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The Kingdom Exodus Review: Lars von Trier Goes Full Meta With the Return of His Creepy Hospital Drama – Yahoo Entertainment

Posted: September 3, 2022 at 4:40 pm

Lars von Triers The Kingdom Exodus warrants comparison with David Lynchs Twin Peaks: The Return for multiple parallels between the two: Both are peak prestige TV with indelible auteurist hallmarks, returning for their third seasons after a quarter-century hiatus. Both invoke the supernatural, concoct elaborate lore and boast captivated cult-like followings.

Though the Danish Kingdom is of course much lesser known, its first two seasons did make enough of a cultural impact through international theatrical runs to spawn a Stephen Kingcreated American remake, Kingdom Hospital.

Kingdom Exodus, making its world premiere at the 2022 Venice Film Festival, gets much more meta. In the cold open, Karen (Bodil Jrgensen) watches von Triers signoff from the previous seasons finale on TV. Frustrated by the series loose ends, she heads to bed and affixes restraints to herself to prevent sleepwalking. She experiences a nightmare, rises, unties herself, hops into a cab inexplicably waiting outside her house, and heads to Copenhagens infamous Rigshospitalet, the Kingdom Hospital.

Also Read:Lars von Trier Is Making a Third and Final Season of 90s Series The Kingdom (Video)

The imagery is pristine and dreamlike to this point, something straight out of Melancholia. As soon as Karen steps inside the hospital, though, the visuals immediately deteriorate to the washed-out aesthetics of the previous seasons. She inquires about Mrs. Drusse (Kirsten Rolffes) and Little Brother (Udo Kier) with a security guard, who rants that the bloody TV show by blundering fool Trier has damaged the hospital irreparably. Later Karen encounters hospital orderly Bulder (Nicolas Bro), who pulls some strings in getting her admitted so she can continue to investigate.

While the series central battle between good and evil rages on, so does its age-old rivalry between the Danes and the Swedes, with the arrival of Swedish neurosurgeon Halfmer (Mikael Persbrandt), son of Helmer (Ernst-Hugo Jregrd) from previous seasons. Upon landing on the rooftop helicopter pad, Halfmer orders the ground crew to take me to your leader like some alien. He learns the hard way about the staffs many bizarre and degrading rituals and discovers a support group for Swedish expats working there.

Story continues

Director of photography Manuel Alberto Claro (a von Trier regular) and editors Jacob Schulsinger (Force Majeure), My Thordal (A Taste of Hunger) and Olivier Bugge Coutt (The Worst Person in the World) have faithfully maintained the series look and feel despite not having worked on previous seasons. Kingdom Exodus more overtly evokes mockumentary because of its self-reference. While previous seasons also employed handheld camera, swipe pans, rapid zooms and abrupt cuts, the mustard-hued cinematography made everything look so highly stylized that it might have muddled the series mockumentary aspirations.

Also Read:Lars von Trier Diagnosed With Parkinsons Disease

The meta-ness seems characteristic of the narcissism that has taken over von Triers oeuvre since the last season. Camilla (Solbjrg Hjfeldt), a returning character, tells Karen, the director forced us to say all his stupid lines.A guided tour of the hospital makes a show of von Triers private room. The filmmaker also appears as none other than the devil himself. He doesnt sign off during the credits as with the previous seasons, though, presumably because of his recently disclosed Parkinsons diagnosis.

While often self-deprecating to the point of good-humored self-flagellation, von Trier at times also appears unrepentantly defensive. Much like his previous feature, The House That Jack Built, parts of Kingdom Exodus seem to indirectly address the criticisms and allegations lodged against him over the years the cinematic equivalent of subtweeting, if you will. Halfmer emails colleague Anna (Tuva Novotny) a consent form for permission to pat her backside, which prompts her to contact the resident Swedish lawyer (Alexander Skarsgrd, whose father, Stellan, appeared last season as Helmers attorney), who has set up shop in a restroom. Halfmers ambiguous relationship with Anna comes off like some sort of thinly-veiled response to Bjrks accusing von Trier of sexual harassment on the set of Dancer in the Dark.

The director also exhibits disdain for political correctness in what he sees as its hypocrisy and lack of practicality. Halfmer outs himself as a bigot upon his arrival at Rigshospitalet, freely dropping offensive epithets, though he is quick to criticize the lack of diversity among the staff and adamantly insists on wide implementation of gender-neutral pronouns. The latter leads to brain surgery being performed on the wrong patient in a scene that recalls Ridley Scotts Hannibal, only less explicit.

Also Read:The House That Jack Built Theatrical Cut Film Review: Lars von Triers Serial Killer Sagas a Pointless Bore

Theres nothing this season nearly as disturbing or memorable as the live birth of Little Brother. The most unhinged scenes involve hothead Naver (Nikolaj Lie Kaas) twice dislodging his own eyeball from its socket. Special effects are serviceable, but not enough to make up for some of the plot holes and logical flaws. Although the season promises answers, it predictably opens another can of worms.

