Category Archives: Atlas Shrugged

The man who refuses to judge, who neither agrees nor disagrees, who declares that there are no absolutes and believes that he escapes responsibility, is the man responsible for all the blood that is now spilled in the world. Reality is an absolute, existence is an absolute, a speck of dust is an absolute and so is a human life. Whether you live or die is an absolute. Whether you have a piece of bread or not, is an absolute. Whether you eat your bread or see it vanish into a looter's stomach, is an absolute.

There are two sides to every issue: one side is right and the other is wrong, but the middle is always evil. The man who is wrong still retains some respect for truth, if only by accepting the responsibility of choice. But the man in the middle is the knave who blanks out the truth in order to pretend that no choice or values exist, who is willing to sit out the course of any battle, willing to cash in on the blood of the innocent or to crawl on his belly to the guilty, who dispenses justice by condemning both the robber and the robbed to jail, who solves conflicts by ordering the thinker and the fool to meet each other halfway. In any compromise between food and poison, it is only death that can win. In any compromise between good and evil, it is only evil that can profit. In that transfusion of blood which drains the good to feed the evil, the compromise is the transmitting rubber tube. Ayn Rand, Atlas Shrugged

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Atlas Shrugged Quotes by Ayn Rand

A towering philosophical novel that is the summation of her Objectivist philosophy, Ayn Rand's Atlas Shrugged is the saga of the enigmatic John Galt, and his ambitious plan to 'stop the motor of the world', published in Penguin Modern Classics.

Opening with the enigmatic question 'Who is John Galt?', Atlas Shrugged envisions a world where the 'men of talent' - the great innovators, producers and creators - have mysteriously disappeared. With the US economy now faltering, businesswoman Dagny Taggart is struggling to get the transcontinental railroad up and running. For her John Galt is the enemy, but as she will learn, nothing in this situation is quite as it seems. Hugely influential and grand in scope, this story of a man who stopped the motor of the world expounds Rand's controversial philosophy of Objectivism, which champions competition, creativity and human greatness.

Ayn Rand (1905-82), born Alisa Rosenbaum in St. Petersburg, Russia, emigrated to America with her family in January 1926, never to return to her native land. Her novel The Fountainhead was published in 1943 and eventually became a bestseller. Still occasionally working as a screenwriter, Rand moved to New York City in 1951 and published Atlas Shrugged in 1957. Her novels espoused what came to be called Objectivism, a philosophy that champions capitalism and the pre-eminence of the individual.

If you enjoyed Atlas Shrugged, you might like Rand's The Fountainhead, also available in Penguin Modern Classics.

'A writer of great power ... she writes brilliantly, beautifully, bitterly' The New York Times

'Atlas Shrugged ... is a celebration of life and happiness' Alan Greenspan

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In an environment of worsening economic conditions, Dagny Taggart, vice president in charge of operations, works to repair Taggart Transcontinentals crumbling Rio Norte Line to service Colorado, the last booming industrial area in the country. Her efforts are hampered by the fact that many of the countrys most talented entrepreneurs are retiring and disappearing. The railroads crisis worsens when the Mexican government nationalizes Taggarts San Sebastian Line. The line had been built to service Francisco dAnconias copper mills, but the mills turn out to be worthless. Francisco had been a successful industrialist, and Dagnys lover, but has become a worthless playboy. To solve the railroads financial problems, Dagnys brother Jim uses political influence to pass legislation that destroys Taggarts only competition in Colorado. Dagny must fix the Rio Norte Line immediately and plans to use Rearden Metal, a new alloy created by Hank Rearden. When confronted about the San Sebastian mines, Francisco tells Dagny he is deliberately destroying dAnconia Copper. Later he appears at Reardens anniversary party and, meeting him for the first time, urges Rearden to reject the freeloaders who live off of him.

The State Science Institute issues a denunciation of Rearden metal, and Taggarts stock crashes. Dagny decides to start her own company to rebuild the line, and it is a huge success. Dagny and Rearden become lovers. Together they discover a motor in an abandoned factory that runs on static electricity, and they seek the inventor. The government passes new legislation that cripples industry in Colorado. Ellis Wyatt, an oil industrialist, suddenly disappears after setting fire to his wells. Dagny is forced to cut trains, and the situation worsens. Soon, more industrialists disappear. Dagny believes there is a destroyer at work, taking men away when they are most needed. Francisco visits Rearden and asks him why he remains in business under such repressive conditions. When a fire breaks out and they work together to put it out, Francisco understands Reardens love for his mills.

Rearden goes on trial for breaking one of the new laws, but refuses to participate in the proceedings, telling the judges they can coerce him by force but he wont help them to convict him. Unwilling to be seen as thugs, they let him go. Economic dictator Wesley Mouch needs Reardens cooperation for a new set of socialist laws, and Jim needs economic favors that will keep his ailing railroad running after the collapse of Colorado. Jim appeals to Reardens wife Lillian, who wants to destroy her husband. She tells him Rearden and Dagny are having an affair, and he uses this information in a trade. The new set of laws, Directive 10-289, is irrational and repressive. It includes a ruling that requires all patents to be signed over to the government. Rearden is blackmailed into signing over his metal to protect Dagnys reputation.

Dagny quits over the new directive and retreats to a mountain lodge. When she learns of a massive accident at the Taggart Tunnel, she returns to her job. She receives a letter from the scientist she had hired to help rebuild the motor, and fears he will be the next target of the destroyer. In an attempt to stop him from disappearing, she follows him in an airplane and crashes in the mountains. When she wakes up, she finds herself in a remote valley where all the retired industrialists are living. They are on strike, calling it a strike of the mind. There, she meets John Galt, who turns out to be both the destroyer and the man who built the motor. She falls in love with him, but she cannot give up her railroad, and she leaves the valley. When she returns to work, she finds that the government has nationalized the railroad industry. Government leaders want her to make a speech reassuring the public about the new laws. She refuses until Lillian comes to blackmail her. On the air, she proudly announces her affair with Rearden and reveals that he has been blackmailed. She warns the country about its repressive government.

With the economy on the verge of collapse, Francisco destroys the rest of his holdings and disappears. The politicians no longer even pretend to work for the public good. Their vast network of influence peddling creates worse chaos, as crops rot waiting for freight trains that are diverted for personal favors. In an attempt to gain control of Franciscos mills, the government stages a riot at Rearden Steel. But the steelworkers organize and fight back, led by Francisco, who has been working undercover at the mills. Francisco saves Reardens life, then convinces him to join the strike.

Just as the head of state prepares to give a speech on the economic situation, John Galt takes over the airwaves and delivers a lengthy address to the country, laying out the terms of the strike he has organized. In desperation, the government seeks Galt to make him their economic dictator. Dagny inadvertently leads them to him, and they take him prisoner. But Galt refuses to help them, even after he is tortured. Finally, Dagny and the strikers rescue him in an armed confrontation with guards. They return to the valley, where Dagny finally joins the strike. Soon, the countrys collapse is complete and the strikers prepare to return.

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SparkNotes: Atlas Shrugged: Plot Overview

The story of Atlas Shrugged takes place in the United States at an unspecified future time. Dagny Taggart, vice president in charge of operations for Taggart Transcontinental Railroad, seeks to rebuild the crumbling track of the Rio Norte Line that serves Ellis Wyatt's oil fields and the booming industrial areas of Colorado. The country is in a downward economic spiral with businesses closing and men out of work. Other countries in the world have become socialist Peoples' States and are destitute. Colorado, based on Wyatt's innovative method of extracting oil from shale, is the last great industrial center on earth. Dagny intends to provide Colorado the train service it requires, but her brother James Taggart, president of Taggart Transcontinental, tries to block her from getting new rails from Rearden Steel, the last reliable steel manufacturer. James wants to do business with the inefficient Associated Steel, which is run by his friend Orren Boyle. Dagny wants the new rail to be made of Rearden Metal, a new alloy that Hank Rearden developed after ten years of experiment. Because the metal has never been tried and has been denounced by metallurgists, James won't accept responsibility for using it. Dagny, who studied engineering in college, has seen the results of Rearden's tests. She accepts the responsibility and orders the rails made of Rearden Metal.

Worsening the economic depression in the U.S. is the unexplained phenomenon of talented men retiring and disappearing. For example, Owen Kellogg, a bright young Taggart employee for whom Dagny had great hopes, tells her that he is leaving the railroad. McNamara, a contractor who was supposed to rebuild the Rio Norte Line, retires unexpectedly. As more great men disappear, the American people become increasingly pessimistic. Dagny dislikes the new phrase that has crept into the language and signifies people's sense of futility and despair. Nobody knows the origin or exact meaning of the question "Who is John Galt?," but people use the unanswerable question to express their sense of hopelessness. Dagny rejects the widespread pessimism and finds a new contractor for the Rio Norte Line.

The crisis for Taggart Transcontinental worsens when the railroad's San Sebastian Line proves to be worthless and is nationalized by the Mexican government. The line, which cost millions of dollars, was supposed to provide freight service for the San Sebastian Mines, a new venture by Francisco d'Anconia, the wealthiest copper industrialist in the world. Francisco was Dagny's childhood friend and her former lover, but she now regards him as a worthless playboy. In this latest venture, d'Anconia has steered investors completely wrong, causing huge financial losses and a general sense of unrest.

James Taggart, in an attempt to recover the railroad's losses on the San Sebastian Line, uses his political friendships to influence the vote of the National Alliance of Railroads. The Alliance passes what's known as the "Anti-dog-eat-dog rule," prohibiting "cutthroat" competition. The rule puts the superb Phoenix-Durango Railroad, Taggart Transcontinental's competitor for the Colorado freight traffic, out of business. With the Phoenix-Durango line gone, Dagny must rebuild the Rio Norte Line quickly.

