Category Archives: Atlas Shrugged

Rand kicks things off with dread and doom. The world is in serious trouble: the economy is tanking, and the government is becoming crazy-oppressive. But fear not: we meet two heroic businesspeople who might just be savvy enough to keep the country going. Hank Rearden and Dagny Taggart team up on a major mission: to build a railroad to provide all the up-and-coming businesses in Colorado with transportation for their merchandise. Hank and Dagny succeed, with the help of some other good businesspeople, and the John Galt Line, which uses a special metal that Hank invented, is a success.

Who is John Galt? Well, the whole world is wondering that. While all this is going on, more and more talented people are mysteriously disappearing, and John Galt may just have something to do with it. But Hank and Dagny are more concerned with other things now. The two begin a romantic relationship and a new quest: to find the inventor of an abandoned high-tech motor that could transform the world. The search leads them all over the country, where they are increasingly confronted with evidence of the bad economy and government.

Things begin going rapidly downhill for Hank and Dagny. The government, a sleazy crowd of politicians and businesspeople (including Dagny's weasel of a brother James), passes a series of laws that restrict people's freedoms. These laws particularly target successful industrialists and make business, and life, hard and miserable. More and more industrialists disappear and Dagny becomes obsessed with tracking down the "destroyer" of the world.

Hank, meanwhile, is coming to some painful personal realizations about his family life and his morals. He is being helped along by the mysterious Francisco d'Anconia, a supposed playboy who used to date Dagny and is somehow connected to the "destroyer." Dagny sets off on a desperate solo quest to stop a scientist from quitting his job and disappearing. While following the scientist, Dagny crashes her plane in Colorado.

When she wakes up, she finds herself in the secret hideaway of none other than John Galt and his fellow strikers. This valley is often referred to as Galt's Gulch by the strikers, though Dagny calls it Atlantis. Galt is both the inventor of the motor and the "destroyer," and he's calling talented people together to go on strike in order to show the government how harmful their policies are. Galt and his followers refuse to cooperate with an oppressive regime, which they call the "looters."

Galt has been in love with Dagny for years, and she quickly falls for him too. But Dagny can't bring herself to stay on strike in Galt's Gulch, since she still feels she can fight the terrible government. Dagny returns home and has an amicable breakup with Hank, who shortly thereafter joins the strike and leaves for Atlantis.

After things in the world become even worse, Galt makes a long radio address, outlining his philosophy and asking people to stop going along with the bad government policies. But Galt is captured by the government shortly thereafter and is tortured. Dagny, helped by Hank, Francisco, and other strikers, rescues Galt, and the group flees for Atlantis as the country's infrastructure collapses. At the very end, Galt and his strikers make plans to return to the world and to fix it.

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Atlas Shrugged Summary - Shmoop

Reason and freedom are corollaries, Ayn Rand holds, as are faith and force. Atlas Shrugged showcases both relationships.

The heroes are unwavering thinkers. Whether it is a destructive business scheme proclaimed as moral, the potential collapse of the economy, or a personal life filled with pain, the heroes seek to face the facts and understand. To them, reason is an absolute. Politically, therefore, what they require and demand is freedom. Freedom to think, to venture into the new and unknown, to earn, to trade, to succeed and fail and pursue their own individual happiness.

The villains, by contrast, reject the absolutism of reason. They want a world ruled by their feelings, in which wishing makes it so. James Taggart, for instance, wants to be the head of a railroad without the need of effort. No amount of thinking can bring such a world about he must attempt to bring it about by force. As Rand puts it elsewhere, Anyone who resorts to the formula: Its so, because I say so, will have to reach for a gun, sooner or later.

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Atlas Shrugged | AynRand.org

This is the story of a man who said that he would stop the motor of the world and did. Was he a destroyer or the greatest of liberators?

Why did he have to fight his battle, not against his enemies, but against those who needed him most, and his hardest battle against the woman he loved? What is the worlds motor and the motive power of every man? You will know the answer

Why did he have to fight his battle, not against his enemies, but against those who needed him most, and his hardest battle against the woman he loved? What is the worlds motor and the motive power of every man? You will know the answer to these questions when you discover the reason behind the baffling events that play havoc with the lives of the characters in this story.

Tremendous in its scope, this novel presents an astounding panorama of human life from the productive genius who becomes a worthless playboy to the great steel industrialist who does not know that he is working for his own destruction to the philosopher who becomes a pirate to the composer who gives up his career on the night of his triumph to the woman who runs a transcontinental railroad to the lowest track worker in her Terminal tunnels.

