Spring is almost here, and so too is a first glimpse at some of the years biggest exhibitions. The first stop for a Yoshitomo Nara retrospective set to travel to three continents will be at the Los Angeles County Museum of Art, and the first major survey ever devoted to Artemisia Gentileschi will make its debut at Londons National Gallery of Art. And thats not all: this years Venice Architecture Biennale and Riga International Biennial of Contemporary Art are both set for May, and major exhibitions of the work of Donald Judd, An-My L, Judy Chicago, Otobong Nkanga, and others are also in the offing. These highlights and more are below, in ARTnewss guide to the springs essential shows.
Spotlight
Christo and Jeanne-Claude: Paris!Centre Pompidou, ParisMarch 18June 15
The artist known as Christo and his late wife, Jeanne-Claude, are the worlds most ambitious wrappers. Theyve wrapped the Reichstag, the Pont Neuf bridge, and the coast of Little Bay, in Sydney, Australia, making enormous sculptures out of landmarks. In April Christo will continue his conquest of the worlds monuments by wrapping the Arc de Triomphe in 270,000 square feet of fabric and 23,000 feet of rope. Such wrappings often take decades of bureaucratic wrangling, but Christo got his start doing more low-profile work in the French capital, and this exhibition surveys documentation related to sculptural works made by the couple in Paris between 1958 and 1964. The show culminates in a history of Christo and Jeanne-Claudes 1985 wrapping of the Pont Neuf, one of their most iconic artworks. It is hard to imagine this show wont earn the exclamation point in its title.
March
JuddMuseum of Modern Art, New YorkMarch 1July 11
Writing recently about her early years at MoMA in the 1970s, curator Barbara London recalls that Donald Judds Minimalist sculptures distinguished the museums aesthetic. That aesthetic synergy between the work of Judd, who died in 1994, and MoMA brings a certain piquancy to the museums current Judd retrospective, the first anywhere in more than 30 years. The museum has changedthere have been three renovations and expansions since the 70sand perhaps so, too, has our understanding of Judds steely, boxy objects.
Cao Fei: BlueprintsSerpentine Galleries, LondonMarch 4May 17
For Cao Fei, the online virtual world Second Life became a tool for art. Within it, she created her sprawling RMB City, its name a reference to Chinese currency. Dealing with fantasy worlds and their opposition to real-life ugliness, her work made her one of Chinas most closely watched artists before she turned 30. In her largest-ever exhibition in the United Kingdom, Cao will bring out some of her classic worksincluding Whose Utopia?, a 2006 video in which a group of Chinese factory workers briefly stop laboring and start dancingand place them alongside a new VR project and her latest feature-length film.
Gerhard Richter: Painting After AllMet Breuer, New YorkMarch 4July 5
There are (at least) two Gerhard Richters. There is the Richter of the gorgeous, multilayered abstractions made by pulling paint across a canvas with a squeegee, and there is Richter the exacting figurative painter who references photographs. Some of those figurative paintings, such as his 1988 series about a radical left-wing terrorist group, have taken as their subject German politics. On view for the first time in the United States in this 100-work survey at the Met Breuerthe largest presentation of Richters work since his MoMA retrospective in 2002are works from Richters 2014 Birkenau series, which brought the two Richters together, with the artist alluding to a World War II concentration camp through abstraction. The Met is showing these works alongside pieces from the 1960s that made the artist a sensation in his home country. Richter fans can be assured his work is in good hands: Met curator Sheena Wagstaff has organized the show in close collaboration with Benjamin H. D. Buchloh, an art historian who has written prolifically on Richter.
Remedios Varo: ConstellationsMuseo de Arte Latinoamericano de Buenos AiresMarch 6June 15
For years, the work of Remedios Varo, who died in 1963, languished in obscurity, not unlike that of other female Surrealists. But lately, it has been making a comeback. Last year, Varos bizarre tableaux featuring floating figures and fantastical creatures showed up in MoMAs permanent collection rehang, and Eduardo F. Costantini, who founded MALBA and is one of Latin Americas biggest collectors, snapped up one of her paintings at a Christies auction for $3.1 million. This showamong the biggest ever devoted to the artist in Argentina, where she worked for much of her lifemay very well cement her fame.
