Category Archives: Personal Empowerment

The Sex and the City cast (sans Samantha) crashes into a brave new 2022.

Spoiler alert: The last few paragraphs of this story contain spoilers for the finale of And Just Like That.

If one adjective describes HBO's And Just Like That, it's "cringey."

In the late '90s, the original Sex and the City was an edgy show about single women's sexual independence. Decades later, And Just Like That not only contains minimal sex, it misses major opportunities to explore the complexities of sexuality. How is a series that once broke a mold now so... square?

In the reboot, Carrie Bradshaw (Sarah Jessica Parker) resurfaces with an abridged entourage of Charlotte (Kristin Davis) and Miranda (Cynthia Nixon), each shuffling through a midlife crisis: death of a spouse, parental alienation and erotic self-awakening. Samantha (Kim Cattrall), the character who pushed the most sexual boundaries, with a DGAF spirit and refreshing wit, left for greener pastures.

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And Just Like That is a story about Gen Xers trying to navigate what feels like a foreign new world. In the first episode, Carrie gets flustered over the mere mention of public masturbation on a sex and dating podcast. Later, she awkwardly asks her long-term partner, Big, whether he... ever tickles the pickle.

Carrie and Co. also struggle to understand nonbinary characters: Rock, Charlotte's kid, and Che Diaz, Miranda's love interest. When Miranda reveals that she and Che had mind-blowing sex (in her words, "a finger"), Charlotte wonders if her friend is suddenly gay, bluntly concluding, "You are not progressive enough for this!"

Sex and society have a complex relationship. Mainstream television often either reflects that complex relationship or overlooks it. TV tells us what audiences desire and what is acceptable, acting as a moral and cultural barometer, according to the authors of the 2012 book Television, Sex and Society.

So what does And Just Like That say about today's sexual norms? For one, Carrie's squeamish approach to masturbation makes her the most noncredible sex columnist ever.

"It's a shocking sign of how much we're just indicating conversations around sexuality versus really having them," said sex coach Jessica Habie, who's developing her own drama series, Here She Comes, which she hopes will push the country toward new pleasure-filled dimensions.

Representations of sex on TV have exploded since the time of I Love Lucy, when showing pregnancy on TV was considered too risqu. Janet Hardy, sex educator and co-author of the book The Ethical Slut, remembers married couples on television sleeping in separate beds. Today "a popular mainstream show like Modern Family can show a gay family lovingly and without judgment," said Hardy, who grew up at a time when same-sex sexuality was against the law.

The Golden Girls paved the way for casual sex talk during brunch.

In the 1980s, The Golden Girls laid the foundation for women talking openly about casual sex and gay issues -- even topics like AIDS -- on mainstream television. (They were in their 50s, around the same age as the characters in And Just Like That.) After Sex and the City's last season in 2004, The L Word gave visibility to lesbian sex, and Girls invited us to view messy relationships that came with shame and vulnerability. Today, HBO's Euphoria and Netflix's Sex Education teach us not only about a multitude of gender identities and relationship models, but also consent, violence and disability -- and the main characters are in high school.

Compared with those shows, And Just Like That feels, for younger viewers, like a remnant of a bygone age. Generation Y (millennials) and Z (zoomers) have access to almost every sexual proclivity, via social media and through internet porn. As sexual representation becomes more inclusive and fluid, some people from older generations feel alienated, according to Habie.

The estrangements in the Sex and the City reboot aren't only about sex and gender. Race, which was barely dealt with in the original show, is inserted in a forced and tone-deaf way. Miranda can't comfortably navigate a university classroom where there's a Black professor with braids. And Charlotte tries to appear "woke" for a party with Black acquaintances, so she and her hubby preplan which Black artists and authors to name-drop.

These painful scenes seem at least somewhat self-aware -- the Black dinner party episode is called Some of My Best Friends. When an ideal is turned on its head and painted as absurd, that makes for parody.

"I'm very much reminded of The Brady Bunch Movie," said Damon Jacobs, a New York City-based HIV prevention specialist and psychotherapist. The 1995 film took the wholesome Bradys from the original 1970s sitcom and transported them into the modern world. Outside of their idyllic bubble, the popular family appears silly and nave. Could the creators of And Just Like That succeed by inviting fans to mock their favorite characters' outdated narrative?

When Sex and the City premiered in 1998, it had a winning formula. The main characters were well-off, white, heterosexual and cisgender New Yorkers. Sure, they talked about blowjobs over brunch, but they were also glamorous and didn't seem to be impacted by gender inequality -- in the bedroom or the boardroom. Their fantasy world was palatable to a broad array of viewers, from soccer moms to curious teenagers.

The dominant guide to relationships at the time was Men Are From Mars, Women Are From Venus by relationship counselor John Gray. The piece of pop psychology sat high on bestseller lists for years (as well as on my parents' bookshelf), describing men and women as members of "the opposite sex" -- an archaic term assigning two fixed biological categories, each with innate behaviors.

Less widespread was The Ethical Slut, a groundbreaking guide to relationships outside of conventional monogamy, which appeared a year prior to Sex and the City's debut. Talk of open marriage or polyamory was socially rejected then, but Hardy said 1997 had cracked open a few doors in mainstream depictions of sexuality -- Ellen Degeneres came out of the closet publicly and Buffy the Vampire Slayer depicted a powerful heroine having vampire sex. Still, she said, "I can't think of any television show that showed a fully sexual woman without judgment at that time."

That's why Sex and the City was considered cutting-edge and revered by so many, including gay and queer men, according to Jacobs. "For the first time you had this fictional depiction of people talking frankly and openly about sex in a way that promoted agency and empowerment," he said. The series -- which had gay creators and writers -- came out in the shadow of the AIDS crisis, when many people deeply feared the consequences of being sexually active.

Oh, how we miss you, Samantha.

The characters, chiefly Samantha, gave license to talk about sexual desire without shame or worry. Coinciding with the emergence of antiretroviral medications and treatment, the show rarely mentioned condom use and never dealt with HIV or AIDS. Jacobs, a great admirer of the show, appreciated how Sex and the City helped normalize conversations around pleasure. "It represented in my cohort this fantasy of freedom that we didn't really have," he said.

Though Sex and the City had a large queer following, the show approached LGBTQ characters with stereotypes and tokenism: Carrie's gay bestie, Stanford, is more of a decoration than an independent person with lived experiences, and bisexuality is presented as mere experimentation and confusion. All these years later, And Just Like That hasn't done much better.

Though Che plays a central role in the new series, Jacobs points out that the audience doesn't learn about them through their own scenes or storylines. Beyond the show's discussion of preferred pronouns, there's only a shallow exploration of the issues facing trans, nonbinary and gender-nonconforming individuals. It's more like box-checking. We never hear, for example, what it's like for 12-year-old Rock to come out as nonbinary at school, or to face the disappointment of their heteronormative parents.

