At Third Horizon Film Festival, Caribbean Films Reflect on Layered Pasts, Presents, and Futures – Hyperallergic

MIAMI There is a certain beauty to the portraiture of cinema, in being able to showcase the stories of individuals and places that arent often highlighted. For years now, Third Horizon Film Festival has offered these unique glimpses into communities across the Caribbean and their diaspora, through intimate and flat out fun social gatherings. This year, things look a little different, with a primarily virtual event for their fifth edition. As their mission statement notes, the decision was made in consideration of the precarious public health scenario across the Caribbean as well as in communities of color in the US, so overlooked in the recent tangle of pronouncements and new guidelines.

But the move from a public space to a digital realm is a welcome one, with the 2021 lineup of films becoming largely accessible to audiences all around the world (with a few exceptions geo-blocked to the US or Florida). This extends their reach beyond limited screenings within South Florida, providing anyone with a chance to experience the festivals offerings.

This years Third Horizons line-up offers yet another rewarding mix of features and short film programs; a beautiful collection of documents that showcase a variety of individuals reflecting on their past, present, and future. This is most evident in Sofa Gallis Murientes Celaje (Cloudscapes), one of the most experimental and intriguing of the bunch. By opening with a visual metaphor of rocks being worn down into soil and then cementing back into rock, the documentary smartly establishes itself as a piece about how our histories are cyclical.

Murientes film feels inspired by those of Chantal Akerman and has such a clear sense of mood; its visuals and music come together to create a haunting and sentimental piece of filmmaking. Celaje is as much about her grandmothers memories and reality as it is about Puerto Ricos history. The film, like the island itself, evolves constantly, circling its core themes: life and death, like beauty and disaster, are inextricably linked.

She-Paradise, Maya Coziers feature, is a simple and traditional film but no less interesting. This coming-of-age story is an intimately shot film. The way the camera gazes on bodies constantly in motion is both respectful and engaging, particularly in situations that many might perceive as overly sexual and demeaning. There is such an energy to the way lead actor Onessa Nestor embodies this young womans journey towards self-actualization, and whatever highs and lows may accompany it. Its a film that understands the language, spoken and unspoken, that exists between Black women in spaces of their own creation as well as in those where men seek to control them.

Just as rewarding as the features are some of the short films within Third Horizons line-up. Take Helen Peas When Angels Speak of Love, a portrait of Sheshebazzar Bayne, a Miami woman grieving the loss of her sister while also preparing for a new life. Its lovely to watch how Pea mixes in down-to-earth slices of life with flashes of heightened aesthetic, from discussions with her mother to the depiction of her as a mermaid.

By contrast, Cai Thomass Queenie is starkly realistic in how it explores the life of a 73-year-young Black lesbian seeking to apply for NYCs first LGBTQ elder affordable housing development. Disguised as a portrait, the short is a subtle but scathing indictment of housing inequality, and how even the most inclusive efforts still manage to exclude the elderly and individuals with disabilities.

History, sexuality, and spirituality all come together in the best short of the festival: Vashni Korins You Cant Stop Spirit. Centered around the Baby Doll Mardi Gras masking tradition, the short highlights a group of Black women as they dive into the traditions they hold dear. Beyond its compelling showcase of gorgeous outfits, umbrellas, and dances, the film is thoroughly moving in the way it allows these women to tell their stories. There is so much beauty in the rituals they practice, in the way theyve built their own community, and in the way they embrace their identities while acknowledging the rich histories that came before them. Its precisely this layered approach present in so many of the films this year that makes Third Horizon and their programming so necessary.

The 2021 Third Horizon Film Festival continues online and at various venues in Miami, Florida through July 1.

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At Third Horizon Film Festival, Caribbean Films Reflect on Layered Pasts, Presents, and Futures - Hyperallergic