Category Archives: Immortality

In two weeks time, the U.S. Open will begin in New York City. Novak Djokovic would be the presumed favorite, because as of now he wont be there. His unvaccinated status bars him from entering the United States.

This is not a column caping for Djokovic to be allowed to play, nor is it a condemnation of him for remaining unvaxxed. Were all in our corners on this one; nothing said here is going to change anyones mind. That conversation is mostly pointless.

But whether you agree or disagree with Djokovics stance, there is this: hes remained firm in his conviction no matter the cost, and that cost is potentially monumental maybe even literally.

Djokovic currently sits at 21 major championship victories, one behind Rafael Nadal for most all time amongst men. Because of his vax status, Djokovic already missed the Australian Open earlier this year. He would have been the heavy favorite to win there, but without him, Nadal claimed the title and the lead in the race for most majors won.

Assuming nothing changes in the U.S.s stance on not allowing unvaccinated foreigners into the country, Djokovic will miss another major hed otherwise be favored to win.

The Big Three of Roger Federer (20 major titles), Nadal (22) and Djokovic (21) have won 63 of the last 77 majors, but their domination is coming to an end. Federer, at 41, has pretty much bowed out of the major race, leaving it to Nadal and Djokovic.

At 36, Nadal has been battling injuries, though even at 75 percent he may still have another French Open title or two left in him. He very well could reach 24 or 25.

Djokovic, at 35, has yet to show much sign of slowing, but the fall can happen fast in tennis. Does he have three or four more majors in him a Hall of Fame career for any tennis player to potentially keep up with Nadal?

This is whats at stake here for Djokovic immortality. The winningest mens player of all-time or maybe not. This is no small thing, he knows it, and yet hes stood strong in his conviction. And it must be noted that that conviction is not to be a hero for the unvaxxed, but rather a personal decision based on what he believes is best for him.

Some of you will cheer him for it, others will ridicule him, and eventually history (as it always does) will have its say. And if Djokovic is No. 2 on the list, what a wild discussion that will be.Culled fromYahoo.com

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Djokovic: Sticking to Principle at Cost of Immortality - THISDAY Newspapers

Photo via Netflix

Warning: This article contains spoilers for the two-part bonus episode of The Sandman.

The Sandman just returned for a surprise bonus episode, released two weeks after the 10-part first season of the hit DC adaptation hit Netflix at the beginning of August to much acclaim. The two-part, hour-long special was essentially a blend of two standalone stories, but thats not to say that they had no importance to the shows overall mythology.

The first part, A Dream of a Thousand Cats, was an imaginative animated tale which revealed the truth of what cats dream about, as brought to life by a host of A-list voice actors including creator Neil Gaiman himself. Meanwhile, the episodes second half, the live-action Calliope, was a much meatier treat, as it introduced a key new character into the mix, although we didnt actually get to meet them.

Yes, The Sandman episode 11 dropped the bombshell that Dream of the Endless has a son. So who is Orpheus, child of Morpheus (as a wise satyr once said, thats a lot of euses)? Lets recap.

Calliope focuses on the eponymous Calliope (Melissanthi Mahut), a Greek muse who has been imprisoned and abused by a writer desperate for new ideas and the fame and fortune that comes with them. Over the course of the episode, we learn that Calliope is actually the ex-wife of Morpheus (Tom Sturridge), whose marriage dissolved after the death of their son, Orpheus.

The Fates reveal that Orpheus once journeyed into the underworld to rescue his dead wife, Eurydice, but was ultimately torn apart by the gods for his sacrilege. Calliope blamed Dream for his fate, causing their relationship to crumble. Those who know their Greek myths will be familiar with the character of Orpheus, whose mother was also Calliope. But how does the DC version of the tragic hero differ?

Orpheus first appeared in the comics in The Song of Orpheus, as originally released in 1991s The Sandman Special before later being collected in Fables & Reflections, the sixth volume in the series. The flashback storyline is essentially a retelling of the Orpheus legend, albeit reimagined to fit within the Sandman universe.