Dagny asks Francisco, who is in New York, what his purpose was in building the worthless Mexican mines. He tells her that it was to damage d'Anconia Copper and Taggart Transcontinental, as well as to cause secondary destructive consequences. Dagny is dumbfounded, unable to reconcile such a destructive purpose from the brilliant, productive industrialist Francisco was just ten years earlier. Not long after this conversation, Francisco appears at a celebration for Hank Rearden's wedding anniversary. Rearden's wife Lillian, his mother, and his brother are nonproductive freeloaders who believe that the strong are morally obliged to support the weak. Rearden no longer loves and cannot respect them, but he pities their weakness and carries them on his back. Francisco meets Rearden for the first time and warns him that the freeloaders have a weapon that they are using against him. Rearden questions why Francisco has come to the party, but Francisco says that he merely wished to become acquainted with Rearden. He won't explain his presence any further.

Although public opinion and an incompetent contractor are working against them, Dagny and Rearden build the Rio Norte Line. Rearden designs an innovative bridge for the line that takes advantage of the properties that his new metal possesses. The State Science Institute, a government research organization, tries to bribe and threaten Rearden to keep his metal off the market, but he won't give in. The Institute then issues a statement devoid of factual evidence that alleges possible weaknesses in the structure of Rearden Metal. Taggart stock crashes, the contractor quits, and the railroad union forbids its employees to work on the Rio Norte Line. When Dr. Robert Stadler, a brilliant theoretical scientist in whose name the State Science Institute was founded, refuses to publicly defend Rearden Metal even though he knows its value, Dagny makes a decision. She tells her brother that she will take a leave of absence, form her own company, and build the Rio Norte Line on her own. She signs a contract saying that when the line is successfully completed, she'll turn it back over to Taggart Transcontinental. Dagny chooses to name it the John Galt Line in defiance of the general pessimism that surrounds her.

Rearden and the leading businessmen of Colorado invest in the John Galt Line. Rearden feels a strong sexual attraction to Dagny but, because he regards sex as a demeaning impulse, doesn't act on his attraction. The government passes the Equalization of Opportunity Bill that prevents an individual from owning companies in different fields. The bill prohibits Rearden from owning the mines that supply him with the raw materials he needs to make Rearden Metal. However, Rearden creates a new design for the John Galt Line's Rearden Metal Bridge, realizing that if he combines a truss with an arch, it will enable him to maximize the best qualities of the new metal.

Dagny completes construction of the Line ahead of schedule. She and Rearden ride in the engine cab on the Line's first train run, which is a resounding success. Rearden and Dagny have dinner at Ellis Wyatt's home to celebrate. After dinner, Dagny and Rearden make love for the first time. The next day, Rearden is contemptuous of them both for what he considers their low urges, but Dagny is radiantly happy. She rejects Rearden's estimate, knowing that their sexual attraction is based on mutual admiration for each other's noblest qualities.

Dagny and Rearden go on vacation together, driving around the country looking at abandoned factories. At the ruins of the Twentieth Century Motor Company's factory in Wisconsin, they find the remnant of a motor with the potential to change the world. The motor was able to draw static electricity from the atmosphere and convert it to usable energy, but now it is destroyed.

Realizing how much the motor would benefit the transportation industry, Dagny vows to find the inventor. At the same time, she must fight against new proposed legislation. Various economic pressure groups, seeking to cash in on the industrial success of Colorado, want the government to force the successful companies to share their profits. Dagny knows that the legislation would put Wyatt Oil and the other Colorado companies out of business, destroy the Rio Norte Line, and remove the profit she needs to rebuild the rest of the transc
ontinental rail system, but she's powerless to prevent the legislation.

Dagny continues her nationwide quest to find the inventor of the motor, and she finally finds the widow of the engineer who ran the automobile company's research department. The widow tells Dagny that a young scientist working for her husband invented the motor. She doesn't know his name, but she provides a clue that leads Dagny to a cook in an isolated Wyoming diner. The cook tells Dagny to forget the inventor of the motor because he won't be found until he chooses. Dagny is shocked to discover that the cook is Hugh Akston, the world's greatest living philosopher. She goes to Cheyenne and discovers that Wesley Mouch, the new economic coordinator of the country, has issued a series of directives that will result in the strangling of Colorado's industrial success. Dagny rushes to Colorado but arrives too late. Ellis Wyatt, in defiance of the government's edict, set fire to his oil wells and retired.

Months later, the situation in Colorado continues to deteriorate. With the Wyatt oil wells out of business, the economy struggles. Several of the other major industrialists have retired and disappeared; nobody knows where they've gone. Dagny is forced to cut trains on the Colorado schedule. The one bright spot of her work is her continued search for the inventor of the motor. She speaks to Robert Stadler who recommends a young scientist, Quentin Daniels of the Utah Institute of Technology, as a man capable of undertaking the motor's reconstruction.

The State Science Institute orders 10,000 tons of Rearden Metal for a top-secret project, but Rearden refuses to sell it to them. Rearden sells to Ken Danagger, the country's best producer of coal, an amount of Rearden Metal that the law deems illegal. Meanwhile, at the reception for James Taggart's wedding, Francisco d'Anconia publicly defends the morality of producing wealth. Rearden overhears what Francisco says and finds himself increasingly drawn to this supposedly worthless playboy. The day following the reception, Rearden's wife discovers that he's having an affair, but she doesn't know with whom. A manipulator who seeks control over her husband, Lillian uses guilt as a weapon against him.

Dr. Ferris of the State Science Institute tells Rearden that he knows of the illegal sale to Ken Danagger and will take Rearden to trial if he refuses to sell the Institute the metal it needs. Rearden refuses, and the government brings charges against himself and Danagger. Dagny, in the meantime, has become convinced that a destroyer is loose in the world some evil creature that is deliberately luring away the brains of the world for a purpose she cannot understand. Her diligent assistant, Eddie Willers, knows that Dagny's fears are justified. He eats his meals in the workers' cafeteria, where he has befriended a nameless worker. Eddie tells the worker about Dagny's fear that Danagger is next in line for the destroyer that he'll be the next to retire and disappear. Dagny races to Pittsburgh to meet with Danagger to convince him to stay, but she's too late. Someone has already met with Danagger and convinced him to retire. In a mood of joyous serenity, Danagger tells Dagny that nothing could convince him to remain. The next day, he disappears.

Francisco visits Rearden and empathizes with the pain he has endured because of the invention of Rearden Metal. Francisco begins to ask Rearden what could make such suffering worthwhile when an accident strikes one of Rearden's furnaces. Francisco and Rearden race to the scene and work arduously to make the necessary repairs. Afterward, when Rearden asks him to finish his question, Francisco says that he knows the answer and departs.

At his trial, Rearden states that he doesn't recognize his deal with Danagger as a criminal action and, consequently, doesn't recognize the court's right to try him. He says that a man has the right to own the product of his effort and to trade it voluntarily with others. The government has no moral basis for outlawing the voluntary exchange of goods and services. The government, he says, has the power to seize his metal by force, and they have the power to compel him at the point of a gun. But he won't cooperate with their demands, and he won't pretend that the process is civil. If the government wishes to deal with men by compulsion, it must do so openly. Rearden states that he won't help the government pretend that his trial is anything but the initiation of a forced seizure of his metal. He says that he's proud of his metal, he's proud of his mills, he's proud of every penny that he's earned by his own hard work, and he'll not cooperate by voluntarily yielding one cent that is his. Rearden says that the government will have to seize his money and products by force, just like the robber it is. At this point, the crowd bursts into applause. The judges recognize the truth of what Rearden says and refuse to stand before the American people as open thieves. In the end, they fine Rearden and suspend the sentence.

Because of the new economic restrictions, the major Colorado industrialists have all retired and disappeared. Freight traffic has dwindled, and Taggart Transcontinental has been forced to shut down the Rio Norte Line. The railroad is in terrible condition: It is losing money, the government has convinced James Taggart to grant wage raises, and there is ominous talk that the railroad will be forced to cut shipping rates. At the same time, Wesley Mouch is desperate for Rearden to cooperate with the increasingly dictatorial government. Because Rearden came to Taggart's wedding celebration, Mouch believes that Taggart can influence Rearden. Mouch implies that a trade is possible: If Taggart can convince Rearden to cooperate, Mouch will prevent the government from forcing a cut in shipping rates. Taggart appeals to Lillian for help, and Lillian discovers that Dagny Taggart is her husband's lover.

In response to devastating economic conditions, the government passes the radical Directive 10-289, which requires that all workers stay at their current jobs, all businesses remain open, and all patents and inventions be voluntarily turned over to the government. When she hears the news, Dagny resigns from the railroad. Rearden doesn't resign from Rearden Steel, however, because he has two weeks to sign the certificate turning his metal over to the government, and he wants to be there to refuse when the time is up. Dr. Floyd Ferris of the State Science Institute comes to Rearden and says that the government has evidence of his affair with Dagny Taggart and will make it public dragging Dagny's name through the gutter if he refuses to sign over his metal. Rearden now knows that his desire for Dagny is the highest virtue he possesses and is free of all guilt regarding it, but he's a man who pays his own way. He knows that he should have divorced Lillian long ago and openly declared his love for Dagny. His guilt and error gave his enemies this weapon. He must pay for his own error and not allow Dagny to suffer, so he signs.

Dagny has retreated to a hunting lodge in the mountains that she inherited from her father. She's trying to decide what to do with the rest of her life when word reaches her that a train wreck of enormous proportions has destroyed the famed Taggart Tunnel through the heart of the Rockies, making all transcontinental traffic impossible on the main track. She rushes back to New York to resume her duties, and she reroutes all transcontinental traffic. She receives a letter from Quentin Daniels telling her that, because of Directive 10-289, he's quitting. Dagny plans to go west to inspect the t
rack and to talk to Daniels.

On the train ride west, Dagny rescues a hobo who is riding the rails. He used to work for the Twentieth Century Motor Company. He tells her that the company put into practice the communist slogan, "From each according to his ability, to each according to his need," a scheme that resulted in enslaving the able to the unable. The first man to quit was a young engineer, who walked out of a mass meeting saying that he would put an end to this once and for all by "stopping the motor of the world." The bum tells her that as the years passed and they saw factories close, production drop, and great minds retire and disappear, they began to wonder if the young engineer, whose name was John Galt, succeeded.

