Freedom (Franzen novel) – Wikipedia, the free encyclopedia

Freedom is a novel by American author Jonathan Franzen. It was published by Farrar, Straus and Giroux and released on August 31, 2010.

Freedom received general acclaim from book critics, and was ranked one of the best books of 2010 by several publications.

Freedom follows several members of an American family, the Berglunds, as well as their close friends and lovers, as complex and troubled relationships unfold over many years. The book follows them through the last decades of the twentieth century and concludes near the beginning of the Obama administration.

Freedom opens with a short history of the Berglund family from the perspective of their nosy neighbors. The Berglunds are portrayed as the most ideal liberal middle-class family, and they are among the first families to move back into urban St. Paul, Minnesota, after years of white flight to the suburbs. Patty Berglund is an unusually young and pretty homemaker with a self-deprecating sense of humor; her husband Walter is a mild-mannered lawyer with strong environmentalist leanings.

They have one daughter, Jessica, and a son, Joey, who early on displays an independent streak and an interest in making money. Joey becomes sexually involved with a neighborhood teen named Connie and begins to rebel against his mother, going so far as to move in with Connie, her mother, and her mother's boyfriend Blake, making Patty and Walter increasingly unstable. After several unhappy years, the family relocates to Washington, D.C., abandoning the neighborhood and house they worked so hard to improve. Walter takes a job with an unorthodox environmental project, tied to big coal.

The second portion of the book takes the form of an autobiography of Patty Berglund, composed at the suggestion of her therapist. The autobiography tells of Patty's youth as a star basketball player, and her increasing alienation from her artistically inclined parents and sisters. Instead of attending an East Coast elite college like her siblings, she gets a basketball scholarship to the University of Minnesota and adopts the life of the athlete. She meets an attractive but unattainable indie rock musician named Richard Katz, and his nerdy but kind roommate, Walter Berglund. After her basketball career-ending knee injury, Patty suddenly becomes desperate for male affection, and after failing to woo Richard, she settles down with Walter, who had been patiently courting her for more than a year. We learn that Patty retained her desire for Richard and eventually had a brief affair with him at the Berglunds' lakeside cabin.

The novel then jumps ahead to New York City in 2004 and shifts to the story of Walter and Patty's friend Richard, who has finally succeeded in becoming a minor indie rock star in his middle age. His hit album Nameless Lake tells the story of his brief love affair with Patty at the Berglunds' lakeside cabin in Minnesota. Richard is uncomfortable with commercial success, throws away his new-found money, and returns to building roof decks for wealthy people in Manhattan. Walter calls him out of the blue to enlist his help as a celebrity spokesman for an environmental campaign. Walter has taken a job in Washington, D.C. working for a coal mining magnate who wants to strip mine a section of West Virginia forest before turning it into a songbird preserve of future environmental value. Walter hopes to use some of this project's funding to hold a concert to combat overpopulation, the common factor behind all his environmental concerns, and he believes that Richard will be able to rally well-known musicians to his cause. Meanwhile, Walter's marriage to Patty has been deteriorating steadily, and his pretty young assistant Lalitha has fallen deeply in love with him.

In parallel, the Berglunds' estranged, Republican son Joey attempts to finance his college life at the University of Virginia by taking on a dubious subcontract to provide spare parts for outdated supply trucks during the Iraq War. While at college, he marries his childhood sweetheart but dares not tell his parents. After visiting his roommate's family in the DC suburbs, he also pursues his friend's beautiful sister Jenna and is exposed to her father's Zionist, neoconservative politics. After months of pursuing Jenna, when she finally wants him to have sex with her, he cannot maintain an erection. Later he becomes conflicted after making $850,000 selling defective truck parts to military suppliers in Iraq. In the end Joey gives away the excess proceeds of his profiteering, reconciles with his parents, settles down with Connie, and moves into a sustainable coffee business with the help of his father Walter.