You must be prepared, when you read this novel, to check every premise at the root of your convictions.

This is a mystery story, not about the murder and rebirth of mans spirit. It is a philosophical revolution, told in the form of an action thriller of violent events, a ruthlessly brilliant plot structure and an irresistible suspense. Do you say this is impossible? Well, that is the first of your premises to check.

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Atlas Shrugged by Ayn Rand Reviews, Discussion, Bookclubs ...

Overview

This is the story of a man who said that he would stop the motor of the worldand did. Was he a destroyer or the greatest of liberators? Why did he have to fight his battle, not against his enemies, but against those who needed him most, and his hardest battle against the woman he loved? What is the worlds motorand the motive power of every man? You will know the answer to these questions when you discover the reason behind the baffling events that play havoc with the lives of the characters in this story.

Tremendous in its scope, this novel presents an astounding panorama of human lifefrom the productive genius who becomes a worthless playboyto the great steel industrialist who does not know that he is working for his own destructionto the philosopher who becomes a pirateto the composer who gives up his career on the night of his triumphto the woman who runs a transcontinental railroadto the lowest track worker in her Terminal tunnels.

You must be prepared, when you read this novel, to check every premise at the root of your convictions. This is a mystery story, not about the murderand rebirthof mans spirit. It is a philosophical revolution, told in the form of an action thriller of violent events, a ruthlessly brilliant plot structure and an irresistible suspense. Do you say this is impossible? Well, that is the first of your premises to check.

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Encyclopedia of Literature

ATLAS SHRUGGED by Ayn Rand

INTRODUCTION by Leonard Peikoff

Ayn Rand is one of America's favorite authors. In a recent Library of Congress/Book of the Month Club survey, American readers ranked Atlas Shruggedher masterworkas second only to the Bible in its influence on their lives. For decades, at scores of college campuses around the country, students have formed clubs to discuss the works of Ayn Rand. In 1998, the Oscar-nominated Ayn Rand: A Sense of Life, a documentary film about her life, played to sold-out venues throughout America and Canada. In recognition of her enduring popularity, the United States Postal Service in 1999 issued an Ayn Rand stamp. Every book by Ayn Rand published in her lifetime is still in print, and hundreds of thousands of copies of them are sold every year, so far totaling more than twenty million. Why? Ayn Rand understood, all the way down to fundamentals, why man needs the unique form of nourishment that is literature. And she provided a banquet that was at once intellectual and thrilling. The major novels of Ayn Rand contain superlative values that are unique in our age. Atlas Shrugged (1957) and The Fountainhead (1943) offer profound and original philosophic themes, expressed in logical, dramatic plot structures. They portray an uplifted vision of man, in the form of protagonists characterized by strength, purposefulness, integrityheroes who are not only idealists, but happy idealists, self-confident, serene, at home on earth. (See synopses later in this guide.) Ayn Rand's first novel, We the Living (1936), set in thepost-revolutionary Soviet Union, is an indictment not merely of Soviet-style Communism, but of any and every totalitarian state that claims the right to sacrifice the supreme value of an individual human life. Anthem (1946), a prose poem set in the future, tells of one man's rebellion against an utterly collectivized world, a world in which joyless, selfless men are permitted to exist only for the sake of serving the group. Written in 1937, Anthem was first published in England; it was refused publication in America until 1946, for reasons the reader can discover by reading it for himself. Ayn Rand wrote in a highly calculated literary style intent on achieving precision and luminous clarity, yet that style is at the same time colorful, sensuously evocative, and passionate. Her exalted vision of man and her philosophy for living on earth, Objectivism, have changed the lives of tens of thousands of readers and launched a major philosophic movement with a growing impact on American culture. You are invited to sit down to the banquet which is Ayn Rand's novels. I hope you personally enjoy them as much as I did.