Much like Twin Peaks: The Return, Kingdom Exodus expands on its lore, universe, and dimensions even further. Fear of the unknown is always dependable in this genre, and Rigshospitalet remains fertile ground ripe for exploration, even if promotional materials indicate this is the final season. Perhaps as an intentional nod at Twin Peaks, Kingdom Exodus also utilizes the doppelgnger trope. Just like those from the Black Lodge, doppelgngers in Rigshospitalet are evil and murderous.

The Kingdom Exodus is definitely a worthy entry in an iconic series, and fans of the show and of von Trier will most certainly find it entertaining and well worth the quarter-century wait. It never resonates with poignancy like Twin Peaks: The Return in its contemplation of the passage of time, though. Its at a slight disadvantage in that regard because it doesnt have one lone Agent Cooper to serve as its heart and soul. Now that von Trier himself is facing illness and mortality, perhaps it will prompt the auteur to dig even deeper to deliver his best work yet.

The Kingdom Exodus will stream on Mubi this fall.

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The Kingdom Exodus Review: Lars von Trier Goes Full Meta With the Return of His Creepy Hospital Drama - Yahoo Entertainment

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Film Review: ‘Explorer’: The Amazing Life Story of Author and Renowned Overachiever Ranulph Fiennes – The Epoch Times

Posted: at 4:40 pm

NR|1h 53min|Documentary, Biography |30 August 2022 (USA)

The third cousin (once removed) of the Fiennes acting family (Ralph, Joseph, and three others), Sir Ranulph Fiennes (full name: Ranulph Twisleton-Wykeham-Fiennes) has lived a life that would make most overachievers blush and cause others to reconsider their own bucket lists.

To wit:

He was the first person to circumnavigate the globe, not (the relatively easier) east to west, but north to south, while crossing both polar ice caps in the process.

He, with Mike Stroud, a physician who accompanied him in a vehicle for safety and possible medical reasons, were the first to cross the entire continent of Antarctica and did so over the course of a mere 92 days.

At the age of 65, he climbed Mount Everest, becoming the oldest British person to ever do so.

At the age of 59, he ran seven marathonsin seven consecutive dayson seven continents.

He served eight years in the SAS (Special Air Service), a covert branch of the British Army, as a demolitions expert, and in 1968 helped defeat a Yemeni communist insurgence in Oman.

Not quite as impressive: He was on the short list to replace Sean Connery as James Bond and has written 24 fiction and nonfiction books.

Every one of these accomplishments is worthy of its own stand-alone feature, and it is to the credit of director Matthew Dyas that the 113-minute-long documentary Explorer goes by in a flash. Theres not an ounce of fat in the entire film. Dyas, along with editors Ben Stark and Charlie Hawryliw, doesnt include a single unneeded frame.

Having previously collaborated with Fiennes on the overlooked 2019 docuseries Fiennes: Return to the Nile, Dyas has what appears to be unlimited access to his subject. Although the bulk (about 70 percent) of the film is culled from the usual archival footage, stills, newsreels, and the like, the remainder is recently shot and most of it is just Fiennes discussing, while regularly downplaying, his many astonishing accomplishments.

Born in 1944 four months after his namesake father was killed in World War II, Fiennes, his three older sisters, and their mother relocated to South Africa to live with his grandmother, described here as difficult. He admits, with a certain wistful air, that he was spoiled by the females in his early life, something that could turn many men into sissies, but it had the exact opposite effect on him.

A decade later, when he returned to England at the age of 12, Fiennes met Virginia Ginny Pepper, whom he would eventually marry in 1970. Theirs was a unique relationship. It was a rarity, even back then, for childhood sweethearts to wed. And not only did they remain together until her death from cancer in 2004, but she was his professional partner as well.

It was she who managed the logistics of the three year-long global treks, and Fiennes lavishes relentless praise upon her, stating that the mission could not have succeeded without Ginny at the helm while operating out of their home base. Fiennes makes it clear: Ginny wasnt a woman behind the man, but rather side-by-side the man as a team. Watching them go from preteens to senior citizens is nothing short of awe-inspiring.

A further example of the impeccable character and modest grace of Fiennes takes place with the discussion of his baronetcy. Largely a ceremonial and useless title bestowed by the Crown, it is hereditary, and upon his birth, Fiennes became the 3rd Baronet of Banbury, thus making him a knight.

Fiennes bristles at being referred to as sir, claiming that being rewarded for inheriting a title or award for simply being born is meaningless, and that the only people who should receive such honors should do so by earning it with merit.

Fiennes was appointed Officer of the Order of the British Empire in 1993 for human endeavor and for charitable services. His various expeditions also raised 14 million pounds ($16,440,000) for various charities up to that point and, since then, another 5 million pounds ($5,870,000).

What is most surprising about Fiennes was in hearing his reasons for becoming an explorer in the first place. Far too frequently, when questioned why they climb mountains or engage in equally dangerous activities, most adventurers and thrill-seekers respond with the tired and clichd because its there.

Although born a royal, Fiennes didnt enter the world wealthy. He didnt participate in these many events out of curiosity or some sort of inner drive, but simply for revenue. It was his chosen profession. He wasnt an eccentric millionaire wanting to prove this, that, or the other. He did it to make ends meet.

