Streaming: the pick of the best childrens films for the summer holidays – The Guardian

Youve survived the heatwave, perhaps already been away, and still the school holidays stretch languidly into September, demanding plans and playdates and activities to fill the slowed summer hours. Sitting the kids in front of the TV for hours on end obviously shouldnt be the only solution, but it neednt be as passive as all that. A family film marathon can be a cheerfully sociable use of shared time not to mention a cheap one, for parents burnt out on repeat cinema trips to Minions: The Rise of Gru. But which streaming platforms will serve you best this summer? And how few of them can you get away with subscribing to? Allow me to break down the best they have to offer.

The top option seems like a no-brainer: over the past century, Disney+ has evolved from a film studio into the key corporate influencer of childhood (and beyond, it seems, as adults thirst for Disney-branded superhero entertainment shows no sign of abating). A perverse part of me wants to tell you that Disney+ isnt worth throwing monthly subscription fees into the coffers of a company that hardly needs the spare change. The more practical part sees how invaluable it is for parents of small children.

The highlights are obvious, beginning with the platforms near-complete library of animated features from the Disney and Pixar stables. Perhaps the kids will insist on watching Frozen, Moana and Toy Story for the 17th time; perhaps you can wield your parental nostalgia rights and try out a classic thats new to them. My own childhood loyalties compel me to plump for The Little Mermaid, though equally Ive never seen a kid uncharmed by The Jungle Book. If you dare try Bambi, be mindful of the fact that its exactly as laceratingly sad as you remember.

Should you be ready to move on to live action, large-scale musicals do the job just as well as when they were the four-quadrant blockbusters of the 1950s and 1960s. Disney+ has the essential pair of Julie Andrews vehicles. Mary Poppins, with its animated interludes, dash of teaching-moment suffragette politics and effectively bittersweet conclusion, is an ideal transitional film for young viewers, while The Sound of Music presents parents with a few more real-world complications to explain, but enough indelible songs and curtain-clad japery to make it all palatable.

Otherwise, the eternally endearing Muppets bridge the gap between juvenile whimsy and more grownup wit: Disney+ has 2011s fresh, bouncy reboot The Muppets, but also 1979s original The Muppet Movie, which plays just as spryly, and with more enduring songs. As for slightly older children willing to shed fantasy entirely, Robin Williamss nearly 30-year-old smash Mrs Doubtfire remains antically funny and just rude enough, even if its gender politics havent aged quite as well as the stars bravura performance. For quieter, thoughtful children, meanwhile, Mira Nairs Queen of Katwe is among the Mouse Houses more underrated recent offerings. A stirring, kind-hearted true story of a Ugandan girl rising from poverty to international chess competitions, its like a sunnily wholesome Queens Gambit.

For anyone unwilling to pay for Disney titles, the free BBC iPlayer has a couple of treats still on offer: Tom Hollands first (and best) two outings as Spider-Man Far from Home and Homecoming are on the platforms current film menu for the next two weeks, as is Monsters, Inc still, for my money, one of the warmest and peppiest capers in the Pixar canon. Prefer to hit up the Beeb for more homegrown kids fare? Youre in luck: also on offer currently is Aardman Animations droll prehistoric comedy Early Man no classic, but even Aardmans boilerplate films have more character than most and the original, still heart-lifting adaptation of The Railway Children, particularly well timed if youve been on a family outing to see the likable sequel in cinemas.

You can head to Netflix for the most deservedly beloved British family films of recent times. Paddington and Paddington 2, with their tender, visually inventive and occasionally riotous reinvention of Michael Bonds bear-out-of-water tales, might just be the cream of the streamers childrens movies though theres a good deal to choose from, especially via their dedicated Netflix Kids platform. Netflixs in-house animation has been particularly impressive of late. Last years zany The Mitchells vs the Machines, in which a dysfunctional family fights a robot apocalypse, was a clever, hyperactive delight; this years The Sea Beast, a rip-roaring, monster-hunting adventure on the high seas, sees them emulating classic Disney with splendid results. (No surprise there: director Chris Williams also gave us Moana.)

Netflixs real animation coup, however, is its exclusive streaming hold on the Studio Ghibli library, which caters to a usefully wide range of ages and sensibilities. For toddlers, the mellow, none-more-gentle My Neighbor Totoro is a safe bet, but older, more fanciful kids can thrill to the knottier, more perilous quest narratives of Spirited Away and the like.

