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Daily Archives: September 7, 2022
Your Weekly Roundup of New Movies: Loving Highsmith Paints Itself Into a Melancholy Corner – Willamette Week
Posted: September 7, 2022 at 5:46 pm
LOVING HIGHSMITH
** Patricia Highsmith may have invented Tom Ripley and Strangers on a Train, but she opens this documentary espousing no love for mysteries. Fitting, maybe. Portrayed here, hers was a lifetime of intermittent hope (see: Carol) and overriding tragedy (see: everything else), as she lived out the loneliness, globe-trotting and crippling sexual repression so often found in her novels. With Gwendoline Christie (Brienne of Tarth in Game of Thrones) narrating Highsmiths diary pages and romantic letters in a voice like dry vermouth, were immersed in the authors unrequited longing, most of all for her cruel mothers affection (and for one great love whose identity remains a secret). Director Eva Vitija clearly devoted tremendous effort to interviewing and researching Highsmiths romantic partners, but she lacks the footage necessary to provide narrative fuel. The film inexplicably overemphasizes Highsmiths alienation using Texas rodeo B-roll, and Vitijas sudden yet sparse first-person narration comes off as a last-ditch device to move us through the authors biography. An interview with a Highsmith scholar or two could have added artistic insight without sacrificing intimacy, but instead Loving Highsmith paints itself into a melancholy corner. It fails to understand that while Highsmiths life was sad, it was full. NR. CHANCE SOLEM-PFEIFER. Living Room.
GIGI & NATE
** While director Nick Hamm deserves credit for making a movie about the issues surrounding the use of service animals, Gigi & Nate is both worthy of celebration and thoroughly unmemorable. Based on a true story (but boasting several differences from real-life events), the film stars Charlie Rowe as Nate Gibson, a teenage boy who becomes stricken with meningitis after a cliff dive during a Fourth of July getaway. Nates condition ultimately results in paralysis, but he finds hope in his companionship with Gigi, a loving capuchin monkey. Unfortunately, the film avoids showing many of the challenges that Nate faces during his rehabilitation and leaves too much of his emotional bonding with Gigi to montage (Hamm focuses much of his attention on the melodrama surrounding a potential law to ban capuchin monkeys as service animals). Aside from some mild cursing, Gigi & Nate is essentially a family movie that makes compelling points but isnt a compelling watch. PG-13. RAY GILL JR. Bridgeport, Cedar Hills, Clackamas, Eastport Plaza, Evergreen Parkway, Hilltop, Lloyd Center.
SALOUM
** If movies were only their premises, Saloum could be one of 2022s finest. When their escape plane starts leaking fuel, a trio of legendary West African mercenaries transporting a Mexican drug lord must pretend to be gold miners while waylaid in a Senegalese village with a haunting secret (sold?). On top of that, director Jean Luc Herbulot shoots the Saloum river delta with spaghetti Western pomp and breadth, while doing a low-budget Tarantino riff as antihero Chaka (Yann Gael) waxes poetic about post-colonialism over a tense, potentially cover-blowing dinner. But just as Herbulots powder keg of a narrative threatens to blow, an unwelcome hesitation creeps in. Action scenes are cheated around at the last possible momentsand a combination of hand-held camerawork, rapid cutting and hazy, colorless CG robs the audience of the cathartic violence and physicality youd expect from a horror-revenge thriller-black hat Western amalgam. Genuine potential, though, is a rare thing. Saloum couldve been this years Bacurau. For now, its best viewed as a glint of first-act promise (and a glimpse of what Herbulot could make with a few more million dollars and a VFX assist). NR. CHANCE SOLEM-PFEIFER. Streams beginning Sept. 8 on Shudder.
PETER VON KANT
** Given that Rainer Werner Fassbinders The Bitter Tears of Petra von Kant is a signature work of 70s European cinema, a remake isnt a ridiculous idea. But the original certainly deserves a more illuminating interpretation than the one offered here by director Franois Ozon, who also adapted the Fassbinder play Water Drops on Burning Rocks. Whereas Petra embeds with a fashion designer cooped up in her apartment, chronicling her affairs with colleagues and muses, Peter von Kant gender-flips the lovesickness, centering a male film director in 1972 Cologne and the young man he molds into a star. Ozon (Swimming Pool) clearly relishes Peters homebound hedonism: His apartment has deep scarlet walls, a thousand gin-and-tonics, and robes for all seasons. Yet his film adds precious little to Fassbinders, constricting its emotions and meanings with literalism. Casting Fassbinder lookalike Denis Mnochet (Inglourious Basterds) as the titular film director, Peter loudly implies autobiography, even adding an ingnue (Amir Ben Salem, played by Khalil Ben Gharbia) obviously named for real-life Fassbinder lover and actor El Hedi ben Salem. Whats more, Ozons almost madcap storytelling (a sharp contrast with Petras languid ambiguity) creates a knowing soapiness that offers a few argumentative fireworks, but no reason for the audience to engage with the films characters or question their preordained fates. NR. CHANCE SOLEM-PFEIFER. Cinema 21.
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UK-trio JADED teams up with multi-instrumentalist/DJ Carlita on ‘Zorro’ – Raver Mag.
Posted: at 5:46 pm
Available now on Higher Ground
Stream Zorro HERE
Best known for their quirky and bumpy house-driven vocal tracks, the UK-trio JADED teams up with the rapidly growing, multi-instrumentalist/DJ Carlita for their latest single Zorro, an eclectic soundscape and instant dancefloor heater.
With horns blazing and beats rolling, JADED and Carlita bring us a fun atmosphere perfect for virtually any stage or setting. The pounding beat, subtle cowbell, wobbling synth, and reverberating vocals send us into a frenzy, and its clear that the artists hold nothing back with Zorro.