For instance, during the four-year buildup to the around the world expedition, Fiennes and Ginny amassed $27 million from close to 650 sponsors, mostly companies that manufacture goods and equipment he would use during his trip. Its not all that different from the practice of businesses that pay race car drivers to wear logo patches on their hats and jumpsuits and slap decals on their vehicles.

Late in the film, Fiennes presents questions that many of us ask ourselves daily (if not more frequently) regarding the mounting political correctness verbiage that has infested our vernacular. He queries his detractors who accuse him of white privilege, and the exact meaning and intent of being woke.

The only privilege Fiennes had was being born with great intellect, superior athletic skills, and an uncanny ability to conquer the elements. He is also thoroughly lacking vanity or hubris.

You know that guy: the salt-and-pepper-haired dude hawking Dos Equis beer on TV, online, and in thousands of subsequent memes? The one who is touted as being The Most Interesting Man in the World? He cant hold a candle to Ranulph Fiennes.

ExplorerDocumentaryDirector: Matthew DyasRunning Time: 1 hour, 53 minutesNot RatedRelease Date: Aug. 30, 2022Rating: 5 out of 5

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Film Review: 'Explorer': The Amazing Life Story of Author and Renowned Overachiever Ranulph Fiennes - The Epoch Times

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Bill Maher Asks A Question Even A Meathead Cant Answer On Real Time – Deadline

Posted: August 29, 2022 at 8:24 am

Those who accuse Bill Maher of drifting too far from his liberal roots must have been happy with the lineup for Fridays Real Time on HBO. From film director and author John Waters to Democratic Senator Amy Klobuchar to director/actor and extreme liberal activist Rob Reiner, it was clearly a group that leans to the left side of the aisle.

Except Maher was not afraid to veer from the unstated script and call out one of his guests on a difficult issue: Hunter Bidens laptop and the apparent supression of that story in media..

Maher laid his trap early, giving his panelists ample rope to spout their views about abortion, Joe Biden, January 6th and the recent spending bills,

Maher grew tired of it at one point, mocking Reiner and Klobuchars glee at former President Donald Trumps Boxgate issues when they were brought up in walls are closing in fashion.

You know how often Ive heard that on MSNBC? Maher said about Reiners assertions that Trump would be indicted. Weve got him now!

A few beats later, Maher zoomed in for the kill when he brought up how the story of Hunter Bidens laptop and its influence peddlilng evidence was effectively squashed.

Maher turned the conversation on a recent statement by podcaster Sam Harris, who said that a conspiracy to silence that storyline before the 2020 election was fine, as it served the greater good of defeating Trump.

Maher asked if it was okay to engage in something like that suppression if the other side is so evil anything is justified.

Reiner seemed flummoxed and tried to change the subject back to the Jan. 6th uprising. Maher wouldnt let him escape. They buried the Hunter Biden story.

Reiner tried to recover by denying the premise. You know for a fact thats what they did? I dont know

Thats because you only watch MSNBC, Maher shot back.

Klobuchar tried to cover Reiner by allowing, I dont know that they all said this, adding, You have to make sure you are treating people fairly. She added that she was sitting back and letting the Justice Dept. do its job, which avoided the original question.

Earlier, John Waters came on to flog his new book, Liarmouth: A Feel-Bad Romance. The conversation ranged from the different preferences on the sidewalks along Santa Monica Boulevard to what would be in the planned Waters exhibit at the Motion Pictures Academy Museum

Waters delighted in poking fun at himself, noting that his Hollywood Walk of Fame star was greeted by a friend with the note, Closer to the gutter than ever!

I make fun of myself and the rules that I live in, Waters said of his avoiding any cancellation during his controversial career. I make fun of political correctness.

Waters once worked with Johnny Depp, but graciously declined to discuss THAT CASE save for one point: I wish they would get back together and make everybody crazy.

Mahers New Rules editorial was a take on Straw Man arguments, complete with a real Straw Man brought out as a prop. Maher praised Silvana Fardos, the mother of Salman Rushdies stabber, saying she was an example of the courage we should all strive to attain.

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Bill Maher Asks A Question Even A Meathead Cant Answer On Real Time - Deadline

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Exclusive | Pa Ranjith on 10 years in cinema, pan-Indian films, Natchathiram Nagargiradhu: ‘I am waiting to see the ripples it creates’ – The Indian…

Posted: at 8:24 am

It has just been ten years since Pa Ranjith made his entry into Tamil cinema with Attakathi. Yet, it looks like the director has been a harbinger of change and achieved quite a lot in a decade. It wouldnt be an exaggeration to say Pa Ranjith has begun a movement of sorts in Tamil cinema. Films like Pariyerum Perumal or Seththumaan wouldnt exist had Ranjith not made Attakathi and Madras. In an hour-long conversation with the director, I probe whether he is aware of his contribution, his upcoming film Natchathiram Nagargiradhu, pan-Indian films, and political correctness.

Can you retrace your journey for us?

My entry into cinema is not a non-causal event. It was properly planned, and I can still remember the year I decided to become a filmmaker. It was the 2002 academic year when I was 20 years old. Before that, all I wanted was a job that would earn me an approximate sum of Rs 20,000 per month. So, I thought doing a Bachelors in fine arts would pave the way for a career in animation or art direction. However, I kept experiencing unease with the hypocrisy of society, and I found Ambedkar in that process. Parallelly, my exposure to world cinema through film festivals developed a desire to make films. Not any films, but ones that would talk about my politics.