Euphoria digs deep into the gender and sexual identities of its characters.

Habie notes that neither the original Sex and the City nor the reboot depicts the gender and sexuality spectrum, which spans a multitude of identities and orientations. And Just Like That tries to step out of its antiquated boy/girl divide by simply adding the "other" label. "Now you have your triangle -- you have one more option," Habie said. Case in point: Che's podcast is called X, Y and Me.

Younger generations truly get the idea of spectrum in a way that some older folks don't, according to Habie. Youth have been exposed to a flood of sexualized content, and though not all of it is sex-positive or authentic, it's far from the buttoned-up social norms that shaped pop culture before the sexual revolution. Plus, they have access to modern, science-based books about sexuality, like Emily Nagoski's Come As You Are, which recognizes the wide range of women's tendencies and preferences.

Young people are also sharing more about their sexuality publicly, giving us a glimpse into their lives that's made its way to popular television. HBO's Euphoria, a show about teenagers dealing with drug addiction, sexual abuse and trauma, has a complexity and expansiveness other shows don't, said Habie. The young characters are represented as unique individuals who just happen to be on journeys exploring their sexual and gender identities -- they aren't unique solely because of their sexual and gender identities.

Hardy appreciates Netflix's Sex Educationnot only because the teenage characters are empowered to make adult sexual decisions -- the show also emphasizes accurate and sensitive education as the key to sexual happiness. "Sex isn't treated as a bargaining chip or a status marker; it's shown as a way to give and receive touch, affection and pleasure," Hardy said in an email. And the show "does not judge anybody's kinks or orientations."

Sex Education has a lot of sex and a lot of education.

Miranda's sexual storyline in And Just Like That is the most authentic, and the most deserving of more depth. Her relationship with Che is a catalyst for a journey of self-discovery that involves coming to terms with stasis in her marriage. At 55, Miranda realizes she's given up a part of herself, including her own sexual agency.

The struggle to maintain desire in long-term relationships is real. It's a topic addressed by Jacobs in his practice as well as by renowned psychotherapist Esther Perel. "The challenge for modern couples lies in reconciling the need for what's safe and predictable with the wish to pursue what's exciting, mysterious and awe-inspiring," Perel writes in Mating in Captivity. Miranda couldn't find passion inside her monogamous relationship, and maybe she didn't want to.

But the show only glosses over these common challenges. As a result, instead of empathizing with Miranda's choice to pursue her own happiness, viewers have bemoaned that her husband Steve was left in the dust -- even earning the beloved character a #justiceforsteve hashtag. Though the show acknowledges the existence of open marriages, the final episode follows a conventional template: a powerful sexual awakening is reduced to an affair, and the primary relationship terminates in divorce.

Che initially assumes Miranda is in an open marriage, but it's never discussed as an option.

Still, the finale reveals how the three main characters are open to embracing change. "The future is unwritten," Carrie says on her podcast, as she transcends her grief to find romance as a widow. Charlotte learns to accept Rock's determination to be unlabeled, and Miranda allows herself to be vulnerable. Personal transformation at any age is a valid story that deserves to be told.

In Habie's view, if a show were to accurately address the sexuality of women in their 50s, it would focus on the role of psychological arousal -- things like masturbation, role playing and fantasy, which become more pivotal as women age and their hormones change. "Good sex is about expansiveness, discovery and curiosity," she said. Older women often go through a second puberty as they tap into their eroticism, leading many to the best sex of their lives.

It would be good for youth to see how sex changes as we mature, just like it's good for their parents' generation to learn how attitudes about gender, sexuality and relationships are evolving. Until we have more genuine stories being told, the younger generation is leading the way. Said Hardy, "I'm really looking forward to seeing the kind of world they create."

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And Just Like That finale proves it: Sex and the City reboot has a sex problem - CNET

In his latest book, A Climate of Justice, Marvin T. Brown examines the racial and environmental barriers to developing a more sustainable future. During a recent interview for Shareable, Brown sat down with Nancy Southern to discuss the books key focus.

Some questions and answers have been edited for clarity.

Nancy: You make the case that the belief in American Prosperity promoted slavery in the early years of our country and at this time keeps us from making the changes needed to protect our planet. How can we move away from this force toward economic growth and turn our attention to addressing climate change?

Marvin: The first thing to say is that we must change our current system of economic growth if we want a livable planet for future generations, So, how do we change the direction of social forces that are moving us in an unsustainable direction?

I addressed this issue in my previous book, Civilizing the Economy, where I argued that we need an economy based on civic relations rather than property relations. In my view, the economys purpose is the making of provisions rather than the making of money. Making these changes would be difficult, but not impossible, if we could work together to make such a change. Instead of working together, however, we are moving further apart, which raises two questions: What is preventing us from making the necessary changes? And, how do we overcome this resistance? A Climate of Justice addresses these questions.

A just social climate, in my view, is the ethical foundation for environmentalism. A Climate of Justice author, Marvin T. Brown

I propose that we have not moved toward a sustainable economy because we live in a climate of injustice. This social climate of injustice has its origin in the Atlantic trade of people and land between Europe, Africa, and the Americas, and it has never been repaired. Some people benefited from this injustice, of course, especially land speculators, enslavers, and bankers, mostly white people. Others suffered from enslavement and other crimes against humanity.

The question we face now is whether we can create sustainable systems of provision in this climate of injustice or whether we must first change the social climate. A just social climate, in my view, is the ethical foundation for environmentalism.

Nancy: How does climate justice and a Climate of Justice differ?

Marvin: Climate justice programs seek to correct injustices caused by the uneven distribution of the negative impacts of the climate crisis. A climate of justice seeks to transform the unjust social context in which such policies have been made. Whereas climate justice sees the unequal distribution of environmental harms as a cause of the injustices, a climate of justice highlights the history of our unjust social context. Both approaches are important, but also different.

Nancy: You state that in a climate of justice, people expect social relationships, when damaged, to be repaired. Can you share your thinking on what this looks like at a systemic level? What would we see taking place around us if we lived in a climate of justice?

Marvin: The expectation is that even in relations among different groups, no group is exploited for the benefit of others, and when this has happened, repairs are made. Also, people would be included rather than excluded in policy making and evaluation. Because we live in situations where some are vulnerable and need protection, something like the civilian review boards that already exist would be much more common.

Nancy: In these difficult times, given the pandemic, climate change, concerns about our democracy, how do we support people in moving from fear of others to trusting and embracing others in a way that is needed to create a climate of justice?

