Guide to the classics: Shakespeares sonnets an honest account of love and a surprising portal to the man himself – The Conversation AU

Most of us are familiar with Shakespeares plays. Even if we arent Shakespeare geeks, chances are weve waded through five or six in school, seen several movie adaptations and been to an in the park production.

And then there is the constant background of Shakespearean quotations and references colouring our lives, from recognisable lines like let slip the dogs of war, to the oh, I didnt know Shakespeare wrote that cliches, such as one fell swoop or wear my heart upon my sleeve.

However, apart from a few hits, Shakespeares sonnets are less known.

Fortified with a familiarity with the plays, a virgin journey into the sonnets is as good a literary adventure as anyone could hope for. It is both unsettling and beguiling.

The Shakespeare of the plays is god-like: he is everywhere in his creations as a masterful and unifying presence, and yet he is aloof. If I had to take a punt, Id say he was wise, wry the kind of person who knew how to do life right.

Thus it is a shock to meet the Shakespeare of the sonnets. This Shakespeare is frail (sonnets 29 and 145), obsessed (28), judgmental (130), fickle (110) and self-pitying (72). And so we are drawn in. We begin to ponder how much of himself Shakespeare reveals in the sonnets, and, if he is in there, how one of the most remarkable humans could be so like the rest of us.

A sonnet is a short poem, traditionally about love. The English or Shakespearean sonnet has a standard form. There are 14 lines, each with five beats.

Each beat has two syllables, with the second being stressed. This is known as iambic pentameter. Try it out with the most famous line from the sonnets: Shall I compare thee to a summers day? (18)

The sonnet has three quatrains stanzas with four lines and a final rhyming couplet two lines that rhyme. The couplet packs a certain punch that turns the sonnet on its head or provides the key to the sonnet or something similar.

Read more: Explainer: poetic metre

When we talk about Shakespeares sonnets, we are usually referring to the 154 sonnets published in 1609 when Shakespeare was about 45. The sonnets were likely written and revised throughout Shakespeares adult life (though there is debate).

Keeping to the tradition, Shakespeares sonnets are about love. But they take us into loves maelstrom. The sonnets speak, often in the most raw fashion, of jealousy (61), fear (48), infidelity (120) and love triangles (41, 42), but also of the simple happiness that love can bring (25). Because of this, according to poet and essayist Anthony Hecht, young lovers make up the most substantial readership of the sonnets.

The bulk of the sonnets (1-126) are addressed to a young man, often referred to as the fair youth.

The last 28 are mostly addressed to or about a woman: the dark lady. The real-life identities of both figures are not known. However, the dedication to the sonnets, which some consider to be a code, may contain the youths identity (see this article by amateur Shakespeare scholar, John Rollett).

Within these two broad sets there are smaller groupings. Sonnets 1 to 17 are known as the procreation sonnets, while 78 to 86, which reveal that another poet is drawing inspiration from the fair youth, are referred to as the rival poet sequence.

And throughout, two and sometimes three sonnets are directly linked as if they were a longer poem (for instance 66, 67 and 68 look out here for the objection to the silly wigs everyone wore).

Read more: Friday essay: 50 shades of Shakespeare - how the Bard sexed things up

There are several recurring themes here.

A number of sonnets address the pain of being apart (such as 44 and 45). And in 49 we see the personas anxiety about parting permanently when he imagines the time when thou [the fair youth] shalt strangely pass, / And scarcely greet me with that sun, thine eye.

But we also witness the persona drawing on his love for the youth to fortify himself against unhappy memories. The well known 30 begins with:

When to the sessions of sweet silent thought / I summon up remembrance of things past, / I sigh the lack of many a thing I sought, / And with old woes new wail my dear times waste.

It finishes with the lines, But if the while I think on thee, dear friend, / All losses are restord, and sorrows end.

There are also the themes of times destruction of beauty and the horror of death. And hand-in-hand with these, we see the persona searching for ways for the youth to achieve immortality.

In 12, one of the procreation sonnets, the youth is encouraged to seek immortality by having children. It finishes with: And nothing gainst Times scythe can make defence, / Save breed, to brave him, when he takes thee hence.

However, even more poignant are the personas many explicit attempts to preserve the youth through his poetry a quixotic enterprise that, remarkably, has worked. This is best exemplified in 18. We read:

Nor shall Death brag thou wanderst in his shade, / When in eternal lines to time thou growest. / So long as men can breathe, or eyes can see, / So long lives this, and this gives life to thee.

A common discussion is whether the fair youth sequence reveals that Shakespeare was gay or bisexual. Unless the sonnets are a wild fabrication, Shakespeare certainly wasnt straight.

However, we should, as scholar Dennis Kay reminds us, be cautious of applying a modern understanding of, and attitudes toward, homosexuality to early modern culture. Read 20 and see what you think.

Not all the sonnets in the fair youth sequence are addressed to the youth. An exception is another of the evergreen sonnets: 116. This ode to the eternal nature of love begins with:

Let me not to the marriage of true minds / Admit impediments. Love is not love / Which alters when it alteration finds, / Or bends with the remover to remove: / O, no! it is an ever-fixed mark.

Returning to sonnet 66 (my favourite), although the final couplet addresses love, the sonnet stands out because its focus is not love, but the corruptions of the world.

In it, the persona objects to folly (doctor-like) controlling skill and art made tongue-tied by authority. Here we are reminded of the battles many who are capable and spirited must fight against soulless bureaucracies and the censorious.

The dark lady is dark because when she is introduced in 127, her complexion and eyes are described as black:

In the old age black was not counted fair, / Or if it were, it bore not beautys name; / But now is black beautys successive heir, / And beauty slanderd with a bastard shame.

And later in the sonnet we read: my mistress eyes are raven black.

In the dark lady sequence, the persona suffers familiar torments. But there are also several instances of humor the fair youth sequence is almost humorless.

In sonnet 135 and 136 the persona puns bawdily and relentlessly on the world will: Wilt thou, whose will is large and spacious, / Not once vouchsafe to hide my will in thine?

But the stand-out is 130. Here the persona pointedly declines to use tired comparisons to praise the attributes of his mistress.

We read: My mistresses eyes are nothing like the sun, and, And in some perfumes is there more delight / Than in the breath that from my mistress reeks.

Then come the glorious lines: I grant I never saw a goddess go; / My mistress when she walks, treads on the ground.

The sonnets were not much read for nearly 200 years after their publication, but since then they have only grown in popularity. This was, perhaps, assisted by Wordsworths own sonnet: Scorn Not the Sonnet. (I know, its hard not to laugh.)

Today, lines from the sonnets turn up from time to time in popular culture. Naturally, in Dead Poets Society sonnet 18 is recited.

So what do the sonnets mean for us today? Many things. Most commonly, they have come to stand for perfect love, but this is likely because few readers make it past two of them: sonnets 18 and 116.

For those who do read further, the sonnets provide a more honest account of love, while exploring other substantial themes such as fear of death and the search for immortality.

The sonnets can also be enlisted to support social and political causes, from freedom to sexuality. And then there is the possible portal they provide into Shakespeare the man.

Ultimately though, we read on because of Shakespeares inimitable commingling of beauty and truth if the two can be separated. And because each reading reveals that we are still only splashing about in the shallows of an immeasurable ocean.

Read more:

Guide to the classics: Shakespeares sonnets an honest account of love and a surprising portal to the man himself - The Conversation AU