On her trip west, Dagny's train is stalled when the crew abandons it. She finds an airplane and continues on to Utah to find Daniels, but she learns at the airport that Daniels left with a visitor in a beautiful plane. Realizing that the visitor is the "destroyer," she gives chase, flying among the most inaccessible peaks of the Rockies. Her plane crashes.

Dagny finds herself in Atlantis, the hidden valley to which the great minds have gone to escape the persecution of a dictatorial government. She finds that John Galt does exist and that he's the man she's been seeking in two ways: He is both the inventor of the motor and the "destroyer," the man draining the brains of the world. All the great men she admires are here inventors, industrialists, philosophers, scientists, and artists. Dagny learns that the brains are on strike. They refuse to think, create, and work in a world that forces them to sacrifice themselves to society. They're on strike against the creed of self-sacrifice, in favor of a man's right to his own life.

Dagny falls in love with Galt, who has loved and watched her for years. But Dagny is a scab, the most dangerous enemy of the strike, and Galt won't touch her yet. Dagny has the choice to join the strike and remain in the valley or go back to her railroad and the collapsing outside world. She is torn, but she refuses to give up the railroad and returns. Although Galt's friends don't want him to expose himself to the danger, he returns as well, so he can be near at hand when Dagny decides she's had enough.

When she returns, Dagny finds that the government has nationalized the railroad industry and controls it under a Railroad Unification Plan. Dagny can no longer make business decisions based on matters of production and profit; she is subject to the arbitrary whims of the dictators. The government wants Dagny to make a reassuring speech to the public on the radio and threatens her with the revelation of her affair with Rearden. On the air, Dagny proudly states that she was Rearden's lover and that he signed his metal over to the government only because of a blackmail threat. Before being cut off the air, Dagny succeeds in warning the American people about the ruthless dictatorship that the United States government is becoming.

Because of the government's socialist policies, the collapse of the U. S. economy is imminent. Francisco d'Anconia destroys his holdings and disappears because his properties worldwide are about to be nationalized. He leaves the "looters" the parasites who feed off the producers nothing, wiping out millions of dollars belonging to corrupt American investors like James Taggart. Meanwhile, politicians use their economic power to create their own personal empires. In one such scheme, the Taggart freight cars needed to haul the Minnesota wheat harvest to market are diverted to a project run by the relatives of powerful politicians. The wheat rots at the Taggart stations, the farmers riot, farms shut down (as do many of the companies providing them with equipment), people lose their jobs, and severe food shortages result.

During an emergency breakdown at the Taggart Terminal in New York City, Dagny finds that John Galt is one of the railroad's unskilled laborers. She sees him in the crowd of men ready to carry out her commands. After completing her task, Dagny walks into the abandoned tunnels, knowing that Galt will follow. They make love for the first time, and he then returns to his mindless labor.

The government smuggles its men into Rearden's mills, pretending that they're steelworkers. The union of steelworkers asks for a raise, but the government refuses, making it sound as if the refusal comes from Rearden. When Rearden rejects the Steel Unification Plan the government wants to spring on him, they use the thugs they've slipped into his mills to start a riot. The pretense of protecting Rearden is the government's excuse for taking over his mills. But Francisco d'Anconia, under an assumed name, has taken a job at Rearden's mills. He organizes the workers, and they successfully defend the mills against the government's thugs. Afterward, Francisco tells Rearden the rest of the things he wants him to know. Rearden retires, disappears, and joins the strike.

Mr. Thompson, the head of state, is set to address the nation regarding its dire economic conditions. But before he begins to speak, he is preempted, cut off the air by a motor of incalculable power. John Galt addresses the nation instead. Galt informs citizens that the men of the mind are on strike, that they require freedom of thought and action, and that they refuse to work under the dictatorship in power. The thinkers won't return, Galt says, until human society recognizes an individual's right to live his own life. Only when the moral code of self-sacrifice is rejected will the thinkers be free to create, and only then will they return.

The government rulers are desperate. Frantically, they seek John Galt. They want him to become economic dictator of the country so the men of the mind will come back and save the government, but Galt refuses. Realizing that Dagny thinks the same way that Galt does, the government has her followed. Mr. Thompson makes clear to Dagny that certain members of the government fear and hate Galt, and that if they find him first, they may kill him. Terrified, Dagny goes to Galt's apartment to see if he's still alive. The government's men follow her and take Galt into custody, and the rulers attempt to convince Galt to take charge of the country's economy. He refuses. They torture him, yet still he refuses. In the end, the strikers come to his rescue. Francisco and Rearden, joined now by Dagny, assault the grounds of the State Science Institute where Galt is held captive. They kill some guards and incapacitate others, release Galt, and return to the valley. Dagny and Galt are united. Shortly after, the final collapse of the looters' regime occurs, and the men of the mind are free to return to the world.

Next About Atlas Shrugged

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Atlas Shrugged - cliffsnotes.com

There's very few things I can add to all that have been said about "Atlas Shrugged" that haven't been said before. Ayn Rand wrote a timeless masterpiece who put her name across the most influential writers of the english language. The story by itself is an Ode to the Human Mind and the best within us. This book change the lives of those who enter in contact with it and, most of the time, for the better.

The production of this audiobook is perfect. There's no background noise and the sound is as crisp as it could be. Only on the technical standpoint, the recording is as perfect as the state of the technology allows it to be.

So, why I gave it only 3 stars? Because of the casting of Mr. Brick. I have no quarrel with him. He's a talented artist who, I am sure, would give an outstanding reading of "Pride and Prejudice". He's, sadly, a poor choice for "Atlas Shrugged". His voice is unable to carry the certainty of John Galt, Dagny Taggart seems to be a moment away to sobbing, Francisco d'Anconia got a mundane voice while Jim Taggart sounds perfectly sane(!). This mostly ruined my enjoyment of this recording. "Atlas Shrugged" is a righteous book and his voice is too mellow to sound right.

In summary, may I suggest to those who really want to enjoy this story that they acquire the Christopher Hurt's rendition of it? The quality is less than stellar but the reading is perfect. In fact, I listened to the later right after I listened Mr. Brick's recording, just to forget the poor experience I lived.

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Atlas Shrugged Audiobook | Ayn Rand | Audible.com

Overview

This is the story of a man who said that he would stop the motor of the worldand did. Was he a destroyer or the greatest of liberators? Why did he have to fight his battle, not against his enemies, but against those who needed him most, and his hardest battle against the woman he loved? What is the worlds motorand the motive power of every man? You will know the answer to these questions when you discover the reason behind the baffling events that play havoc with the lives of the characters in this story.

Tremendous in its scope, this novel presents an astounding panorama of human lifefrom the productive genius who becomes a worthless playboyto the great steel industrialist who does not know that he is working for his own destructionto the philosopher who becomes a pirateto the composer who gives up his career on the night of his triumphto the woman who runs a transcontinental railroadto the lowest track worker in her Terminal tunnels.

You must be prepared, when you read this novel, to check every premise at the root of your convictions. This is a mystery story, not about the murderand rebirthof mans spirit. It is a philosophical revolution, told in the form of an action thriller of violent events, a ruthlessly brilliant plot structure and an irresistible suspense. Do you say this is impossible? Well, that is the first of your premises to check.

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Encyclopedia of Literature

ATLAS SHRUGGED by Ayn Rand

INTRODUCTION by Leonard Peikoff

Ayn Rand is one of America's favorite authors. In a recent Library of Congress/Book of the Month Club survey, American readers ranked Atlas Shruggedher masterworkas second only to the Bible in its influence on their lives. For decades, at scores of college campuses around the country, students have formed clubs to discuss the works of Ayn Rand. In 1998, the Oscar-nominated Ayn Rand: A Sense of Life, a documentary film about her life, played to sold-out venues throughout America and Canada. In recognition of her enduring popularity, the United States Postal Service in 1999 issued an Ayn Rand stamp. Every book by Ayn Rand published in her lifetime is still in print, and hundreds of thousands of copies of them are sold every year, so far totaling more than twenty million. Why? Ayn Rand understood, all the way down to fundamentals, why man needs the unique form of nourishment that is literature. And she provided a banquet that was at once intellectual and thrilling. The major novels of Ayn Rand contain superlative values that are unique in our age. Atlas Shrugged (1957) and The Fountainhead (1943) offer profound and original philosophic themes, expressed in logical, dramatic plot structures. They portray an uplifted vision of man, in the form of protagonists characterized by strength, purposefulness, integrityheroes who are not only idealists, but happy idealists, self-confident, serene, at home on earth. (See synopses later in this guide.) Ayn Rand's first novel, We the Living (1936), set in thepost-revolutionary Soviet Union, is an indictment not merely of Soviet-style Communism, but of any and every totalitarian state that claims the right to sacrifice the supreme value of an individual human life. Anthem (1946), a prose poem set in the future, tells of one man's rebellion against an utterly collectivized world, a world in which joyless, selfless men are permitted to exist only for the sake of serving the group. Written in 1937, Anthem was first published in England; it was refused publication in America until 1946, for reasons the reader can discover by reading it for himself. Ayn Rand wrote in a highly calculated literary style intent on achieving precision and luminous clarity, yet that style is at the same time colorful, sensuously evocative, and passionate. Her exalted vision of man and her philosophy for living on earth, Objectivism, have changed the lives of tens of thousands of readers and launched a major philosophic movement with a growing impact on American culture. You are invited to sit down to the banquet which is Ayn Rand's novels. I hope you personally enjoy them as much as I did.

