What to read about abolition – scalawagmagazine.org

Posted: June 24, 2022 at 10:29 pm

Copaganda is tired and played. Far too often journalists rely on police, sheriffs, prison officials, and prosecutors as credible sources without scrutiny or even a basic fact-check. These uncritical and unprofessional behaviors lead to an overwhelming amount of traditional news that simply spreads biased police propaganda and stirs up unfounded fears, stifling the public imagination to see beyond the blue.

We need more popular medianews, television, movies, podcasts, music, fiction, and poetry alikethat does the opposite, that not only questions the logic behind our overreliance on police but outright rejects the need for their existence altogether.

Good news, content like that already exists.

Below we've compiled a list of books, music, articles, and media clips that clearly present the harms of the carceral system and are already dreaming of creative alternatives. If some of our recommendations seem surprising to you, try engaging them through an abolitionist lens: How is this artist imagining a future where our collective needs can be met? How might the language or images they're using advocate for increased liberation?

As always we want to hear from you. Tag us on social media with your favorite abolitionist recommendations.

"The Uvalde shooting is just the latest example of why we need abolition" by Mon M in Prism

"Ruth Wilson Gilmore Talks About Abolition Geography and Liberation" by Lexi McMenamin in Teen Vogue

"Say it Again: Abolish the Police" by Jack Mirkinson in Discourse Blog

"You can come up with a million academic arguments about why police are such a worthless part of American life, but none of them would be nearly as compelling as the scandal that has unfolded in Uvalde in the past couple of days. The police response to this week's school massacre has been so pathetic, so callous, so cruel, so selfish and arrogant and stupid, and so undeniably inhumane that it has proven beyond a doubt that this is not an institution worth protecting."

Abolition Week 2022: If you haven't read the stories from Day 1: Law & Disorder or Day 2: Reality TV, check them out now.

Torn Apart: How the Child Welfare System Destroys Black Families and How Abolition Can Build a Safer World by Dorothy Roberts

Becoming Abolitionists by Derecka Purnell

"Initially, the notion of 'police abolition' repulsed me. The idea seemed like it was created by white activists who did not know the violence that I knew, that I have felt. At the time, I considered abolition to be, pejoratively, 'utopic.' I'd seen too much sexual violence and had buried too many friends to consider getting rid of the police in St. Louis, let alone across the nation"

"But over time, I came to realize that, in reality, the police were a placebo. Calling them felt like something, as the legal scholar Michelle Alexander explains, and something feels like everything when your other option is nothing. Police couldn't do what we really needed. They could not heal relationships or provide jobs. They did not interrupt violence; they escalated it."

Are Prisons Obsolete? by Angela Davis

Abolition Geography: Essays Toward Liberation by Ruth Gilmore Wilson

Diaries of a Terrorist by Christopher Soto

A.B.O. Comix, by a collective of creators and activists who work to amplify the voices of LGBTQ prisoners through art.

Formation, music by Beyonc, directed by Melina Matsoukas

Just this week, Beyonc dropped new music with "Break My Soul," a song that has all of us asking: "Does the queen want us to quit our jobs?" When "Formation" was released in 2016, imagery of a cop cruiser sinking in a flooded New Orleans neighborhood and a young Black boy dancing in front of police in riot gear somehow had abolitionists and police alike thinking Beyonc was calling them to formation. She set the record straight in an interview with Elle: "I am against police brutality and injustice." Still, she said she wasn't (yet) anti-cop. Bey did, however, launch "Boycott Beyonc" merch to troll law-enforcement entities that vowed not to do security for her stadium tour after she performed Formation at the SuperBowl.

Industry Baby, music by Lil Nas X, directed by Christian Breslauer

Watch for the burning prison at the end. What world is Lil Nas asking us to imagine?

Press, music by Cardi B, directed by Jora Frantzis and Cardi B

This video debuted around the time Cardi faced felony charges for assault, stemming from a fight at a strip club. It's both about Cardi fighting the press and the pressure of the criminal-legal system as she testifies in court, and ultimately lands in an orange jumpsuit after angry white witnesses end up with bullet wounds, lying in a pool of their own blood when the lights flicker during Cardi's music-video trial.

San Quentin, by Johnny Cash, Live at San Quentin Prison in 1969

Most people don't associate country artists as being anything other than overly patriotic cop lovers, but in this recording, Johnny Cash was making the second of three albums he recorded livein prisons. As someone who felt like he'd been given a lot of second chances for his mistakes, Cash said he felt compassion for people who were incarcerated for their mistakes. From these lyrics, he didn't see the value of prison, either:

San Quentin, I hate every inch of youYou've cut me and have scarred me through and throughAnd I'll walk out a wiser weaker manMister Congressman, you can't understand

San Quentin, what good do you think you do?Do you think I'll be different when you're through?You bent my heart and mind and you warp my soulAnd your stone walls turn my blood a little cold

Dirty Computer: an emotion picture by Janelle Mone

When it comes to Black queer folks, the surveillance and policing of identity happensboth at the hands of the state and of broader society. Here, Janelle Monae usesAfro-futurist motifs throughout the 48-minute film to visualize more liberated futures.

The Equalizer

Quietly abolitionist? Queen Latifah has this line: "I'm who you call when you can't call 911."

Spiderhead, directed by Joseph Kosinski

See if you can spot the use of police as a plot device and a means of projecting prisons into the future.

Time, directed by Garret Bradley

13th, directed by Ava DuVernay

Angela Davis' first television appearance in 1972

Derecka Purnell making the case for abolition on The Daily Show

Alysia Nicole Harris performing her poem "Baby Boy" with musician Tina Coln Williams

Teleway 411, a podcast from A.B.O comix featuring longform interviews with incarcerated queer and trans artists, with special guests. Check out today's review of Season 1:

Teleway 411 offers stories of queer and trans folks navigating love, identity, fear, mental illness, grief, and self-acceptance on the inside.

Abolition X on Spotify

Hosts Vic Mensa, Indigo Mateo, and Richie Reseda discuss how abolition isn't just about dismantling the prison industrial complex, but also about imagining a world based on community, accountability, and healing.

pop justice Live! A 6/16 Scalawag Twitter space with Da'Shaun Harrison, Jewel Wicker, Ko Bragg, and Tre'vell Anderson

Outer Space by Big KRIT

All the stars and the planets, and I'm worried 'bout a cop That might shoot down the drop 'cause I took off in the lotI remember all I ever wanted was a jetpackSo I could go farther in the hood that I would live at'Stead of playing cops and robbers, probably should've astronauted

Anybody by Young Thug, the song being used in the RICO case against him and his rap group, YSL.

I never killed anybodyBut I got something to do with that bodyI got the streets on my backCarry it like I'm moving a bodyI told them to shoot a hundred roundsLike he trying to movie the bodyIt was, like, 11 in the morningSkipping schoolthat's a truancy body.I made me some racks in the morning.

Die Jim Crow record label: The first record label in the U.S. for systems-impacted musicians.

Orignal rap by Lil Mobb:

"can't get on B.S. cause I'm tryna go home, but ain't nobody talking bout that"

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What to read about abolition - scalawagmagazine.org

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