How did you prepare to chase your dreams?

I watched the works of masters across the world. Instead of concentrating on the filmmaking aspects of the works, I learned how to approach a film and contextualize it. Back then, small Tamil magazines published many such pieces of world cinema and their politics. Watching City of God is a different experience from learning the backstory and contextualizing it with Rio de Janeiros politics, class strata, and economy. These magazines helped me understand that cinema is a complicated and layered art. I wanted to use that enormous potential to speak about my politics. However, I wanted to present cinema in its language. Thus, I started following filmmakers like Francois Truffaut and films of the French New Wave. Then, I found Alexander Innaritu and Spike Lee. Of course, I am not making movies similar to theirs, but I am inspired by how well these filmmakers handle the artform to convey their ideologies. I wanted to address the oppression Dalits face in our country and how their culture, food, and art forms are disregarded and ignored. I made it my purpose. It was a well-planned journey.

But was that easy?

I would be lying if I said it was a hard journey. I think my progress was smooth because of my initial successes with Attakathi and Madras. However, I wouldnt say it was entirely a cakewalk either. People were against its release as well, but Studio Green finally saw the film and released it to a good response. The success of Attakathi gave me the confidence to deal with the subject even more in Madras. That gave me the confidence to make Kabali the way I wanted, though Rajini sir was part of the film. Again with Kaala, I became even more confident and uncompromising with what I wanted to say. However, I would say my career till Kaala was different compared to what came later. I would say I had some inhibitions while making Kaala and second-guessed my decisions and added some elements as fan service. With Sarpatta Parambarai, the gloves came off. I made no compromise with the film, and I did what I wanted to do.

But dont you think even Kaala was a bit bold given how ambiguous the climax was for a Rajinikanth movie?

True. People raised red flags asking how I can kill Rajinikanth in the film. My point was, Kaala is the personification of an ideology. Something like a superpower, and I wanted everyone to have it. I dont like the idea of power residing in only a few places.

Questions were raised about whether Rajinikanth was fully aware of the politics of the film

I wouldnt cheat anyone. I will explain to everyone concerned about my film and its politics. Rajini sir knew what Kaala was about and he was onboard. If not, the film would have been stalled before the release, given that it was ready 20 days before the release.

Coming back to your plans and resolutions. Like direction, was film production also part of your goals?

I never really planned this. Yet, I realised it was a struggle to explain my vision to producers and make films the way I wanted. Thats why owning a production house sounded like a nice idea. The success of Pariyerum Perumal changed things and turned Neelam Production into a bigger venture than it was intended to be.

Tell us about Koogai cinema movement, Casteless Collective, and Margazhi Makkal Isai.

Not just cinema, I am interested in art as a whole, and I find it to be a powerful tool that has a special space in Indian politics. I wanted to work on those levels too, and thats why I started counter-culture music festivals like Makkal Isai and Casteless Collective. I want all of this to snowball into a movement of sorts. Recently, I was happy to learn that a group of boys in Vyasarpadi has started a group called Black Boys. Thats exactly how I would want this to progress; a movement that organizes itself.

Dont you think you have already started such a movement, at least in Tamil cinema?

An opening has been created and a precedent has been set. Yet, debates are still going on. It is also being said that only after Pa Ranjiths entry, Tamil cinema has become casteist, and that wasnt the case before.

So, why do you think your films, which stand against casteism, are criticized to be casteist themselves?

It is an angry reaction to the new rebellion against oppression. People responsible for the status quo cant readily accept change. It wont happen overnight. Its a process, and I know many non-Dalits who have agreed with my ideas and films. The debate will continue.

It was rumoured that the censor board had issues with Natchathiram Nagarkirathu. Is there any truth to such claims that your films face opposition even before their release?

Theres a lot of truth to such claims. When Kaala was released, it faced two issues. One was due to the comment Rajini sir made about the Sterlite protest in Thoothukudi. Second, a theatre owner told one of the distributors that he wont screen my film in his theatre even though it has Rajinikanth in the lead. Thats how casteist our state is. I wont be accepted that easily. Whats more saddening is that I face such opposition from certain sections of the censor board as well. It is shocking to see how they look at my films. Their requests sometimes feel very silly and make one wonder how such people could reach places of power. Whats more saddening is that they are omnipresent.

Does this frustrate you?

More than frustration, I am deeply worried. We call this a digital age; we take pride in saying our country is cultured and all that. But it beats me that people with such regressive ideas are in the front, occupying places of power. They are everywhere, not just censor boards. They play a vital role in all the OTT platforms with the power to approve and disapprove content.

You started with Attakathi, a romantic drama, and after a decade, you are back again to a film about love. Whats love for you then and now?

