Daily Archives: June 22, 2022

Singularity Systems partners with KYP.ai to deliver the fastest possible ROI for Digital Transformation – PR Newswire

Posted: June 22, 2022 at 12:20 pm

Combining our powerful IDP capabilities with the KYP.ai platform gives a level of visibility and control over automation previously unable to obtain

The power of SingularityAI with KYP.ai enables organizations to overcome these failures, revealing true end-to-end processes, full end user impact, and total digital transformation potential. The combined solution delivers automation analysis and suggestions that are centered on people, with a focus on who automation could assist, including where, when, and how it can be best deployed.

"Through our partnership with KYP.ai, organizations will now be able to avoid the pervasive reasons why so many digital transformation efforts fail," says Tianhao WU, CTO and co-founder of Singularity Systems. "Combining our powerful IDP capabilities with the KYP.ai platform gives clients a level of visibility and control over their automation success they were previously unable to obtain, identifying the right use cases to apply IDP and showing how to achieve success managing even the most difficult unstructured data problems they face."

"KYP.ai augments Business Intelligence in a way that hasn't been available via existing data and process mining software," said Adam Bujak, CEO of KYP.ai. "Businesses know they need to digitally transform, but the question they ask is: where and how? Our alliance with Singularity Systems answers these two critical questions clearly, accurately, and quickly this has not been possible before now."

About KYP.ai

KYP.ai is a Transformation Mining Company fuelling digital change, helping customers to rapidly understand their abstract processes and how these balance with people and technology dimensions. The company's plug-and-play cloud SaaS solution serves as a data backbone, supporting insights into process automation potential and execution success, and delivering automatically generated, data-driven improvement recommendations. KYP.ai has offices in United States, Germany, and Poland.

About Singularity Systems

With its world-class team of scientists and developers, Singularity Systems has pioneered new AI techniques that have modernized and democratized Intelligent Document Processing (IDP). The company provides SingularityAI, an Artificial Intelligence platform enabling enterprises to transform their raw data into actionable insight. Enterprise leaders use SingularityAI to efficiently convert high-volume unstructured content into machine-readable data, enabling real-time decision-making and powering improvements in customer experience and operational agility. Serving a global customer network of top-tier organizations in banking, insurance, healthcare, energy, and other data-intensive industries, Singularity Systems is headquartered in Princeton, New Jersey's Einstein's Alley.

SOURCE Singularity Systems Inc.

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Singularity Systems partners with KYP.ai to deliver the fastest possible ROI for Digital Transformation - PR Newswire

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These 3D Printed Millirobots Can Sense and React to Their Surroundings – Singularity Hub

Posted: at 12:20 pm

The millirobot looked like an adorable cartoon vehicle as it expertly navigated a complex maze. Its a strange creature: the bottom resembles a collapsed fence; the top, a colander-like basket. The size of a penny, it seems fragile and utterly unassuming.

But at its core is a potential paradigm shift for building autonomous robots that can sense and respond to its local environment. Unlike classic robots, which are assembled with multiple components, the millirobot is 3D printed with a milky-looking metamaterial that can flexibly change its properties with a few electrical zaps.

Metamaterials sound like something out of a comic book, but the concept is simple. Unlike wood, glass, or other static materials we readily rely on to hold their structure, the metamaterials used in the studypiezoelectric materialseasily change their structure when blasted with an electromagnetic field. This allows the material to twist, contort, shrink, or expand. Map out each movement, and its possible to build and steer a robot.

To build the bot, the team designed a 3D printing setup to print out robotic structures using piezoelectric materials. As an additional add-on, the team gave the bots an ultrasound glowup, embedding components into the material, which helped the bots turn vibrations into electricity to sense their environment.

The millibots learned to autonomously walk, jump, and escape from potential obstacles in real time. They could even take a mini-beach hike in the lab, easily navigating through a rough, sandy terrain partially covered with greenery.

The bots, though still rudimentary, could one day help deliver drugs in confined spaces in our bodies if shrunken down. They may also act as cheap, tiny, but powerful scouts to explore new or hazardous environments.

To Dr. Ahmad Rafsanjani at the Center for Soft Robotics, University of Southern Denmark, who was not involved in the study, the millibots bring metamaterials into the limelight as a new way to construct autonomous robots. The study highlights a broader view of robotic materials in which the boundary between materials and machines becomes indiscernible, he wrote in a related commentary. Additive manufacturing of piezoelectric metamaterials may lead to materializing fully integrated robots that might eventually walk straight out of a 3D printer.