London-based Jaded comprised of Nari, Jordan, and Teo has cultivated a sound informed by a broad sonic palette and bound together by friendship, camaraderie, serious musicianship, and party vibes. Its honest, captivating, and refreshing electronic music from a tight-knit trio full of
boundless talent and creativity. Jadeds sound is primed for the dance floor, it incorporates the energy of London city; vibrant, multicultural, and truly global. With Jaded you get the raw unvarnished version of each member, and you can hear this in their music. Its made for those who want to dance and immerse themselves in the uninhibited hedonism of the club scene. With their sights set on a complete takeover of the dance floor, and support from Diplo, Claptone and John Summit, among others, Jadeds ambitions include the launch ofa record label, alongside their debut album, and plans to tour the USA for the first time.
Carlita has been turning heads and for a very good reason. Now based out of New York City, the Turkish-Italian artist is a classically trained multi-instrumentalist who is part of the undergrounds most elite circles. Shes renowned for playing unique stages internationally; from Burning Man to Teslas Giga Factory opening and more. This summer, shes turned up the heat with her project by getting her hands in numerous impressive ventures. Earlier this month, her official remix of RFS DU SOLs track See You Again was released as a part of their SURRENDER REMIXES album, alongside remixing artists like Adriatique, Colyn, Dom Dolla, and more. Coming up, on September 5th, Carlita will be traveling to the mythical Cinecitt Studios in Rome, Italy, to film an esteemed Cercle Set. The Cinecitt Studios, often called La fabbrica dei sogni ( Dream Factory) will be the backdrop to her performance. Over 3,000 films have been shot at Cinecitt in its 80+ year history and at least 51 of them have won Academy Awards. Next, coinciding with New York Fashion Week, Carlita will present her own multisensory high-fashion concept party called Senza Fine on September 9. The party aims to blur the boundaries between genres of music, people, design, and experience attendees will be immersed in a boundless celebration of the senses through the use of colored haze, lighting, fragrance, and curation of architectural design. Tickets are available here.
Zorro is out now on Higher Ground stream here
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UK-trio JADED teams up with multi-instrumentalist/DJ Carlita on 'Zorro' - Raver Mag.
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Box office gross: 5 films that find horror in fine cuisine – The List
Posted: at 5:46 pm
As Flux Gourmet hits cinema screens, we've cooked up some more cinematic recommendations for those with very strong stomachs
In which drag icon Divine eats real dog poo from the ground to prove how disgusting she can be. Its not big and its not clever, but it is one of the most famous scenes in underground cinema. John Waters, your crown as the king of trash remains untarnished.
A cause clbre of its time, Marco Ferreris 1973 satire is the age-old tale of rich aristocrats and their prostitute pals who retreat to the countryside and gorge themselves to death with a feast of chicken legs, orgies and mash. A darkly funny and gruelling examination of decadences logical endpoint.
Franois Rabelais would be proud of Monty Pythons Mr Creosote sequence, a gleeful celebration of vomit and viscera. Creosote is a rotund upper-class grotesque who loves food and throwing up on his inferiors. His waiter in an upmarket restaurant overfeeds the glutton to literal bursting point, watching as his greedy guts explode over well-dressed patrons.
Jan vankmajers food phobia is well documented, and its ever-present in one of his few feature-lengths, turning a pleasant meal between family members into a series of deeply unpleasant close-ups as food is shovelled into mouths like innards into a threshing machine.
Vera Chytilovs anarchic 1966 comedy-drama uses fine dining and food consumption for plenty of subversive fun, from satirising the rich to meditating on hedonism. But the films finest sequence finds its female leads chopping phallically shaped foodstuffs to mock their expectant male lovers. Youll never look at a cucumber the same way again.
Flux Gourmet is in cinemas from Friday 30 September.
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Box office gross: 5 films that find horror in fine cuisine - The List
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Just released: The 2022-2023 College Free Speech Rankings – Foundation for Individual Rights in Education
Posted: at 5:44 pm
PHILADELPHIA, Sept. 7, 2022 The largest survey on student free expression ever conducted adds 45,000 student voices to the national conversation about free speech on college campuses and finds that many are afraid to speak out on their campus. Many others want to silence the voices of those who dont share their viewpoints, creating campus echo chambers.
Sayonara, debate and disagreement; hello, campus kumbaya.
Today, the Foundation for Individual Rights and Expression, in partnership with College Pulse, released the third annual College Free Speech Rankings, ranking the speech climates of 203 of Americas largest and most prestigious campuses in order from top (the University of Chicago) to bottom (Columbia University).
That so many students are self-silencing and silencing each other is an indictment of campus culture, said FIRE Senior Research Fellow Sean Stevens. How can students develop their distinct voices and ideas in college if theyre too afraid to engage with each other?
EXPLORE THE RANKINGS
The top colleges for free speech:
The worst colleges for free speech:
The rankings rely heavily on student responses. Each schools speech code rating also factored into the scoring; Most schools without any policies that imperil free speech rose in the rankings, while those with restrictive speech codes fell.
This year, FIRE also took into account which schools sanctioned faculty for their speech or disinvited guest speakers based on viewpoint since 2019, giving the institutions that did lower marks.
Self-censorship is pervasive across top-ranked and bottom-ranked schools alike; 63% of respondents worried about damaging their reputation because someone misunderstood something they said or did. An equal percentage said that students shouting down a speaker to prevent them from speaking on campus was acceptable to some degree.
Other findings from the report include:
The study also found that majorities of students believe campus speakers with opinions that stray from liberal orthodoxy should not be allowed to speak on campus. FIRE doesnt take a stance on any of the following issues, but firmly believes that theyre all within the bounds of open campus debate and discussion.
