years of knowledge under his belt DJing and Producing in the electronic music scene.

With musical influences built from various genres and artists who have helped to shape Terrys sound today, you can thank the likes of Armin Van Buuren, Tiesto, and some of his more recent influences like David Guettas Future Rave sound, which Terry homed in on and took in his own direction.

Terry Golden offers up fresh and unique music as he merges his different techniques and experiences to create truly ear-catching music. Terrys sound is best described as a powerful mixture of genres like Big Room, Trance, House, and Progressive all mixed with a bit of Terry Golden flavour. Terrys fanbase is growing day by day and will soon reach staggering heights, so keep an eye out for this rising talent.

1. What software is best to use for beginners?

I use Ableton, as its very easy to use and has a lot of plugins are included. Its also great for recording live performance, has many easy-to-use advanced functions. I guess all DAWs has some pros and cons, so my suggestion for a new music producer is to try them out (Most have a 1-month free trial or something)

2. What are the essentials a budding producer needs to start making music without breaking the bank?

You need a descend pair of monitors, good headphones, a DAW like Ableton and I would suggest a midi keyboard.

3. Have you got any suggestions for books/YouTube channels people learn from?

I will suggest http://www.digitaldjtips.com then both have some great DJ courses and production courses for all levels, all done with the video, and very affordable prices. YouTube is also a great source, but many videos can be a bit of wasted time So I mainly use YouTube if I am missing something specific

4. What is your advice on sampling?

Great tool for builds, but dont get too carried away you dont need to sample to make great music, but if used creatively, it can be one of does things that really set off your track. So my advice is if you are new, dont think too much about it, start adding it in at a later stage. Learning the basic mixing skills, understanding reverb, EQ, and all in all master how to scruple your sound image is far more important

5. Which part of the track should you start with?

I always start with the drop and melodic parts, then it is easier to add everything else afterward

6. What plugins are best to download first?

Start to add a good synth, I use Serum mostly you need to have a good synth to make electronic music. My next go-to software is Fabfilter (Great EQ, Limiter, etc), Valhalla (Delay, reverb), and Izotope Ozone suite (Great for you master and stem masters)

7. Got any tips on mastering that iconic Big Room sound?

Bass, Kick, and synth are the essentials. Its actually not in your master, its in your mix it all happens. The master will just add that extra on top. Use layering both for you basses and synth to give them this fat and wide sound (That technique is something you can learn from YouTube or most production courses) Them sidechaining bass and kick and use EQ to make all track pop in you your face, thats what I am doing. After that FX effect to add extra tension and and and .

But if your mixdown doesnt sound good, no master will make it sound good. The best recommendation is to always use 1 or 2 reference tracks, so help you set the different sounds in the mix

8. Do you think its necessary to learn how to mix and master?

If have to be a good mixer to make great music, thats just my opinion, but you dont have to be a mastering engineer, you can outsource that part to a pro, so at first concentrate on learning the mixing parts, then mastering can some later or never

9. As a DJ, is there anything producers should avoid doing in their tracks that could be annoying for DJ sets?

Not really, but it is always nice to have 8-16 bars in the beginning and end, just with the beat and not so most melody. Its always harder to mix a song that ends with a vocal part or a drop etc. But like music producing, as a DJ you will always find a way

10. What should a producer do if theyre struggling to find inspiration?

Listen to a lot of music, and maybe from different genres that the genre where you make music, that when sometimes something magical can appear.

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Exclusive Interview about music production with Terry Golden - Rave Jungle

Jon Hopkins next album has been timed perfectly to last the exact length of a ketamine trip, according to the producer.

Hopkins, whos previously produced records alongside Brian Eno and Coldplay, is releasing an ambient track on November 12 said to encourage a new genre of music.

Music for Psychedelic Therapy is the name of his next release, which is tailored to recent psychedelic research revealing that ketamine could prevent the furthering of mental illnesses such as depression and anxiety.

Read this next: Magic mushrooms found to treat depression and PTSD in new study

Breakthrough studies over recent years have pushed the drug into the limelight, now aiding in the opening of treatment centres across the globe, including one which recently opened in Bristol offering ketamine therapy.

Hopkins is amongst those pushing this new research, particularly in conjunction with music. Music for Psychedelic Therapy will last the exact length of a ketamine trip, while combining that with psychedelic visuals in track videos and artwork.

"Were entering an era where this kind of therapy is going to be legal and widespread, and you need to have music for it, Hopkins told The Guardian. "Ive got to be really careful of sounding too grandiose, but it really feels to me like there is a frontier here a new genre of music.