Marvin: A major theme in A Climate of Justice is the difference between our personal and our social identity. If we grew up in a heterosexual social world, for example, then an LGBTQ social world may appear quite threatening. Such social worlds can define how we see ourselves. However, once I recognize that I am a person not fully defined by my social world, other social worlds will not be threatening to me. Worlds of fear, in other words, would not control my capacity to listen and learn from others. In fact, we can even join with others in exploring how such worlds are constructed and maintained.

Nancy: You speak to the importance of storytelling, and I agree it is a powerful way to bring people together and help them see their commonalities. However, in telling stories of the past, we seem to have a large percentage of Americans who dont want to acknowledge the stories of injustice. Telling those stories appears to foster greater divisions.Do you see a way to overcome the desire many have to avoid the stories of incivilities that make up the American story?

Marvin: The stories we tell shape our social worlds, but we as persons are not the same as our social worlds. Once I see myself as a person connected with other persons, I can create a distance between myself and my nations stories. A cruel story does not make me a cruel person. In fact, as I see that we all share a basic humanity, I can care about them as I would want them to care about me. Telling our nations stories of its crimes against humanity gives me a chance to become more rather than less of a person.

Nancy: So, it seems at the root of the changes you have discussed is the need for Americans to redefine what American Prosperity means.How would you describe it within the climate of justice you envision?

Marvin: The books interpretative framework will be helpful in answering this question. The framework includes the earth, our humanity, the social and the civic. Here is the chart from the book.

Briefly, in a climate of justice, the earth is treated as a habitat for all living things. All humans respect each others dignity, the stories that create our social worlds do not leave out others, and the civic is a place of civilian empowerment rather than military power. These very general visions, of course, would be achieved through policies that emerge from conversations among participants who care for justice.

Nancy: What have we not considered in this interview that you would like to add to give readers hope in our ability to create a just and sustainable future?

Marvin: Some would argue that the most significant data that influences our national mood today are changing demographics. In a few decades, the US will no longer have a white majority. For white individuals who identify with their white social identity, one can understand why they find this fact troubling. The individualism of American Prosperity forces people to either deny their social identity or to see their social identity as their personal identity.

As I have said earlier, the interpretative framework of A Climate of Justice makes a distinction between personal identity and social identity. Once we create this distance between ourselves and our social world, we can engage in conversations with others about how to repair and restore our social relationships for the sake of future generations. When vulnerable people invite us to engage in a conversation with them, in other words, we can take this opportunity to create a climate of justice.

A Climate of Justice is an open access e-book. Download a free copy here.

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Creating a climate of justice: Interview with Marvin T. Brown - Shareable

Brian Tierney is the author of Rise and Float. Photo: Milkweed

The late Joan Didion once wrote, Memories are what you no longer want to remember. The implication is that revisiting the past means reopening the wounds. Poets, particularly those who write from personal pain or trauma, take a slightly different approach to troubled memory. They examine the ruins in order to reckon with what took place there. Such is the case with the two powerful debuts by Bay Area poets Brian Tierney and Paul Tran.

In Tierneys Rise and Float, the speaker states, to show you what I see/ is to show you how I feel. Whats presented is a series of disquieting recollections, usually involving family, that illustrate human vulnerability: having a body is a form/ of courting peril. The hazards loved ones had to contend with include mental illness, which led to institutionalization and suicide. The speaker, too, battles with mental health, leading to a bout with an eating disorder.

What allows these poems to grow beyond two-dimensional anecdotes about death and disease is Tierneys lyrical and arresting phrasing, which, given the gravity of subject matter, leaves the reader unsettled. The poem bulimia, for example, describes the act as follows: When I put one [finger] in my mouth, I nearly touched the bell/ of my voice. Ive done this for years, wanting/ to be a love song a little less each week.

There are times, however, when Tierneys penchant for impressionistic scenes doesnt benefit the poem, and the imagery, outstanding as it is, serves as a poor substitute for emotional resonance. The series of moments in Anthropocene, for example, is hit-or-miss. But for the most part, Tierneys poems reach their pitch, delivering stunning insights into the interiority of a person coping with depression and grief.

Two recurring words in the book are dream and imagine, which gesture toward the speakers desire to move past struggle and into a place of acceptance (its alright, love, that we dont love/ living), if not healing. Tierneys Rise and Float, about forging ahead despite the burdens that weigh the spirit down, is perhaps the most honest representation of trying to survive in the current state of the world.

Trans All the Flowers Kneeling is a remarkable book dealing with sexual assault and a survivors hard-won journey toward recovery: In violence I found a voice. One of the speakers lifelines is their mothers own story of resilience, she a Vietnamese refugee who defied the odds in order to reimagine her path.

The speaker wants to reach for that inner strength, but such a feat becomes complicated for a person negotiating their queer identity in the process, and the disturbing revelation that, as a child, they were molested by their father. The present turmoil, then, becomes a means to come to terms with the past, even as the psyche risks further injury: what humiliated me// as I relived my death in that room without sunrise/ wasnt my desire for light but my desire for more darkness.

Another important source of light for the speaker is Scheherazade (a tale the speakers mother told them as a child), whose storytelling prowess kept her alive, one night at a time. For the speaker, each poem is a step away from a metaphorical death, the realm of silence and shame: I, too, will be victorious/ like my mother. Like Scheherazade, Ill survive// in the end. Ill survive the end./ Even when I was helpless, I wasnt hopeless. As details of the speakers experiences surface they are distressing but now visible and real the reader too will come to believe that this young survivor will prevail, defined not by the wrongs done to them, but by the courage of their coming forward and giving language to the unbearable.

In one of the less-charged encounters in All the Flowers Kneeling, the speaker describes riding a car to an engagement. The curious driver begins to ask questions, the passenger, disarmed, answers them, sharing their personal story. By the end of the fare, the driver says, Yours isnt just a story about survival. Yours is a story about love. The poignant pronouncement summarizes the book perfectly, and it is quite moving to witness the speaker arrive at that truth through self-empowerment and self-love.

Rise and FloatBy Brian Tierney (Milkweed Editions; 80 pages; $16 paperback)

All the Flowers KneelingBy Paul Tran(Penguin Books; 112 pages; $18 paperback)

Paul Tran with sam sax: In person and virtual. 7 p.m. Feb. 8. Free. Masks and proof of vaccination required for in-person event; registration required for virtual event. Green Apple Books, 1231 Ninth Ave., S.F. http://www.greenapplebooks.comBrian Tierney book launch: In-person and virtual. 7 p.m. Feb. 11. Free. Masks and proof of vaccination required for in-person event; registration required for virtual event. Green Apple Books, 1231 Ninth Ave., S.F. http://www.greenapplebooks.com

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Review: Two Bay Area poets give voice to their personal pain and survival - SF Chronicle Datebook

Figure skater Timothy LeDuc will make history when they enter Beijing National Stadium for the 2022 Winter Olympics Opening Ceremony Friday. Less than a year after Quinn and Alana Smith brought non-binary identities to the Olympic stage, LeDuc will do the same for the Winter Games.