Franz Erhard Walther: Shifting PerspectivesHaus der Kunst, MunichMarch 6August 2
Long before participatory art became widespread in museums and galleries, Franz Erhard Walther was engineering pieces that made use of the viewer, often by having people hold large pieces of fabric together. A pioneer of Conceptual art and a winner of the top prize at the Venice Biennale, Walther is now being given the retrospective treatment with this 250-work show.
Mark Bradford: End PapersModern Art Museum of Fort Worth, TexasMarch 8August 9
A little over two decades ago, Mark Bradford began making a series called End Papers, employing the paper strips used to keep hair from overheating that he first came across in his mothers South Los Angeles beauty shop. Made before Bradford became one of todays most celebrated painters, the resulting paintingswhich are surveyed in this show delicately allude to his family history, transposing grids of end papers over detritus.
Studio 54: Night MagicBrooklyn Museum, New YorkMarch 13July 5
In 1977 Ian Schrager and Steve Rubell cofounded Studio 54, the famed New York watering hole known for its wild parties. In a recent documentary, Schrager said, when I look back now, it is so preposterous. What were we thinking? Is there a Studio 54 aesthetic? Find out in this exhibition, which surveys the clubs impact on New Yorks 1970s social scene and art world through photography, paraphernalia, and more.
An-My L: On Contested TerrainCarnegie Museum of Art, PittsburghMarch 14July 26
Having grown up in Vietnam during the American war there, An-My L went on to produce documentary photographs covering war, its impact on the landscape, and the way conflict is represented in mass media. For a few memorable images, she shot on the set of a Hollywood film about the Civil War, leaving it largely unclear to viewers who didnt read the adjacent wall texts that the explosions depicted were faked. At last, this season brings her first major mid-career survey, which includes 125 photographs.
Biennale of SydneyVarious venues, SydneyMarch 14June 8
Australia may be one of the few countries in the world where it is common to acknowledge historical violence against Indigenous peoples, but its art institutions have not yet adequately recognized the art of Indigenous communities. It is therefore momentous for Brook Andrew to be the first Indigenous curator of the 47-year-old Biennale of Sydney. A member of the Wiradjuri people, Andrew has included a significant quotient of Indigenous artists, among them Nogirra Marawili (Darrpirra/Yirrkala), S.J Norman (Wiradjuri), and Demian DinYazhi (Navajo).
Hlio Oiticica: Dance in My ExperienceMuseu de Arte de So PauloMarch 20June 7
Hlio Oiticica died in 1980 at just 42 years old; his impact on art has long outlasted him. Oiticica changed the way artists in his native Braziland far beyondthink about the relationship between art and life, and made them recognize in a new way the possibilities of utopian societies. This year, two of Brazils biggest museumsMASP and the Museu de Arte Moderna do Rio de Janeirowill pay homage to Oiticicas enduring art, with his early experiments with geometrical abstraction, his performances, and his interactive works all represented.
Art in the Age of AnxietySharjah Art Foundation, United Arab EmiratesMarch 21June 21
A recent poll by the American Psychological Association suggests that peoples anxiety levels are risinga fact that no doubt has to do with a tense political climate around the world, the introduction of new technologies, and the increasingly fast pace of daily life. Curator Omar Kholeif addresses that phenomenon with this survey exhibition, featuring work by Lawrence Abu Hamdan, Simon Denny, Lynn Hershman Leeson, Guan Xiao, and many more.
Henri Cartier-Bresson: Le Grand JeuPalazzo Grassi, VeniceMarch 22January 10
We know what youre thinking: Another Cartier-Bresson show? Luckily, this one has a twist: people of noteincluding artist Annie Leibovitz, filmmaker Wim Wenders, and collector Franois Pinault, founder of the Palazzo Grassihave been brought on to curate their own selections from Cartier-Bressons 385-work Master Collection. Their results could very well change the way the French photographers work is seen in the years to come.