Back then, love was fun. I grew up watching films like Kadhalukku Mariyadhai. My friends and I were all die-hard Vijay fans. We did many stupid things back then. So, love was a jolly affair. Now, love is given different names especially if its of a Dalit guy. Several new terms are invented to disregard his love. Especially after the 2012 Dharmapuri violence, love in our state has been extremely politicized. I dont know why the same emotion is even termed badly when it comes from people of scheduled castes. Such politics is what Natchathiram Nagargiradhu is all about.

Tell us about your romances.

I am yet to share my love story with Anitha. Havent yet documented our journey, but a few dialogues in my films are inspired by our romance. Even before Anitha, I had a string of one-sided romances, you see all of that in Attakathi (laughs). To me, love is something very emotional. Something instinctive. Without it, I dont think humanity would have procreated and sustained itself.

Can you tell us more about Nathchathiram Nagargirathu?

Its not a romantic film, but one that discusses romance and love. It is about a group of people, who discuss love. The group has straight and queer couples, but the centre plot revolves around Rene (Dushara), Iniyan (Kalidas Jayaram), and Arjun (Kalaiyarasan). Arjun is the representation of a typical Indian male, who is shaped by societys casteism and other belief systems. On the other hand, Iniyan is someone with progressive thoughts, but he also has his limitations. Rene is a Dalit, who is unabashedly bold. I am constantly asked why I am an extremist. With Renes character, I have answered why.

Seeing the Natchathiram Nagargirathu trailer, I was reminded of Chilean filmmaker Pablo Larrains Ema

Oh, yes, I can see why you say so. Ema is also about a similar group but they are dancers. But, no, this film has nothing to do with that. However, I was inspired by Spike Lees Do The Right Thing. It is about a restaurant run by white people in a black neighborhood and highlights a confrontation between the extremists and moderates. I have just taken the essence of the film.

Are you still in touch with the ground reality or has the success of your films made you distant from people

As it is, I am a lonely person. I am weary of crowds. I think it is due to childhood trauma. In my youth, I could never participate in festivals. I remained only a spectator when the rest of the community was taking part in it. I ended up hating crowds because of this. I cant get along with the crowd. I will end up picking up fights for politically incorrect opinions about people.

But lately, the demand for political correctness is criticised as another form of thought policing and a hurdle for artistic expression.

In a society where inequality is the norm, I think theres a need for political correctness. For example, in Dhammam (part of Sony Livs anthology, Victim), there was this cuss word Nadharingala. I am not someone who writes such words, but I think it made it to the film through the actor. A friend called me and confronted me about the usage and asked me to remove it. I felt extremely bad and wondered how I let such a blunder make the final cut. This is what I am talking about: the normalization of vocabularies that are devised to discriminate against the oppressed. I think artists have the responsibility to be aware of this word politics.

After making films like Kaala and Sarpatta Parambarai, which are big in terms of star power and budget, why do something of a small scale like Natchathiram Nagargirathu

According to me, Natchathiram Nagarigiradhu is more powerful than my previous ventures. It will create more debates than Kaala or Sarapatta. I am looking forward to the ripples the film will create. I made this film with a lot of deliberation, and I dont look at movies through the lens of budget or scale.

Thoughts on pan-Indian cinema?

I think even Kabali is a pan-Indian film, which worked well across the country. But I dont like the idea of deliberately making a pan-Indian film. While making Kaala or Sarpatta Parambarai, I was not telling myself that I should make something that is on par with world cinema or something that will cater to all of India. All I wanted to do was to tell a story in a language that suits the content.

You are surrounded by books. Do you think reading will fix all our problems?

No. I have personally seen well-read people, who are highly knowledgeable in literature, purporting regressive ideas. Reading alone doesnt help. One should read from an ideological point of view. In Tamil Nadu, Periyarism, Ambedkarism, and Communism play vital roles. Reading them would help one understand this society. Personally, I profess Ambedkars ideas. Upper caste people should read Annihilation of Caste. Its for them, but we keep giving it to Dalits.

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Exclusive | Pa Ranjith on 10 years in cinema, pan-Indian films, Natchathiram Nagargiradhu: 'I am waiting to see the ripples it creates' - The Indian...

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Opinion: In Alberta, children’s early years of education are being used in a game of political football – The Globe and Mail

Posted: at 8:24 am

The new kindergarten to Grade 6 curriculum will be implemented in Alberta schools, in staggered fashion, this fall.JONATHAN HAYWARD/The Canadian Press

Alberta students go back to class in a matter of days. But the question of what will make up the curriculum in elementary schools in the years ahead is far from certain. It all depends on the outcome of two key political races. This is a problem for teachers, parents and especially the youngest children in the province, whose early years of education are being used in a game of political football.

COVID-19 and waves of objections have slowed down, but not stopped, the governing United Conservative Partys ambitious push to create a new blueprint for education. The new kindergarten to Grade 6 curriculum will be implemented in Alberta schools, in staggered fashion, this fall.

This September, those students in kindergarten to Grade 3 will be taught the new English language arts and literature, and mathematics curriculum. And all students, K-6, will be taught under the new physical education and wellness curriculum. If schools boards so choose, they can pilot some programs, such as science and French immersion language arts for K-6.