In keeping with the myth, Orpheus is heartbroken when Eurydice dies on their wedding day from a snakebite. His aunt Death encourages him to retrieve her from Hades, but he fails. To protect him from the retribution to come, Death grants him immortality. But this only proves to be a curse when he is ripped to shreds and survives as a disembodied head.

Orpheus returns to play a bigger role in Brief Lives, the seventh volume, in which we learn that Sandman hired Lady Johanna Constantine to locate his sons head in the 1700s and ensured that it was looked after for the next few centuries by an order of monks. In the present, Dream is forced to visit his tormented son once more when he needs information to help find his missing brother, Destruction.

The big question we have now, then, is if and when Orpheus will appear in the TV series. The good news is that executive producer Allan Heinberg has confirmed the character will show up sooner than later. The showrunner revealed to Variety that plans are afoot to feature him in the second season, as negotiations with an unknown actor are already underway.

I dont know if Im allowed to say it, but weve talked about someone that we feel very strongly about, Heinberg let slip. And we have had those conversations and if we get a second season, we would love to be able to cast that person. We are conceiving of the whole season with this person in mind.

With season one tackling volumes one through three, season two will presumably adapt the fourth, fifth, and sixth graphic novels, which means we can likely expect an adaptation of Song of Orpheus. The character would then no doubt return in a bigger capacity for the Brief Lives storyline that would unfold in a hypothetical third season.

Of course, more Sandman in general is hypothetical right now as Netflix has yet to officially announce another batch of episodes, with Gaiman admitting the future is unclear. So stay tuned for the news that we all want to hear.

Originally posted here:

Who Is Orpheus, Dream's Son, in 'The Sandman?' - We Got This Covered

Express News Service

The Sandman is a deeply meditative and reflective piece of art. If the scope of a story depends upon the extent to which it delves into various themes and emotions, then the canvas upon which The Sandman delightfully paints is one of the grandest to be put on screen.

Almost every episode follows a theme: sacrifice, humanity, lies, death, immortality, being consumed by wishes, and being trapped in the past. The show is laced with philosophical discourse, to an almost obsessive extent, and that could be overbearing for some.

The immensity of the world of dreams and its influence on people and their lives are laid bare from the very first scene, through the eyes of the lord of dreams, Morpheus himself. Tom Sturridge, who plays Morpheus/Dream in the show, is brilliant in the way he uses his voice and micro-reactions. His dreamy (pun intended) performance teeters right on the edge between subtlety and indifference, so much so that if he had done it even slightly wrong, it could have looked bland.

How do you make a relatable protagonist out of someone eternal, all-knowing, and lords over the destinies of all things that sleep and dream? You dont. Morpheus is introduced to us as someone who holds in high regard his responsibilities and yet fails to understand the emotions of the subjects who populate his realm. And that is where his arc begins, we see him question human emotions, their base desires, and fears throughout the series.

Towards the middle, we even see him break down under an existential crisis. This leads to an interesting episode where his sister, Death(Kirby Howell-Baptiste), visits him and helps him clear his mind through a therapeutic conversation laced with sisterly love and care. We often see Death represented as a terrifying hooded figure holding a scythe, and this decision to show Death as a warm and caring sister is a refreshing one.

We are introduced to two antagonistic figures in the beginning. One is Corinthian, a rogue nightmare and another is John Dee, the son of the man who kept Morpheus in captivity for over a century. While the Corinthian haunts the series like a recurring nightmare, punctuating his presence in the story through acts of shocking violence, it is John Dees ideological clash with the lord of dreams that becomes, well... the stuff of dreams.

John Dee (David Thewlis), is the exact opposite of everything that defines who Morpheus is. Every act of violence he metes out is borne directly out of his cold, hard, adherence to his black-and-white approach to morality. There is a brilliant bottle episode in which we see John unleash absolute carnage by sitting at the corner of a diner and using his powers to make people talk unfiltered.