About the Books

Atlas Shrugged (1957) is a mystery story, Ayn Rand once commented, "not about the murder of man's body, but about the murderand rebirthof man's spirit." It is the story of a manthe novel's herowho says that he will stop the motor of the world, and does. The deterioration of the U.S. accelerates as the story progresses. Factories, farms, shops shut down or go bankrupt in ever larger numbers. Riots break out as food supplies become scarce. Is he, then, a destroyer or the greatest of liberators? Why does he have to fight his battle, not against his enemies but against those who need him most, including the woman, Dagny Taggart, a top railroad executive, whom he passionately loves? What is the world's motorand the motive power of every man? Peopled by larger-than-life heroes and villains, and charged with awesome questions of good and evil, Atlas Shrugged is a novel of tremendous scope. It presents an astounding panorama of human lifefrom the productive genius who becomes a worthless playboy (Francisco d'Anconia)to the great steel industrialist who does not know that he is working for his own destruction (Hank Rearden)to the philosopher who becomes a pirate (Ragnar Danneskjold)to the composer who gives up his career on the night of his triumph (Richard Halley). Dramatizing Ayn Rand's complete philosophy, Atlas Shrugged is an intellectual revolution told in the form of an action thriller of violent eventsand with a ruthlessly brilliant plot and irresistible suspense. We do not want to spoil the plot by giving away its secret or its deeper meaning, so as a hint only we will quote here one brief exchange from the novel:

embraced the movie. Five months after its release, Mussolini's government figured out what everyone else knew, and banned the movie. This is eloquent proof of Ayn Rand's claim that the book is not merely "about Soviet Russia." After the war, the movie was re-edited under Ayn Rand's supervision. The movie is still played at art-house cinemas, and is now available on videotape.

Anthem (1946), a novelette in the form of a prose poem, depicts a grim world of the future that is totally collectivized. Technologically primitive, it is a world in which candles are the very latest advance. From birth to death, men's lives are directed for them by the State. At Palaces of Mating, the State enacts its eugenics program; once born and schooled, people are assigned jobs they dare not refuse, toiling in the fields until they are consigned to the Home of the Useless. This is a world in which men live and die for the sake of the State. The State is all, the individual is nothing. It is a world in which the word "I" has vanished from the language, replaced by "We." For the sin of speaking the unspeakable "I," men are put to death. Equality 7-2521, however, rebels. Though assigned to the life work of street sweeper by the rulers who resent his brilliant, inquisitive mind, he secretly becomes a scientist. Enduring the threat of torture and imprisonment, he continues in his quest for knowledge and ultimately rediscovers electric light. But when he shares it with the Council of Scholars, he is denounced for the sin of thinking what no other men think. He runs for his life, escaping to the uncharted forest beyond the city's edge. There, with his beloved, he begins a more intense sequence of discoveries,
both personal and intellectual, that help him break free from the collectivist State's brutal morality of sacrifice. He learns that man's greatest moral duty is the pursuit of his own happiness. He discovers and speaks the sacred word: I. Anthem's theme is the meaning and glory of man's ego.

About Objectivism

Ayn Rand held that philosophy was not a luxury for the few, but a life-and-death necessity of everyone's survival. She described Objectivism, the intellectual framework of her novels, as a philosophy for living on earth. Rejecting all forms of supernaturalism and religion, Objectivism holds that Reality, the world of nature, exists as an objective absolutefacts are facts, independent of man's feelings, wishes, hopes, or fears; in short, "wishing won't make it so." Further, Ayn Rand held that Reasonthe faculty that identifies and integrates the material provided by man's sensesis man's only source of knowledge, both of facts and of values. Reason is man's only guide to action, and his basic means of survival. Hence her rejection of all forms of mysticism, such as intuition, instinct, revelation, etc. On the question of good and evil, Objectivism advocates a scientific code of morality: the morality of rational self-interest, which holds Man's Life as the standard of moral value. The good is that which sustains Man's Life; the evil is that which destroys it. Rationality, therefore, is man's primary virtue. Each man should live by his own mind and for his own sake, neither sacrificing himself to others nor others to himself. Man is an end in himself. His own happiness, achieved by his own work and trade, is each man's highest moral purpose. In politics, as a consequence, Objectivism upholds not the welfare state, but laissez-faire capitalism (the complete separation of state and economics) as the only social system consistent with the requirements of Man's Life. The proper function of government is the original American system: to protect each individual's inalienable rights to life, liberty, property, and the pursuit of happiness. Objectivism defines "art" as the re-creation of reality according to an artist's metaphysical value-judgments. The greatest school in art history, it holds, is Romanticism, whose art represents things not as they are, but as they might be and ought to be. The fundamentals of Objectivism are set forth in many nonfiction books including: For the New Intellectual; The Virtue of Selfishness; Capitalism: The Unknown Ideal; Return of the Primitive: The Anti-Industrial Revolution; Philosophy: Who Needs It; and The Romantic Manifesto. Objectivism: The Philosophy of Ayn Rand, written by Ayn Rand's intellectual heir Leonard Peikoff and published in 1991, is the definitive presentation of her entire system of philosophy.

ABOUT AYN RAND

Ayn Rand was born in St. Petersburg, Russia, on February 2, 1905. At the age of nine, she decided to make fiction-writing her career. In late 1925 she obtained permission to leave the USSR for a visit to relatives in the United States. Arriving in New York in February 1926, she first spent six months with her relatives in Chicago before moving to Los Angeles. On her second day in Hollywood, the famous director Cecil B. De Mille noticed her standing at the gate of his studio, offered her a ride to the set of his silent movie The King of Kings, and gave her a job, first as an extra and later as a script reader. During the next week at the studio, she met an actor, Frank O'Connor, whom she married in 1929; they were happily married until his death fifty years later. After struggling for several years at various menial jobs, including one in the wardrobe department at RKO, she sold her first screenplay, "Red Pawn," to Universal Studios in 1932 and then saw her first play, Night of January 16th, produced in Hollywood and (in 1935) on Broadway. In 1936, her first novel, We the Living, was published. She began writing The Fountainhead in 1935. In the character of Howard Roark, she presented for the first time the Ayn Rand hero, whose depiction was the chief goal of her writing: the ideal man, man as "he could be and ought to be." The Fountainhead was rejected by a dozen publishers but finally accepted by Bobbs-Merrill; it came out in 1943. The novel made publishing history by becoming a best-seller within two years purely through word of mouth; it gained lasting recognition for Ayn Rand as a champion of individualism. Atlas Shrugged (1957) was her greatest achievement and last work of fiction. In this novel she dramatizes her unique philosophy of Objectivism in an intellectual mystery story that integrates ethics, metaphysics, epistemology, politics, economics, and sex. Although she considered herself primarily a fiction writer, she realized early that in order to create heroic characters, she had to identify the philosophic principles which make such people possible. She proceeded to develop a "philosophy for living on earth." Objectivism has now gained a worldwide audience and is an ever growing presence in American culture. Her novels continue to sell in enormous numbers every year, proving themselves enduring classics of literature. Ayn Rand died on March 6, 1982, at her home in New York City.

Recollections of Ayn Rand A Conversation with Leonard Peikoff, Ph.D.,Ayn Rand's longtime associate and intellectual heir

Dr. Peikoff, you met Miss Rand when you were seventeen and were associated with her until her death, thirty-one years later. What were your first impressions of her? What was she like? The strongest first impression I had of her was her passion for ideas. Ayn Rand was unlike anyone I had ever imagined. Her mind was utterly first-handed: she said what no one else had ever said or probably ever thought, but she said these things so logicallyso simply, factually, persuasivelythat they seemed to be self-evident. She radiated the kind of intensity that one could imagine changing the course of history. Her brilliantly perceptive eyes looked straight at you and missed nothing: neither did her methodical, painstaking, virtually scientific replies to my questions miss anything. She made me think for the first time that thinking is important. I said to myself after I left her home: "All of life will be different now. If she exists, everything is possible."

In her fiction, Ayn Rand presented larger-than-life heroesembodiments of her philosophy of rational egoismthat have inspired countless readers over the years. Was Ayn Rand's own life like that of her characters? Did she practice her own ideals? Yes, always. From the age of nine, when she decided on a career as a writer, everything she did was integrated toward her creative purpose. As with Howard Roark, dedication to thought and thus to her work was the root of Ayn Rand's person. In every aspect of life, she once told me, a man should have favorites. He should define what he likes or wants most and why, and then proceed to get it. She always did just thatfleeing the Soviet dictatorship for America, tripping her future husband on a movie set to get him to notice her, ransacking ancient record shops to unearth some lost treasure, even decorating her apartment with an abundance of her favorite color, blue-green.

Given her radical views in morality and politics, did she ever soften or compromise her message? Never. She took on the whole worldliberals, conservatives, communists, religionists, Babbitts and avant-garde alikebut opposition had no power to sway her from her convictions. I never saw her adapting her personality or viewpoint to please another individual. She was always the same and always herself, whether she was talking with me alone, or
attending a cocktail party of celebrities, or being cheered or booed by a hall full of college students, or being interviewed on national television.

Couldn't she have profited by toning things down a little? She could never be tempted to betray her convictions. A Texas oil man once offered her up to a million dollars to use in spreading her philosophy, if she would only add a religious element to it to make it more popular. She threw his proposal into the wastebasket. "What would I do with his money," she asked me indignantly, "if I have to give up my mind in order to get it?" Her integrity was the result of her method of thinking and her conviction that ideas really matter. She knew too clearly how she had reached her ideas, why they were true, and what their opposites were doing to mankind.

Who are some writers that Ayn Rand respected and enjoyed reading? She did not care for most contemporary writers. Her favorites were the nineteenth century Romantic novelists. Above all, she admired Victor Hugo, though she often disagreed with his explicit views. She liked Dostoevsky for his superb mastery of plot structure and characterization, although she had no patience for his religiosity. In popular literature, she read all of Agatha Christie twice, and also liked the early novels of Mickey Spillane.

In addition to writing best-sellers, Ayn Rand originated a distinctive philosophy of reason. If someone wants to get an insight into her intellectual and creative development, what would you suggest? A reader ought first to read her novels and main nonfiction in order to understand her views and values. Then, to trace her early literary development, a reader could pick up The Early Ayn Rand, a volume I edited after her death. It features a selection of short stories and plays that she wrote while mastering English and the art of fiction-writing. For a glimpse of her lifelong intellectual development, I would recommend the recent book Journals of Ayn Rand, edited by David Harriman.