All school boards are expected to implement the new curriculum, for all subjects, starting in September, 2024. At that time, teachers are also supposed to be teaching a new version of social studies, a subject punted from the early curriculum lineup amid promises for a major rework. Parents and teachers were vocal in their concerns about age appropriateness the social studies curriculum asked Grade 3 students to learn the clauses of Magna Carta, for instance. Critics also said it was overly focused on memorization over understanding, and not reflective of Albertas diversity.

But heres the rub. The entire curriculum schedule could be slowed down, or tossed out, depending on how the UCP leadership race and the next provincial election play out.

Alberta is on the verge of the constitutional abyss

First, the United Conservative Party could elect a leader who would slow down implementation. Candidate Brian Jean, for one, said he would give teachers autonomy to decide whether they teach it this year. Candidates Rajan Sawhney, Rebecca Schulz and Leela Aheer have called for a pause to implementation.

Ms. Schulz said the education system is still trying to catch up from the stress of the pandemic. We need to get kids caught up in reading and math. And I dont think its fair to ask teachers to also be giving a whole bunch of feedback on curriculum development, she said, speaking at a UCP leadership debate held by the Alberta Teachers Association earlier this month.

But leadership candidate Travis Toews, the former finance minister, has said he would continue with curriculum rollout and implementation, as currently outlined. And Danielle Smith, one of the leading contenders in the leadership race, would do to the issue of education what she has done to the issue of provincial autonomy ramp up the discussion to a whole other level. In the past, she has written about school curricula being overrun by social justice themes and political correctness, and defunding government-run, union-controlled public school more interested in indoctrinating students than teaching them critical-thinking skills.

More recently, shes expressed her desire to see that teaching in foundational subjects, such as literacy and math, improved and for the public system to be more attuned to parental concerns regarding negative messages about the provinces energy industry, or religion.

If we can find better ways to address that, so people can maintain their confidence in the public school system, I think thats in all of our interests to do, Ms. Smith told the ATA conference.

But heres the other twist in the story. Last year, the NDP said it would scrap the UCP curriculum in its entirety should they win the provincial election in May, 2023. Education critic Sarah Hoffman said the message from school boards was it belongs in the trash. The opposition party promised if they form government again, they will bring in a new curriculum by 2024.

Albertans should be tired of the tussling over curriculum. A major revamp of the provinces dated curriculum has been in the works since 2008, when then-premier Ed Stelmach asked the education department to come up with a long-term vision for education. The NDP continued the work, and developed a new curriculum kiboshed by the UCP in July, 2019, shortly after they took office.

The education of children has morphed into one of Albertas most contentious political subjects. And thats saying a lot.

The UCP curriculum that is now being partly implemented is supposed to be focused on literacy, numeracy, citizenship and practical skills. Education Minister Adriana LaGrange has said the prescriptive plan is designed to make sure our curriculum is taught without bias.

Of course, theres no such thing as no bias. And the UCP blueprint has been criticized for being political in itself. Teachers also feel their views werent taken into account as the UCP rushed the curriculum to completion even in the depths of the pandemic. (Originally the entire K-6 curriculum, announced in March, 2021, was supposed to be in place this fall).

The Kenney governments approach to the curriculum revamp also showed a misunderstanding of the regard in which many Albertans hold the education system, and the pride theyve felt that it had been respected outside the province. The NDP keeps bringing up that the Northwest Territories decided in 2021 it will no longer teach Albertas curriculum in its schools they know it still stings for many Albertans.

To its credit, the government has taken some steps to rectify the problems. For instance, it has made changes to address concerns about age appropriateness, wording clarity and First Nations, Mtis and Inuit content.

And it is possible to act and not dismiss often-heard concerns about children falling behind in certain subjects, or the way contentious matters such as the role of oil and gas development are framed. And to be sure, there are debates across North America about the value of traditional versus inquiry-based models of learning. Alberta isnt alone in that.

Politics will never not be some part of the process. But Alberta will see its seventh new premier in the span of 16 years this October, when the UCP selects its new leader. I cant be the only parent who is frustrated that the instability that has become part-and-parcel of Alberta politics is now invading the classroom.

Politicians need to find a way to step back, and create a system for curriculum development that is at least less politicized. The continuing uncertainty about what will be taught this year and next is the last thing students in the province need.

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Opinion: In Alberta, children's early years of education are being used in a game of political football - The Globe and Mail

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Marvel Comics Removes Masters Of Kung Fu Mentions From Its Website – Bleeding Cool News

Posted: at 8:24 am

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Bleeding Cool reader Andreas Decker writes "I wanted to buy some single issues of Marvel's "Master of Kung Fu" by Doug Moench and Gene Day as the third Epic Collection of the series never materialized. I had them for some time on my wishlist, after the self-destruction of Comixology now on my Amazon Wishlist. Imagine my surprise that they are no longer avaiable. I also looked Marvel up, but the whole series the 1974 1983 edition only is no longer listed there. Amazon also doesn't sell the two Epic Collections and most of the digitalized Deadly Hands of Kung Fu any longer. (Which also vanished from the Marvel site, btw) Can you confirm this? Marvel can sell what they want, of course, but isn't this taking Political Correctness a bit too far? Again? Or is the digital edition just taken from distribution to get another embarrassing apology on page 1 because the past is a foreign country? Moench, Gulacy, Zeck, Day and all the other artists and writers deserved better than this nonsense. Sad."