April
Christina QuarlesMuseum of Contemporary Art ChicagoApril 4August 23
Christina Quarles practices a slippery kind of figuration. As one body of one color merges into another of a different hue, we are forced to confront difficult questions about gender, race, and sexuality. Whose parts belong to whom? Her works have tapped into todays shifting social mores, and not surprisingly, museums have responded with an unusual degree of excitement for a young artist. Not yet 40 years old, the Los Angelesbased Quarles has already appeared in the Hammer Museums lauded Made in L.A. biennial in 2018 and a major New Museum show about gender and sexuality in 2017. In this, her largest museum show to date, she will present paintings made over the course of the last four years.
ArtemisiaNational Gallery, LondonApril 4July 26
In a landmark 1971 essay for ARTnews titled Why Have There Been No Great Women Artists?, art historian Linda Nochlin wondered why we didnt hear more about the Italian Baroque painter Artemisia Gentileschi, daughter of painter Orazio Gentileschi. Nochlin attributed this to art-world misogyny, and since then Gentileschis 1610 masterpiece Judith Slaying Holofernes has made its way into survey courses the world over, with scholars seeing in its graphic sexual violence a kind of feminism avant la lettre. This show at the National Gallery is the first major one devoted to her work in the United Kingdom.
Hilma af Klint: Artist, Researcher, MediumModerna Museet, Malm, SwedenApril 4September 27
What are the chances that the best-attended show ever at the Guggenheim Museum in New York would be that of an early 20th-century abstract painter interested in spiritualism? No, we are not talking about Wassily Kandinsky. An exhibition of Hilma af Klint, a far lesser-known female contemporary of Kandinsky, brought a whopping 600,000 visitors to the museum. Now, another af Klint show is coming to the Moderna Museet, wherewho knowsit may make an even bigger splash. The expansive survey features the first complete showing of one of af Klints most famous series, The Ten Largest (1907).
Yoshitomo NaraLos Angeles County Museum of ArtApril 5August 23
When the Japanese painter and sculptor had his first New York gallery show 20 years ago, New York Times critic Roberta Smith wrote a memorable description of the characters that would make him famous. Looking at his cast of cute but demonic cartoon toddlers, Smith wrote, might put you in mind of the scathingly arch, big-eyed infant of Family Guy crossed with a Kenneth Noland target painting or an Yves Klein International Blue monochrome. For an artist whose reputation is based on something of a punk aesthetic, Nara has awfully high prices: last fall, one of his paintings made $25 million at auction. LACMAs survey, staged in partnership with collector Budi Teks Yuz Museum in Shanghai, will travel to the Guggenheim Bilbao in Spain.
Niki de Saint PhalleMoMA PS1, New YorkApril 5September 7
Niki de Saint Phalles bright, colorful, curvaceous figural sculptures were out of sync with her time, but they are looking more and more relevant to our own. The self-taught artist brought the female figure to a monumental scale and made it exuberant during a period when the avant-garde was more focused on stern minimalism, but since her death in 2002 (and especially in the past few years) there has been a surge of interest in new ways of defining and celebrating women in art. This will be the first-ever museum survey devoted to Saint Phalle, and it will feature 100 objects ranging from paintings to sculpture and jewelry. Included will be works that attest to Saint Phalles activist spirit, which led her to create feminist works during the 1960s and drawings about the AIDS crisis during the 80s.
Sanford Biggers: CodeswitchBronx Museum of the Arts, New YorkApril 8September 6
Asked in 2018 by the New Yorker what he hopes to achieve with his work, which often involves sculptural installations alluding to Black history, Sanford Biggers said, to have there be layers of history and politics, along with a good dose of humor. He said that, with his works, he wants to flip through different timelines and localesto code-switch, as he put it, using the word that forms the title of this show, which includes 60 works by the Harlem-based artist that are constructed from quilts, in an homage to the history of the Underground Railroad.