Ayn Rand's life was punctuated by disappointments with people, frustration, and early poverty. Was she embittered? Did she achieve happiness in her own life? She did achieve happiness. Whatever her disappointments or frustrations, they went down, as she said about Roark, only to a certain point. Beneath it was her self-esteem, her values, and her conviction that happiness, not pain, is what matters. I remember a spring day in 1957. She and I were walking up Madison Avenue in New York toward the office of Random House, which was in the process of bringing out Atlas Shrugged. She was looking at the city she had always loved most, and now, after decades of rejection, she had seen the top publishers in that city competing for what she knew, triumphantly, was her masterpiece. She turned to me suddenly and said: "Don't ever give up what you want in life. The struggle is worth it." I never forgot that. I can still see the look of quiet radiance on her face.

Related Titles

Fiction in Paperback Anthem (New York: Signet, 1961). Atlas Shrugged (New York: Signet, 1959). The Fountainhead (New York: Signet, 25th anniv. ed., 1968). Night of January 16th (New York: Plume, 1987). We the Living (New York: Signet, 1960). Nonfiction in Paperback Capitalism: The Unknown Ideal (New York: Signet, 1967). The Early Ayn Rand: A Selection from Her Unpublished Fiction (New York: Signet, 1986). For the New Intellectual (New York: Signet, 1963). Philosophy: Who Needs It (New York: Signet, 1964). Return of the Primitive: The Anti-Industrial Revolution (New York: Meridian, 1999). The Romantic Manifesto (New York: Signet, 2nd rev. ed., 1971). The Virtue of Selfishness (New York: Signet, 1984). On Ayn Rand and Objectivism The Ayn Rand Reader, edited by Gary Hull and Leonard Peikoff (New York: Plume, 1999). Journals of Ayn Rand, edited by David Harriman (New York: Dutton, 1997). Objectivism: The Philosophy of Ayn Rand, by Leonard Peikoff (New York: Meridian, 1993).

DISCUSSION QUESTIONS

Atlas Shrugged

The Fountainhead

We the Living

Anthem

a) "It is a sin to write this. It is a sin to think words no others think."

b) "I wished to know the meaning of things. I am the meaning."

c) "I owe nothing to my brothers, nor do I gather debts from them."

Objectivism

Read More

Alan Greenspan

Born February 2, 1905, Ayn Rand published her first novel, We the Living, in 1936. Anthem followed in 1938. It was with the publication of The Fountainhead (1943) and Atlas Shrugged (1957) that she achieved her spectacular success. Ms. Rand's unique philosophy, Objectivism, has gained a worldwide audience. The fundamentals of her philosophy are put forth in three nonfiction books, Introduction to Objectivist Epistemology, The Virtue of Selfishness, and Capitalism: The Unknown Ideal. They are all available in Signet editions, as is the magnificent statement of her artistic credo, The Romantic Manifesto.

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Atlas Shrugged: (Centennial Edition) by Ayn Rand ...