Shifting back to American fare, theres the robust, airborne adventure How to Train Your Dragon, and a number of worthwhile live-action titles, including the Bowie-starring neogoth fairytale Labyrinth, by now the source of multiple generations of childhood nightmares; Danny DeVitos enduringly popular Americanisation of Roald Dahls Matilda; and the sensitive, rather sweet disability parable Wonder. Families with kids edging into teendom, meanwhile, can hardly do better than Greta Gerwigs smashing, stout-hearted rejig of Little Women.

Netflixs subscription-based rivals lag somewhat behind in their family-friendly selections. Apart from the gorgeous, wild-spirited Irish animated folk fantasy Wolfwalkers and the attractively shot but unsurprising nature documentary The Elephant Queen, Apple TV+s originals have largely passed over that market. At a push, you could also include this years dewy-eyed best picture Oscar winner Coda, an inclusive adolescent drama suitable for families who can handle a mild sex joke or two. Browsing the paid-VOD selections yields arguably richer rewards, among them Steven Spielbergs still-luminous, somehow 40-year-old alien friendship tale ET the Extra-Terrestrial.

Prime subscribers can stream Aardmans gently irreverent Shaun the Sheep: The Movie and a pair of auteurist spins on Roald Dahl: Wes Andersons arch, stop-motion Fantastic Mr Fox and Nicolas Roegs sensational, viscerally macabre The Witches, as well as a buried gem from the 90s in John Sayless wistful, mistily atmospheric selkie tale The Secret of Roan Inish. But, as with Apple, you have to pay separately for some of the best picks: still, its worth a few extra quid for the marvellous farmyard romp Babe or the lavishly imagined, 80s-tastic fantasy trip The Neverending Story.

On Sky/Now TV, subscribers have an easy solution in the full library of Harry Potter sagas, endlessly rewatchable to kids hooked on the mythos. But parents can also try out a solid-gold classic: now in its ninth decade, The Wizard of Oz continues to startle children with its transportive, iridescent world-building.

Anyone wishing to go vintage with a more international bent can head to the free streaming platform Plex: their mixed bag of content somewhat surprisingly yields French film-maker Albert Lamorisses simple, lyrical and plainly heart-rending 1956 short The Red Balloon, which made me cry buckets aged five. Not much has changed.

Finally, at the arthouse end of the family-viewing spectrum, you might not expect to find anything for children on Mubi, but for adventurous parents and open-minded young ones, there are discoveries to be made. Children old enough to read subtitles would do well to try out the empathic, childs-eye social realism of Saudi charmer Wadjda, while the stop-motion French animation My Life as a Courgette hits a rare balance between adult wisdom and youthful innocence in its portrait of a lonely misfit child finding comfort and community in a rural orphanage. Pair it with some surreal, mirthful wackiness from the platforms selection of Hungarian animated shorts: Scenes With Beans will tickle kids with a penchant for the bizarre.

Over on the similarly highbrow BFI Player, two outstanding films fill that tricky gap for emotionally mature children gradually crossing into grownup storytelling. Spanish director Carla Simns vibrant, suitably seasonal coming-of-age drama Summer 1993 tackles complex themes of grief and self-worth with a soft, sure touch. Also set over a young girls formative summer, meanwhile, Cline Sciammas impeccable Tomboy offers an ideal entry point into a 21st-century understanding of gender identity, without ever feeling like a message movie. Whos to say you cant sneak a little learning into a summer movie marathon?

Murina (Modern Films) The winner of last years Camra dOr for best debut at Cannes, Croatian director Antoneta Alamat Kusijanovis sun-bleached but steel-cool psychodrama promises big things from its Scorsese-endorsed writer-director, but isnt out to show off. Its the dry, watchful quiet that lingers in this study of a restless teenager caught between her oppressive father and an alluring, agenda-carrying stranger.

The Emigrants (Elevation) Vilhelm Mobergs literary saga of a Swedish immigrant farming family finding its way in the New World was rousingly filmed by Jan Troell in the 1970s. Norwegian director Erik Poppes new version retains its compelling, old-fashioned sweep and doubles down on the panoramic magic-hour visuals, but hasnt quite its predecessors earthy soul.

The Outfit (Spirit Entertainment) As a humble but perceptive English tailor to the brassy gangsters of midcentury Chicago, Mark Rylances wry, dignified performance is the main attraction of this underworld chamber drama from Oscar-winning writer Graham Moore (The Imitation Game), which feels like it might have popped more as a stage piece.

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Streaming: the pick of the best childrens films for the summer holidays - The Guardian