Dream/Morpheus is said to have siblings, Destiny, Death, Destruction, Desire, Despair, and Delirium. We are introduced to Death, Despair, and Desire through brief moments that are laden with so much subtext. Dream relates to Death the most, and Desire and their twin Despair constantly scheme to destroy Dream.

Despite the expansive, mythical quality that pervades the show, it fails to weave a coherent narrative, but that hardly stops you from enjoying the show.Quirky characters like Merv the Pumpkinhead (Mark Hamill), Cain & Abel, and even (the mostly enjoyable) Matthew the Raven (Patton Oswalt) do not seem to affect the overarching story to a satisfactory extent. They merely exist to give us a peek into the possibilities for further seasons.

The show loses its steam halfway, both visually and storywise. The sequence set in hell is a perfect example of what went missing from the second half of the show. The jaw-dropping visuals of hell (ripped straight out of the graphic novel) and the battle of wits between Lucifer and Morpheus were truly sublime and the show could have used more of that.

Some episodes are like a dream, and much like a dream, the experience is immersive and deeply engaging while youre in it, but the moment you step away, youre left wondering what it was all about. But the episodes and the moments that do work end up making all of this worth it. Take, for instance, the episode in which Morpheus meets a young, hapless writer in an old English tavern in the 16th century. Morpheus overhears the man pining to his friend about his wish to make men dream through his writing.

A captivated Morpheus is then shown taking the man away for a chat. We are not shown what happens during the conversation until years later when it is revealed that the young writer was William Shakespeare. The show is peppered with interesting moments like these that might not necessarily work in the overall narrative, but thats okay. Not all stories need a tightly packed narrative.

With the aforementioned sequence with the bard, we are shown how the lord of dreams is also the lord of wishes and stories. In many of these moments in the series, there are layers and layers of subtexts. It is up to us to decide how deep we want to go. There are pacing issues, quirky characters that dont really amount to much, and jarring tonal shifts... but if the world of dreams and the exhaustive yet rewarding experience of ruminating on the layers of subtext and philosophy sounds engaging, then you need only summon The Sandman... for Season 2.

Series: The Sandman Season 1Streaming on: NetflixCreators: Neil Gaiman, David S Goyer, and Allan HeinbergCast: Tom Sturridge, Boyd Holbrook, David Thewlis, Kirby Howell-BaptisteRating: 4/5

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'The Sandman' review: A modern myth mounted on an epic canvas - The New Indian Express

Each month local artists compete in an Artist of the Month competition for Weatherford Art Association. Competition occurs at the monthly meetings held on the fourth Monday of the month at 6 p.m., 125 S. Waco St. in Weatherford. Artists show their work in oil, watercolor, pastel, mixed media, acrylic and other mediums.

Winners at the last meeting at the end of July were Marti Bailey with her first place oil on canvas Violet Waters. This painting, along with other pieces of her work, can be found at the Doss Cultural & Heritage Center all month.

Second place went once again to Vikki Linderman for her acrylic on canvas titled Days End. Vikkis work is displayed at the First Bank Texas in downtown Weatherford.

Kathy Cunning, long time Parker County resident, won third place with her acrylic Reblooming Immortality. You can see her work at the Community Credit Union.

Weatherford Art Association has interesting demos each month that give techniques and skills to artists who are accomplished and those who are just beginning. In September Patsy Walton will present her impressionistic and abstract style in painting florals. In October, Jack Harkins will also show how to paint with an impressionistic style yet objects that are recognizable. Joan Frost Prine, wife of the late Doug Prine western artist, is also an upcoming guest. She is a self-taught artist in her own right who creates beautiful works of the old west. Meetings begin at 6 p.m. and are completed by 7:45 p.m.

The next show hosted by WAA is the Spirit of the West which showcases art from around the Southwest. The deadline for submission of paintings is September. For more information regarding this show, visit weatherfordart.com.

