Women in Hip-Hop Cannot Thrive While Misogynoir Exists – HarpersBAZAAR.com

It was just the worst experience of my life. And its not funny. Its nothing to joke about. It was nothing for yall to start going and making fake stories about, said Megan Thee Stallion on Instagram Live, holding back tears as she addressed her shooting injuries. I didnt put my hands on nobody. I didnt deserve to get shot.

The men in the hip-hop community have failed Megan Thee Stallion. On social media she was mocked and memed, diminishing the gravity of the violence enacted upon her. It points to a larger problem: the sadistic nature of misogynoir in hip-hop, an industry stained by the blood of violence against Black women by its forefathers.

Hip-hop, a genre born from the overt abuse and brutality Black communities have suffered by law enforcement, upholds the patriarchy. Its one of the few spaces where Black men can emulate the power ideals of whiteness. It's a developed framework that justifies Chris Browns existence on Billboards chart despite his physical assault of Rihanna in February 2009; instead of being held accountable by his peers, he was welcomed into a fraternity of success and masculinity built on the dehumanization of Black women. Its often said that Black women are fighting two wars based on the intersections of race and gender. Misogyny is institutional oppression against women at large, but misogynoir is the dehumanization of Black women perpetuated through individual, societal, and cultural violence toward Black women. Until men in hip-hop show genuine support and investment for Black women in hip-hop, Black women will never be granted justice, not even in death.

This content is imported from Twitter. You may be able to find the same content in another format, or you may be able to find more information, at their web site.

As Black women took to the streets to protest the death of Breonna Taylor, social media and blogs reduced their calls for justice to a superficial meme, a trend void of the richness and complexity of her life. When news broke about Megans attack, Twitter erupted with misogynistic memes from Black users centered on her ass, boobs, and knees, implying that the loss of her sexual appeal mattered more than her actual life. Her face was superimposed on Ricky Bakers (played by Morris Chestnut) when he is shot in the film Boyz N The Hood and Madame Vera Walkers (played by Della Reese) when her pinky toe is shot in Harlem Nights. The migration of memes across social media platforms reinforces the devaluation of Black women in celebrity and hip-hop culture, where their full humanity is reduced, sexualized, and rendered one-dimensional.

One of the most compelling emcees and lyricists of her generation, Megan Thee Stallion is hip-hop's biggest star. She has accomplished world-wide success and renown for her explicit lyrics that put women in power, catering to their satisfaction and fulfillment as she raps about her player ways and skimpy clothes. Shes the Houston hottie with a model body, yet through a patriarchal lens, men in hip-hop seek to reconstruct her lyrics of empowerment as justification for objectifying her body as a holding place of male desire, rage, and violence.

Who hears a Black womans cries of fear and pain if their personhood is stripped away?

Who hears a Black womans cries of fear and pain if their personhood is stripped away? If Black women are no longer regarded as human, then their bodies are deemed deserving of disproportionate amounts of pain. If Black women are no longer granted femininity, then their bodies are subjected to transphobic attacks in an attempt to validate the violence they endure. Camron responded to Megans attack by reposting an Instagram post that said her shooter "saw that dick and started shootn..IDC what no one say. His commentary reflects a double standard in hip-hops misogynistic framework, one that awards male rappers for protecting themselves against an aggressive assailant but blames women for behavior that results in gun violence. 50 Cent, who survived being shot nine times (he references the attack on his hit Many Men (Wish Death) from his debut album Get Rich or Die Tryin), posted a meme about Megans injury, which he later apologized for and deleted after her Instagram Live session.

Megan Thee Stallion didnt deserve to get shot. Liza Rios didnt deserve to be hit by Big Pun. Dee Barnes didnt deserve to be attacked by Dr. Dre. Steph Lova didnt deserve to be harassed by DJ Funkmaster Flex. Linda Williams didnt deserve to be punched by Damon Dash. Lil Kim didnt deserve to be in a violent relationship with The Notorious B.I.G. Drew Dixon, Sil Abrams, Sheri Sher, and others didnt deserve to be sexually assaulted by Russell Simmons. (Simmons has denied the allegations.) Misogynoir is an intracommunal pandemic.

Its not the responsibility of Black women in hip-hop to address the racialized and sexual violence towards their community.

Oppressive structures are maintained by the erasure and intentional neglect of individuals who are disregarded and marginalized. In a white supremacist society, hip-hop is unique because of its existence as one of the few influential structures where cisgender heterosexual Black men can be in positions of power, but their silence toward Black women is reflective of the patriarchal systems they have upheld. Hip-hop has provided a space for Black men to build empires and legacies; Def Jam Recordings, Roc-A-Fella Records, and Bad Boy Records have affirmed Russell Simmons, Jay-Z, and Diddys places as worldwide ambassadors for hip-hop culture. Where was Jay-Z following Megans attack? She signed to Roc Nation management and collaborated with Beyonc on the Savage'' remix, but he said nothing. Where was Diddy? He featured her on his COVID-19 Dance-a-Thon, but he also said nothing. Though some men like Wale and 21 Savage showed their support, the majority of voices in hip-hop who displayed comfort and support for Megan Thee Stallion were Black women, who historically have shown up for themselves when no one else would.

Before the age of 25, Megan Thee Stallion had publicly lost her mother and grandmother. Yet during her ascension to stardom, and through her grief, she still continued to reach out and support Hotties with engagements on social media, charitable donations to her hometown of Houston, and a CashApp campaign. On her July 27 Instagram Live, her first appearance since the shooting, she continued to show that resilience, assuring us, A bitch is alive and well. Strong as fuck. Im ready to get back to regular programming with my hot girl shit.I cant keep putting my energy in a bunch of you motherfuckers.

Its not the responsibility of Black women in hip-hop to address the racialized and sexual violence towards their community. Black men in hip-hop need to participate in the disinvestment of misogyny in the culture, instead of silence. In order for Black women in hip-hop to live and thrive, the structure of misogynior must be abolished.

This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. You may be able to find more information about this and similar content at piano.io

This commenting section is created and maintained by a third party, and imported onto this page. You may be able to find more information on their web site.

Go here to see the original:

Women in Hip-Hop Cannot Thrive While Misogynoir Exists - HarpersBAZAAR.com