Chen ZhenPirelli HangarBicocca, MilanApril 9July 26
Throughout the course of his relatively short career, Chen Zhen, who died in 2000 at age 45, repeatedly pondered the changes Western values and globalism had wrought on his native China. For one of his most famous works, he constructed a 65-foot-long dragon out of bicycle inner tubes and wheelsan allusion to both industry and Chinese history. Little more than a year after that work hovered over a major Chinese art survey at the Guggenheim Museum in New York, the Pirelli HangarBicocca is staging a retrospective of the late artists large-scale installations.
The Paradox of Stillness: Art, Object, and PerformanceWalker Art Center, MinneapolisApril 18July 26
Performance art typically calls to mind bodies in motion, but this show proposes that this need not always be the casethe most cutting-edge works being made in the medium these days are making art out of stillness. For this enterprising survey, the Walker Art Center has brought together 100 works by 65 artists, among them Maria Hassabi, Senga Nengudi, Pope.L, and Jordan Wolfson, in an exploration of how performance relates to aesthetic concerns more often found in painting and sculpture. Included will be Anne Imhofs lauded 2019 performance Sex, which in past iterations involved performers slowly enacting complex choreographies amid strobing lights.
Betye SaarMuseum Ludwig, CologneApril 22July 26
The 93-year-old artist has long grappled with racism and its legacy in such works as The Liberation of Aunt Jemima (1972), a sculpture in which a mammy figure appears armed with a broom and a rifle. Having won the Museum Ludwigs $110,000 Wolfgang Hahn Prize earlier this year, shes being honored with a solo show.
STARS: Six Contemporary Artists from Japan to the WorldMori Art Museum, TokyoApril 23September 6
Takashi Murakamis iconoclastic anime-inspired work has gained a foothold in popular culture worldwide through, among other things, his collaborations with Kanye West. Along the way, the works relationship with Japan has been somewhat lost. This presentation brings Murakamis work home, along with that of five other world-renowned Japanese artists: Yayoi Kusama, Lee Ufan, Tatsuo Miyajima, Yoshitomo Nara, and Hiroshi Sugimoto.
Otobong NkangaGropius Bau, BerlinApril 30August 2
For a 200708 piece called Baggage, Otobong Nkanga shipped bags of sand from Antwerp, where shes now based, to Nigeria, where she was born, and then had people in the African country send similar objects back to Belgium. She was alluding to the way our globalist world impacts the environment, broaching all sorts of heavy issues about colonialism and the flow of ideas in the process. Such a heady blend of ideas has made Nkanga an artist beloved by curators, with her work celebrated at last years Venice Biennale, as well as at the Sharjah Biennial. In 2019 she was also the recipient of the inaugural $100,000 Lise Wilhelmsen Art Award. Her show at the Gropius Bau comes on the heels of a yearlong residency there.
May
Judy Chicago: A RetrospectiveDe Young Museum, San FranciscoMay 9September 6
Judy Chicago is far more than her iconic Dinner Party (197479), an installation that imagines a table set for a feast for female pioneers throughout history, and has become a cornerstone of feminist art history. Chicago has long hoped that the public would embrace the whole of her outputI used to say [I hoped Id live] long enough to come out from behind the shadow of The Dinner Party, she told ARTnews in 2019and with this retrospective she gets her wish. (The Dinner Party, on permanent display in the Brooklyn Museum, wont travel for it.) Including 100 pieces, the show will turn the spotlight on some of Chicagos more recent works, which deal with climate change and the rise of fascism .
