A Utopia for a Dystopian Age – New York Times

The utopias of justice are perhaps even more familiar. Asking, typically, for great personal sacrifice, these utopias call for the abolition of all social injustice. While the French Revolution had its fair share of such visions, they reached an apotheosis in 20th-century Marxist politics. Despite his own personal rejection of utopianism, Lenin, high on his pedestal addressing workers in October 1917, came to be the embodiment of all three forms of utopia. At the heart of the Soviet vision there were always those burning eyes gazing intently, and with total confidence, toward the promised land.

Today, the utopian impulse seems almost extinguished. The utopias of desire make little sense in a world overrun by cheap entertainment, unbridled consumerism and narcissistic behavior. The utopias of technology are less impressive than ever now that after Hiroshima and Chernobyl we are fully aware of the destructive potential of technology. Even the internet, perhaps the most recent candidate for technological optimism, turns out to have a number of potentially disastrous consequences, among them a widespread disregard for truth and objectivity, as well as an immense increase in the capacity for surveillance. The utopias of justice seem largely to have been eviscerated by 20th-century totalitarianism. After the Gulag Archipelago, the Khmer Rouges killing fields and the Cultural Revolution, these utopias seem both philosophically and politically dead.

The great irony of all forms of utopianism can hardly escape us. They say one thing, but when we attempt to realize them they seem to imply something entirely different. Their demand for perfection in all things human is often pitched at such a high level that they come across as aggressive and ultimately destructive. Their rejection of the past, and of established practice, is subject to its own logic of brutality.

And not only has the utopian imagination been stung by its own failures, it has also had to face up to the two fundamental dystopias of our time: those of ecological collapse and thermonuclear warfare. The utopian imagination thrives on challenges. Yet these are not challenges but chillingly realistic scenarios of utter destruction and the eventual elimination of the human species. Add to that the profoundly anti-utopian nature of the right-wing movements that have sprung up in the United States and Europe and the prospects for any kind of meaningful utopianism may seem bleak indeed. In matters social and political, we seem doomed if not to cynicism, then at least to a certain coolheadedness.

Anti-utopianism may, as in much recent liberalism, call for controlled, incremental change. The main task of government, Barack Obama ended up saying, is to avoid doing stupid stuff. However, anti-utopianism may also become atavistic and beckon us to return, regardless of any cost, to an idealized past. In such cases, the utopian narrative gets replaced by myth. And while the utopian narrative is universalistic and future-oriented, myth is particularistic and backward-looking. Myths purport to tell the story of us, our origin and of what it is that truly matters for us. Exclusion is part of their nature.

Can utopianism be rescued? Should it be? To many people the answer to both questions is a resounding no.

There are reasons, however, to think that a fully modern society cannot do without a utopian consciousness. To be modern is to be oriented toward the future. It is to be open to change even radical change, when called for. With its willingness to ride roughshod over all established certainties and ways of life, classical utopianism was too grandiose, too rationalist and ultimately too cold. We need the ability to look beyond the present. But we also need Mores insistence on playfulness. Once utopias are embodied in ideologies, they become dangerous and even deadly. So why not think of them as thought experiments? They point us in a certain direction. They may even provide some kind of purpose to our strivings as citizens and political beings.

We also need to be more careful about what it is that might preoccupy our utopian imagination. In my view, only one candidate is today left standing. That candidate is nature and the relation we have to it. Mores island was an earthly paradise of plenty. No amount of human intervention would ever exhaust its resources. We know better. As the climate is rapidly changing and the species extinction rate reaches unprecedented levels, we desperately need to conceive of alternative ways of inhabiting the planet.

Are our industrial, capitalist societies able to make the requisite changes? If not, where should we be headed? This is a utopian question as good as any. It is deep and universalistic. Yet it calls for neither a break with the past nor a headfirst dive into the future. The German thinker Ernst Bloch argued that all utopias ultimately express yearning for a reconciliation with that from which one has been estranged. They tell us how to get back home. A 21st-century utopia of nature would do that. It would remind us that we belong to nature, that we are dependent on it and that further alienation from it will be at our own peril.

Espen Hammer is a professor of philosophy at Temple University and the author of Adornos Modernism: Art, Experience, and Catastrophe.

Now in print: The Stone Reader: Modern Philosophy in 133 Arguments, an anthology of essays from The Timess philosophy series, edited by Peter Catapano and Simon Critchley, published by Liveright Books.

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A Utopia for a Dystopian Age - New York Times