FIRE hopes that prospective college students and their parents will use the rankings to make informed decisions about where to apply.
The situation for freedom of speech and academic freedom has been in trouble on campus since before FIRE was founded in 1999, said FIRE CEO Greg Lukianoff. That situation has gotten far worse in the last few years. Our new and improved rankings are intended to reward universities that protect and defend the freedom of speech, while empowering students and parents who care about free speech not to attend or support universities that dont.
EXPLORE THE RANKINGS
The Foundation for Individual Rights and Expression (FIRE) is a nonpartisan, nonprofit organization dedicated to defending and sustaining the individual rights of all Americans to free speech and free thoughtthe most essential qualities of liberty. FIRE recognizes that colleges and universities play a vital role in preserving free thought within a free society. To this end, we place a special emphasis on defending the individual rights of students and faculty members on our nations campuses, including freedom of speech, freedom of association, due process, legal equality, religious liberty, and sanctity of conscience.
CONTACT:
Katie Kortepeter, Media Relations Manager, FIRE: 215-717-3473; media@thefire.org
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Russian Court’s Ban of Newspaper Novaya Gazeta is a Punch in the Face of Freedom of Speech – Novinite.com
Posted: at 5:44 pm
Iveta Cherneva, human rights author and analyst; finalist for UN Special Rapporteur on freedom of speech in 2020
The recent ruling by a Russian court in Moscow to revoke the license of Russian newspaper, Novaya Gazeta, is a punch in the face of freedom of speech. Globally, not just in Russia.
Novaya Gazeta'seditor-in-chief, Dmitry Muratov, whorecently won the Nobel Peace Prize, claims that the court's decision has no legal basis.
The Russian authorities are accusing the newspaper of being a foreign agent. Foreign asset or spy is a usual angle that governments around the world often take in order to discredit and eliminate media or human rights organizations. In this case, the Russian authorities' argument is that the newspaper has failed to comply with the Russian laws applying to foreign agents, without the paper actually being a foreign agent.
Aggressively going after media and critical voices in a society brings about the proverbial "chilling effect", which silences and scares the exersize of free speech. That's observed not only in Russia.
Russia's "foreign agent" laws have a chilling effect on the exercize of free speech in Russia, but also beyond. They deprive of the truth people globally, especially in light of Novaya Gazeta's reporting of Russia's war on Ukraine which is a topic of global interest.
The Russian court's judgment, in a series of increased government pressure on Russian media, is an illustration of the attack on mediafreedom and independence by Russian President Vladimir Putin. This goes all the way up. Actions by the Russian authorities of this kind make the job of journalists impossible literally. Novaya Gazeta has now been banned from publishing in Russia. That should worry not only Russians but also people all over the world who care about media freedom and freedom of speech, and who care about those who inform and bring the truth.
/Iveta Cherneva
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Write to us at editors@novinite.com
- Novinite.bg
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Russian Court's Ban of Newspaper Novaya Gazeta is a Punch in the Face of Freedom of Speech - Novinite.com
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Bangladeshi Editor Rifat Munim Supports Salman Rushdie’s Freedom Of Speech: ‘Why React To The Book Or The Cartoons In This Childish Way? Why Show…
Posted: at 5:44 pm
In a recent article in which he expressed support for the right to freedom of expression of Salman Rushdie and other writers, noted Bangladeshi journalist Rifat Munim narrated how there was "total silence" in Bangladeshi newspapers and magazines regarding the August 12, 2022 attack on the author of The Satanic Verses.
Rifat Munim noted that despite how several Bangladeshi writers had been killed in similar attacks or forced to go into exile in fear for their lives, the courts took years to deliver a verdict in the relevant cases. "My country's abysmal track record of protecting writers and publishers from similar attacks in the past has pushed us down a slippery slope, where writers and journalists live in an atmosphere of fear and choose to self-censor rather than speak their minds," he added.
Rifat Munim is an editor, journalist, translator, and essayist based in Dhaka. He was the literary editor of Dhaka Tribute, a leading Bangladeshi newspaper. His article titled "Salman Rushdie: No Criticism Strips The Writer Of The Right To Free Expression" appeared in a special issue of Outlook, a weekly magazine published from New Delhi.
Rifat Munim (image courtesy: AddaStories.org)
Following are excerpts from the article:[1]
"Writing About This Attack While Living In Bangladesh Puts One In A Rather Difficult Position"; "There Is An Ambience Of Total Silence Over The Despicable Attack On Salman Rushdie In The Bangladeshi Media"
"Writing about this attack [on Salman Rushdie] while living in Bangladesh puts one in a rather difficult position. My country's abysmal track record of protecting writers and publishers from similar attacks in the past has pushed us down a slippery slope, where writers and journalists live in an atmosphere of fear and choose to self-censor rather than speak their minds.
"That's precisely why there is an ambience of total silence over the despicable attack on Salman Rushdie in the Bangladeshi media. Only news items were published on the front or back pages immediately after the attack. Rushdie then vanished from print editions altogether, and was sent to the section marked 'international' or 'world' in online editions. Only one English daily carried an op-ed on the subject and that piece, a reprint of a Conversation UK article, is written by a UK-based, non-Bangladeshi literary researcher.
"Taslima Nasrin was forced out of the country in 1994 upon publication of her third novel, Lajja (Shame). She has since lived in exile.
"Prolific writer Humayun Azad was brutally attacked in 2003 by members of Jamaat-ul-Mujahideen Bangladesh [JMB] after he published his novel [with a title denoting Pakistan's national anthem], Pak Saar Jamin Saad Bad, which was an allegorical depiction of how Jamaat-e-Islami, one of the main parties in the [right-wing] BNP-led coalition then in power, had collaborated with Pakistan's occupation army in killing Hindus and freedom fighters in 1971. He died the next year. The verdict on the Azad murder case was delivered by a Dhaka court in April this year, 18 long years after the attack.