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Weatherford Art Association names Artists of the Month - Weatherford Democrat

Screenshot: DONTNOD Entertainment, Feral Interactive

We will never find the Fountain of Youth people fantasized about centuries ago, but, out of our woe, we can make games. Games let you live again and again in eternally perfect, preternaturally strong bodies, and for the friends in novelist Gabrielle Zevins latest book Tomorrow, and Tomorrow, and Tomorrow, this is more than enough.

A game, to themand to Zevinis everything. From the 80s to early 2010s, Sam (mother died in a car accident, Harvard math dropout, good in front of crowds), Sadie (doesnt believe in marriage, MIT game design wunderkind, prone to working crunch hours), and, for a time, Marx (rich, handsome, Harvard-roommate-turned-game-producer) come together because of games. To them, playtime is personal, political, and the result of their dedicated, exacting work. Games require blood sacrificenot sleeping enough, fighting too muchbut in them, you can claim your little piece of immortality.

Sam, whose leg was shattered in 27 places in the devastating car crash that killed his mother, turns to games to inhabit a body more steady than his own. Sadie, who got into games while her sister battled childhood cancer, likes losing herself in a better, safer world. And Marx just thinks games are fun.

But Zevin maps their disparate reasons for playing to their temperaments. At Unfair Games, the company conceived in their college apartment, Sam is fond of creating in-game facsimiles of himself, Sadie rages over the real worlds blindness to women developers, and Marx, again, likes having fun.

To these characters, video games are a necessity indistinguishable from all of lifes other worthy pursuits, on par with or better than making lots of money and having sex. Zevin presents their devotion to the craft with gentle authority. By the end of my reading, some of which I spent a bit weepily, thinking about the friendships and games in my life, I felt that my belief in video games had been restored. I didnt even know it needed restoration. But Zevin suggests that games are like relationships, in that way. They are things that could tap you on the shoulder when youre busy being brooding and occupied, reminding you that everything and everyone occasionally requires some TLC.

Tomorrows third-person omniscient narrator, whose storytelling flits across decades ([Sadie] would never be much of a drinker, the narrator informs us while Sadie is still in college), and in one particularly meta section, dives into a game, pronounces aphorisms about the overlap of play, life, and love like a Greek oracle in reverie.

To play requires trust and love, A name is destiny, if you think it is, the human brain is every bit as closed a system as a Mac, it predicts with delicious conviction. The title Tomorrow, and Tomorrow, and Tomorrow on its own is a sort of bold divination, coming from a soliloquy in Marxs beloved Macbeth. In the address, Macbeth dismisses life as a tale / Told by an idiot, full of sound and fury, / Signifying nothing.

What is a game? Marx asks Sam and Sadie. Its[...]the possibility of infinite rebirth, infinite redemption. The idea that if you keep playing, you could win.

Though Marx and Sadies friendship eventually turns romantic, Sam and Sadie, the older, arguably, more important relationship (There were so many people who could be your lover, the narrator says, but[...]there were relatively few people who could move you creatively) never does. It, instead, alights and broils for three decades. They come together, pull apart, come together, pull apart. Its not romantic, Sam and Sadie themselves say often, but it is devotion. Like trying to reach a high score or believing in a God. He has made everything beautiful in its time, says Ecclesiastes 3:11. He has also set eternity in the human heart.

Despite its everlasting chastity, Sam and Sadies relationship reminded me of the time-spanning romances in the movies The Way We Were and When Harry Met Sally, both of which, like Tomorrow, are more interested in the process of love than the kissing. Friendship is a form of art, a prayer. But, memorably, in The Way We Were, Barbra Streisands character pleads with Robert Redford, who is on the brink of leaving her and becoming nothing more than a friend.

Couldnt we both win? she asks him sincerely.