Metamaterials are weird. But thanks to their exotic properties, scientists have readily explored potential uses for these strange ducks. A classic one is optics. Metamaterials are often made of components that flexibly interact with electromagnetic waves, including light. In a way, theyre similar to camera lenses or mirrors, but with the superpower to rapidly change how they direct every light wave. In theory, a carefully created structure from metamaterials could overhaul all types of glassesfrom microscope lenses to those on our faces.

More recently, scientists began exploring other uses. One major effort is incorporating piezoelectric materials into neuromorphic chips, which roughly simulate how the brain computes and stores information. By changing the properties of these materials with electrical fields, scientists can approximate how synapses work with ultra-low energy. Other studies tapped into metamaterials acrobatic ability to morph their shape, creating structures that convert linear motionsay, a crab walkinto rotations and mechanical gears. Its as if your legs suddenly turn into rotating wheels.

Yeah, metamaterials are weird. How do they work?

It helps to imagine them as old-school boxed TVs with antennae. To adjust the channelthat is, the materials behavioryou move the antennae around until their structure interacts strongly with radio waves, and voil, youve nailed the materials state. It can then be blended with conventional materials to build intricate, lattice-like structures while preserving their metamorphosis properties. This flexibility makes them an especially intriguing canvas for designing robots. Because theyre a near-single structure, in the long run, they could help build intelligent prosthetics less prone to failure, as they dont have mechanical moving parts. Rather than soldering, they can now be 3D printed. (This gives me all the Westworld vibesmechanical Dolores versus milky-liquid printed version, anyone?).

The new millibots look like a hybrid between Wall-E and TARS, a ridged, folding, chopsticks-esque robot in Interstellar. Fully 3D printed, they shattered the conventional dogma for building robots. Normally, a robot needs several independent components: sensors to navigate the environment, microprocessors for the brain, actuators for movement, and a power supply to drive the whole system. Each link is prone to failure.

Here, the team integrated each component into one design. The first key ingredient is piezoelectric materials, which convert electrical fields into mechanical tension and vice versa. Theyre the muscles that guide the robots movement. But they do triple duty. Depending on the state of the metamaterial, it can form a ceramic-like backbone to help the millibot maintain its shape. In its conductive phase, it acts like nerve cells, capturing electromagnetic signals to control the muscles. Further bumping up the bots prowess is an ultrasonic element, melded onto the bot, that helps it sense its surroundings.

Altogether, the simple millibot essentially has multiple systems mixed into one glaring white goo: a nervous system capable of sensing and actuation, a muscle component, and a skeletal structure. Dropping the goo into a 3D printer, the team built sophisticated lattices as the robots backbone, each carefully decorated with conductive metals and piezoelectric properties onto specific regions.

The result? A tiny robot that taps into electrical fields to sense and navigate its environment. Even more impressive is its ability to understand its own bodily movements and place in spacea trick called proprioception thats been dubbed the sixth sense of human perception and rarely implemented in robots.

With a few challenges, the authors next showcased the bots prowess. One robot expertly navigated around roadblocks in real time as a human sequentially dropped down barriers based on ultrasound feedback. In another test, the robot hopped long distances and expertly navigated sharp turns. With just milliseconds of delay, the robot frog hopped several rough surfaces without a sweata motor task thats previously bewildered other bots.

The millibots also made great pack mules. Even with 500 percent weight in payloadsuch as an onboard power source, a driver, and a microcontrollerthey were able to move easily with just a 20 percent decline in speed. In practice, the superpower makes these bots great scaffolds as drug delivery machines that may one day roam our bloodstream.

A single piece of piezoelectric material can be extremely flexible, with six degrees of freedomthe ability to extend linearly in three axes (like bending your arm forward, sideways, and back) and twist rotationally. Thanks to the studys additive manufacturing, its easy to design different robotic architectures guided by creative algorithms.

The team artfully interweaved actuation and perception in a lightweight miniature

composite 3D lattice that moves around and senses its surroundings, said Rafsanjani.

The robots may come off as an incongruous conundrum: a flexible creature thats made of hard ceramic-like backbone with one metamaterial. But so are we humanswere made of cells with vastly different shapes, sizes, and capabilities. Adapting ideas used to design piezoelectric robots gives soft robotics a new outlook, potentially leading to completely artificial materials that jive with our bodies.

The study brings robotic metamaterials closer to biological systems, one function at a time, said Rafsanjani.

Image Credit: Rayne Research Group

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Steam Theory Brewing in Dallas has closed. Well, kinda – The Dallas Morning News

Posted: at 12:20 pm

Steam Theory Brewing Company poured its last beers from its facility in West Dallas on June 19, 2022. The restaurant and bar which former Bachelor and Bachelorette host Chris Harrison invested in has closed permanently. But it isnt the end for this 4-year-old Dallas company.