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The saga continues with Dagny Taggart and Henry Rearden struggling to hold off a total economic collapse while an oppressive government tightens their control and leading industrialists mysteriously disappear. All of the major roles have been recast, which is rather off putting and doesn't result in any noticeable improvements in the characters. However, the directing is a little better and delivers a clearer vision than the first film had. Additionally, the special effects are fairly well-done for an independent film, and are used quite effectively to add energy and excitement to the scenes. While Atlas Shrugged II: The Strike doesn't live up to the quality of the source material, it still delivers a solid dramatic thriller.", "ratingSource" : null, "userName" : "Dann Michalski", "userId" : null }, { "id" : "10813", "type" : "audienceReview", "score" : 5.0, "ratingDate" : "2013-06-29T09:30:16-07:00", "userImage" : null, "superReviewer" : true, "movieId" : 771311191, "comment" : "Ayn Rand's industrialists fight against the Fair Share Act, which further strangles the economy. nFirst, the most unfortunate thing about this film was the endorsement that the real Sean Hannity gave to the fictional Hank Rearden. Additionally, protesters directly referenced the Occupy Wall Street rhetoric. The one-to-one relationship between the modern day right wing and Rand's objectivists is bullshit, and it's a shame that this film's creators got sucked into Rand's abduction by the right wing. After all the contemporary right wing is in the pocket of conservative Christians, yet Rand was an ardent atheist; the modern day right wing gives welfare to corporate fat cats whom Rand would consider looters. What does this have to do with the film? The iconography of the protesters and Hannity place the film in our historical moment, not Rand's, which takes us out of the film's world. nSecond, I was impressed with Samantha Mathis's performance. Her Dagny was given more to human emotion, which played peek-a-boo amid Dagny's characteristic stoicism. But her acting was the best of the cast. I particularly disliked Jason Beghe's gravel-voiced Rearden. nFinally, the film is poorly paced. The speeches by Readen and Francisco belong in the film, but director John Putch should have taken a walking and talking page from Aaron Sorkin's book to give the film some energy, and the montages of poverty do little to add to the plot. nOverall, this is a controversial film not because Rand is a controversial figure (even though she is) but primarily because the film doesn't really get her.", "ratingSource" : null, "userName" : "Jim Hunter", "userId" : null }, { "id" : "10814", "type" : "audienceReview", "score" : 4.0, "ratingDate" : "2013-06-25T18:51:02-07:00", "userImage" : { "thumbnailUrl" : "graph.facebook.com/v2.2/100001504732128/picture" }, "superReviewer" : true, "movieId" : 771311191, "comment" : "What the heck happened here? They changed the actors for almost EVERY role from the part 1 of this saga. Whose bright idea was that?? This could have been an interesting continuing story, but I found the new actors way too distracting....were they all busy? sheesh...", "ratingSource" : null, "userName" : "Cynthia S.", "userId" : null }, { "id" : "10815", "type" : "audienceReview", "score" : 3.0, "ratingDate" : "2013-02-21T05:58:59-08:00", "userImage" : null, "superReviewer" : true, "movieId" : 771311191, "comment" : "You'd think after the horrible and horribly boring Atlas Shrugged: Part One that a promised Part Two might just disappear into the ether. If only we could have been so fortunate. Ayn Rand's cautionary opus about the evils of big government is given another creaky adaptation that fails to justify its existence. I feel like I could repeat verbati
m my faults with the first film. Once again we don't have characters but mouthpieces for ideology, an ideology that celebrates untamed greed. Once again the "best and brightest" (a.k.a. world's richest) are disappearing and the world is grinding to a halt without their necessary genius. Does anyone really think if the world's billionaires left in a huff that the world would cease to function? The assumption that financial wealth equates brilliance seems fatally flawed. Once again it's in a modern setting where America has gone back in time to value railroads. Once again the main thrust of the inert drama is over inconsequential railway economics. Once again people just talk in circles in cheap locations. Once again the government agencies are a bunch of clucking stooges, eager to punish successful business. Once again Rand's Objectivist worldview is treated as gospel and value is only ascribed to the amount of money one can produce. This time we have a slightly better budget, a better director, and some recognizable actors like Samantha Manthis, Esai Morales, Ray Wise, Richard T. Jones, and D.B. Sweeney as the mysterious John Gault. The story transitions to a ridiculous government mandate that include such incomprehensible edicts like making sure no one spends more money than another person. Can you imagine the paperwork involved? This woeful sequel will only appeal to Rand's most faithful admirers, and you probably don't want to hang out with those people anyway. There's your clue: if you see someone carrying a copy of Atlas Shrugged: Part Two they either lack taste or are far too generous with movies. If there is indeed a concluding Part Three, it will be further proof that Rand's market-based screeds are not accurate. 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", "movieId" : 771311191, "scoreOri" : "1/4", "creationDate" : "2012-10-12T06:56:59-07:00", "url" : "http://rogersmovienation.com/2012/12/30/movie-review-atlas-shrugged-ii/", "publication" : { "id" : "2448", "type" : "publication", "name" : "Tribune News Service" }, "critic" : { "id" : "1238", "type" : "critic", "mainImage" : { "id" : "c-1654", "thumborId" : "v1.YzsxNjU0O2c7MTcwMTA7MTIwMDszODs0NQ", "height" : 45, "width" : 38, "format" : "GIF" }, "name" : "Roger Moore", "vanity" : "roger-moore" } } ], "audienceReviews" : [ { "id" : "10816", "type" : "audienceReview", "score" : 6.0, "ratingDate" : "2014-09-22T05:17:35-07:00", "userImage" : { "thumbnailUrl" : "graph.facebook.com/v2.2/100000440772572/picture" }, "superReviewer" : true, "movieId" : 771311191, "comment" : "Atlas Shrugged II: The Strike is a compelling and provocative film that brings Ayn Rand's classic novel to life. The saga continues with Dagny Taggart and Henry Rearden struggling to hold off a total economic collapse while an oppressive government tightens their control and leading industrialists mysteriously disappear. All of the major roles have been recast, which is rather off putting and doesn't result in any noticeable improvements in the characters. However, the directing is a little better and delivers a clearer vision than the first film had. Additionally, the special effects are fairly well-done for an independent film, and are used quite effectively to add energy and excitement to the scenes. While Atlas Shrugged II: The Strike doesn't live up to the quality of the source material, it still delivers a solid dramatic thriller.", "ratingSource" : null, "userName" : "Dann Michalski", "userId" : null }, { "id" : "10813", "type" : "audienceReview", "score" : 5.0, "ratingDate" : "2013-06-29T09:30:16-07:00", "userImage" : null, "superReviewer" : true, "movieId" : 771311191, "comment" : "Ayn Rand's industrialists fight against the Fair Share Act, which further strangles the economy. nFirst, the most unfortunate thing about this film was the endorsement that the real Sean Hannity gave to the fictional Hank Rearden. Additionally, protesters directly referenced the Occupy Wall Street rhetoric. The one-to-one relationship between the modern day right wing and Rand's objectivists is bullshit, and it's a shame that this film's creators got sucked into Rand's abduction by the right wing. After all the contemporary right wing is in the pocket of conservative Christians, yet Rand was an ardent atheist; the modern day right wing gives welfare to corporate fat cats whom Rand would consider looters. What does this have to do with the film? The iconography of the protesters and Hannity place the film in our historical moment, not Rand's, which takes us out of the film's world. nSecond, I was impressed with Samantha Mathis's performance. Her Dagny was given more to human emotion, which played peek-a-boo amid Dagny's characteristic stoicism. But her acting was the best of the cast. I particularly disliked Jason Beghe's gravel-voiced Rearden. nFinally, the film is poorly paced. The speeches by Readen and Francisco belong in the film, but director John Putch should have taken a walking and talking page from Aaron Sorkin's book to give the film some energy, and the montages of poverty do little to add to the plot. nOverall, this is a controversial film not because Rand is a controversial figure (even though she is) but primarily because the film doesn't really get her.", "ratingSource" : null, "userName" : "Jim Hunter", "userId" : null }, { "id" : "10814", "type" : "audienceReview", "score" : 4.0, "ratingDate" : "2013-06-25T18:51:02-07:00", "userImage" : { "thumbnailUrl" : "graph.facebook.com/v2.2/100001504732128/picture" }, "superReviewer" : true, "movieId" : 771311191, "comment" : "What the heck happened here? They changed the actors for almost EVERY role from the part 1 of this saga. Whose bright idea was that?? 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Once again the "best and brightest" (a.k.a. world's richest) are disappearing and the world is grinding to a halt without their necessary genius. Does anyone really think if the world's billionaires left in a huff that the world would cease to function? The assumption that financial wealth equates brilliance seems fatally flawed. Once again it's in a modern setting where America has gone back in time to value railroads. Once again the main thrust of the inert drama is over inconsequential railway economics. Once again people just talk in circles in cheap locations. Once again the government agencies are a bunch of clucking stooges, eager to punish successful business. Once again Rand's Objectivist worldview is treated as gospel and value is only ascribed to the amount of money one can produce. This time we have a slightly better budget, a better director, and some recognizable actors like Samantha Manthis, Esai Morales, Ray Wise, Richard T. Jones, and D.B. Sweeney as the mysterious John Gault. The story transitions to a ridiculous government mandate that include such incomprehensible edicts like making sure no one spends more money than another person. Can you imagine the paperwork involved? This woeful sequel will only appeal to Rand's most faithful admirers, and you probably don't want to hang out with those people anyway. There's your clue: if you see someone carrying a copy of Atlas Shrugged: Part Two they either lack taste or are far too generous with movies. If there is indeed a concluding Part Three, it will be further proof that Rand's market-based screeds are not accurate. The market has already rejected two of these dreadful movies.rnrnNate's Grade: D", "ratingSource" : null, "userName" : "Nate Zoebl", "userId" : null } ], "heroImage" : { "id" : "n-31649", "thumborId" : "v1.bjszMTY0OTtqOzE3MDEwOzEyMDA7MTIwMDs2MDE", "height" : 60
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It represents the percentage of professional critic reviews that are positive for a given film or television show." }, "contentRating" : "PG13", "dateModified" : "2016-06-21T07:58:40-07:00", "dateCreated" : "2012-06-28T06:30:13-07:00", "datePublished" : 2012, "genre" : [ "Drama" ], "sameAs" : "http://www.atlasshruggedmovie.com/", "review" : [ { "@type" : "Review", "reviewBody" : "Seriously, if this is the best promotion of itself that the free market can manage, it really would benefit from the help of a Ministry of Culture or something.", "url" : "http://www.villagevoice.com/2012-10-10/film/atlas-shrugged-part-two-why-can-t-the-free-market-make-this-movie-any-better/", "dateCreated" : "2012-10-15T02:06:24-07:00", "author" : { "@type" : "Person", "url" : "www.rottentomatoes.com/critic/alan-scherstuhl", "name" : "Alan Scherstuhl" }, "publisher" : { "@type" : "Organization", "name" : "Village Voice" }, "reviewRating" : { "@type" : "Rating", "bestRating" : "F", "worstRating" : "R", "ratingValue" : "rotten" } }, { "@type" : "Review", "reviewBody" : "Director John Putch struggles to find balance or generate a single spark from the clunky mix of romance, political diatribe and thriller.", "url" : "http://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-atlas-shrugged-20121015,0,3134211.story", "dateCreated" : "2012-10-15T00:31:31-07:00", "author" : { "@type" : "Person", "url" : "www.rottentomatoes.com/critic/sheri-linden", "name" : "Sheri Linden" }, "publisher" : { "@type" : "Organization", "name" : "Los Angeles Times" }, "reviewRating" : { "@type" : "Rating", "bestRating" : "F", "worstRating" : "R", "ratingValue" : "rotten" } }, { "@type" : "Review", "reviewBody" : "The producers are going to have to hire a better director if they want moviegoers to be curious enough about this Galt guy to buy a ticket for the presumptive third and final chapter.", "url" : "http://movies.nytimes.com/2012/10/15/movies/atlas-shrugged-part-ii-with-samantha-mathis.html?partner=rss&emc=rss&_r=0", "dateCreated" : "2012-10-15T00:28:05-07:00", "author" : { "@type" : "Person", "url" : "www.rottentomatoes.com/critic/manohla-dargis", "name" : "Manohla Dargis" }, "publisher" : { "@type" : "Organization", "name" : "New York Times" }, "reviewRating" : { "@type" : "Rating", "bestRating" : "F", "worstRating" : "R", "ratingValue" : "rotten" } }, { "@type" : "Review", "rev
iewBody" : "It's consistent with its predecessor as a somewhat awkward translation of Ayn Rand's 1957 novel to our current era, handled with bland telepic-style competency.", "url" : "http://www.variety.com/review/VE1117948555?refcatid=31", "dateCreated" : "2012-10-13T15:43:49-07:00", "author" : { "@type" : "Person", "url" : "www.rottentomatoes.com/critic/dennis-harvey", "name" : "Dennis Harvey" }, "publisher" : { "@type" : "Organization", "name" : "Variety" }, "reviewRating" : { "@type" : "Rating", "bestRating" : "F", "worstRating" : "R", "ratingValue" : "rotten" } }, { "@type" : "Review", "reviewBody" : "A disaster as a film, Atlas also is laughable in its presentation of Rand's ideology.", "url" : "http://www.philly.com/philly/entertainment/movies/20121013_Atlas_Shrugged__Part_II__a_quick_taste_of_Rand_s_philosophy.html", "dateCreated" : "2012-10-13T10:27:38-07:00", "author" : { "@type" : "Person", "url" : "www.rottentomatoes.com/critic/tirdad-derakhshani", "name" : "Tirdad Derakhshani" }, "publisher" : { "@type" : "Organization", "name" : "Philadelphia Inquirer" }, "reviewRating" : { "@type" : "Rating", "bestRating" : "F", "worstRating" : "R", "ratingValue" : "rotten" } }, { "@type" : "Review", "reviewBody" : "If the novel Atlas Shrugged is ultimate libertarian porn, then the first two installments of the screen adaptation are soggy softcore.", "url" : "http://www.hollywoodreporter.com/review/atlas-shrugged-part-ii-strike-378755", "dateCreated" : "2012-10-13T10:24:13-07:00", "author" : { "@type" : "Person", "url" : "www.rottentomatoes.com/critic/todd-mccarthy", "name" : "Todd McCarthy" }, "publisher" : { "@type" : "Organization", "name" : "Hollywood Reporter" }, "reviewRating" : { "@type" : "Rating", "bestRating" : "F", "worstRating" : "R", "ratingValue" : "rotten" } }, { "@type" : "Review", "reviewBody" : "The people behind the Atlas Shrugged series of films have things they want to tell you, and just to make sure that you know what they are, the movies tell you, and tell you, and then tell you again.", "url" : "http://www.thewrap.com/movies/column-post/atlas-shrugged-part-ii-review-tea-party-twilight-improves-bit-still-strident-sequel-6053", "dateCreated" : "2012-10-12T08:55:17-07:00", "author" : { "@type" : "Person", "url" : "www.rottentomatoes.com/critic/alonso-duralde", "name" : "Alonso Duralde" }, "publisher" : { "@type" : "Organization", "name" : "TheWrap" }, "reviewRating" : { "@type" : "Rating", "bestRating" : "F", "worstRating" : "R", "ratingValue" : "rotten" } }, { "@type" : "Review", "reviewBody" : "Proving the theorem from Todd Solondz's Palindromes that different actors can play the same role without losing much continuity, Samantha Mathis plays Dagny with all the lifelessness Taylor Schilling brought to the original role.", "url" : "http://www.avclub.com/articles/atlas-shrugged-part-iithe-strike,86633/", "dateCreated" : "2012-10-12T08:54:00-07:00", "author" : { "@type" : "Person", "url" : "www.rottentomatoes.com/critic/scott-tobias", "name" : "Scott Tobias" }, "publisher" : { "@type" : "Organization", "name" : "AV Club" }, "reviewRating" : { "@type" : "Rating", "bestRating" : "F", "worstRating" : "R", "ratingValue" : "rotten" } }, { "@type" : "Review", "reviewBody" : "I didn't hate this movie. 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Atlas Shrugged: Part II (2012) - Rotten Tomatoes

Published in 1957, Atlas Shrugged was Ayn Rand's last and most ambitious novel. Rand set out to explain her personal philosophy in this book, which follows a group of pioneering industrialists who go on strike against a corrupt government and a judgmental society. After completing this novel Rand turned to nonfiction and published works on her philosophy for the rest of her career. Rand actually only published four novels in her entire career, and the novel that came out before Atlas Shrugged, The Fountainhead, was published in 1943. So there was a pretty long publishing gap there.

It might seem a bit odd to use a work of fiction to make a philosophical statement, but this actually reflects Rand's view of art. Art, for her, was a way to present ideals and ideas. In other words, Rand herself admitted that her characters may not always be "believable." They are "ideal" people who represent a range of philosophies. Rand used these characters to show how her philosophy could be lived, rather than just publishing an essay about it.