Now, Richard's re-appearance destroys Walter and Patty's weakening marriage. Richard tries to convince Patty to leave Walter, but she shows Richard the autobiography she wrote as "therapy", trying to convince him that she's still in love with Walter. Richard deliberately leaves the autobiography on Walter's desk, and Walter reads Patty's true thoughts. Walter kicks Patty out of the house, and she moves to Jersey City to be with Richard, but the relationship only lasts six months. Later, she moves to Brooklyn alone and takes a job at a private school, discovering her skill for teaching younger children. When Patty leaves him, Walter has a catharsis on live television, revealing his contempt for the displaced West Virginian families and his various commercial backers. Local rednecks respond by dragging him from the platform and beating him up. He is promptly fired by the environmental trust, but his TV debacle makes him a viral video hero to radical youth across the nation. He and his assistant Lalitha become lovers and continue their plans to combat overpopulation through a concert to rally young people in the hills of West Virginia. Lalitha is killed in a suspicious car accident a few days before the concert is due to take place. Shattered, and having lost both of the women who loved him, Walter retreats to his family's lakeside vacation house back in Minnesota. He becomes known to a new street of neighbors as a cranky old recluse, obsessed with house cats killing birds nesting on his property.

After a few years living in Brooklyn, Patty's father dies and she is forced to settle the fight that erupts within her family of spoiled bohemians as they attempt to split up the much-diminished family fortune. This experience helps Patty to mature. After a few years of living alone, she appraises the emptiness of her life and honestly faces her advancing age. She decides to hunt down Walter, the only man who had ever really loved her. She drives to the lakeside cabin in Minnesota, and despite his rage and confusion, he eventually agrees to take her back. The book ends in 2008 as they leave as a couple to return to Patty's job in New York City, after turning their old lakeside vacation home into a cat-proof fenced bird sanctuary, named in memory of Lalitha.

After the critical acclaim and popular success of his third novel The Corrections in 2001, Franzen began work on his fourth full-length novel. When asked during an October 30, 2002 interview on Charlie Rose how far he was into writing the new novel, Franzen replied:

I'm about a year of frustration and confusion into it...Y'know, I'm kind of down at the bottom of the submerged iceberg peering up for the surface of the water...I don't have doubt about my ability to write a good book, but I have lots of doubt about what it's going to look like.[1]

Franzen went on to suggest that a basic story outline was in place, and that his writing of the new novel was like a "guerilla war" approaching different aspects of the novel (alluding to characters, dialogue, plot development etc.).[1] Franzen also agreed that he would avoid public appearances, saying that "...getting some work done is the vacation" from the promotional work surrounding The Corrections and How To Be Alone.[1]

An excerpt entitled "Good Neighbors" appeared in the June 8 and June 15, 2009 issues of The New Yorker.[2] The magazine published a second extract entitled "Agreeable" in the May 31, 2010 edition.[3]

On October 16, 2009, Franzen made an appearance alongside David Bezmozgis at the New Yorker Festival at the Cedar Lake Theatre to read a portion of his forthcoming novel.[4][5] Sam Allard, writing for North By Northwestern website covering the event, said that the "...material from his new (reportedly massive) novel" was "as buoyant and compelling as ever" and "marked by his familiar undercurrent of tragedy".[5] Franzen read "an extended clip from the second chapter."[5]

On March 12, 2010, details about the plot and content of Freedom were published in the Macmillan fall catalogue for 2010.[6]

In an interview with Dave Haslam on October 3, 2010 Franzen discussed why he had called the book Freedom:

The reason I slapped the word on the book proposal I sold three years ago without any clear idea of what kind of book it was going to be is that I wanted to write a book that would free me in some way. And I will say this about the abstract concept of 'freedom'; it's possible you are freer if you accept what you are and just get on with being the person you are, than if you maintain this kind of uncommitted I'm free-to-be-this, free-to-be-that, faux freedom.[7]

Freedom received general acclaim from book critics, particularly for its writing and characterization. Shortly after the book's release, the front cover of a TIME magazine issue showed a picture of Franzen above the words "Great American Novelist," making him the first author to appear on the front cover in a decade.