He is not the only one to have noticed this. Indeed it seems almost all of the Master Of Kung Fu comics from the Doug Moench era that introduced and starred the character of Shang-Chi era have been digitally deleted from Marvel's website, Amazon's ComiXology and Marvel Unlimited. You can see them listed here, but most of them resolve to a 404 unknown page, such as his very first appearance.

This includes comics such as What If? #16 and the Giant-Size Spider-Man issue #2 that starred the character. Or the Deadly Hands of Kung Fu magazine issues, which also featured the character only #19-#23 and #25-#30 remain, as do the modern-day revivals of both titles for Marvel Legacy and Secret Wars.

Is this all because of the portrayal of East Asian characters in a fashion that is colloquially called "of its time"? No, no it is not. It is because Shang-Chi was created as the son of the trademarked and licensed from the estate of Sax Rohmer character Fu Manchu. There are also appearances of those Rohmer characters such as Fu Manchu's daughter Fah Lo Suee and adversaries Sir Denis Nayland Smith and Dr. Petrie. And any mention of that fact, has to be excised as Marvel appears not to have renewed their license with the estate this year. And as result, Marvel cannot sell them anymore. If you have your copies, they won't suddenly disappear from your library. But if you haven't you are out of luck.

But to remove them from the Marvel.com website entirely? Must be one of those Jedi mindwipes that currently Marvel Comics does have the rights to.

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Jimmy Carr’s ‘Terribly Funny’ tour to be the biggest comedy tour to ever hit Australia – Beat Magazine

Posted: at 8:24 am

Jimmy Carr, one of the biggest comedians in the world, is returning to Australia for a headline tour in February 2023 and its set to be the biggest comedy tour to ever arrive on our shores.

With more shows added and selling fast, the 8 Out of 10 Cats legend will kick off his Terribly Funny tour in February 2023, and visit 26 venues around the country including Geelong, Ballarat and Bendigo before finishing in Gold Coast on May 5 2023.

Stay up to date with whats happening in and around Melbournehere.

Playing in excess of 75+ epic shows in these venues around the country, Jimmy Carrs all-new stand-up show Terribly Funny contains jokes about all kinds of terrible things. Terrible things that might have affected you or people you know and love. But theyre just jokes they are not the terrible things. Jokes are little lies. Nothing more than wonderful, funny, joyful tricks, constructed from language.

Catering to an adult paying audience whove got a good idea whats in store, audiences can expect that nothing will be off the table here.

Having political correctness at a comedy show is like having health and safety at a rodeo. Now youve been warned, enjoy the laughs.

Jimmy Carrhas been a comedian for over a decade and a half. Hes performed10 sell-out tours, playing over2500 showsto more than2.5 million people. Hes won theBritish Comedy AwardforBest Live Stand-Up Tourand been nominated for thePerrier Award.His most recent stand-up comedy special was the most streamed onNetflixin the UK in 2021.

TheTerribly Funnytour kicked off in May 2019 and will visit every corner of the UK and Ireland before heading off to Australia and New Zealand.

Friday, February 17th SOLD OUTHamer Hall, Melbourne, VIC

Saturday, February 18thHamer Hall, Melbourne, VIC

Sunday, February 19thHamer Hall, Melbourne, VIC

Monday, February 20thHamer Hall, Melbourne, VIC

Tuesday, February 21st SOLD OUTHamer Hall, Melbourne, VIC

Wednesday, February 15thCivic Hall, Ballarat, VIC

Wednesday, February 22ndCivic Hall, Ballarat, VIC

Thursday, February 16thUlumbarra Theatre, Bendigo, VIC

Thursday, February 23rdUlumbarra Theatre, Bendigo, VIC

Sunday, March 5th SOLD OUTCosta Hall, Geelong, VIC

Find out morehere.

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Jimmy Carr's 'Terribly Funny' tour to be the biggest comedy tour to ever hit Australia - Beat Magazine

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Police need to be more focused on crimes that matter to voters, say Rishi Sunak and Liz Truss – iNews

Posted: at 8:24 am

Liz Truss and Rishi Sunak said police need to be more focused on crimes that matter to voters as they addressed Tory members in the wake of a shooting of a nine-year-old girl in Liverpool.

At the latest Tory leadership hustings in Birmingham, both candidates said the culture in policing needed reforming.

Ms Truss pledged to introduce police force league tables if she becomes Prime Minister and Mr Sunak vowed not to let political correctness get in the way of tackling crime.

The candidates were asked what they would do to improve law enforcement, after the fatal shooting Olivia Pratt-Korbel in Liverpool.

Ms Truss said the wanted to see more police on our streets who are focused on the crimes we care about and said she would introduce league tables to monitor regional police performance.

Ms Truss said the culture in needed to change from the top and she also said schools should be opened for longer hours to prevent teenagers from being preyed upon by criminal gangs.

She also pledged to bring back grammar schools to improve education and opportunity for young people.

There is a serious problem in this country with gun crime, theres a serious problem with gangs, theres a serious problem with knife crime, and Im absolutely determined we get a grip on that, she said.