Rand's personal philosophy, known as Objectivism (to read more about it, check out our Themes section) was, and remains, really controversial. Objectivism criticizes a lot of philosophies and views, ranging from Christianity to communism, and as a result it can be very polarizing. Rand herself was a devout atheist, held very open views about sex (which definitely raised some eyebrows in 1950s America), and was a staunch anti-communist.

Rand's anti-communism stems from her personal history. She was born in Russia in 1905 and lived through the Bolshevik Revolution, which is when communists overthrew Russia's monarchy and took over, establishing the Soviet Union. The Revolution was a bloody affair, and the new communist government was very oppressive; as a result Rand developed a lifelong hatred of communism and violence of any sort.

Rand fled the Soviet Union in 1926 and came to America, where she quickly became a fan of American freedom, American democracy, and American capitalism, all of which greatly contrasted to the experiences she'd had in the oppressive Soviet Union. Rand's personal philosophy developed around these American ideas, in opposition to the type of life she saw in the Soviet Union.

Given that Atlas Shrugged is a statement of Rand's personal philosophy, the book expresses many of her views on religion, sex, politics, etc. When it was published, it received a lot of negative reviews. Many conservatives hated the book for its atheist views and its upfront treatment of sex. Many liberals hated the book for its celebration of capitalism. The book also confused a lot of people. But the novel sold, and it has remained popular since; it's actually never been out of print since it was first published over fifty years ago. Atlas Shrugged was kind of like one of those blockbuster movies that gets horrible reviews but still does really well at the box office. Something about this book intrigues people, whether it's the characters, the ideas, or just the mystery plot itself.

In fact, Atlas Shrugged has even seen a renewed surge in popularity lately, coinciding with the recent financial crisis. (If you want to see some of the news coverage of this, check out our "Best of the Web" section.) The book does deal with industrialists and hard financial times, so this popularity boom is not too surprising. In recent years the news media has often classed the novel as ber-conservative, which is funny, since a lot of conservatives hated the book when it first came out. At any rate it's still a very controversial book just check out the hundreds of varied reviews it has racked up on Amazon.

In an old episode of South Park, a character who reads Atlas Shrugged declares that the book ruined reading for him and that he would never read another book again. (If you want to watch this hilarious clip, head on over to the "Best of the Web" section.) There's a reason this book is so often made the butt of jokes. It's long. Crazy long. We're talking Tolstoy levels of longness. It's also a book that's about politics, philosophy, 30-something business people, and more philosophy. Frankly, this book can seem downright off-putting. Even the title is confusing.

So why should you care? Well, for one thing, putting aside all the Deep Thoughts and Profound Ideas in this book, we have a bunch of characters who are challenging the establishment. Seriously. At its core, this book is about individuals who go against the crowd, individuals bold enough to speak their minds, do their own thing, and seek their own happiness. And in trying to do so, these bold individuals face a heck of a lot of peer pressure. In fact, pretty much everyone in the whole world disapproves of these people, who are trying to make better lives for themselves by embracing things like liberty and self-esteem.

It's like high school times a billion. The world is filled with the snobby popular crowd and our intrepid band of misfit heroes is outnumbered, but never outsmarted. Turns out all that philosophy we mentioned earlier has a lot to do with all of this individualism and going against the crowd, too. Whether it's a high school cafeteria or a high-powered business meeting, some things seem to stay pretty universal. This book shows that there are always people who want to march to the beat of their own drum and who are bold enough to risk mass disapproval in order to do it. Kind of cool and inspiring really, regardless of your opinion of their particular philosophy.

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Atlas Shrugged

Ron Paul on Atlas Shrugged

Atlas Shrugged: Now, Non-Fiction

NEW! 20th Century Motor Corp T-Shirt

Atlas Shrugged: Now, non-fiction

20th Century Motor Corporation Hat

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A look at what's hot in the Gulch as well as the introduction of a new Producers only goodie.

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The Atlas Society introduces their new CEO.

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Survey: Tell us what you want to see happen at the Atlas Summit.

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Wishing Ayn Rand a happy birthday.

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Don't miss Midas Mulligan's Valentine's Day sale.

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Join us at the 2016 Atlas Summit at FreedomFest in Las Vegas!

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The 2015 Year End Gulch Review.

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The 5th Annual Midas Mulligan's Black Friday Gulch Sale.

11.19.15

The word is out about the Atlas Shrugged miniseries.

11.12.15

Atlas Shrugged Movie Merchandise partners with Proud Producers.

10.30.15

Godfather Producer Al Ruddy in the Gulch TODAY.

10.23.15

Godfather Producer Al Ruddy Is Coming to the Gulch for an AMA.

10.15.15

Dr. Ed Hudgins comments on the first Democrat primary debate.

09.24.15

Atlas Society commentary on the Rand Paul AMA.

09.16.15

Rand Paul Coming to the Gulch Tuesday.

09.03.15

This weekend, save 25% off all Atlas Shrugged DVD and Blu-ray Box Sets

08.27.15

Radio Interrupted coming to the Gulch on September 2nd.

08.20.15

Interrupted: Something is coming to the Gulch on September 2nd.

08.06.15

NEW Galt's Gulch Live - Tonight: The First GOP Debates.

07.30.15

Senator Rand Paul is coming to the Gulch.

07.23.15

Join the Atlas Distribution movie review team.

07.16.15

New Galt's Gulch Online feature - "Ask The Gulch."

07.07.15

"Ideal" by Ayn Rand hit bookshelves today.

Excerpt from:

Atlas Shrugged Movie (Official Site)

Atlas Shrugged: Part I is a 2011 American film adaptation of part of Ayn Rand's 1957 novel Atlas Shrugged, intended as the first film of a trilogy encompassing the entire book. After various treatments and proposals floundered for nearly 40 years,[4] investor John Aglialoro initiated production in June 2010. The film was directed by Paul Johansson and stars Taylor Schilling as Dagny Taggart and Grant Bowler as Hank Rearden.

The film begins the story of Atlas Shrugged, set in a dystopian United States where John Galt leads innovators, from industrialists to artists, in a capital strike, "stopping the motor of the world" to reassert the importance of the free use of one's mind and of laissez-faire capitalism.[5]

A sequel film, Atlas Shrugged: Part II was released on October 12, 2012. The third part in the series, Atlas Shrugged Part III: Who Is John Galt? was released on September 12, 2014.[6]

It is 2016 and the United States is in a sustained economic depression. Industrial disasters, resource shortages, and gasoline at $37/gallon have made railroads the primary mode of transportation, but even they are in disrepair. After a major accident on the Rio Norte line of the Taggart Transcontinental railroad, CEO James Taggart shirks responsibility. His sister Dagny Taggart, Vice-President in Charge of Operation, defies him by replacing the aging track with new rails made of Rearden Metal, which is claimed to be lighter yet stronger than steel. Dagny meets with its inventor, Hank Rearden, and they negotiate a deal they both admit serves their respective self-interests.

Politician Wesley Mouchnominally Rearden's lobbyist in Washington, D.C.is part of a crowd that views heads of industry as persons who must be broken or tamed. James Taggart uses political influence to ensure that Taggart Transcontinental is designated the exclusive railroad for the state of Colorado. Dagny is confronted by Ellis Wyatt, a Colorado oil man angry to be forced to do business with Taggart Transcontinental. Dagny promises him that he will get the service he needs. Dagny encounters former lover Francisco d'Anconia, who presents a faade of a playboy grown bored with the pursuit of money. He reveals that a series of copper mines he built are worthless, costing his investors (including the Taggart railroad) millions.

Rearden lives in a magnificent home with a wife and a brother who are happy to live off his effort, though they overtly disrespect it. Rearden's anniversary gift to his wife Lillian is a bracelet made from the first batch of Rearden Metal, but she considers it a garish symbol of Hank's egotism. At a dinner party, Dagny dares Lillian to exchange it for Dagny's diamond necklace, which she does.

As Dagny and Rearden rebuild the Rio Norte line, talented people quit their jobs and refuse all inducements to stay. Meanwhile, Dr. Robert Stadler of the State Science Institute puts out a report implying that Rearden Metal is dangerous. Taggart Transcontinental stock plummets because of its use of Rearden Metal, and Dagny leaves Taggart Transcontinental temporarily and forms her own company to finish the Rio Norte line. She renames it the John Galt Line, in defiance of the phrase "Who is John Galt?"which has come to stand for any question to which it is pointless to seek an answer.

A new law forces Rearden to sell most of his businesses, but he retains Rearden Steel for the sake of his metal and to finish the John Galt Line. Despite strong government and union opposition to Rearden Metal, Dagny and Rearden complete the line ahead of schedule and successfully test it on a record-setting run to Wyatt's oil fields in Colorado. At the home of Wyatt, now a close friend, Dagny and Rearden celebrate the success of the line. As Dagny and Rearden continue their celebration into the night by fulfilling their growing sexual attraction, the shadowy figure responsible for the disappearances of prominent people visits Wyatt with an offer for a better society based on personal achievement.

The next morning, Dagny and Rearden begin investigating an abandoned prototype of an advanced motor that could revolutionize the world. They realize the genius of the motor's creator and try to track him down. Dagny finds Dr. Hugh Akston, working as a cook at a diner, but he is not willing to reveal the identity of the inventor; Akston knows whom Dagny is seeking and says she will never find him, though he may find her.

Another new law limits rail freight and levies a special tax on Colorado. It is the final straw for Ellis Wyatt. When Dagny hears that Wyatt's oil fields are on fire, she rushes to his home but finds a handwritten sign that reads, "I am leaving it as I found it. Take over. It's yours."

Wyatt declares in an answering machine message that he is "on strike".