"Therefore, on the one hand, threats of militant attacks are very much alive and kicking, and on the other, there is fear of legal repercussions. Because, due to the enactment of the Digital Security Act, if anybody feels that their religious feeling is hurt over any article or item published online, no matter how absurd that feeling might be, they can file a case against the writer or the newspaper editor.
"Faced with such a fear-mongering climate, when you sit down to write an article unequivocally condemning the attack on Rushdie and the ideology that birthed the attacker, you ask yourself: in this situation, what's the limit of the thinkable for someone living in Bangladesh, especially when talking about Rushdie vis--vis The Satanic Verses, which appears even more incendiary today than it was 30 years ago?
"No matter how much the space for debate has shrunk, we owe it to every writer who has ever been attacked for their words whether in the U.S. or Russia or China or India or Bangladesh that we continue their fight by giving robust expressions to our own thoughts. More so for Rushdie, who is the meteor in our imagination, having touched so many lives and jolted so many readers into questioning their perceptions."
"When The Awami League... Came To Power In 1996, This Atmosphere Of Openness Was Given A Further Boost And Our Debates Would Also Include Books By Ahmed Sharif And Aroj Ali Matubbor, Both Of Whom Question Islam, Christianity, And Hinduism From Scientific And Humanist Viewpoints"
"In the early 1990s, when I was stepping into my early teens, my hometown Bagerhat scarcely had any reader of a classic English novel in its original format, let alone a contemporary novel as complex as [The Satanic] Verses. A large body of Russian, North American, French and English novels had a considerable readership, but all those books were read in Bengali translations. Yet, the mainstream Bangla dailies conveyed to us news of violent protests over the book and of course, the fatwa [by Ayatollah Khomeini], thus taking the waves of the Rushdie debate to the country's south-western corner. As the book was banned immediately in Bangladesh, India, and Pakistan, our interest in it naturally grew.
"The leftist circles that I had started hanging out with comprised of youths who spoke for Rushdie's right to exercise critical thinking. Unlike today's Bangladesh, the leftist student parties had considerable sway over students back then. One reason was that the 1990 mass movement, which had brought down General H.M. Ershad's nine-year-long autocratic rule, was jointly engineered by student fronts of all major political parties, barring the religiously oriented ones.
"The spirit of the movement created an atmosphere for critical thinking and ideas to grow and flow among the youth. After Ershad's fall, the BNP [Bangladesh Nationalist Party], the party sympathetic to majoritarian religious narratives, came to power. It banned Taslima's Lajja in 1993 and Azad's feminist essay collection Nari in 1995. Yet, members of its student front in Bagerhat, who had rented a two-room office in my neighborhood, would hang out with activists from their own party as well as those from the leftist parties and the Chhatra League, the student front of the BNP's arch rival, the Bangladesh Awami League.
"Having weaned off fairy tales and children's thrillers, I was reading, on the one hand, detective thrillers and abridged Bengali translations of European classics (published by Sheba Prakashani), and on the other, all those Bengali translations under the rubric of 'Marxism' published by Russia-affiliated Pragati Prakashani. I was always around the BNP office or tea stalls adjacent to it, so that I could share my ideas or perhaps get new perspectives from seniors, many of whom were avid readers and not politically active any more.
"Verses, Lajja and Nari were at the center of many long discussions. There also were talks on Syed Shamsul Haq's Khelaram Khele Ja and Azad's Sob Kichu Bhenge Pore, both of which rather openly deal with issues of sexuality, including graphic description of sexual encounters between men and women. When the Awami League, the party that promoted the spirit of the 1971 Liberation War and non-communalism, came to power in 1996, this atmosphere of openness was given a further boost and our debates would also include books by Ahmed Sharif and Aroj Ali Matubbor, both of whom question Islam, Christianity, and Hinduism from scientific and humanist viewpoints."
"Maybe It Was Due To My Upbringing And The Cultural Climate I Was Exposed To, But I Could Never, And Still Don't, See Any Problem With A Writer Raising Questions About Any Aspect Of A Religion..."
"The most interesting bit about those days was that back then, I could talk about a lot of subjects from science to religion and sex with friends and seniors, irrespective of their ideological leanings. True, I faced vehement opposition in many cases, but that only led to more impassioned arguments. The leftist circles are there, though to a much lesser extent. The friends and seniors with whom I had those debates are also there, but the cultural licence to initiate such debates seems to have expired long ago.
"By the time I laid my hands on The Satanic Verses, toward the late-2010s, I had already read Rushdie's essay collection Imaginary Homelands and his second novel, Midnight's Children. I had not expected the world's most famous English-language author to write such fine literary criticism. His critical perspective in every piece is authentic and his language extremely lucid. His resistance to Western literary and artistic discourses impressed me the most. As for his magnum opus, Midnight's Children, it seemed like an explosion of creativity holding answers to all my questions about language, politics, history and storytelling in fiction.
"It defies modern European traditions, but combines history and myth, post-modernism and magic realism, to create an epic that has significantly broadened the horizons of fiction in general and South Asian fiction in particular. The 'chutnification' [i.e., pickling] of English also happens here, most remarkably. I especially noticed Adam Aziz's shift from a believer to a non-believer, and the way his son Salim Sinai, the protagonist, hears a voice calling to him, which Salim compares for a few fleeting moments to Prophet Muhammad hearing the voice of Allah.
"The taste of Children's 'chutnified' language made it easy to dive into Verses, in which the innovative use of language has been taken several notches higher. In the realm of ideas, what struck me first are questions surrounding atheism and parallels between our time and that of the 7th century, which had featured as seeds in Children and had grown up as enormous trees with airy roots in Verses.
