Botticelli In The Fire review: Restless and indulgent but never boring – Evening Standard

Posted: October 27, 2019 at 2:51 pm

RoxanaSilbertis making her mark as artistic director of Hampstead Theatre, one way or another. The first production she programmed met with poor reviews and controversy over casting.

Her second on the main stage is this playfully serious mash-up of Renaissance politics and pansexual modern hedonism, an example of what its Canadian writer JordanTannahillrefers to as queering history. Its exuberant fun with a sober central point but, like its protagonist, rather too in love with its own sass, swagger and cleverness.

InTannahillsimagining, Medici-controlled15th-centuryFlorence is a place of smartphone-toting excess. The bitchery and debauchery of brilliant, sexually insatiableSandroBotticelli and his gay fellow artists would makeRuPaulblush. Meanwhile, plague and starvation drive the poor towards the fiery populism of puritan monkSavonarola.

Its not an exact parallel of our age, more an analogy for tipping points where hurtling progressivism or galloping inequality result in a backlash.

The story is prosaic. Botticelli has an affair with his patrons wife while painting her as The Birth Of Venus. His ultimate punishment is to choose between his art and his beautiful assistant, Leonardo da Vinci. ButTannahillallows himself many indulgences. Venus confesses dark desires in aBritney-soundtrackedvogueingroutine. Conversely, a scene where Botticellis mother bathes him, like Mary washing Christ, is poignant.

Blanche McIntyres production has a looseness suited to the material, allowing Dickie Beaus cocksure Botticelli to show and tell us what an awful person he is. James Cotterills black box set becomes an artists studio, a squash court, and a dramatic bonfire for anythingSavonarolaconsiders decadent.

This production is never boring but it is restless and profligate with audience attention. You sometimes wishTannahill, who is 31 and works across many art forms, would settle down and tell you what he means. You also boggle at whatSilbertmight serve up next.

Until November 23 (020 7722 9301, hampsteadtheatre.com)

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Photograph by Nobby Clark

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Ali Wright

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The Standout Company

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Steve Tanner RSC

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Mark Douet

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Alastair Muir

Pamela Raith

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Johan Persson

Matthew Murphy

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Helen Maybanks

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Frederic Aranda

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Photograph by Nobby Clark

Read our review

Marc Brenner

Read our review

Marc Brenner

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Cameron Slater

Read our review

Helen Murray

Read our review

Manuel Harlan

Read our review

Helen Maybanks

Read our review

Catherine Ashmore

Read our review

Helen Maybanks

Read our review

Bronwen Sharp

Read our review

Sarah Lee

Read our review

Ellie Kurttz

Read our review

Johan Persson

Read our review

Ali Wright

Read our review

The Standout Company

Manuel Harlan

Steve Tanner RSC

Marc Brenner

Read our review

Mark Douet

Read our review

Alastair Muir

Pamela Raith

Read our review

Johan Persson

Matthew Murphy

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Botticelli In The Fire review: Restless and indulgent but never boring - Evening Standard

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