Mr Sunak said the Government must finish putting 20,000 more police officers on the streets.

And he agreed officers need to be focused on the right things and using the best techniques as he argued in favour of Stop and Search tactics.

What is clear is there are things that hold us back from getting to grips with our crime in this country, he said, adding: I wont let political correctness get in the way of keeping us safe.

Mr Sunak said he called his family to speak with his daughter who is the same age as the victim when he first heard about the shooting.

The leadership rivals made a bid to red wall voters to back them to block Labour from winning back seats in the West Midlands.

Ms Truss said she would unleash potential in areas like the West Midlands and accused Sir Keir Starmer of being yet another Labour party politician who doesnt believe in opportunity and doesnt believe in aspiration.

I will help us and I will make sure working with you that we win the next general election and we keep the West Midlands blue, she said.

Mr Sunak compared himself to former Tory PM Margaret Thatcher because she made difficult decisions adding thats the standard I hold myself to.

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Police need to be more focused on crimes that matter to voters, say Rishi Sunak and Liz Truss - iNews

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Hulu’s Reboot Debuts First Trailer And Brings Paul Reiser Back To The Sitcom – GameSpot

Posted: at 8:24 am

Everything old is new again and sitcoms don't really have to die anymore with reboots, relaunches, and revivals. Hulu's upcoming sitcom Reboot takes the revival craze and makes fun of it along the way. Created by Modern Family co-creator, Steven Levitan, Reboot will premiere on Hulu on Tuesday, September 20 with three episodes at launch, with new episodes streaming weekly.

Reboot goes a bit more meta with this as it centers on Hulu rebooting an early 2000's family sitcom, forcing its cast back together for the first time in decades. There are definitely some 30 Rock vibes here, which actually did get a one-shot revival special in the midst of the early months of the pandemic in 2020. Check out the trailer below.

Speaking during the Television Critics Tour, Levitan talked about the biggest thing in the show that he wanted to address and that was the "political correctness" of modern sitcoms and how older stars address the generational shift. He said the show will reflect the time we live in and "more to the point, the times we work in."

"I know a lot of people in comedy think the pendulum has swung too far, being politically correct and woke and all that," Levitan told reporters today at the Television Critics Tour. "We are all so afraid, people are so ready to cancel somebody with one perceived misstep. I find that a fascinating time we are in. We are all trying to manage the 'what can you say, what can't you say, what's wrong with that, how is that offensive.' The whole interesting part is how sacred a writers room needs to be. People need the freedom to explore and say things." It reflects the time we live in and more to the point, the times we work in.

Reboot stars Keegan-Michael Key, Judy Greer, Johnny Knoxville, Paul Reiser, Rachel Bloom, Calum Worthy, and Krista Marie Yu.

The products discussed here were independently chosen by our editors. GameSpot may get a share of the revenue if you buy anything featured on our site.

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JMM claims 16 BJP MLAs in touch with party – Daily Pioneer

Posted: at 8:24 am

The leading party of the ruling coalition in the State, Jharkhand Mukti Morcha (JMM), on Friday, created a sensation by claiming to be in touch with 16 Bharatiya Janata Party (BJP) MLAs. JMM Spokesperson, Supriyo Bhattacharya has said that 16 BJP MLAs are in touch with the party.

Reacting strongly to this claim of JMM, BJP state spokesperson Pratul Shahdeo said that there is no political correctness in JMM. He said that forgetting political dignity, JMM has now come down on horse trading.

Bhattacharya said that Godda MP Nishikant Dubey is BJP's Bhasmasur and there is anger among BJP MLAs because of them. He said that Dubey, who came from Bihar and did the politics of Deoghar, is fluent in the politics of the State and writing unnecessary things in social media is one of his habits. After the meeting of the Grand Alliance at the Chief Minister's residence, Bhattacharya said that the Government is stable and we are intact. We have the support of 50 people and all the MLAs of JMM, Congress and Rashtriya Janata Dal attended the meeting, he added.

Replying to a question he said that we have all sat in the bus and will see you again in the evening. When asked whether the MLAs have been asked to attend the CMO in the morning and evening, he said that attendance is not to be made.

The party Spokesperson said that in today's meeting all the MLAs showed solidarity. Leaders of all parties said that no conspiracy of BJP will be allowed to succeed here. There was no strategy. Strategy is built on the floor. We will meet again. All the MLAs will stay at their respective homes. No one has been given any directions, he added.

When asked whether the MLAs would go to Chhattisgarh, he said, does anyone leave Jharkhand and go to Chhattisgarh? When asked what would be the JMM's strategy on the Governor's decision, Bhattacharya said that let the Governor's decision come first.

Terming Bhattacharyas claim as a mere political stunt, BJP State Spokesperson, Pratul Shahdeo said that history is a witness that BJP MLAs have never broken and will never break. He said that the history of JMM has been of selling and buying and they should first take a look at their history. He said that the BJP had complained about the office of profit against Jharkhand Chief Minister Hemant Soren. After this the Election Commission heard the entire matter and submitted the report to the Governor. Now the Governor's decision is awaited. BJP has never talked about toppling the Government, he added.

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