Frank Zappas favourite books about the occult – Far Out Magazine

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In 1971, Frank Zappa was asked by journalist Howard Smith what he made of audiences becoming increasingly political, to which Zappa replied in trademark fashion: Its superficial, its as superficial as their music consciousness. Its just another aspect of being involved in the actions of their peer group.

When pressed for more details and whether he hadnt noticed any changes coming from the political movements that began to entwine with his music, he replied, Sure, Ive noticed a lot of changes, but I think theyre temporary changes. Any change for the good is always subject to cancellation, upon the arrival of the next fad.

That dialogue, in a nutshell, encapsulates large swathes of whatZappas personawas all about. He never seemed to be in the music business, merely playing with its participants whilst masquerading as a rock star. He was shrewd, erudite and often inscrutably ironic.

In that same interview where he dismisses political movements as a fad hes asked whether a woman could ever be part of his band, I dont think theres a girl around, he says, That could fit in with what we do, unbeknownst to the interviewer the multi-instrumentalist Ruth Underwood was pretty much a fully-fledged member at that stage.

This playful zest and fierce intelligence reflected on his music. It was very much his own thing, but he himself was like a giant arty sponge.The term genre-defying is perhaps overused, in part because some people get so pernickety about categorisation that avoiding it offers a safe way to navigate the genre-classified terrain, yet theres scarcely any artists out there more befitting of the term than Zappa.

His music prides itself on non-conformity as did his character; for instance, contrary to how he may look, he was actually an ardent anti-drug advocate. But in all other areas, he was determined to meddle in the murk and retrieve whatever he could. In short, your music simply cant sound like Zappas unless you have an electric mix of influences. This didnt just apply to the percussion-heavy modern-classical music he loved, or the doo-wop that he adored, but also the literature that stirred him.

Back in 2016, large assets of his estate were put up for sale, including a collection of Crowleyana and occult books. The description for the lot up for auction reads as follows: A collection of esoteric philosophy books previously owned by Frank and Gail Zappa, includingZnuz is Znees: Memoirs of a Magicianby C.F. Russell (self published, 1970);The Book of Wisdom or Folly, in the Form of an Epistle of 666 the Great and Wild Beast to His Son 777 by Aleister Crowley (West Point, CA: Thelema Publishing, 1962) with an inscription in blue ink to the prelim To Frank, I would be a slave to the slave, of your genius, neither tempting, nor restricting. You are, by far, the brightest star. No shadows shall remain.

The rousing list of spooky reams continues,Satanism in Americaby Shawn Carlson and Gerald Larue (El Cerrito, CA: Gaia Press, 1989) with a typed letter to Frank Zappa on Satanism in America letterhead, suggesting the book may be of use in Zappas fight against music censorship, signed by the author; andLaments of Mulciber the Isagogeby Benjamin A. Franklin (Detroit: Society of the Isagoge, 1973) inscribed in black ink to the front endpaper To Frank, from Andrew Flame the Lucifer.

Needless to say, the man had an interest in the occult. His fascination, however, is delineating as such in his remark, The only difference between a cult and a religion is the amount of real estate they own. But he nevertheless saw the need to explore, as he once said, A mind is like a parachute, it doesnt work unless its open.

You can check out the full list of books in the Juliens Auction lot below.

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Frank Zappas favourite books about the occult - Far Out Magazine