VizArts Monthly: Innovation and Representation – Oregon ArtsWatch

Innovation is the name of the game this month, with artists working to expand viewer expectations while emphasizing vital issues of the moment. GLEANs Artist-In-Residence Exhibition demonstrates just how much can be achieved with materials gathered from the Metro dump, and at PCCs Paragon Arts Gallery, animations from a VR experience aim to increase awareness of tech addiction. High Desert Museum focuses on the history of ideal communities this month while spotlighting Native artists contemplating Indigenous futurisms.

Increased LGBTQ+ representation is also a theme within this months exhibitions. Jordan Schnitzer Museum of Art at PSU has To Survive on This Shore focuses on the histories and portraits of older transgender people, while Eugene Contemporary Art presents a group show of works by Tropical Contemporarys Transformation Residency participants. Read on for more information on these compelling, boundary-pushing events.

Modern FolkJanuary 22 February 19, 2022Stephanie Chefas Projects305 SE 3rd Avenue, Ste 202, Portland (Thurs-Sat 1 PM 6 PM)

This group exhibition centers the works of five West Coast artists who voice their cultural identities through folk art practices. Briana Spencer, Deedee Cheriel, Gina M. Contreras, Kellen Chasuk, and Lisa Congdon draw on a range of influences for Modern FolkCalifornia street art, punk rock, 90s DIY culture, Chicana culture, modern lowbrow, and humorto create an exhibition that feels graphic and vibrant.

Winter FormalJanuary 14 February 12, 2022Holding Contemporary916 NW Flanders Street, Portland (Fri-Sat 12 PM 5 PM)

Winter Formal gathers works by Emily Bixler, Jovencio de la Paz, Kassandra Howk, Kellie Romany, Stacy Jo Scott, and Sarah Wertzberger to accentuate the formal elements of each artists practice. Materiality, shape, color, and mark-making are brought to the forefront here, shown through the diverse mediums of each featured artist. Sculptural works, prints, paintings, and hung textiles demonstrate the ways in which distinct aesthetics can convey deeper intent.

Olivia Faith Harwood: Possessions, PossessionsJanuary 29 March 13, 2022Fuller Rosen Gallery1928 NW Lovejoy Street, Portland (Thurs-Sun 12 PM 5 PM)

Portland-based Harwoods solo exhibition at Fuller Rosen delves into the complex constructions of identity in adolescence. Harwoods painting series constructs a paranormal world through imagery pulled from the occult and feminist horror, plus plenty of creepy-crawly creatures. Dreamlike yet still anchored in reality (many of the objects seen in Harwoods paintings are from her own collections), Possessions, Possessions considers the inner and outer realms of selfhood during a perilous time.

Yang Fudong: from Yejiang/The Nightman Cometh to Dawn BreakingOctober 23, 2021 February 26, 2022Hallock-McMillan Building, curated by Zena Zezza237 SW Naito Parkway, Portland (by appointment Thurs-Fri, 2 PM 5 PM; Saturday screenings at 3 PM and 5 PM)

Zena Zezzas latest Artist Project Season, showcasing the works of Shanghai-based artist and filmmaker Yang Fudong, ends late this month. This programming, comprised of an installation alongside three short films, marks the first presentation of Fudongs works in the US. Additional Saturday screenings throughout the season have included other film works by Fudong, who references his formal education in Chinese landscape painting to engage with complexities of Chinese history, identity, and modernity.

To Survive on This Shore: Photographs and Interviews with Transgender and Gender Nonconforming Older AdultsFebruary 8 April 30, 2022Jordan Schnitzer Museum of Art at PSU1855 SW Broadway, Portland (Tues-Sat 11 AM 5 PM)

Photographer Jess T. Dugan and social worker Vanessa Fabbre collaborated on this exhibition to highlight representations of older transgender people, a demographic often hidden or obscured in modern culture. Dugan and Fabbre documented the stories of their photographed subjects, gathering diverse accounts spanning the last 90 years of trans experience and activism in the United States. This collection of portraits and stories aims to illustrate the nuanced, complex journey of aging while trans.