In 1972, Albert S. Ruddy approached Rand to produce a cinematic adaptation of Atlas Shrugged. Rand agreed that Ruddy could focus on the love story. "That's all it ever was," Rand said.[9][10][11] Rand insisted on having final script approval, which Ruddy refused to give her, thus preventing a deal. In 1978, Henry and Michael Jaffe negotiated a deal for an eight-hour Atlas Shrugged television miniseries on NBC. Jaffe hired screenwriter Stirling Silliphant to adapt the novel and he obtained approval from Rand on the final script. However, in 1979, with Fred Silverman's rise as president of NBC, the project was scrapped.[12]

Rand, a former Hollywood screenwriter herself, began writing her own screenplay, but died in 1982 with only one third of it finished. She left her estate, including the film rights to Atlas Shrugged, to her student Leonard Peikoff, who sold an option to Michael Jaffe and Ed Snider. Peikoff would not approve the script they wrote and the deal fell through. In 1992, investor John Aglialoro bought an option to produce the film, paying Peikoff over $1 million for full creative control.[12]

In 1999, under John Aglialoro's sponsorship, Albert Ruddy negotiated a deal with Turner Network Television for a four-hour miniseries, but the project was killed after the AOL Time Warner merger. After the TNT deal fell through, Howard and Karen Baldwin, while running Phillip Anschutz's Crusader Entertainment, obtained the rights. The Baldwins left Crusader, taking the rights to Atlas Shrugged with them, and formed Baldwin Entertainment Group in 2004. Michael Burns of Lions Gate Entertainment approached the Baldwins to fund and distribute Atlas Shrugged.[12] A two-part draft screenplay written by James V. Hart[13] was re-written into a 127page screenplay by Randall Wallace, with Vadim Perelman expected to direct.[14] Potential cast members for this production had included Angelina Jolie,[15]Charlize Theron,[16]Julia Roberts,[16] and Anne Hathaway.[16] Between 2009 and 2010, however, these deals came apart, including studio backing from Lions Gate, and therefore none of the stars mentioned above appear in the final film. Also, Wallace did not do the screenplay, and Perelman did not direct.[1][17] Aglialoro says producers have spent "something in the $20 million range" on the project over the last 18 years.[2]

In May 2010, Brian Patrick O'Toole and Aglialoro wrote a screenplay, intent on filming in June 2010. While initial rumors claimed that the films would have a "timeless" settingthe producers say Rand envisioned the story as occurring "the day after tomorrow"[18]the released film is set in late 2016. The writers were mindful of the desire of some fans for fidelity to the novel,[18] but gave some characters, such as Eddie Willers, short shrift and omitted others, such as the composer Richard Halley. The film is styled as a mystery, with black-and-white freeze frames as each innovator goes "missing". However, Galt appears and speaks in the film, solving the mystery more clearly than in the first third of the novel.

Though director Johansson had been reported as playing the pivotal role of John Galt, he made it clear in an interview that with regard to who is John Galt in the film, the answer was, "Not me."[7] He explained that his portrayal of the character would be limited to the first film as a silhouetted figure wearing a trenchcoat and fedora,[8] suggesting that another actor will be cast as Galt for the subsequent parts of the trilogy.

Though Stephen Polk was initially set to direct,[19] he was replaced by Paul Johansson nine days before filming was scheduled to begin. With the 18-year-long option to the films rights set to expire on June 15, 2010, producers Harmon Kaslow and Aglialoro began principal photography on June 13, 2010, thus allowing Aglialoro to retain the motion picture rights. Shooting took five weeks, and he says that the total production cost of the movie came in on a budget around US$10 million,[20] though Box Office Mojo lists the production cost as $20 million.[3]

Elia Cmiral composed the score for the film.[21] Peter Debruge wrote in Variety that "More ambitious sound design and score, rather than the low-key filler from composer Elia Cmiral and music supervisor Steve Weisberg, might have significantly boosted the pic's limited scale."[22]

In a lot of ways, this project reflects the ethos of the Tea Party. You had both Republicans and Democrats who felt rejected by the establishment, and the same process is going to happen with Atlas Shrugged: We're going to build a constituency of people who believe in limited government and individual liberty.

The film had a very low marketing budget and was not marketed in conventional methods.[24] Prior to the film's release on the politically symbolic date of Tax Day, the project was promoted throughout the Tea Party movement and affiliated organizations such as FreedomWorks.[23] The National Journal reported that FreedomWorks, the Tea Party-allied group headed by former House Majority Leader Dick Armey, (R-Texas), had been trying to get the movie opened in more theaters.[23] FreedomWorks also helped unveil the Atlas Shrugged movie trailer at the February 2011 Conservative Political Action Conference.[23] Additionally, it was reported that Tea Party groups across the country were plugging the movie trailer on their websites and Facebook pages.[23] Release of the movie was also covered and promoted by Fox News TV personalities John Stossel and Sean Hannity.[25][26]

The U.S. release of Atlas Shrugged: Part I opened on 300 screens on April 15, 2011, and made US$1,676,917 in its opening weekend, finishing in 14th place overall.[27] Producers announced expansion to 423 theaters several days after release and promised 1,000 theaters by the end of April,[28] but the release peaked at 465 screens. Ticket sales dropped off significantly in its second week of release, despite the addition of 165 screens; after six weeks, the film was showing on only 32 screens and total ticket sales had not crossed the $5 million mark, recouping less than a quarter of the production budget.[29]

Atlas Shrugged: Part I was released on DVD and Blu-ray Disc on November 8, 2011 by 20th Century Fox Home Entertainment.[30] More than 100,000 DVD inserts were recalled within days due to the jacket's philosophically incorrect description of "Ayn Rand's timeless novel of courage and self-sacrifice".[31] As of April, 2013, 247,044 DVDs had been sold, grossing $3,433,445.[32]

The film received overwhelmingly negative reviews. Rotten Tomatoes gives the film a score of 11% based on 47 reviews, with an average score of 3.6 out of 10. The site's consensus was: "Passionate ideologues may find it compelling, but most filmgoers will find this low-budget adaptation of the Ayn Rand bestseller decidedly lacking."[33]Metacritic gives the film a "generally unfavorable" rating of 28%, as determined by averaging 19 professional reviews.[34] Some commentators noted differences in film critics' reactions from audience members' reactions; from the latter group, the film received high scores even before the film was released.[35][36][37]

Let's say you know the novel, you agree with Ayn Rand, you're an objectivist or a libertarian, and you've been waiting eagerly for this movie. Man, are you going to get a letdown. It's not enough that a movie agree with you, in however an incoherent and murky fashion. It would help if it were like, you know, entertaining?

Roger Ebert of the Chicago Sun-Times gave the film only one star, calling it "the most anticlimactic non-event since Geraldo Rivera broke into Al Capone's vault."[1] Columnist Cathy Young of The Boston Globe gave the film a negative review.[38]Chicago Tribune published a predominantly negative review, arguing that the film lacks Rand's philosophical theme, while at the same time saying "the actors, none of them big names, are well-suited to the roles. The story has drive, color and mystery. It looks good on the screen."[39] In the New York Post, Kyle Smith gave the film a mostly negative review, grading it at 2.5/4 stars, criticizing its "stilted dialogue and stern, unironic hectoring" and calling it "stiff in the joints", but also adding that it "nevertheless contains a fire and a fury that makes it more compelling than the average mass-produced studio item."[40]

Reviews in the conservative press were more mixed. American economist Mark Skousen praised the film, writing in Human Events, "The script is true to the philosophy of Ayn Rand's novel."[41]The Weekly Standard senior editor Fred Barnes noted that the film "gets Rand's point across forcefully without too much pounding", that it is "fast-paced" when compared with the original novel's 1200-page length, and that it is "at least as relevant today as it was when the novel was published in 1957."[42]Jack Hunter, contributing editor to The American Conservative, wrote, "If you ask the average film critic about the new movie adaptation of Ayn Rand's Atlas Shrugged they will tell you it is a horrible movie. If you ask the average conservative or libertarian they will tell you it is a great movie. Objectively, it is a mediocre movie at best. Subjectively, it is one of the best mediocre movies you'll ever see."[43] In the National Post, Peter Foster credited the movie for the daunting job of fidelity to the novel, wryly suggested a plot rewrite along the lines of comparable current events, and concluded, "if it sinks without trace, its backers should at least be proud that they lost their own money."[44]

The poor critical reception of Atlas Shrugged: Part I initially made Aglialoro reconsider his plans for the rest of the trilogy.[45] In an interview with The Hollywood Reporter, he said he was continuing with plans to produce Part II and Part III for release on April 15 in 2012 and 2013, respectively.[46] In a later interview with The Boston Globe, Aglialoro was ambivalent: "I learned something long ago playing poker. If you think you're beat[en], don't go all in. If Part 1 makes [enough of] a return to support Part 2, I'll do it. Other than that, I'll throw the hand in."[47]

In July 2011, Aglialoro planned to start production of Atlas Shrugged: Part II in September, with its release timed to coincide with the 2012 U.S. elections.[48] In October 2011, producer Harmon Kaslow stated that he hoped filming for Part II would begin in early 2012, "with hopes of previewing it around the time of the nominating conventions". Kaslow anticipated that the film, which would encompass the second third of Atlas Shrugged, would "probably be 30 to 40 minutes longer than the first movie." Kaslow also stated his intent that Part II would have a bigger production budget, as well as a larger advertising budget.[49]

On February 2, 2012, Kaslow and Aglialoro, the producers of Atlas Shrugged: Part II, announced a start date for principal photography in April 2012 with a release date of October 12, 2012.[50] Joining the production team was Duncan Scott, who, in 1986, was responsible for creating a new, re-edited version with English subtitles of the 1942 Italian film adaptation of We the Living. The first film's entire cast was replaced for the sequel.

The sequel film, Atlas Shrugged: Part II, was released on October 12, 2012.[51] Critics gave the film a 5% rating on Rotten Tomatoes based on 22 reviews.[52] One reviewer gave the film a "D" rating,[53] while another reviewer gave the film a "1" rating (of 4).[54] In naming Part II to its list of 2012's worst films, The A.V. Club said "The irony of Part II's mere existence is rich enough: The free market is a religion for Rand acolytes, and it emphatically rejected Part I."[55]

See the original post:

Atlas Shrugged: Part I - Wikipedia, the free encyclopedia