"Maybe it was due to my upbringing and the cultural climate I was exposed to, but I could never, and still don't, see any problem with a writer raising questions about any aspect of a religion, as long as those questions are well-founded and nuanced, and not tainted by prejudices of any kind."
"Fitted In A Post-Modern Narrative, [The Satanic Verses Is] A Formidable Magic Realist Tale About Two Indian Men, Gibreel Farista, An Unsuccessful Indian Film Actor, And Saladin Chamcha"
"Fitted in a post-modern narrative, [The Satanic Verses is] a formidable magic realist tale about two Indian men, Gibreel Farista, an unsuccessful Indian film actor, and Saladin Chamcha. They jump from a hijacked plane and like meteors, land on the shores of England, where they embark upon many adventures (or misadventures). Farista, who hears voices in his head, is prone to dreaming elaborate dreams in which he imagines himself as the archangel Jibreel, and sees visions of 7th century Arab societies that relate directly or indirectly to Islam's Prophet Muhammad.
"These dream sequences, of which there are several the two most notable appearing in chapters titled 'Mahound' and 'Return to Jahilia' are the reason why he is accused of insulting Islam, not only by Muslims but also by some acclaimed writers, including John Le Carre, Roald Dahl, Zoe Heller, and Pankaj Mishra. But is there an authorial intention through which we can work out an illuminating interpretation of these dreams?
"Although Rushdie's unreliable narrator who is poking fun at everything, including his own comments, and is critical of every religion makes it difficult to work out any consistent authorial intent, plenty of clues are given in different chapters, especially in the one titled 'A City Visible But Unseen,' where Farista repeatedly expresses his wish to turn London, a city in transition, into something different.
"The wish derives from his disillusionment with London, of course, but also underlines the painful process of a migrant's transformation, which, among other things, reflects the migrant's experience of being Othered. That's why, in his sane or insane state of mind, subconsciously or unconsciously, he is looking for models of a transitional city in ancient Arabian societies to which his religious roots are attached. But that's just one interpretation."
"I Felt Rushdie's Portrayal Of Islam Lacks Originality And Blandly Echoes Prejudiced Westernised Notions Of Islam; His Materialism, Which I Found To Be Selective, Does Not Give Us The Whole Picture"
"Supported by Rushdie's own comments in his autobiography Joseph Anton I'm of the opinion that in addition to exploring themes of identity and transformation, he consciously presents readers with a materialist interpretation of the advent of Islam in Arabian societies. I'm also of the opinion that these dreams defy their assigned roles in the narrative and assume a character of their own, and this is also part of Rushdie's authorial intent.
"As I read and reread the dreams, I felt Rushdie's portrayal of Islam lacks originality and blandly echoes prejudiced Westernised notions of Islam. His materialism, which I found to be selective, does not give us the whole picture. He explores the perspectives of many characters, from renegade Salman to blasphemous poet Baal, but the only perspective that remains unexplored is that of the Prophet's.
"Nevertheless, Rushdie's portrayal is way more nuanced and clever than Azad's Shubhobroto O Tar Somporkito Shusamachar, in which Azad, much like the director of Innocence of Muslims (Nakoula Basseley Nakoula, Egypt), has depicted the Prophet as one whose passion lies in destroying temples.
"So I loved Farista and Chamcha's misadventures in London, but found the dream sequences to be blinkered. I found Azad's Shubhobroto and the short film Innocence to be driven by propaganda fed by Western discourses on Prophet Muhammad, which also find parallels in the Hindutva version of Islam and the Prophet."
"Even If I Dismissed Rushdie's Interpretation Of Islam, Like I Did Of Azad, So What? No Criticism Or Dismissal Can Strip Rushdie Or Azad Of Their Right To Express What They Think About Life, Politics And Religion No Criticism Justifies The Violent Reactions To Verses Or Its Author"
"Now, the question is: so what? Even if I dismissed Rushdie's interpretation of Islam, like I did of Azad, so what? No criticism or dismissal can strip Rushdie or Azad of their right to express what they think about life, politics, and religion. No criticism justifies the violent reactions to Verses or its author.
"In their violent outbursts, a vast majority of Muslims conflate Rushdie, as well as the Danish newspaper Jyllands-Posten and the French magazine Charlie Hebdo both of which printed cartoons of Prophet Muhammad with the West.
"What Rushdie did in Verses is a worthy attempt at a creative exercise, whereas what those newspapers did, as observed by Megan Gibson in Time, was a calculated move to boost circulation. One may disagree with both Rushdie and those newspapers. But why react to the book or the cartoons in this childish way? Why show paranoia over the representation of the Prophet? Why always choose violence? And how does it prove Islam to be a religion of peace?
"If one really thinks this is worth fighting, why is it not possible to fight it artistically or journalistically? Why this blind determination to confirm the Western projection that Muslims are a homogenous entity devoid of the power to think?
"Looking at violent outbursts over Rushdie's book, five Muslim scholars and writers (Edward Said, Aga Shahid Ali, Eqbal Ahmad, Ibrahim Abu-Lughod and Akeel Bilgrami) sent the following letter to a 1989 issue of The New York Review of Books:
"'As writers and scholars from the Islamic world, we are appalled by the vilification, book banning and threats of physical violence against Salman Rushdie, the gifted author of Midnight's Children, Shame and The Satanic Verses.
"'This campaign is done in the name of Islam, although none of it does Islam any credit. Certainly, Muslims and others are entitled to protest against The Satanic Verses if they feel the novel offends their religion, and cultural sensibilities. But to carry protest and debate into the realm of bigoted violence is in fact antithetical to Islamic traditions of learning and tolerance.'