The scope of the moment isnt lost on the two-time national champion. LeDucs mere presence in Beijing feels significant, existing outside of the gender binary in the Olympic host nation so obsessed with maintaining traditional ideals of masculinity that it banned unmanly depictions of men across its media.

But LeDucs commitment to bringing non-binary individuals to a place of comfort goes far beyond simply walking alongside Team USA or taking the ice with skating partner Ashley Cain-Gribble. They see the Olympics as the most prominent stage to showcase firsthand how boxing people into culturally defined ideas of gender should be pass.

My hope is now being openly non-binary and being outspoken about this, maybe it will make a path for other non-binary and queer athletes that come into pairs and ice dance, LeDuc told Reuters. I hope that, you know, me being open and authentic helps to move the conversation forward and help people understand more that people can be amazing athletes and still exist outside of the binary.

A major component of LeDucs message plays on the ice. Figure skating remains a sport steeped in traditional presentations of gender, but LeDuc and Cain-Gribble have made a point to push figure skatings boundaries of gender representation, even before LeDuc began using they/them pronouns last year.

LeDuc regularly sports colorful eye shadow during media appearances while Cain-Gribble donned a full leotard for one of their routines, a practice that was banned by the International Skating Union from 1988 to 2004.

We want people to look at our skating and know that they dont have to change who they are in order to be a part of this sport, in order to do something that theyre passionate about, Cain-Gribble told NBC Connecticut.

The two have also worked to break stereotypes in the masculinity-femininity narrative common in pairs skating programs. The duo ditched the romantic tropes that dominate pairs skating, choosing instead to focus on personal empowerment after being written off for not fitting figure skatings rigid mold.

It just had everything to do with us both being such strong, amazing athletes and that we didnt want to diminish either one of our amazing abilities on the ice, LeDuc said.

If I want to wear a dress, its because I want to. Its not because somebody is wanting me to be more feminine, Cain-Gribble added.

LeDucs voice extends beyond the rink as well. After they and Cain-Gribble captured the 2022 pairs national championship last month, LeDuc used the moment to highlight human rights violations committed by the Chinese government against the nations Uyghur population before turning their sights to the domestic legislative battles against trans and gender-diverse youth.

I see human rights being violated here, in my country, LeDuc said. I see trans people fighting for human rights. I believe that healthcare is a human right, and I see access to healthcare being denied.

So often, state and local governments are the ones who are restricting those rights. I feel powerless sometimes, seeing the situation in China. I can use my voice here, yes. But what I can do here to defend human rights is be sure that I am vigilant.

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Timothy LeDuc breaks the binary as USA Winter Olympic figure skater - Outsports

Like its heroine, Mitchell Lichtensteins indie horror-comedy Teeth is more than it appears at first glance. The poster shows a woman almost completely submerged in an opaque bubble bath and warns that the film is the most alarming cautionary tale for men since Fatal Attraction. The woman is Dawn (Jess Weixler), a virginity-obsessed teenager who discovers that her vagina contains a set of sharp and deadly teeth, a phenomenon known as Vagina Dentata. But the quirky film is so much more than a cautionary tale for men.

Its the story of a young woman discovering her own sexuality and with it, her empowerment. While definitely terrifying for anyone with a penis, Teeth also explores the dangers of abstinence-only sex education, flips rape culture on its head, and reveals the fallacy of female monstrosity. Throughout the film, Dawn learns to overcome the culture of sexual repression shes been raised in and stops looking at her body through the lens of fear.

Dawn is an extremely religious teenager. Shes a spokesperson for the films version of True Love Waits, an abstinence-only approach to sex education and youth ministry in which young people are taught that its their sacred duty to remain virgins until marriage. Early in the film, Dawn gives a speech to a group of pre-teens and teenagers in which she extolls the virtues of remaining pure. She equates her virginity to a precious gift she will keep wrapped, waiting to be opened only by her future husband on their wedding night.

During her monolog, she locks eyes with Tobey (Hale Appleman), a new student with whom she shares an instant attraction. On their second date, Tobey rapes Dawn in a cave off the lake where they were swimming. During the assault, her body responds by biting off his penis with the teeth in her vagina. This sets Dawn on a course of discovery of her own body and the truth about what sexuality and empowerment really mean.

Though we first meet teenage Dawn onstage, the opening scene reveals a darker past. As a young child, she was assaulted by her now stepbrother, Brad (Hunter Ulvog, John Hensley). While sitting together in a plastic pool, he penetrates her with his finger and gets a nasty bite in return. Too young to fully understand what is happening, her body protects itself. Though Dawn likely buries the assault deep within her memory, mental scars manifest as a fear of sexual intimacy. This fear is reinforced by the religious program she touts. It tells her that her sexual desires are shameful and giving in to them will cause emotional pain similar to the trauma she probably repressed as a child.

To be clear, there is absolutely nothing wrong with saving sex until marriage. The choice to lose ones virginity is a personal decision and bodily autonomy means protecting the right to abstinence as well. Dawn talks about the special gift shell give her future husband. Its clear this is a fantasy she holds dear. Her room is decorated with pictures of wedding dresses and she doodles sketches of brides during class. But beneath her sacred vow of purity lies a deep fear of her body as a sexual force and the slut shaming ideology shes been raised with.

She warns boys to beware of girls who dress like models in a music video. She heaps scorn on girls she describes as giving it away to anyone they pass on the street. Shes internalized the madonna/whore complex; Dawn sees any woman who hasnt made the same vow of chastity as a dangerous temptress, impure and unclean. After she is raped, she can only see herself as impure. Her perfect future is ruined; shes devastated to realize that her belief system provides no path to redemption.

In her speech, Dawn describes virginity as a special gift, an object to be saved for a special man who will receive it in exchange for a lifelong commitment. By equating her virginity with a gift, she is objectifying her purity, casting it as a prized possession to be sold in the transaction of marriage. If she has sex with someone else, she will become less valuable as a wife, ruined in the eyes of her future husband. She is essentially using sex as currency, awarding it to the man who will provide her with a life of safety and stability.

This objectification is the essence rape culture in which women are solely responsible for maintaining their purity while men prove their masculinity by claiming it. By patriarchal standards, a virginal wife is every bit a status symbol for a man as a prominent husband is for a woman. This harmful ideology is steeped in heteronormativity. It not only shuns non-virgins, but brands queer, trans, and non-binary people as deviant and casts them out of society.