For about a year, Steam Theory has operated what co-owner Chuck Homola calls a virtual brewery with North Carolina company Bevana. From an East Coast facility, Bevana is brewing four Steam Theory beers and mailing them to customers in dozens of states, Texas included.

Through the pandemic, Steam Theorys restaurant and taproom remained open, but it struggled because of decreased traffic.

We were very dependent on people coming through the door, Homola says.

The company received two rounds of PPP money and some Restaurant Revitalization Fund money. It wasnt enough, so Homola says he started looking for other ways to save Steam Theory.

Im an extremely stubborn person, he says. I love this company and I didnt want to see it go.

Homola believes the virtual brewery could keep his business afloat and cut out rent costs. (Though hell miss the taproom, which was especially beloved for its French fries.) His ambition for Steam Theorys virtual brewery charts a new path for businesses in the craft brewing industry, which has endured a tough two years. Recent brewery closures in North Texas include BrainDead in Deep Ellum, Legal Draft in Arlington, Armadillo Ale Works in Denton, and Cedar Creek Brewhouse & Eatery in Farmers Branch.

Homola describes the dilemma as creatively challenging.

His company is one of the only Dallas-Fort Worth based companies pivoting to a virtual brewery model. Restaurants have taken similar steps, selling their food nationwide in ghost kitchens.

Steam Theory engages in taste tests to check the quality of their product being made some 1,000 miles away. From North Carolina, Bevana is currently brewing and selling: Vamonos Hermanos, a Mexican lager; Juice Caboose, a hazy IPA; Hops Against Humanity, a West Coast IPA; and Threat Level Midnight, a stout with coffee, chocolate and caramel notes.

Bevana has partnered with nine beverage companies, and Steam Theory is the only one from North Texas.

Homola says hes choosing to look forward, despite the loss of the taproom.

Well still be in beer festivals and beer competitions. Well be doing all the things we always did. Just not in a brick and mortar, he says.

We figured youd want to know.

One of TVs most famous reality dating show hosts, Harrison, was a silent partner in Steam Theory. Hes a friend of a friend, Homola says, and a Dallas native.

Harrison told The Dallas Morning News in 2018 that he thought it would be neat to invest in a Dallas-based brewery and set some roots back in Texas.

And is he really into craft beer? Well, he is now: We actually turned him into a beer drinker, Homola says.

Harrison seemed to most enjoy one of Steam Theorys popular beers, Singularity. Its so named because its a simple beer, a blonde ale, says the website. But surely Singularity is also named after Harrison, the former dating show host.

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The fine art of creating a new campus for the RCA – Building

Posted: at 12:20 pm

Designing a new art and design building for the Royal College of Art is a balancing act. On the one hand, the RCA is an outward-facing institution, looking to showcase its facilities, students and their work in part to attract the very best students of the future and to give its many funders (including the government) something to boast about. On the other hand, it is all about experimentation and safe spaces: trying out ideas, testing them until they break.

Successful studio spaces give their occupants licence licence to screw things into the walls, paint the ceiling, take an angle grinder to the floor. Experimentation, and the inevitable failure that goes with taking risks, requires a degree of introversion, ownership and control, rather than picture windows to Battersea Bridge Road. Similarly destructive transformations of space are not obviously welcome activities in 135m flagship buildings.

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Herzog & de Meurons solution to this dilemma is essentially a shell and core: the practice has designed a strong, urban figure wrapped in a decorative facade and a simple, robust interior with an emphasis on flexibility. Studio spaces areraised above the ground floor, and windows are arranged to prioritise light and air rather thanviews in.

The elevation to Battersea Bridge Road has astrong, almost graphic quality that you can imagine being adopted as a logo for the campus in years to come. Five thick bands of brick, all in plane, slightly offset from each other.

The first two are a generous storey height, with the ground floor interrupted by two large picture windows. The next two are deep balconies, while the fifth, also in plane, describes the roof.

To the south the roof is flat, and the same thickness as the balconies, whereas to the north it rises to form a pair of great saw-toothed northlights, perhaps a nod to Haworth Tompkins adjacent Dyson and Woo buildings.

Our working environments have apowerful influence onthe way we create and collaborate, and I am so excited for this new chapter in the life of thecollege and the inspirational work its graduates will bring into the world

Sir Jony Ive, chancellor, Royal College of Art

Ribbon windows are set back well behind these brick elements, providing light and views, but also giving occupants a degree of privacy. The brick is a pinkish grey-brown stock brick in a Flemish bond and, continuing Herzog & de Meurons experimentation at the Tate Modern extension, the horizontal positioning of the bricksshifts.