"When bigotry is on the rise all over the world and across religions, we must respond by writing more boldly for artistic and journalistic freedom. As for Rushdie and those attacked in Bangladesh, we must do more through writing and activism to keep our secular traditions alive."
[1] Outlookindia.com (India), September 2, 2022. The original English of the article has been lightly edited for clarity and standardization.
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Bangladeshi Editor Rifat Munim Supports Salman Rushdie's Freedom Of Speech: 'Why React To The Book Or The Cartoons In This Childish Way? Why Show...
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Crikey! The exclamation of Free Speech – RadioInfo Australia – Radioinfo
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Jen Seyderhelm comments
Evelyn Hall, writing under the male pseudonym ofStephen Tallentyre, wrote in a biography ofVoltaire,
I disapprove of what you say, but I will defend to the death your right to say it.
This quote has become a describing principle of freedom of speech, also evident in the ongoing popularity of genuine talkback radio and incredible popularity of podcasts as a sort of audio Encyclopaedia Britannica.
This month two instances of freedom of speech vs wealth played out in public and on social media.
Firstly, Crikey is an independent, private and digital media company based (unsurprisingly) here in Australia.
In June Crikeys Political EditorBernard Keanewrote anarticleaboutDonald Trumpsinvolvement in the insurrection attempt at the US Capitol.This commentary article was taken down the next day after a legal threat fromLachlan Murdoch, the Executive Chairman of Fox News, whose last name was mentioned in the piece.
Instead of avoiding a David vs Goliath stoush, Crikey instead chose to republish the article and bite back against Murdoch. The company paid advertising costs to print an open letter challenging him. Certain publications turned this down, but the New York Times and my local Canberra Times eventuallyprinted it.
Ill make no further comment except that it reminds me of anEric Clapton incident.
Those of us working in the broadcast or print media know we are governed by codes, practices and regulations likethis. Podcasts affiliated with a radio station or, in the instance ofTeachers Pet, print media, are covered by these rules.
But what aboutindependent podcasts?
What I love and what I teach about podcasts is that they are a safe and private space to explore topics, ideas and beliefs that both make you feel like you arent alone in your experience and to open your mind to others beyond that scope.
When you click on an episode, you arent inundated with carefully curated images or savage twitter backlash.
Its just you and the person/people you are listening to.
Afterwards, of course, you might search for more information aboutBren Brown,Joe RoganorBen Shapiro.If their views stir something in you, perhaps youll subscribe, buy their books or see them live at a location near you.
I must admit Id not heard of Ben Shapiro till this week.
Ben is a US radio announcer, podcaster, author and conservative political commentator. Aged 17 he was the youngest nationally syndicated columnist in America and by 21 had published two of his 11 books. He founded the news website and media company The Daily Wire. His daily political podcast, The Ben Shapiro Show, in 2019 was ranked the second most popular in the US and in 2021 the 9thmost listened to on Apple Podcasts.
I should write his promotional material.
No, seriously, he doesnt need me.
Hes had the most unexpected publicity boost this week from an angle so left field that if hed speculated about it in an episode of his show his fans would have thought he was delusional.
Last Wednesday a group called the Podcast Movement (described as the worlds largest community of podcasters) was in the third day of a podcast expo in Dallas Texas. The Daily Wire had paid for a booth for the first time and, because of their large presence in podcasting, the Podcast Movement had accepted their money and allowed the set up.
Ben Shapiro decided to drop into the Expo and his booth. He meets and greets some fans, gets some pictures taken and mingles in the crowd.
Word gets around about this unexpected visit by this owner/founder to his booth.
The Podcast Movement then issuesan apologyso obsequious that its astonishing that they allowed anyone at all to attend who wasnt vetted to be 100% impartial on everything.
I wonder if Shapiro is considered suing the Podcast Movement for criticising and causing harm?
Fortunately (or unfortunately depending where you sit on Shapiro and his views) Ben has largely seen the humour in the situation and moved on.
Both incidents, and the legal battle between Crikey and Murdoch, leave me dumbfounded.
Thats probably for the best.
Were I to comment freely on the utter waste of money, legal fees and social media space on either of these matters then perhaps I may also be hauled over the coals by media regulators for disagreeing, contributing or inflaming the situation.
Ill just keep those opinions to myself.
About the Author
Jen Seyderhelm is a Breakfast Announcer at Forever Classic 2CA, a Podcast and Voiceover educator, and she is currently counting down the greatest one hit wonders of all time in Australia.
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Batley row ‘shows how extremists are using blasphemy to attack free speech’ – The Telegraph
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Mr Shawcross, the former chairman of the charity commission, also cited a Christian preacher who critiqued the Koran stabbed at Speakers Corner and the closure earlier this year of the Shia film, Lady of Heaven, about the daughter of Muhammed after protests from Muslims.
He said: The charge of blasphemy really does seem to be in danger of limiting free expression. The recent horrific attack on Salman Rushdie is something that is another example of the fact that we haven't come to grips with it.
Here in the UK, we've had a teacher go into hiding, a shopkeeper in Glasgow murdered, a Christian preacher knifed at Speaker's Corner, and a Shia film pulled from the cinemas at the demands of protesters mostly Muslim protesters.
Hosting a conversation with former minister Michael Gove and Lord Carlile, the former independent reviewer of terror laws, he asked: What needs to be done about free expression in terms of our concerns about extremism and terrorism because some of these attackes were indeed terroristic?
How do we deal with the charge of blasphemy? And how do we stop it having a veto on free expression that it has?
Mr Shawcross warned that Britain was not pushing back strongly enough against those who exploited blasphemy to stifle free speech.
Mr Gove, who ran education, justice, environment, the Cabinet office and levelling up department as a minister, said attempts to restrict freedom of speech by invoking blasphemy for talking about the tender feelings of believers should not be indulged in a society like ours.