Riga International Biennial of Contemporary ArtVarious venues, Riga, LatviaMay 16October 11
At last years Venice Biennale, the Golden Lion award for national participation went to Lithuania, one sign that the Baltic region has moved to center stage. For its second edition, the organizers of this biennial, which is dedicated to showcasing homegrown artists, have tapped Rebecca Lamarche-Vadel, a former curator at the Palais de Tokyo museum in Paris. Around 85 percent of the work included is being produced specifically for the show. Among the artists on tap are Pawe Althamer, Nina Beier, Dora Budor, Lina Lapelyte, Hanne Lippard, and Augustas Serapinas.
Kara Walker: Drawings 19932020Kunstmuseum Basel, SwitzerlandMay 16August 23
Kara Walker has recently been associated with her sculptures recalling the horrors of slavery, such as her 75-foot-tall sugar sculpture of a mammy figure-cum-sphinx, which was installed in 2014 in a former Domino Sugar factory in Williamsburg, Brooklyn. This show is a welcome reminder that she is also a master of works on paper. With hundreds of pieces, including some new ones debuting here, Walkers first major survey in Switzerland will pinpoint how she so intelligently synthesizes her disturbing images of racism and misogyny with art-historical traditions.
GoyaFondation Beyeler, Riehen, SwitzerlandMay 17August 16
Alongside the modern and contemporary offerings trotted out by the worlds biggest galleries at this years Art Basel fair in Switzerland will be an unusual presentation: Francisco de Goyas painting Witches Sabbath (179798), which is traveling from the Museo Lzaro Galdiano in Madrid to hang in Fondation Beyelers booth at the fair. The occasion for such a loan is the Beyelers major show devoted to the Spanish Romantic artist, who is known for his bizarre paintings about dreams and states of irrationalityand the horrors of war. Organized in collaboration with the Prado in Madrid, this is one of the biggest Goya shows ever mounted outside Spain.
Jennifer PackerMuseum of Contemporary Art, Los AngelesMay 17November 30
Among the stars of last years Whitney Biennial were Packers beguiling paintings in which Black sitters melt into their backgrounds. Though not yet 40 years old, Packer has established herself as one of the most important figurative painters working in New York today. This is her first West Coast survey.
Lynette Yiadom-BoakyeTate Britain, LondonMay 20August 23
Lynette Yiadom-Boakye has spoken of her paintings of Black men and women rendered in muted tones as being like what Zadie Smith once called character studies of people who dont exist. Her alluring pictures have captured the attention of critics, curators, and young artists alike, and now Tate is mounting the first major survey of her work, with 80 pieces representing her output from the past 17 years.
To Tame a Wild Tongue: Art After ChicanismoMuseum of Contemporary Art, San DiegoMay 21August 23
During the 1960s and 70s, a group of Chicano artists used their work to radically redefine Mexican-American identity, presenting it as something far more complex than previously acknowledged. This survey, which takes its name from an essay by scholar Gloria Anzalda, explores the aftermath, during which artists delved deeper into that complexity. Some 30 artists are represented, including John Valadez and Ester Hernandez.
Venice Architecture BiennaleVarious venues, Venice, ItalyMay 23November 29
Considering the worlds current refugee crisiswhich often boils down to the question of who will share space with those who have become placelessthe theme architect Hashim Sarkis has chosen for this edition of the Venice Architecture Biennale is an apt one. He looked for work that deals with the spatial contract, the means by which people agree to live together. The offerings here are sure to range from the hippy-dippy to the academic, and all will likely point a way forward.
Somewhere DowntownUCCA Center for Contemporary Art, BeijingMay 30August 30
There are few moments in art history more iconic than the 1980s New York art scene, which witnessed the rise of stars like Keith Haring and Jean-Michel Basquiat, and then saw many of them fall during the AIDS crisis later that same decade. That vibrant culture will be transported halfway around the world this season for Somewhere Downtown, a survey curated by critic Carlo McCormick, who has worked on some of the most important exhibitions and scholarship concerning the 80s art world. The material in this show is relatively new to China, with some Haring and Basquiat works making their way to the country for the first time.
The rest is here:
Spring Preview: 33 Essential Museum Shows and Biennials to See This Season - ARTnews
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