This is all designed to reinforce the established patriarchal order and maintain control over the next generation of women and non-conforming people. By vilifying female sexuality, powerful male leaders try to prevent their children from making choices that threaten the dominant culture. By teaching women to fear their own anatomy and making them responsible for this prize of purity, they keep men in power. If a woman is raped, she is no longer pure. She carries the stigma of the crime while the man is understood to be a victim of her sexuality and his uncontrollable urges. When Dawn is raped, she immediately questions what is wrong with her own body rather than viewing Tobeys fate as a natural consequence of his own actions.

Once Dawn discovers the teeth inside her, she begins to investigate the mythology attached to their origins. She learns that the Vagina Dentata phenomenon is a legend stemming from a fear of female autonomy and designed to vilify sexually empowered women. The toothed creature is a woman with the ability to defend herself against unwanted penetration. Because this rejection gives her power over a transgressing man, she is to be feared. She becomes a monster threatening patriarchal order. The legend tells of a hero who must conquer these teeth, reestablishing the accepted order in which men are able to take whatever they want with no resistance. The mythology equates sex with a mans epic journey further reinforcing rape cultures view of women as gatekeepers to be infiltrated and men the conquering heroes.

As Dawn learns more about herself, she slowly grows into her empowerment. When consulting a doctor for help, she is again assaulted. And once again her teeth defend her, biting off four of her doctors fingers. He now bears the scars of his own actions and must carry the burden of explaining what he did. Dawn has physically branded him a rapist. Distraught, she turns to would-be suitor Ryan (Ashley Springer). He feigns concern, gives her one of his moms nerve pills, draws her a bath, and pours champagne. After passing out Dawn awakens to find Ryan molesting her. They have sex and shes so overcome with joy that hes still alive, that the monstrosity she believes her vagina to be hasnt destroyed him, that she doesnt even realize that hes taken advantage of her.

The next morning theyre having consensual sex when Ryan takes a call from a friend to brag about his newest conquest. Disgusted, she castrates him with her teeth and storms out, wondering how she ever could have considered him a hero.

Though Ryans actions are inexcusable, Dawn has learned a valuable lesson. She now knows that there is nothing wrong with her. She is not a monster to be conquered and sex is something she can enjoy physically as well. Its the turning point in her story and the beginning of her sexual awakening. At the films climax, Dawn finally gets revenge for the assault in her childhood. She seduces her stepbrother, Brad, then uses her teeth on him. Its an intentional act that gives her the justice society will not.

Hitchhiking out of town, she again encounters a would-be rapist. The old man who offers her a ride makes crude faces while refusing to let her out of his car. But Dawns slow smile at the camera shows that she now knows she has the power and the right to defend herself. She is not helpless against a man who believes he has the authority to claim her body simply because he has a penis. Rather than the prize, she has become the predator. Abusive men are her prey.

In an earlier scene, Dawns biology teacher describes adaptations and genetic mutations, a metaphor for Dawns transformation throughout the film. She is a highly evolved creature with a new bodily feature benefiting her survival. The teeth in her vagina allow her to defend herself against a world designed to exploit her. She has the ultimate weapon against rape culture between her legs. Though her teeth may keep men from raping a second time, they cannot directly protect other women. But Dawn has another sort of power: her leadership.

In describing her first speech, Tobey marvels over how inspiring the audience finds her. They respond not only to her words, but her passion as well. Even her name, Dawn, evokes the fresh start of a new day; a new beginning. Rather than spread fear and repression, maybe her words can inspire a new generation of young people on the path to discovering who they are and what their bodies can do.

We dont see the end of Dawns story, but I like to imagine her finding a new, more empowered life and giving a different kind of speech. I see her standing on a new stage encouraging young men and women to cast aside the fear they feel when they look at themselves in the mirror.

Perhaps she can inspire more girls to develop their own defenses and empower the boys in her audience to take responsibility for their actions. She has the power to brand them rapists with her deadly bite, yes. But she can also inspire a new generation to brand them rapists with their words. She can also show women that they deserve sexual power and pleasure. Dawn learns that she is not the monster patriarchy paints her to be, and her story has the power to help other women see this as well. Her sexual desire doesnt make her dangerous; it makes her human. By embracing her body for everything it is and everything it can be, Dawn inspires us all to look at ourselves in the mirror and find a way to love what we see.

Categorized: Editorials Matriarchy Rising News

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Teeth and the Dawn of Adaptive Empowerment [Matriarchy Rising] - Dread Central

La La Anthony photo by Solmaz Saberi

NEW YORK (PRWEB) February 03, 2022

La La Anthony launches her first ever hair care line, INALA, debuting on http://www.shopinala.com this month. With a mission to fuel confidence and boost empowerment, Anthony pulled on her personal experience to create thoughtful, results-driven products that work to inspire self assurance. What started as an experiment in her kitchen turned into a fulfilling experience filled with self discovery and the debut of the INALA brand.

I believe that strength, confidence, and power come from being who we truly are," says Anthony. "INALA was created out of a personal need and turned out to be much more. The journey of creating the INALA Rice Water Complex, which is the power behind the brand, is a story Im excited to share.

During COVID when Anthony was home for a long stretch of time, she began to notice that years of being in a stylist's chair and having her hair pulled, prodded and manipulated had taken a real, noticeable toll. Looking to find a solution to treat and restore her hair health, Anthony took a deep dive into the power of rice water. Because rice water has been used to enhance skin and hair for centuries, Anthony was committed to educating herself. Her research led to countless how to YouTube videos about nutrient-rich rice water. After making and using her own rice water treatments at home, the proof was in her hair and friends started to take notice. That was the catalyst that led Anthony to find a reputable team of beauty experts that could help bring her vision to life. The resultINALAs signature Rice Water Complex.

Great hair defines a mood and every hairstyle tells its own story. Knowing this, INALA prides itself on developing products that do the heavy lifting so that empowered hair is simple and effortless to achieve. Much like the beauty of a white smile or the smooth look of clear skin, healthy hair only takes a little bit of effort with the right products.

INALAs Power Potion, a leave-in treatment that combines the power of nature with the best of science to encourage healthy hair growth, is the first product in the line. Infused with INALAs signature complex of Rice Water, Biotin, Arginine and a variety of hair strengthening ingredients, there is power in every drop. Used once a day, it nourishes the scalp and strands at the root.