About the Books

Atlas Shrugged (1957) is a mystery story, Ayn Rand once commented, "not about the murder of man's body, but about the murderand rebirthof man's spirit." It is the story of a manthe novel's herowho says that he will stop the motor of the world, and does. The deterioration of the U.S. accelerates as the story progresses. Factories, farms, shops shut down or go bankrupt in ever larger numbers. Riots break out as food supplies become scarce. Is he, then, a destroyer or the greatest of liberators? Why does he have to fight his battle, not against his enemies but against those who need him most, including the woman, Dagny Taggart, a top railroad executive, whom he passionately loves? What is the world's motorand the motive power of every man? Peopled by larger-than-life heroes and villains, and charged with awesome questions of good and evil, Atlas Shrugged is a novel of tremendous scope. It presents an astounding panorama of human lifefrom the productive genius who becomes a worthless playboy (Francisco d'Anconia)to the great steel industrialist who does not know that he is working for his own destruction (Hank Rearden)to the philosopher who becomes a pirate (Ragnar Danneskjold)to the composer who gives up his career on the night of his triumph (Richard Halley). Dramatizing Ayn Rand's complete philosophy, Atlas Shrugged is an intellectual revolution told in the form of an action thriller of violent eventsand with a ruthlessly brilliant plot and irresistible suspense. We do not want to spoil the plot by giving away its secret or its deeper meaning, so as a hint only we will quote here one brief exchange from the novel:

embraced the movie. Five months after its release, Mussolini's government figured out what everyone else knew, and banned the movie. This is eloquent proof of Ayn Rand's claim that the book is not merely "about Soviet Russia." After the war, the movie was re-edited under Ayn Rand's supervision. The movie is still played at art-house cinemas, and is now available on videotape.

Anthem (1946), a novelette in the form of a prose poem, depicts a grim world of the future that is totally collectivized. Technologically primitive, it is a world in which candles are the very latest advance. From birth to death, men's lives are directed for them by the State. At Palaces of Mating, the State enacts its eugenics program; once born and schooled, people are assigned jobs they dare not refuse, toiling in the fields until they are consigned to the Home of the Useless. This is a world in which men live and die for the sake of the State. The State is all, the individual is nothing. It is a world in which the word "I" has vanished from the language, replaced by "We." For the sin of speaking the unspeakable "I," men are put to death. Equality 7-2521, however, rebels. Though assigned to the life work of street sweeper by the rulers who resent his brilliant, inquisitive mind, he secretly becomes a scientist. Enduring the threat of torture and imprisonment, he continues in his quest for knowledge and ultimately rediscovers electric light. But when he shares it with the Council of Scholars, he is denounced for the sin of thinking what no other men think. He runs for his life, escaping to the uncharted forest beyond the city's edge. There, with his beloved, he begins a more intense sequence of discoveries, both personal and intellectual, that help him break free from the collectivist State's brutal morality of sacrifice. He learns that man's greatest moral duty is the pursuit of his own happiness. He discovers and speaks the sacred word: I. Anthem's theme is the meaning and glory of man's ego.

About Objectivism

Ayn Rand held that philosophy was not a luxury for the few, but a life-and-death necessity of everyone's survival. She described Objectivism, the intellectual framework of her novels, as a philosophy for living on earth. Rejecting all forms of supernaturalism and religion, Objectivism holds that Reality, the world of nature, exists as an objective absolutefacts are facts, independent of man's feelings, wishes, hopes, or fears; in short, "wishing won't make it so." Further, Ayn Rand held that Reasonthe faculty that identifies and integrates the material provided by man's sensesis man's only source of knowledge, both of facts and of values. Reason is man's only guide to action, and his basic means of survival. Hence her rejection of all forms of mysticism, such as intuition, instinct, revelation, etc. On the question of good and evil, Objectivism advocates a scientific code of morality: the morality of rational self-interest, which holds Man's Life as the standard of moral value. The good is that which sustains Man's Life; the evil is that which destroys it. Rationality, therefore, is man's primary virtue. Each man should live by his own mind and for his own sake, neither sacrificing himself to others nor others to himself. Man is an end in himself. His own happiness, achieved by his own work and trade, is each man's highest moral purpose. In politics, as a consequence, Objectivism upholds not the welfare state, but laissez-faire capitalism (the complete separation of state and economics) as the only social system consistent with the requirements of Man's Life. The proper function of government is the original American system: to protect each individual's inalienable rights to life, liberty, property, and the pursuit of happiness. Objectivism defines "art" as the re-creation of reality according to an artist's metaphysical value-judgments. The greatest school in art history, it holds, is Romanticism, whose art represents things not as they are, but as they might be and ought to be. The fundamentals of Objectivism are set forth in many nonfiction books including: For the New Intellectual; The Virtue of Selfishness; Capitalism: The Unknown Ideal; Return of the Primitive: The Anti-Industrial Revolution; Philosophy: Who Needs It; and The Romantic Manifesto. Objectivism: The Philosophy of Ayn Rand, written by Ayn Rand's intellectual heir Leonard Peikoff and published in 1991, is the definitive presentation of her entire system of philosophy.