Imagine a WorldJanuary 29 September 25, 2022High Desert Museum59800 US-97, Bend (open daily 10 AM 4 PM)

High Desert Museums new exhibition explores the history of ideal societies in the American West and encourages interactivity by inviting viewers to contribute their own concepts of utopia. The exhibition considers specific ecological, spiritual, and communal philosophies around intentional communities, including Oregons infamous Rajneeshpuram. Imagine a World also highlights Native artists working through the lens of Indigenous futurism to intertwine science fiction, cosmologies, oral traditions, and more.

Mariam Ghani: Partial ReconstructionsFebruary 1 March 19, 2022Schneider Museum of Art555 Indiana St, Ashland (Tues-Thurs 10 AM 4 PM)

Filmmaker, writer, and artist Mariam Ghani creates work that examines the places in which sociopolitical and cultural structures take visible shape. She often engages in long-term collaborations, including ongoing critical, curatorial, conservation, and creative work with national film archive Afghan Films. Her first feature-length film, the critically-acclaimed documentaryWhat We Left Unfinished, premiered at the 2019 Berlinale.To learn more about Ghanis work and Partial Reconstructions, tune in for her Creative Industries Zoom Discussion on February 3.

Month of SundaysJanuary 15 February 27, 2022Eugene Contemporary Art245 W 8th Ave, Eugene (Sat-Sun 12 PM 4 PM)

Tropical Contemporarys innovative Transformation Residency Program has helped enhance resources and opportunities for transgender and gender-diverse artists since 2020. While the program was planned pre-COVID, the residency and its participants were bound to challenging pandemic constraints. Now, the ten artists who participated in the programCarina Borealis, Princess Bouton, Francis Dot, Irene June, Remy Malik, Oliver Myhre, Julia O., Eel Probably, Pace Taylor, and Ty Warrenassemble to present works together for the first time. Themes include meditations on rural gay identity, intimacy, and queer touch, explored through varying mediums like assemblage and installation.

Jeremy Rotsztain: Walking a TurtleJanuary 19 February 28, 2022Paragon Arts Gallery, Portland Community College Cascade Campus815 N. Killingsworth St. Portland (window exhibition)

Artist and software programmer Jeremy Rotsztains Walking a Turtle explores awareness, attentiveness, and digital distraction via a window exhibition at Paragon Arts Gallery. The exhibition consists of animated screen recordings taken from RotsztainsWalking a TurtleVR experience, which transports participants to 19th century Paris, where they go on a walk with a turtle in a nod to flneur practices of the time period. In the full VR experience, the participant must increasingly avoid distraction while on the walk with the turtle. In this way, Rotsztain emphasizes the dark UX patterns of pervasive technologies that encourage addictive, reward-seeking behavior. The full Walking a Turtle VR experience will be available on commercial VR platforms in Spring 2022.

GLEAN Artist-In-Residence ExhibitionJanuary 21 February 25, 2022Maddox Building1231 NW Hoyt St. Suite 102, Portland (Fri-Sun 12 PM 5 PM)

Each year, juried art program GLEAN invites five artists to spend five months contemplating consumption habits, waste, and discarded resources by making artworks with materials collected from the Metro Central Transfer Station (the dump). GLEANs current Artist-In-Residence Exhibition highlights works created by the programs 2021 cohort, including Caryn Aasness, Colin Kippen, Jessica (Tyner) Mehta, Malia Jensen, and Willie Little, and demonstrates how each artist made the most of dump materials provided through mediums like video and ceramics.

Lindsay Costello is an experimental artist and writer in Portland, Oregon, with an academic background in textile research at the Oregon College of Art and Craft. Her critical writing can also be read at Hyperallergic, Art Papers, Art Practical, 60 Inch Center, this is tomorrow, andTextile: Cloth and Culture, among other places. She is the founder of plant poetics, an herbalism project, andsoft surface, a digital poetry journal/residency. She is the co-founder ofCritical Viewing,an aggregate of art community happenings in the Pacific Northwest.Herartistic practice centers magic, ecology, and folkways in social practice, writing, sculpture, and installation.

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VizArts Monthly: Innovation and Representation - Oregon ArtsWatch