No, we couldnt. In Sadies childhood favorite game, The Oregon Trail, hunting more bison than you can eat allows their meat to spoil. For you to live in sensual excess, the bison must loseSadie feels bad about this. Sam, Sadie, and Marx all love each other from their heads to their toes, but when Sadie and Marx fall in love and buy a house, Sam feels that hes some platonic love loser. Everyone wants to win. Everyone wants more. But Zevin finds comfort in everyday lossesin business, love, and death. Like Marx (and Shakespeare) says, despite any diminishing returns, humans dont give up, we wait for something good to float down into our palms.

Zevin spends much of the novel ruminating on this contradiction. In games and in getting older, interpersonal drama and death become expected. Cheap. Still, you hold tight to the moments that lit you up, a week ago, ten years ago. Another game designer, at one point, tells Sam that she loves the way Sadie does blood.

Maybe its my imagination, she says, but I feel like she has people bleeding slightly different colors[...]. Its a small thing, [...]but Im obsessed with it.

Likewise, Sadies anger with Sam always softens when she recognizes him as the child she met in her sisters childrens hospital decades ago, or as the boy she ran into again at college, who lied about being able to see the hidden image in the Magic Eye posters that beguiled the 90s.

This is what time travel is, Sam thinks to himself during that college run-in. Its looking at a person, and seeing them in the present and the past, concurrently.

The only thing that gifts you immortality, apart from video games, Tomorrow, and Tomorrow, and Tomorrow suggests, is hope. That thing with feathers, Emily Dickinson wrote once. That perches in the soul - / And sings the tune without the words - / And never stops - at all -.

The book is buoyant despite the illness and pain that speckles its characters lives because they hope to meet again, to play again, to build again like gods. Even nasty Kotaku commenters, who Zevin amusingly notes responded to Sam saying in an interview that there is no more intimate act than play, even sex with deciding there must be something seriously wrong with Sam, cannot tamper the internal motor that makes us want to live, again, again. This book, with its respect for craftthe craft of love and games, or loving gameswill remind you of how abundant one life is, how lucky we are to keep each other in our memories forever.

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Work, Life, And Sex All Revolve Around Video Games In This Devastating Fiction Book - Kotaku

As a serious lover of coffee, and as a mortal, I read the headline with interest: People With Daily Intake Of 1.5 to 3.5 Cups Of Coffee Less Likely To Die.

I find this headline problematic on several levels. First, its lousy capitalization. No matter which style manual you use, this title has problems.

But you see the bigger problem, dont you? I suspect that your experience is the same as mine, and Im telling no secrets here. But, in my experience, though I find coffee beneficial on many levels, no matter how much of it anyone drinks, everyone dies100%.

I found the same headline showing up on other news outlets (sometimes with better capitalization), and they added two words, by 30%.

That confuses me even more. Does that mean only 30% of the people who are somewhat serious coffee drinkers might not die? Even the lower percentage would be impressive. Sort of like saying that Ive had three dogs, but only one of them could speak coherently. But, sadly, even the lower percentage, both of coffee drinkers and talking dogs, flies in the face of reality.

If you read further, youll discover that the study was done in China. The thugs in charge there lie as often as they tell the truth, but I figure this is accurate.

Chinese scientists monitored 171,000 people for seven years. At the beginning of the study, none of the participants had cancer or heart disease. According to Luke Andrews, the health reporter for DailyMail.com, the research team found those who regularly drank coffee were about a third less likely to die than those who did not.

Does that help explain? Not by much.

The article goes on to tell us that the researchers found that it didnt matter whether the coffee was plain or sweetened with sugar.

Well, at least theres that. But I still find the explanation lacking.

Reading on, I learn that during the seven-year study, the deaths that occurred numbered 3,177 (including 1,725 from cancer and 628 from heart disease).

It seems that simply drinking hot drinks lowered mortality somewhat, but the participants who reported at the start of the study that they drank 1.5 to 3.5 cups of coffee daily, well, they were 30% less likely to die during the seven years.