About INALAFounded by La La Anthony, INALA is a haircare brand with a mission to boost hair health from the crown down. The brand is built around 5 pillars; Inclusion, Nourishment, Accessibility, Listening/Learning, and Amplification. These pillars align and direct our product development and brand mission. They also happen to spell out our name, INALA. Like its founder, INALA embraces all forms of beauty and encourages acceptance by offering treatment-focused solutions for the common hair issues that women face. http://www.shopinala.com / Follow @INALA

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La La Anthony Debuts INALA, Her First-Ever Hair Care Line Fueled by the Power of Her Signature Rice Water Complex - PR Web

OKC Mayoral Election: Jimmy Lawson hopes to be voice for all residents

Oklahoma city mayoral candidate Jimmy Lawson talks about his run for office. The election will be held Feb. 8.

Addison Kliewer, Oklahoman

Jimmy Lawson said the idea to run for mayor was first put in his mind by his late father.

The two were building a fence together on Sept. 15, 2019, when Bishop Lawson Sr. paused. Bishop, who Lawson said was "fully healthy,"told his son that he wasn't going to be around much longer, and that he had an idea of what Lawson's future could hold.

"I want you to write this word down: the mayor," Lawson recalled his father saying.

Just four days later, Lawson's father died.

"Just like a puff of smoke," Lawson said of Bishop's unexpected death."That forced me to really focus on what he was trying to get me to see."

Related: Q&A: 7 questions with OKC mayoral candidate Jimmy Lawson

Since announcing his campaign in June, Lawson has run on the platform of ending homelessness, youth empowerment through education, police reform and economic development.

He has raised $3,913in campaign funds as of the third quarter of 2021, with most notably a $500 donation from Kim Kardashian, who he met while advocating for the release of hischildhood friend Julius Jones from Oklahoma's death row.

A proud Oklahoma City native,Lawson is a finance and economicsprofessor at Rose State College and the director of Permitting Services at the Oklahoma Workers' Compensation Commission. He graduated from Northwest OKC's John Marshall High School before accepting a Division I basketball scholarship from Grambling State University.

After his freshman season, he continued his basketball career at Oklahoma City University, where he earned his bachelor's in finance and his master's in business administration. Lawson still has a love for the sport he grew up playing, having coached all three of his daughters basketball teams.

At the only mayoral debate, Lawson took the incumbent's absence as an opportunity to point out Mayor David Holt's silence on Jones's case, which garnered national attention as Gov. Kevin Stitt waited until four hours before the execution to grant Jones clemency.

Lawson and Jones have been best friends since the sixth grade, and Lawson was one of the loudest voices proclaiming Jones' innocence.

More: Oklahoma City mayor election central: All about the 2022 candidates and more

"If you're a mayor of a city that has a national casein your lap, I think is your responsibility toat least make a statement," Lawson said.

The Jones case drew comment from prominent leaders and celebrities in the state and nation like Cherokee Nation Principal Chief Chuck Hoskin Jr., Oklahoma State Superintendent and gubernatorial candidateJoy Hofmeister, Bernice King and former OU quarterback Baker Mayfield.

Holt told The Oklahomanhe didn't feel it was his place to speak up about something the governor's office had jurisdiction over.

"The murder was in Edmond, I never saw a role for the mayor of Oklahoma City," Holt said.

A self-proclaimed "PK" preacher's kidLawson said his late fatherinstilled in him the knowledge that he could accomplish whatever he set out to do.

And as a Christian, Lawson said his principles of compassion, grace and mercy for all people will follow him to his role as mayor.

These values are what give him a passion for serving others, which he has done in diverse ways over the years. Lawson founded the John Marshall Impact Team in 2019 as a way to mentor students at John Marshall Middle School.

More: OKC mayor candidates -- except for Mayor David Holt -- square off in only debate

He also helps with NewPoint Church's homeless outreach ministry, hosted an annual Christmas toy drive for underprivileged youth and started an annual $1,000 college scholarship to Oklahoma City high school seniors in honor of hisfather.

Lawson said a priority for him as mayor would be to give a voice to those who haven't had one before.

"There's a lot of hurting people in OKC," he said.

Lawson has said throughout his campaign that the city's homeless population is one of his biggest concerns.

"I think that the city has done aninefficient job at putting programs and resources into place to address this issue," he said at the debate.

Oklahoma City's last point-in-time count of the city's homeless found 1,573 people either on the street, at a shelter, meal site or in transitional housingon Jan. 23, 2020. It was the highest since 2007, but the yearly count has fluctuated between 1,000 and 1,500 for the past decade.

In 2013, OKC implemented a "housing first" model to address homelessness, with the idea that people needed a place to live before they could address the issues keeping them on the street. However, in 2021 the city's Task Force on Homelessness adopted a multi-faceted plan to end homelessness, with housing being only one of eight focus areas.

MAPS 4, a one-cent sales tax approved by voters in 2019, allocated $50 million for "truly affordable housing."

As part of his plan to end homelessness, Lawson said he envisionsa "homeless transitional complex," where unhoused folks can access mental health resources, assistance finding jobs, and more.

"Let's get them whole, let's get them trained up, and then let's talk about companies coming into Oklahoma City … that are willing to allow these individuals to have that second chance," Lawson said.

He said he's interested in using the $50 million earmarked for housing for the complex. This would require five votesfromcity council to change the MAPS 4 resolution of intent, which describes each of the 16 projects and was laid out for voters in 2019.

Another$40 million is allocated in MAPS 4 to fund twomental health crisis centers, arestoration center andtemporary crisis housing.

Through his time as a professor, Lawson said he came to understand the importance of education.

Plenty of students could benefit, he said, from more opportunities for mentorship, career information and life skill building.

That's where his plancomes in. Lawson would like to see the four MAPS 4 youth centers, for which $110 million is allocated, become what he calls "youth empowerment centers."

Not only would the centers have recreational opportunities but allow kids to meet with mentors andaccess tutoring.

"I'm excited about this piece of the pie," Lawson said."I think we have enough money to really build a complex that really can serve the youth from start to finish."

Other priorities for Lawson includeexpanding development outside of downtown, diversifying the types of companies coming into the city and improving community and police relations.

Lawson made clear that he is for the police and not for defunding them.

"It's such a sensitive time when it comes to law enforcement/citizen relationship," he said."I would totally challenge the status quo … (by looking) at different ways to help improve resources and training for officers."

Lawson, like Holt's two other challengers for mayor, has no experience as an elected official. However,he doesn't see that as something that should keep OKC voters from checking his name on their ballot.

"I'm not filtered by the system," Lawson said.

Lawson has gained skills he feels are necessary for the mayor's office in other ways.

As a professor, he says h learned how to communicate with people from all walks of life.

As a father, he says he learned how to pass on his own values to the next generation.

As a volunteer, he says he learned how to turn personal convictions into action.

"When we talk about a mayor, in my opinion, I'm talking about a leader who is able to manage adversity, and manage controversy," Lawson said."Being the lead person to the Julius Jones movement put me in a position where I had to talk about things that were tough, manage things that were tough, have conversations with leadership that was tough."