ABOUT AYN RAND

Ayn Rand was born in St. Petersburg, Russia, on February 2, 1905. At the age of nine, she decided to make fiction-writing her career. In late 1925 she obtained permission to leave the USSR for a visit to relatives in the United States. Arriving in New York in February 1926, she first spent six months with her relatives in Chicago before moving to Los Angeles. On her second day in Hollywood, the famous director Cecil B. De Mille noticed her standing at the gate of his studio, offered her a ride to the set of his silent movie The King of Kings, and gave her a job, first as an extra and later as a script reader. During the next week at the studio, she met an actor, Frank O'Connor, whom she married in 1929; they were happily married until his death fifty years later. After struggling for several years at various menial jobs, including one in the wardrobe department at RKO, she sold her first screenplay, "Red Pawn," to Universal Studios in 1932 and then saw her first play, Night of January 16th, produced in Hollywood and (in 1935) on Broadway. In 1936, her first novel, We the Living, was published. She began writing The Fountainhead in 1935. In the character of Howard Roark, she presented for the first time the Ayn Rand hero, whose depiction was the chief goal of her writing: the ideal man, man as "he could be and ought to be." The Fountainhead was rejected by a dozen publishers but finally accepted by Bobbs-Merrill; it came out in 1943. The novel made publishing history by becoming a best-seller within two years purely through word of mouth; it gained lasting recognition for Ayn Rand as a champion of individualism. Atlas Shrugged (1957) was her greatest achievement and last work of fiction. In this novel she dramatizes her unique philosophy of Objectivism in an intellectual mystery story that integrates ethics, metaphysics, epistemology, politics, economics, and sex. Although she considered herself primarily a fiction writer, she realized early that in order to create heroic characters, she had to identify the philosophic principles which make such people possible. She proceeded to develop a "philosophy for living on earth." Objectivism has now gained a worldwide audience and is an ever growing presence in American culture. Her novels continue to sell in enormous numbers every year, proving themselves enduring classics of literature. Ayn Rand died on March 6, 1982, at her home in New York City.

Recollections of Ayn Rand A Conversation with Leonard Peikoff, Ph.D.,Ayn Rand's longtime associate and intellectual heir

Dr. Peikoff, you met Miss Rand when you were seventeen and were associated with her until her death, thirty-one years later. What were your first impressions of her? What was she like? The strongest first impression I had of her was her passion for ideas. Ayn Rand was unlike anyone I had ever imagined. Her mind was utterly first-handed: she said what no one else had ever said or probably ever thought, but she said these things so logicallyso simply, factually, persuasivelythat they seemed to be self-evident. She radiated the kind of intensity that one could imagine changing the course of history. Her brilliantly perceptive eyes looked straight at you and missed nothing: neither did her methodical, painstaking, virtually scientific replies to my questions miss anything. She made me think for the first time that thinking is important. I said to myself after I left her home: "All of life will be different now. If she exists, everything is possible."

In her fiction, Ayn Rand presented larger-than-life heroesembodiments of her philosophy of rational egoismthat have inspired countless readers over the years. Was Ayn Rand's own life like that of her characters? Did she practice her own ideals? Yes, always. From the age of nine, when she decided on a career as a writer, everything she did was integrated toward her creative purpose. As with Howard Roark, dedication to thought and thus to her work was the root of Ayn Rand's person. In every aspect of life, she once told me, a man should have favorites. He should define what he likes or wants most and why, and then proceed to get it. She always did just thatfleeing the Soviet dictatorship for America, tripping her future husband on a movie set to get him to notice her, ransacking ancient record shops to unearth some lost treasure, even decorating her apartment with an abundance of her favorite color, blue-green.

Given her radical views in morality and politics, did she ever soften or compromise her message? Never. She took on the whole worldliberals, conservatives, communists, religionists, Babbitts and avant-garde alikebut opposition had no power to sway her from her convictions. I never saw her adapting her personality or viewpoint to please another individual. She was always the same and always herself, whether she was talking with me alone, or attending a cocktail party of celebrities, or being cheered or booed by a hall full of college students, or being interviewed on national television.