The researchers went on to mention (this is my paraphrase) that many health benefits have previously been reported in studies regarding coffee. (Ive been noting those for years.) But this study was not specifically designed to study coffee consumption. Their coffee discovery was just observational, a surprise, and they are drawing no major conclusions from it.

If youre interested, do a web search (plugging in something like 1.5 to 3.5 cups of coffee), and you can read a lot more.

For my part, Ill add this information regarding the benefits of coffee to my personal stash of such material. Ive felt better for a long time now knowing that my love for coffee has been good for me, not that Id have stopped drinking it if the evidence had pointed in the other direction.

Ever since health evidence mistakenly touted margarines benefits over butter and thus robbed me of years of buttery flavor my policy regarding most health news is watchful waiting. I can usually wait out the reports I dont like. Since they change more easily and quickly than Im willing to change my habits, this approach has worked well. Folks who worry too much about such are more likely to die early of stress than those of us who dont. Thats my own study.

With regard to coffee, which I hold in very high regard, I cant imagine how anyone wakes up, thinks, or writes without it.

But the truth is that my interest in this particular coffee article waned a good bit after I realized that the study isnotindicating any sort of immortality connected to coffee consumption.

Im OK with that. In this present world, enoughs enough. And I am completely convinced that the Author of life has the ultimate immortality thing well in hand.

Curtis Shelburne writes about faith for The Eastern New Mexico News. Contact him at:

[emailprotected]

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Faith: God is the ultimate authority on immortality - easternnewmexiconews.com

Update: Netflix has confirmed to us on July 26th that Wild Things: Animal Adventures is launching in August in place of Twelve Minutes which has been delayed to a later date. Updated story below.

Netflix just revealed four games coming to the service next month. The Netflix Games August 2022 additions include the FMV game Immortality from Sam Barlow (Her Story, Telling Lies), the party charades game Heads Up!, Wild Things: Animal Adventures, and the 3D adventure game Rival Pirates. These will all be arriving soon. The interactive movie trilogy Immortality was originally due this month, but was delayed to next month. A definite date hasnt been announced for it yet. The Netflix version of Heads Up! will include decks based on Netflix titles. Watch the Immortality trailer below:

Following the announcement of the four games included, Netflix confirmed to us that Twelve Minutes will not be releasing on mobile next month through Netflix Games. Instead, Wild Things: Animal Adventures from Jam City, a match-3 puzzler, will be arriving on the service. All four of August 2022s additions to Netflix are coming soon, and they will be joining the recently released and amazing Poinpy and Into the Breach. Netflix is bringing the kind of games youd see from Apple Arcade if Apple hadnt switched over to more engagement-focused titles. So many great indie games have been announced already, with more to come this year. Ive already played some of them on console, but love checking out more high quality indies on mobile. What are you looking forward to on Netflix this year when it comes to new games?

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Netflix Games August 2022: Immortality, Wild Things: Animal Adventures, Rival Pirates, and Heads Up Announced (Update) TouchArcade - Touch Arcade

The Guinness World Records has a new record-breaking diamond ring, thanks to a Kerala-based jeweller. This mushroom-shaped diamond ring from Kerala has broken the record for the most diamonds set in one ring.

This was recorded in Karathode, Kerala, on May 5, 2022. According to Guinness World Records, this mushroom-shaped diamond ring is set with 24,679 natural diamonds. The ring is aptly titled Ami, which means immortality in Sanskrit. The ring is based on the shape of a pink oyster mushroom, as the mushroom represents immortality and longevity. The ring also entails a quote from SWA Diamonds Managing Director Abdul Gafur Anadiyan.

A lot of thought and hard work was put into the making of the ring. Not to forget, time too. It took the jeweller three months to make this ring. According to Guinness World Records, After 3D printing, liquid gold was then poured into the mould, cooled and filed into the overall shape of 41 unique mushroom petals. With the base complete, each diamond was then meticulously placed by hand on each side of the mushroom petals. Natural diamonds were used.

