Authenticity, performance; brand, product; myth, reality: When it comes to the 33-year-old Williams, its unusually difficult to separate the strands. He is unfailingly polite and considerate, possessed of a humility and a lack of guile that seem almost shocking in this age of branding and fake news. And yet he himself is so intensely curatedfrom his passions to his precisely tailored clothingthat it can be hard to see him as entirely real.
We are the same height and have the same posture, says his friend Frederik Lentz Andersen, fashion director for the Danish magazine Euroman. Were both super slim. But every time I see him, I think, How can that suit fit you so perfectly? Theres never a flaw to anything he does. Its like he never slips.
Kinfolks origin story seems just as perfect, a charming myth crafted along the lines of one of those old Rooney-Garland, Hey gang, lets put on a show musicals. At the turn of the last decade, while still in college, two young married couples have the kooky idea of creating a magazine. A few wholesomethey are Mormonhigh jinks and one social media revolution later, they find themselves at the helm not just of a successful publication, but at the vanguard of a veritable movement, a zeitgeist-defining, social media-friendly tidal wave that swathes an entire generation in muted linen, pour-over coffee, and gratitude. #Kinfolklife #Flatlay #Blessed
What if your life turned out to be what an ENTIRE GENERATION was dreaming of?
There was a lot that appeared in those early pages that was an accurate expression of the lives of its young founders. Nathan Williams and Katie Searle met in 2008 while both were students at Brigham Young Universitys Hawaii campushe developed a crush on the quiet, luminous girl after passing the desk where she worked every day. It would take him some time to get up the nerve, as he recalls, to ask her to leave her boyfriend and date him instead. Searle insists she already had broken things off with his predecessor. But both agree that she said yes, and then yes again, a few months later, when he led her into the forest and, beneath a bower of carefully strung fairy lights, asked her to marry him.
An assignment for an entrepreneurship class had the two of them dreaming up an e-commerce platform, which they called Kinsfolk & Company, for selling plates and glasses and other things you might need for a sweet little dinner party, and that, combined with contributors Williams had gathered through a blog he kept, and help from their close friends, Doug and Paige Bischoff, gradually morphed, in 2011, into a tiny, very DIY magazine, focused on food and the small gatherings they all loved. They had no publishing experience and no defined roles at the time; everyone just did everything. We all lived in married student housing, so when we werent in class, we spent a lot of time together, says Doug Bischoff. Wed go to Nate and Katies apartment, and theyd be at ours regularly. We were always getting together to cook, and hang out, and just enjoy each others company. We had a really, really good friendship. Williams and Doug Bischoff even looked somewhat alike; both of them tall and lean, with short blond hair worn in a neat side part, and a predilection, even then, for sharper clothes than might be entirely normal for your average college student.
The theme for the first issue was inspired by a line from Thoreaus Walden: I had three chairs in my house; one for solitude, two for friendship, three for society. Williams so identified with the book that he handed out copies to friends at his birthday party. Kinfolk volume 1 included an article on fika, the Swedish coffee break so in vogue now, and on teatimerituals that would be incorporated into Kinfolks office life. It was really simple, really basic, but what I thought was sweet at the time, Williams says. And yeah, it was far too kitsch and cutesy. But there was this correlation there.
Go here to read the rest:
How Kinfolk Magazine Defined the Millennial Aestheticand Unraveled Behind the Scenes - Vanity Fair
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