Sam Tanenhaus of The New York Times and Benjamin Alsup of Esquire believed it measured up to Franzen's previous novel, The Corrections. Tanenhaus called it a "masterpiece of American fiction," writing that it "[told] an engrossing story" and "[illuminated], through the steady radiance of its authors profound moral intelligence, the world we thought we knew."[8] Alsup called it a great American novel. "[9] In The Millions, Garth Risk Hallberg argued that readers who enjoyed The Corrections would enjoy Freedom. He also wrote that they're "likely to come away from this novel moved in harder-to-fathom waysand grateful for it."[10] An editor for Publishers Weekly wrote that it stood apart from most modern fiction because "Franzen tries to account for his often stridently unlikable characters and find where they (and we) went wrong, arriving atincrediblygenuine hope."[11]

Benjamin Secher of The Telegraph called Franzen one of America's best living novelists, and Freedom the first great American novel of the "post-Obama era."[12] In The Guardian, Jonathan Jones called him "a literary genius" and wrote that Freedom stood on "a different plane from other contemporary fiction."[13]

Michiko Kakutani called the book "galvanic" and wrote that it showcased Franzen's talent as a storyteller and "his ability to throw open a big, Updikean picture window on American middle-class life." Kakutani also praised the novel's characterization, going on to call it a "compelling biography of a dysfunctional family and an indelible portrait of our times."[14]The Economist wrote that the novel contained "fully imagined characters in a powerful narrative." The reviewer went on to say that it had "all its predecessor's power and none of its faults."[15]

Not all reviews were raving. Most lukewarm reviews praised the novel's prose, but believed the author's left-wing political stance was too obvious. Sam Anderson, in a review for New York magazine, thought the characterization was strong, but perceived the politics as sometimes too heavy-handed: "Franzen the crankmighty detester of Twitter, ATVs, and housing developments" occasionally "overpower[s] Franzen the artist [...] but if crankiness is the motor that powers Franzen's art, I'm perfectly willing to sit through some speeches."[16]Ron Charles of The Washington Post also felt less favorably, remarking that it lacked the wit and "[freshness]" of The Corrections. Charles praised Franzen's prose and called him "an extraordinary stylist," but questioned how many readers would settle for good writing as "sufficient compensation for what is sometimes a misanthropic slog."[17] In addition, Ruth Franklin of The New Republic believed the novel resembled a "soap opera" more than it did an epic, and that Franzen had forgotten "the greatest novels must [...] offer [...] profundity and pleasure."[18]

Alexander Nazaryan criticized its familiarity in the New York Daily News remarking that the author "can write about a gentrifying family in St. Paul. Or maybe in St. Louis. But that's about it. Nazaryan also didn't believe Franzen was joking when he suggested "being doomed as a novelist never to do anything but stories of Midwestern families."[19]Alan Cheuse of National Public Radio found the novel "[brilliant]" but not enjoyable, suggesting that "every line, every insight, seems covered with a light film of disdain. Franzen seems never to have met a normal, decent, struggling human being whom he didn't want to make us feel ever so slightly superior to. His book just has too much brightness and not enough color."[20]

Ross Douthat of First Things praised the "stretches of Freedom that read like a master class in how to write sympathetically about the kind of characters" with an abundance of freedom. Yet, Douthat concluded the novel was overlong, feeling the "impression that Franzen's talents are being wasted on his characters."[21]

Freedom won the John Gardner Fiction Award. Additionally, it was a finalist for the Los Angeles Times Book Prize and the National Book Critics Circle Award for Fiction. The American Library Association also named it a notable fiction of the 2010 publishing year.

Oprah Winfrey made Freedom her first book club selection of 2010, saying, "this book is a masterpiece."[22][23] US President Barack Obama called it "terrific" after reading it over the summer.[24]

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Freedom (Franzen novel) - Wikipedia, the free encyclopedia