Painting Black History in the Time of Censorship for Young Readers: A Conversation with Nikkolas Smith, Illustrator of 1619 Project’s Born on the…

In Born on the Water, the childrens picture book accompaniment to The 1619 Project, Smiths paintings bring the cultures of West Africans to life, showing the pre-enslavement history often omitted from classrooms.

One of the things that me and Nikole talk about is theres so much rich history, and culture, and so much joy in these tribes and these people that were stolen from their land, Smith told The 74. You really have to understand all of that to understand how heavy it was, and how tragic it was We really just wanted to show that life.

From his plant-filled Los Angeles home, Smith paired Hannah-Jones and Watsons poetry with family traditions, beautiful hair, dances, imagery that evoked death and spirits. Using a digital speed-sketch style, his illustrations began as monochrome shapes and skeletons in Photoshop, impressions of how he felt after reading and internalizing their verses.

The book hit shelves last fall amid a wave of proposed state laws aimed at preventing students from learning a mythical critical race theory and divisive concepts. In at least four states, legislation attempted to ban the 1619 Project explicitly. So far, Florida has succeeded.

While a vocal minority of lawmakers and parents believe school aged children are too young to grapple with just how violence against Black people was intrinsic to the nations founding, many more yearned for the content. Born on the Water topped bestseller lists as families headed into 2022, looking for ways to talk to children about the country theyll inherit.

Smiths artistic approach seemed a natural fit. In digital paintings, he added layer after layer of color and symbols clouds modeled after picked cotton, the shape of a person sinking underwater, or a green toy tied to a tree, the only sign of life left after colonizers stole a tribe to convey anger and fear in ways young readers could feel without being traumatized by explicit violence.

Long-inspired by Nina Simone to reflect the times, hed balanced trauma and life in childrens illustrations for years, painting Tamir Rice, Elijah McClain and others killed by police.

His second book, My Hair is Poofy and Thats Ok, explored the internalized hatred young Black children develop from racism and microaggressions.

Through his work, which he describes as art as therapy, he tries to help himself and viewers heal the broken bones of society.

For them to say, we have a book about the transatlantic slave trade and slavery, and all of these very heavy things that we as Black people in America, we think about it all the time I felt like thats one of the biggest broken bones in America, he said.

Remember that these werent slaves that were taken, these were brilliant people, and they did some amazing things They knew how to design and build cities, they built this country, and thats why they were stolen, because they were brilliant and good at what they do. We just want to remind people of that, and also how much they fought and resisted and got their freedom back.

And [for] the young folks who are not Black, theres no shame in anything were saying. We want people to grow up having an accurate understanding of what happened in this country. I feel like its really not until we address all of these things openly and honestly that were gonna really grow and move forward as a nation.Nikkolas Smith

Smith blurred linear understandings of time by using symbols across generations, to help young readers understand that [ancestors] vision of the future, their wildest dreams are now embodied in us [were] having to take that mantle and move forward.

And in faces, Smith balanced the world of feelings bound up in the Black experience: from shame, when the protagonist cannot make a family tree beyond three generations, to pride, after her grandmother recounts the rich history of tribes pre-enslavement. Her hair, in Bantu knots, and clothing give reference to past generations.

Ultimately, Smith hopes his work can help the next generation of Black youth have a sense of pride. Over the next few months, hell paint scenes of Ruby Bridges, the first young person to integrate a Southern school in 1960. And next year, hell collaborate with celebrated author Timeka Fryer Brown on a picture book about the Confederate flag.

He expects both will end up on some banned lists.

All we can do is keep putting the truth out there, Smith said, and itll get into the right hands.

All paintings are illustrated by Nikkolas Smith for Born on the Water, a publication of Kokila, an imprint of Penguin Young Readers.

Read more from the original source:
Painting Black History in the Time of Censorship for Young Readers: A Conversation with Nikkolas Smith, Illustrator of 1619 Project's Born on the...