If elected, Lawson said he would bring a fresh perspective and a challenge to the status quo atcity hall and the city council.

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Jimmy Lawson vies for mayor's office, prioritizing homelessness and empowerment of youth - Oklahoman.com

A welcoming presence

Oluwatumininu (Tumi) Akinyombo, a senior majoring in global business and economics, has served as president of the Universitys African Student Association since her sophomore year. The aspiring strategy consultant has also worked as a Suffolk peer health educator and partnered with an African nonprofit organization on a fundraising gala to benefit visually impaired Africans.

As with Ong, nominators were moved by Akinyombos personal devotion to fellow community members. She pushes people to be their best selves by being true to her values, one wrote. Through her leadership involvement, she has made a lasting impact on the Suffolk community.

Professor Rene Reyes scholarship focuses on constitutional law, race and the law, criminal procedure, and critical race theory. He has also made a clear impact on students with his classroom teaching, which is described as consistently welcoming and respectful, while not shying away from the intersections of law and race.

Professor Reyes perfectly encapsulates the courage it takes to foster an inclusive environment at Suffolk Law for people of color, one nominator noted. In particular, [he] has worked hard to create that environment inside his classroom. Another expressed gratitude for the feeling of empowerment Reyes can bestow in conversation, adding that this is no small feat in a law school setting.

Reyes said he was both honored and humbled to be recognized, noting he will never do anything that is truly worthy of an award named for Dr. Martin Luther King, Jr. He also expressed his gratitude for being able to work alongside students and colleagues to advance the causes of diversity, equity, inclusion, and social justice.

Im very grateful to all of you for the work that you do, he concluded, and appreciate the opportunity to be able to contribute to that.

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Creating the Dream Awards - suffolk.edu

Anyone in marketing and media hears a lot about values like sustainability, environmentalism, purpose-driven advertising and promoting diversity, equity and inclusion. But conventional wisdom tends to point to those messages as being noble in spirit but largely useless when affecting a companys bottom line.

Research firm Vrity set out to prove there is actual business value to values-based advertising and, according to its latest effort, it may have succeeded. Working with BIGtoken, a free app that gathers consented data from consumers and rewards them financially for that data, Vrity was able to connect consumer sentiment towards a brands value-based message (I support X brand store chain because it tries to reduce its environmental impact) to actual purchasing behavior (I shopped at that store and spent Y amount of dollars).

Consumers say theyll shop where they see the brands doing good for the world. But when theyre not sitting in front of the survey and are deciding where to shop, are they really going to follow through with that? said Jesse Wolfersberger, Vritys CEO and co-founder, who said he believes this is the first time a researcher has connected direct action to consumer sentiment in this area. If you can align your values with the consumer, youre looking at a 60-100 percent lift in how often that person visits your store. Were talking major lift, and I was surprised it was that big.

People said they did something based on a specific value, and we were able to actually prove that through the signals we collect from them, said George Stella, co-founder and president of BIGtoken, which has consumers opt in to share banking info, shopping info and other personal data, rewards them with cash, gift cards or digital currency and lets them control how their information is used. BIGtoken was able to tap 3,500 people in its user base to confirm the premise of Vritys research in December 2021.

Vrity tracks values across 20 categories, including equality and environmentalism, but also more of-the-moment ones like employee empowerment, which addresses how companies treat their employees. Turns out it does have high lift, and a big effect on how many people visit the stores, said Wolfersberger. That was surprising but also an encouraging indicator on how consumers are approaching the economy. Without being able to show that these things have a lift, [ad] budgets [featuring these types of messages] get squashed.

Some of Vritys insights:

Neither Costco nor Kroger responded to emails seeking comment.

Seth Hargrave, CEO of Media Two Interactive, said values-based messaging has been a factor in many of his clients media efforts, including the Charlottesville, Va., Convention & Visitors Bureau (which the media agency just successfully defended this week), which is promoting its sustainability bona-fides such as farm-to-table dining.

Anytime youre looking at research from our perspective its a matter of how does that translate to return on ad spend? Something like this [Vritys research], thats more specifically saying, Our expectation is youre going to see X amount of lift or X amount of return on ad spend as a result, is absolutely valuable, said Hargrave. That gives us media buyers a point that we can begin to forecast results off of, and get buy-in from the client side as well.

For Hargrave, whats missing is the effect on lifetime value of this research, given it indicates that people under 35 were more likely influenced by these values, Are you then using a customer data platform to then prove what that lifetime value is? All of that ties into your media buy as well in terms of how youre tracking that.

Vritys research stands in stark contrast to a recent poll conducted by conservative-leaning The Heartland Institute and Rasmussen Reports, which found that American voters believe businesses should focus on traditional business metrics and that a majority of voters who have heard of the Great Reset movement (which incorporates many of the values the Vrity tests for) reject it. The survey of 1,016 likely voters, completed in early January, found that 45% of voters believe the highest priority for businesses should be providing individual consumers with high quality products and services at the lowest prices, compared to just 1% who said using business resources to pursue social justice causes.

https://digiday.com/?p=438498

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Vritys latest research sets out to prove values-based advertising can affect the bottom line - Digiday

The United Nations Entity for Gender Equality and Empowerment of Women recently published a study that found that 97% of the women surveyed had experienced some form of sexual harassment.

After the research was published, 97% became the label of a viral internet movement to raise awareness for womens right to safety in the public sphere and to push for the end of sexual harassment. Women started using the hashtag #97percent in TikTok videos to share their stories of sexual harassment and sexual violence, and in Instagram posts where users linked womens rights charities and organizations.

The harsh reality in the 21st century is that while women have achieved a form of equality in terms of written legislation, they are far from achieving it in practice, as they are socially and economically inferior to their male counterparts.

One of the most brutal ways this inequality manifests is in womens lack of public safety.

I try to never walk anywhere alone, especially at night and if I am walking somewhere alone, to my car or even on campus, I try to be on the phone with a friend or my mom or someone, said Fatema Dhondia, the former president of the United Greek Council and a junior majoring in mechanical engineering and German.

Many women are able to rattle off a laundry list of precautions they take throughout the day to stay safe: Check underneath cars and backseats before driving anywhere; remove identifying stickers and pins from cars and backpacks; hold house keys between knuckles when walking through a parking garage.

Jennifer Purvis, the University of Alabama womens studies director, said experiencing sexual harassment and the constant need to stay alert factor into womens sense of well-being and even their personalities.

The University of Alabama offers organizations, resources and programming aimed at protecting women. Dhondia has invited a plethora of speakers to give presentations to her and her sorority sisters about tips to stay safe, the warning signs of human trafficking, how to react in possibly dangerous situations and more.