Although many people might have found the Lady of Heaven film genuinely offensive, he said you dont police artistic expression in that way.
He said people might regard Salman Rushdie as ungallant or rude to have written Satanic Verses that caused offence but he added: "Free speech means nothing if it doesn't give you the freedom to offend."
Mr Shawcross challenged him over whether the Government should take a more robust approach like Emmanuel Macron who gave a state funeral to the teacher beheaded for showing his class Muhammed cartoons.
He said: When a teacher in Batley showed his class, similar cartoons he was not killed, but Islamist protesters came to the school and terrorised him and the school. He has gone into hiding, his life irreparably changed. What can we do about this? Was Macron right to make such an example?
Mr Gove replied: Emmanuel Macron has been incredibly robust in calling out Islam. Anyone who has seen what he's said or knows the very clear distinctions that he's drawn, I think that's absolutely right to do.
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Expansion of Title IX Tramples First Amendment – California Globe
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Title IX, the federal law enacted to combat discrimination based on gender just recently celebrated its 50th anniversary. Enacted in 1972 Title IX of the Education Amendments protects people from discrimination based on sex in education programs or activities that receive federal financial assistance. Title IX states:
No person in the United States shall, on the basis of sex, be excluded from participation in, be denied the benefits of, or be subjected to discrimination under any education program or activity receiving Federal financial assistance.
Perhaps best known for its application to ensure that females receive equal footing with male counterparts when it comes to athletics in public schools, Title IX also addresses discrimination when it comes to recruitment, admissions, counseling. financial assistance, sex-based harassment and assault, treatment of pregnant and parenting students, treatment of LGBTQI+ students, discipline, single-sex education, and employment.
And in addition to some 17,600 local school districts and over 5,000 postsecondary institutions nationwide that receive federal financial assistance, Title IX also applies to other local and state educational organizations such as charter schools, for-profit schools, libraries, museums, vocational rehabilitation agencies and education agencies.
While there are no doubt some admirable intentions and results of the 50-year-old legislation, Title IX has also been a lightning rod for controversy as many institutions have used the act as a premise to enforce their own established rules governing speech and actions, which have pitted them squarely against other enumerated rightsspecifically the First Amendment to the United States Constitution.
Recently, the Biden Administrations Department of Education set forth a Fact Sheet to accompany its proposed amendments to Title IX that would appear to give cover to those institutions already curtailing speech. The Fact Sheet begins by stating:
The Departments proposed amendments will restore vital protections for students in our nations schools which were eroded by controversial regulations implemented during the previous Administration.
It goes on to state:
Through the proposed regulations, the Department reaffirms its core commitment to fundamental fairness for all parties; protecting freedom of speech and academic freedom; and respect for the autonomy and protections that complainants need and deserve when they come forward with a claim of sex discrimination.
This would be the fact sheets only reference to Freedom of Speech, and more importantly there is no hint to just how that right would be protected in light of the following from the Dept. of Education:
The proposed regulations would cover all forms of sex-based harassment, including unwelcome sex-based conduct that creates a hostile environment by denying or limiting a persons ability to participate in or benefit from a schools education program or activity.
And with that little phrasecreating a hostile environmentThe Department of Education opens the door for weaponizing Title IX to further curtail freedom of thought and speech in an educational environment.
Most of the Education Departments expanding focus appears to center on how transgenderism and transgenders themselves are going to be addressed at publicly funded institutions. In that regard, schools have curtailed speech that they consider complicit in creating a hostile environment for transgenders by using institutional policies or falling back on the provisions of Title IX.At least two California universities have already laid the groundwork for curtailing expression with written policy. At the University of the Pacific in Stockton, the Title IX coordinator (yes, each institution accepting federal funds is required to employ one) released auniversity policy that stated:
Misgendering is the intentional or unintentional use of pronouns or identifiers that are different from those used by an individual. Unintentional misgendering is usually resolved with a simple apology if someone clarifies their pronouns for you. Intentional misgendering is inconsistent with the type of community we hold ourselves out to be. We all get to determine our own gender identity and expression, but we dont get to choose or negate someone elses.
The statement went on to identify deadnaminga relatively new term in the transgender vernacularwhich is defined as using a transitioning or transitioned individuals previous name as a form of harassment and bullying.
In 2020, the University of California system set forth policy that also defines deadnaming and further allows students and alumni to alter names on official UC documents such as diplomas without a legal name change. This was codified in California state law with the signing of Assembly Bill 245 in 2021.
While the new Title IX guidelines set forth by the Biden administrations Dept. of Education do not specifically require institutions to prohibit misgendering or stifle speech regarding gender ideology, there are those that fear that these new regulations will do just that, or at the very least give the typical progressive school campus cover to do so.
But what happens when speech code police on college campuses run afoul of the U.S. Constitution and its First Amendment governing freedom of speechspecifically when it comes to misgendering or refusing to employ preferred pronouns? To date, students, faculty, and staff have been subjected to censorship and other sanctions for violating campus speech codes in this regard. However, when challenged in court these punishments dont necessarily carry the day.
In 2018 at Shawnee State University, a public institution in Ohio, a professor was sanctioned for refusing to employ a students preferred pronouns. Citing his First Amendment right to free speech and free exercise of religion, the professor sued. The 6th Circuit Court of Appeals backed his claims, and the university was forced to settle with the professor.
Closer to home, the 3rd District California State Court of Appeals ruled last year that parts of SB 219 governing nursing homes and skilled nursing facilities violation of which could result in fines and/or imprisonmentwere unconstitutional. Specifically, the justices took issue with the clause that reads:
Willfully and repeatedly fail to use a residents preferred name or pronouns after being clearly informed of the preferred name or pronouns.