Read this next: A new app claims it will make you trip like you're on LSD

The producer played the new record live to an audience of 200 people in Austin, Texas, as part of a ceremonial concert earlier this month.

Although psychedelics werent allowed at the live event, hundreds of enthusiasts gathered to experience Hopkins latest release in a candlelit warehouse, laying across yoga mats in a meditative trance.

An excerpt from Music for Psychedelic Therapy is out now. Listen to it below, and pre-order it here.

Gemma Ross is Mixmag's Digital Intern, follow her on Twitter

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Jon Hopkins next record "will last the length of a trip" - Mixmag

KITCHENER On July 5, 1962, medium Thomas Lacey was performing a seance in the basement of a Kitchener home when the spirit of a pilot entered the room.

He was the pilot of a Pan Am plane that had crashed in South America.

He knew he was dead because he was the pilot of the plane. He knew the plane was crashing, said Nick Richbell, a history PhD student at University of Waterloo studying spiritualism in the Waterloo Region.

But the passengers, according to him, didnt know.

Laceys group used the seance to help the passengers pass over. After doing more research into the plane crash, Richbell said he wasnt able to find an exact match.

Its interesting to try and connect the pieces together when you start looking into it, he said.

From 1960 to 1966, over 150 similar seances by Laceys Kitchener circle were recorded on reel-to-reel audio tape.

Based on records, seances were performed by the group starting in 1924 until Laceys death in 1966.

The archival material was donated to the University of Waterloo Library by a professor named Stanley McMullin.

With access to documents and audio reels as the head of the Special Collection and Archives at the University of Waterloo, Richbell has been studying this history for the past three years.

He said the one to two hour seances were performed in a house that still stands on Frederick Street in Kitchener.

It was owned by a businessman called Otto Smith, said Richbell.

Otto was formerly a vice principal of a school here in Kitchener and then he moved into insurance sales. He was quite a well-known character in town.

Seances would be held in Smiths basement.

Richbell describes a medium like Lacey as a person that would go into a trance state, similar to sleeping or being hypnotized. The spirits take over and use the mediums voice because spirits dont have a voice box, he said. Everyone else in the group was there to maintain the energy in the room and ask questions to the spirits.

Lacey was born in England on Nov. 4, 1895 and moved to Canada in 1923.

His first documented spirit connection in Kitchener was recorded in 1924 it was a lecture he gave while in a trance state.

Lacey was an engineer by day and a medium by night. While there were others that got paid for their work communicating with spirits, Richbell said Lacey did it as a hobby.

He and his wife Edith, were very down to earth, from reading comments from people who knew them, said Richbell.

Richbell said the seances would open with Smith playing the organ which he played at a Lutheran Church in downtown Kitchener.

Smith tape recorded the seances. The date would be announced, then Smith would then name everyone in the circle, which Richbell said transitioned to the usual sitters are present over time.

When you have the same people in the seance, it builds up a certain energy, which is believed to help the medium bring the spirits through, said Richbell.

One to two times a week, seances were done in either the dark or red light, with a spirit trumpet in the middle of the room. The spirit trumpet was an aluminum cone about a metre long.

Its alleged that the spirit energy would move these trumpets around the room, said Richbell. He said the trumpet would sometimes tap people on the head or items would appear in the mouth of the trumpet, such as a rose.

At the end of the seance, descriptions or names of the spirits that had appeared would be written on the back of the reel to reel machine box.

There were three main types of seances in Laceys circle. Masters night involved calling on dead scholars and philosophers to have discussions. The other was called visiting night, where dead relatives would visit the circle.

Thomas group was most interested, I think, in the philosophical discussions, said Richbell. He would channel people such as Thomas Edison, Nikola Tesla, Ghandi at some point, and the people in the circle would be having a conversation with their spirit.

The third was called rescue night, where the seance circle would help spirits move across the light.

It wasnt that they were trapped between one world and the other. Spirits just didnt realize they had died, said Richbell.

Next steps for his research are looking into how the practice of seances has changed by speaking with mediums and people organizing the circles today.

Richbell said he is more interested in the people involved, rather than the seances themselves.

I havent figured out how did Thomas Lacey discover he was a medium? Did this happen in the UK before he moved here or did he moved here suddenly? Did he suddenly realize he could channel dead people? said Richbell.

Theres lots of unanswered questions, which is what keeps me going.

Excerpt from:

Medium was Kitchener's connection to the spirit world - TheRecord.com