Couldn't she have profited by toning things down a little? She could never be tempted to betray her convictions. A Texas oil man once offered her up to a million dollars to use in spreading her philosophy, if she would only add a religious element to it to make it more popular. She threw his proposal into the wastebasket. "What would I do with his money," she asked me indignantly, "if I have to give up my mind in order to get it?" Her integrity was the result of her method of thinking and her conviction that ideas really matter. She knew too clearly how she had reached her ideas, why they were true, and what their opposites were doing to mankind.

Who are some writers that Ayn Rand respected and enjoyed reading? She did not care for most contemporary writers. Her favorites were the nineteenth century Romantic novelists. Above all, she admired Victor Hugo, though she often disagreed with his explicit views. She liked Dostoevsky for his superb mastery of plot structure and characterization, although she had no patience for his religiosity. In popular literature, she read all of Agatha Christie twice, and also liked the early novels of Mickey Spillane.

In addition to writing best-sellers, Ayn Rand originated a distinctive philosophy of reason. If someone wants to get an insight into her intellectual and creative development, what would you suggest? A reader ought first to read her novels and main nonfiction in order to understand her views and values. Then, to trace her early literary development, a reader could pick up The Early Ayn Rand, a volume I edited after her death. It features a selection of short stories and plays that she wrote while mastering English and the art of fiction-writing. For a glimpse of her lifelong intellectual development, I would recommend the recent book Journals of Ayn Rand, edited by David Harriman.

Ayn Rand's life was punctuated by disappointments with people, frustration, and early poverty. Was she embittered? Did she achieve happiness in her own life? She did achieve happiness. Whatever her disappointments or frustrations, they went down, as she said about Roark, only to a certain point. Beneath it was her self-esteem, her values, and her conviction that happiness, not pain, is what matters. I remember a spring day in 1957. She and I were walking up Madison Avenue in New York toward the office of Random House, which was in the process of bringing out Atlas Shrugged. She was looking at the city she had always loved most, and now, after decades of rejection, she had seen the top publishers in that city competing for what she knew, triumphantly, was her masterpiece. She turned to me suddenly and said: "Don't ever give up what you want in life. The struggle is worth it." I never forgot that. I can still see the look of quiet radiance on her face.

Related Titles

Fiction in Paperback Anthem (New York: Signet, 1961). Atlas Shrugged (New York: Signet, 1959). The Fountainhead (New York: Signet, 25th anniv. ed., 1968). Night of January 16th (New York: Plume, 1987). We the Living (New York: Signet, 1960). Nonfiction in Paperback Capitalism: The Unknown Ideal (New York: Signet, 1967). The Early Ayn Rand: A Selection from Her Unpublished Fiction (New York: Signet, 1986). For the New Intellectual (New York: Signet, 1963). Philosophy: Who Needs It (New York: Signet, 1964). Return of the Primitive: The Anti-Industrial Revolution (New York: Meridian, 1999). The Romantic Manifesto (New York: Signet, 2nd rev. ed., 1971). The Virtue of Selfishness (New York: Signet, 1984). On Ayn Rand and Objectivism The Ayn Rand Reader, edited by Gary Hull and Leonard Peikoff (New York: Plume, 1999). Journals of Ayn Rand, edited by David Harriman (New York: Dutton, 1997). Objectivism: The Philosophy of Ayn Rand, by Leonard Peikoff (New York: Meridian, 1993).

DISCUSSION QUESTIONS

Atlas Shrugged

The Fountainhead

We the Living

Anthem

a) "It is a sin to write this. It is a sin to think words no others think."

b) "I wished to know the meaning of things. I am the meaning."

c) "I owe nothing to my brothers, nor do I gather debts from them."

Objectivism

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Alan Greenspan

Born February 2, 1905, Ayn Rand published her first novel, We the Living, in 1936. Anthem followed in 1938. It was with the publication of The Fountainhead (1943) and Atlas Shrugged (1957) that she achieved her spectacular success. Ms. Rand's unique philosophy, Objectivism, has gained a worldwide audience. The fundamentals of her philosophy are put forth in three nonfiction books, Introduction to Objectivist Epistemology, The Virtue of Selfishness, and Capitalism: The Unknown Ideal. They are all available in Signet editions, as is the magnificent statement of her artistic credo, The Romantic Manifesto.

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Atlas Shrugged: (Centennial Edition) by Ayn Rand, Paperback ...