With a hefty price tag of $ 95,243 (approx. RM424,640), the ring weighs 340 grams, which is three-quarters of a pound. The Guinness record was awarded to the mushroom-shaped ring from Kerala after it was verified by a team of independent gemologists. After this, the number of diamonds was counted by Guinness officials using a microscope, who also evaluated and confirmed the clarity, carat, weight, cut type and the type of diamonds used.

This record was previously held by Meerut-based businessman Harshit Bansal, who had achieved the title in 2020 for his floral design bejewelled with 12,638 diamonds.

Hero Image: Courtesy SWA Diamonds, Featured Image: Courtesy SWA Diamonds

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Heres why this mushroom-shaped diamond ring from Kerala broke the world record - Lifestyle Asia Kuala Lumpur

Blackburn Roverswon the Premier League in 1995, pipping a dominant Manchester United side to the post but can you name the Rovers XI from the match that sealed the title on the final day?

Blackburn were on the cusp of greatness before the 1994-95 season; theyd finished second the year before and owner Jack Walker had invested heavily in both the playing staff and manager Kenny Dalglish.

And Blackburn set the pace for most of the season, playing some sublime football along the way and opening up an eight-point lead over United by the middle of April.

Defeats against Manchester City and West Ham allowed United to close the gap but Rovers entered the final day of the season knowing that victory at Liverpool would seal their first league title since 1914.

In the event, Blackburn lost 2-1 at Anfield with Jamie Redknapp scoring a last-minute winner. But United were held to a draw at West Ham, meaning Dalglishs side had won the league by a single point.

Rovers never came close to retaining their title and were relegated in 1999, adding to the sense of immortality about their achievement and were asking you to name the XI that clinched the title at Anfield in May 1995.

Its a line-up packed full of Premier League legends but there are some unfamiliar names sprinkled around too. The score to beat from the Planet Football office is 03:13.

And, if this gets you in the mood for another quiz, have a go atnaming every player to score 10 or more Premier League goals in 2008-09.

If youve not already, sign up for a Planet Sport account to access hints for those tricky answers, to reveal the ones youve missed, and to register your score on the leaderboard. Registering is free, fast, and gets you access to old articles as well as site personalisation and competitions.

Good luck, and dont forget to tweet us your scores@planetfutebol.

Can you name Blackburns XI that won the League Cup final in 2002?

Can you name every club to ever appear in the Premier League?

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Can you name the Blackburn XI that clinched the Premier League title in 1995? - Planet Football

As we head towards completing 50 years of tiger conservation in India, Taj Safaris, India's first and only luxury wildlife circuit, celebrates International Tiger Day by providing viewers a peek into the wondrous realm of the animal kingdom. Indulge in engaging talks about wildlife through the four-part webinar series, Nature Talks with Taj Safaris hosted from July 29 to September 4 passionately narrated by expert naturalists sharing first-hand knowledge on subjects that seek to build awareness.

An Ode To 'Collarwali' by naturalist Kopal Thakur from Baghvan, A Taj Safari Pench National Park, will take you back in time where Collarwali, the iconic tigress attained immortality in the teak forests of Pench. Unravel the life of successful predators as the Whistling Hunters of Central India by naturalist Yajuvendra from Banjaar Tola, A Taj Safari - Kanha National Park brings alive the magic of the Indian jungles.

Get acquainted with the prowess of preservation, civilization's ethics of co-existence with nature and the commitment to reverse the looming decline of multiple species from our wild heritages with naturalist Ramesh from Mahua Kothi, A Taj Safari Bandhavgarh National Park on Conservation Success Stories of India. Lastly, The Flying Rulers by Naturalist Tarun from Pashan Garh, A Taj Safari - Panna National Park will take you soaring into the world of some of the most endangered birds on the planet.

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International Tiger Day: Take A Walk In The Wild With These Nature Talks - Outlook India