The unanimous opinion reads in part:
The penalty for referring to patients in a manner inconsistent with their identities restricts more speech than is necessary to achieve the governments compelling interest in eliminating discrimination.
We recognize that misgendering may be disrespectful, discourteous, and insulting, and used as an inartful way to express an ideological disagreement with another persons expressed gender identity, but the First Amendment does not protect only speech that inoffensively and artfully articulates a persons point of view.
The Courts opinion seems unambiguous here and certainly begs the question, if this applies to long term care and skilled nursing facilities, how could it not apply to other institutions such as those governed by Title IX?
The expanding language of Title IX, and more importantly the expanding use of the act to limit if not stifle speech appears to be on a collision course with the First Amendment. This will all no doubt need to be sorted out in a court near you-or perhaps a court some three thousand miles away in Washington. That particular court as of late seemingly holds the tenets of our constitution in high, if not supreme regard.
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How the Growth of Betting Apps Affected the Gambling Industry – Native News Online
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Amidst debate over whether web apps are better than native apps lies one undeniable fact: mobile gaming changed the gambling industry. In the early days of online casinos, the industry struggled to find new customers.
There was a time when gambling insiders feared slot machines would soon lack people to play. But then came mobile betting apps and the iGaming sector experienced a sudden surge in demand.
At the height of COVID-19, demand for online gaming increased so much that states across the US began to legalize the industry as a way to increase revenues. In this article, well delve into the role betting apps have played in elevating online gambling into a multi-billion industry.
Every Gambling Site Became Mobile Responsive
Increased demand for betting apps meant one thing for gambling sitesthey had to embrace change or risk shutting down. Forward-thinking casinos and sportsbooks adopted mobile gaming early on.
By designing betting apps, a gambling site secures part of its fan base that prefers mobile to PC websites. Also, it opens room to attract new customers escaping gambling sites without mobile support.
As we stated, betting apps come in two types. There are native apps. These apps work on a specific operating device, say iOS or android and not both. Then there are web appsthey operate across multiple devices through the web.
Because web apps are easier to create and work on all devices; theyve surpassed native apps in popularity. To be fair, play stores also contributed to the growth of web apps. They would constantly ban betting apps, which forced operators to create an alternative.
Are web apps better than native apps? Most betting apps provide the same betting markets and games. As such, it all depends on your preferences. That said, choose the best betting apps in 2022 for a delightful betting experience.
Mobile Gaming Overtook PC Gaming
Its officialmobile gaming is bigger than PC and console gaming. One of the reasons is due to its affordable nature. Smartphones cost as little as $50. And these cheap smartphones are good enough to bet on sports or play poker.
In addition to being affordable, smartphones are incredibly convenient. You can carry your phone inside your pocket or purse comfortably. And when you get into the mood to bet online, you can do it at your convenience.
With that in mind, mobile betting apps would probably not be popular without modern technology. Advancements in mobile programming, graphics design and marketing helped spearhead mobile gaming into dominance.
Also, improved technology in mobile phone developments helped breed improved, better performing phones. The modern iPhone or android smartphone runs smoothly and supports complex games.
Software Providers Went Mobile
In the early 2000s, most online casino games could only operate on a desktop computer. Whats more, you had to download gaming software before you could bet on slots or play blackjack.
Everything changed after mobile betting came along. Online casinos began contracting software providers with mobile games. To keep up with competition, every software provider went mobile. Next, they introduced instant gaming.
For clarity, not every online casino game runs smoothly on mobile devices. Some slots designed in the 1990s and early 2000s were never updated to support smartphones.
However, a majority of casino games designed after 2010 run on smartphones smoothly. That includes live casino games like poker, baccarat, roulette and blackjack. For the uninitiated, live games allow you to bet against human opponents instead of bots.
More Revenues and Customers
When you think about it, betting apps helped bring more people to the gambling industry. In turn, this increased profits for gambling businesses. Statistically, the iGaming sector has been growing at a rate of over 10% every year in the past five years.
It will continue to grow at this rate up to 2027, according to experts. In 2022, online gambling is worth an estimated $90 billion. Whats more, half the world say they gamble online regularly.
Of the people who gamble online, roughly 55% of them use smartphones. Now, some of these people simply shifted from PC to smartphones. But theres a significant portion of them who bet exclusively on mobile devices.
That is particularly true for people getting into online gambling post PASPA. After the Supreme Court legalized sports betting in 2018, states have been legalizing both sports betting and online casinos. Over 30 states have laws that support mobile betting. But fewer than 10 of them also support online casinos.
Banking on your Phone
If you want to deposit money to a betting site, theres no need to turn on your laptop. Many casino payment providers have apps you can use to deposit between $10 and $10,000.
In fact, there are so many mobile payment apps that choosing the right provider can be daunting. People who love e-wallets have options like Google Pay, Skrill, PayPal and Apple Pay.
On the other end, you could also deposit through Discover, MasterCard and Visa. Some casinos also accept crypto, Visa gift cards and wire transfer. Choose a safe and trustworthy payment company.
Also, consider features like fees, speed and chargebacks. Top-tier payment apps have low fees and process payments instantly. Whats more, they can get you a refund in case you get scammed online.
New Laws and Rules
As we had stated earlier, betting apps didnt exist on Play Stores for long. In 2013, Google enforced a ban on all gambling apps from its platform. Apple made a similar rule a couple of years later.
In all fairness, Google and Apple banned betting apps as a direct response to new government regulations. However, casinos and sportsbooks later found a solution. They betting web apps which didnt have to be accessed from play stores.
Still, to be clear, governments around the world have been legislating new laws aimed at protecting mobile players. As a result, you cant create a betting account if youre under 18 years. Also, you might be required to prove your identity as part of the registration process.
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