The new article Using Taoism and Writers to Fight the Regime in the Moscow Times by Russian writer Yulia Latynina begins:

Riot police broke up a sanctioned protest rally on May 6. After that, police detained Moscow pedestrians carrying white ribbons the symbol of the protest movement. They also stopped suspicious individuals carrying no ribbons at all. That is why writer Boris Akunin proposed a truly Taoist form of protest: a walk along Moscows central streets on Sunday.

The idea was for Akunin and fellow writers Dmitry Bykov, Lyudmila Ulitskaya, Lev Rubinshtein and yours truly to walk from the Pushkin monument on Pushkin Square to the Griboyedov monument at Chistiye Prudy, with an open invitation for readers to join them. I cant say exactly how many people actually turned out, but it was clear that the number was close to 15,000.

On Sunday, I arrived at the Pushkin monument by noon and tried unsuccessfully to locate Bykov or Akunin. Before I could take another step, I was mobbed by people proffering books for me to sign.

I at last struggled free to look for Bykov on the steps of the nearby movie theater, but he wasnt there. People once again came running from everywhere asking me to sign their books. One even held out a copy of Atlas Shrugged the novel written by U.S. objectivist writer Ayn Rand who was persecuted in Russia by the Bolsheviks and said, Well, youre a second Rand, so sign it.

The only other writers I found in the crowd were Bykov and Akunin each of them for only an instant because the moment I would stop to speak to one of them, a crowd of people would instantly crystallize around me, sticking together like grains of sand and thrusting forward copies of books written by myself and others that they wanted signed.

This whole facet of the crowds spontaneous behavior was terribly fascinating. The people who were ostensibly supposed to lead the walk Ulitskaya, Bykov, Akunin and musician Andrei Makarevich were unable to walk together or speak to one another because the moment any two of them spotted each other and briefly stopped walking, each was immediately encircled by this crystallizing mob. Despite the lack of organization, the whole group of us walked from Pushkin to Griboyedov without any problems whatsoever.

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Atlas Shrugged Movie | Latest news about the ATLAS SHRUGGED movie

There's very few things I can add to all that have been said about "Atlas Shrugged" that haven't been said before. Ayn Rand wrote a timeless masterpiece who put her name across the most influential writers of the english language. The story by itself is an Ode to the Human Mind and the best within us. This book change the lives of those who enter in contact with it and, most of the time, for the better.

The production of this audiobook is perfect. There's no background noise and the sound is as crisp as it could be. Only on the technical standpoint, the recording is as perfect as the state of the technology allows it to be.

So, why I gave it only 3 stars? Because of the casting of Mr. Brick. I have no quarrel with him. He's a talented artist who, I am sure, would give an outstanding reading of "Pride and Prejudice". He's, sadly, a poor choice for "Atlas Shrugged". His voice is unable to carry the certainty of John Galt, Dagny Taggart seems to be a moment away to sobbing, Francisco d'Anconia got a mundane voice while Jim Taggart sounds perfectly sane(!). This mostly ruined my enjoyment of this recording. "Atlas Shrugged" is a righteous book and his voice is too mellow to sound right.

In summary, may I suggest to those who really want to enjoy this story that they acquire the Christopher Hurt's rendition of it? The quality is less than stellar but the reading is perfect. In fact, I listened to the later right after I listened Mr. Brick's recording, just to forget the poor experience I lived.

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Atlas Shrugged Audiobook | Ayn Rand | Audible.com

Reason and freedom are corollaries, Ayn Rand holds, as are faith and force. Atlas Shrugged showcases both relationships.

The heroes are unwavering thinkers. Whether it is a destructive business scheme proclaimed as moral, the potential collapse of the economy, or a personal life filled with pain, the heroes seek to face the facts and understand. To them, reason is an absolute. Politically, therefore, what they require and demand is freedom. Freedom to think, to venture into the new and unknown, to earn, to trade, to succeed and fail and pursue their own individual happiness.

The villains, by contrast, reject the absolutism of reason. They want a world ruled by their feelings, in which wishing makes it so. James Taggart, for instance, wants to be the head of a railroad without the need of effort. No amount of thinking can bring such a world about he must attempt to bring it about by force. As Rand puts it elsewhere, Anyone who resorts to the formula: Its so, because I say so, will have to reach for a gun, sooner or later.

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Atlas Shrugged | AynRand.org