The University even offers a three-credit kinesiology course in self-defense for female students called KIN 155, Self Defense for Women.

The courses purpose, according to the UA course catalog, is to provide the student with the knowledge and skills that will enhance the students ability to defend herself in case of physical or sexual assault as well as to enhance her overall personal safety.

The course is open to students of any major, and no prerequisites are required.

Taking [KIN 155] is one of the best decisions Ive made. I learned so many tips and skills that I will utilize throughout the rest of my life, Dhondia said. I recommend every female student take this class if she has the chance.

Dhondia said she and her sorority sisters appreciated the education and the support, but they are left frustrated that women have to be briefed as if stepping into battle when they are taught simply how to exist in public.

They are not entering the battlefield unarmed. The market today is overwhelmed with gadgets and inventions advertised to aid womens safety. Women will carry lipstick tasers and pink pepper sprays, wear nail polish that detects date rape drugs, don scrunchies that can be used to cover their drinks, grip brass-knuckle keychains, snap-on alarm bracelets and more.

Purvis said solutions that address the actions of the victim and not the aggressor will never solve the core issues from which these problems stem.

These safety measures are taken to an even greater degree in the context of parties.

All [women] know the most important thing is to never be alone, said Dezirae Cunningham, the president of the UA student organization Women of Excellence and a senior majoring in public health. You have to have people around you, watching out for you, making sure you never walk anywhere by yourself, and that there arent people taking advantage of you if you happen to be drinking. We, as women, arent really ever allowed to relax.

Bars recognize the dangers women face and have implemented measures to protect them, such as the Angel Shot, which isnt an actual drink, but a sort of code word that women can use to alert bartenders that they are uncomfortable or in danger. The bartender can take appropriate action intervening, calling the police or removing the patron making the woman feel unsafe. Several bars have security personnel who will walk women to their cars if they request it.

Dhondia said the UGC regularly informs its members of these resources available to them.

Many sororities make sure their members know safety protocols, such as never leaving drinks unattended, never accepting an open beverage, drinking out of bottles or cans when possible, and covering the openings of drinks.

Spiking is a well-known danger to women, especially on and around college campuses.

The American Psychology Association found that almost 8% of students surveyed across three major universities reported having been drugged via a drink at some point. The study also said that women were more likely to report sexual assault as a motive while men more often said the purpose was to have fun.

I think that at the root of solving this problem is to educate both men and women about the issues women face, Cunningham said.

Purvis said the only way to see lasting reform is to overhaul sex education in the United States, because comprehensive sex education is one of the best tools in the fight for justice for women, and it is severely underutilized.

When conscious work isnt done to change the cultural climate that demands women live in these conditions, the consequences are deadly.

Prolific violence against women is a cultural truth every woman has been prepared for since a young age. However, the media and popular culture do not treat all crimes against women the same and do not necessarily treat those they do choose to cover in a sensitive manner.

According to an article by NPR, tens of thousands of Black girls and women go missing every year. Last year, that figure was nearly 100,000. These cases are rarely featured in national headlines.

Missing white woman syndrome refers to the mass hysteria that takes hold of Western media when an attractive white woman goes missing the attention and concern that is suspiciously absent from the news when women of color disappear in similar cases. The phenomenon is meant to highlight the objectification of women, the desensitization of the public to violence against women and the discrimination faced by women of color.

Its honestly exhausting to be a woman who already doesnt feel safe, but on top of that to know that no one would say anything if something were to happen to me, Cunningham said.

These ideas were recently reignited when news of Lauren Smith-Fields death and her familys subsequent lawsuit against the city of Bridgeport, Connecticut, was made public.

Smith-Fields was 23 years old when she was found dead in her apartment, and the last person she was known to be with was an older white man she had met on the dating app Bumble. The man was not considered a suspect and was not investigated in Smith-Fields disappearance and death.

Smith-Fields family is now suing the city of Bridgeport for failure to prosecute and failure to protect under the 14th Amendment.

Missing white woman syndrome and Smith-Fields death serve to reemphasize the importance of intersectionality in modern feminist movements.

Intersectional feminism illuminates the connections between all fights for justice and liberation. It shows us that fighting for equality means not only turning the tables on gender injustices but rooting out all forms of oppression, an article published by UN Women said. It serves as a framework through which to build inclusive, robust movements that work to solve overlapping forms of discrimination, simultaneously.

The Alabama chapter of United for Reproductive & Gender Equity holds this idea central to its mission as it fights for reproductive justice in the United States. In addition to engaging in activism for womens rights, the chapter also speaks about racial justice and justice for the LGBTQ community, including achieving accessibility to comprehensive health care for all individuals.

Reproductive justice demands intersectionality because of the consequences of a lack of reproductive rights.

On Dec. 1, the Supreme Court heard the case of Dobbs v. Jackson Womens Health Organization. The case surrounded a Mississippi law that would ban abortions after 15 weeks. The decision would potentially undermine and lead to the overturning of Roe v. Wade, the landmark Supreme Court case that protects pregnant peoples bodily autonomy and has been used to rule restrictive abortion laws unconstitutional for the past 50 years.

Such a decision would disproportionately affect socioeconomically disadvantaged and minority communities. According to research from the Guttmacher Institute, restrictive laws against abortion do not stop abortions but rather reduce womens access to safe abortions.

The data shows that abortion rates are roughly the same in countries where abortion is broadly legal and in countries where it isnt, Zara Ahmed, an associate director of federal issues for the Guttmacher Institute, said in an article for NBC.

Beyond the debates of the morality of abortion lies the devastating truth that attempting to force women to carry pregnancies to term only serves to harm the mother, the child and the communities they are a part of.

We dont have child care services in high schools and colleges or a lot of services available, so people are going to have to quit college or in some cases be kicked out of their families, Purvis said. It would be disastrous, especially because theres not the support there.

Research from the Pew Research Center found that a majority of the American public supports abortion rights. Purvis explained that, should Roe v. Wade be overturned in 2022, she believes that the U.S. population would not be silent and that the decision would not last long.

Purvis said she doesnt know how it would manifest, but she doesnt believe society would allow it to stand.

URGE is one of several organizations across the country mobilizing people in the fight for reproductive rights.

URGE does sex education and sexual assault awareness programming, we provide information for health care access, we distribute Plan B and condoms when needed, we write letter campaigns to policymakers, said Sarah Lib Patrick, the president of URGE UA and a senior majoring in restorative justice and civil rights studies.

Purvis said women and young activists should demand better.

This story was published in the Justice Edition. View the complete issue here.

Questions? Email the Culture desk at culture@cw.ua.edu.

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'Stepping into battle': The state of women's safety - The University of Alabama Crimson White