Above the ground floor the headers protrude by approximately 10mm. This serves to emphasise the bond and give a three-dimensionality to the facade, especially as it is repeated in the brick soffits to the first floor; but it also draws attention to the scale of the brick itself a monumental skin built out of simple repeating elements.

The slight shadow from each header has the cumulative effect of making the upper storeys look as if they are formed from a slightly darker brick. And that, barring a hit-and-miss brickwork detail to both the ground and first floors, forms the entire elevation to the main road.

The north and south elevations to the Studio Building are even simpler simple extrusions ofthis form for the entire length of Howie Street approximately 100m in all. At ground-floor levelthis length is traversed by three cross-cuttingpassageways, while two of these are semiinternalised.

The central one leads to what will be a cafe courtyard at the rear of the site, drawing in students from across the campus, and perhaps even members of the public.

Windows have been located to reinforce the idea that the RCA is a place of making a place where art and technology intersect. So the plate glass to Battersea Park Road showcases the timber and metal workshops, while the route to the cafe is animated by views of a robotic arm.

This wonderful new building embodies all that is best and most vital about the RCA open, collaborative, interdisciplinary and bold

Dr Paul Thompson, vice-chancellor, Royal College of Art

The studios above are thus literally and metaphorically built on a foundation of workshops, emphasising a culture of making thatis central to both the RCA and Herzog & de Meuron.

Another of these cross routes (previously Radstock Street) has been largely internalised and forms the new entrance and gallery space for the building, the Hangar. This is a double-height, brick-lined volume with sliding folding glazed doors to each end, enabling it to be returned to astreet-like status. This is a robust space. You could drive right onto the black terrazzo floor, and indeed the dropped kerb of the old road hasbeen retained.

This is the closest the building gets to a front door the security lines that demarcate most university campuses are pleasingly absent. Aswell as an entrance of sorts, this is a place of assembly or exhibition, a place that could host very large work or product launches.

Vice-chancellor Paul Thompson noted that Herzog & de Meuron won the competition not just on the strength of its architects vision for thebuilding, but also on the depth of their understanding of theDarwin building in Kensington and the neighbouring Dyson building, where routes through the buildings encourage the intermingling of disciplines. Herethe singular building form and the simple structure (thick concrete slabs supported on concrete-filled steel columns) allow for big spans, with each floor of the Studio Building effectively comprising two giant rooms. Each of these rooms has its own core and toilet block as a central element, with the studio space wrapped around.

The studios are effectively open plan internal partitions, designed in conjunction with LTS Architects, provide different levels of separation on different floors.

On the first floor, the sculpture studios are defined by Douglas fir plywood on timber studwork. The studwork spans from concrete floor to concrete ceiling but the boards are standard 8ft and 10ft boards stopping short at the base to give a negative skirting, and finishing in line with the clerestory windows, some way short of the 4.5m high ceilings.

This is a careful balance how to maintain a sense that this is one room, and allow the free exchange of light, students and ideas, while at the same time creating sufficient separation to allow different activities to take place in different areas of the room. Herzog & de Meuron talk about recreating the atmosphere of a street yes, there is noise, dust and smells; but equally there is sufficient privacy to get stuff done.

This seemed plausible on a press day with no students in situ, but a list of the measures taken to ensure the space is sufficiently robust gives pause. The partition walls are sacrificial. The ceilings have pre-established load points and scaffolding bars for fixing work to the ceiling but just in case, no services run through them (power sockets are instead suspended above head height).

Likewise the floor has an additional 100mm of concrete a layer designed to mitigate damage should a student go all Gordon Matta-Clark as the vice-chancellor would have it. There is little by way of acoustic mitigation here all surfaces are hard, and while there are curtain racks, what curtains there are seem more designed to contain sparks than dampen noise.

The top floor (contemporary art practice and design) follows a similar pattern. The floor is marginally softer grey linoleum rather than concrete; the windows are more prominent, including a wraparound balcony that forms an alternative circulation route.

On the balcony, the heavy brick facade is revealed to be just half a brick thick, and the advancing headers emphasise the fragility of thestructure, which is stabilised by steel fins and astructural balustrade.

It is telling that, when asked about the buildings sustainability, vice-chancellor Paul Thompsons first response is to mention that the college anticipates using it for 120 years. This is illuminating in two ways.

Firstly, because it points to an aspect of sustainability that is often ignored: just how longwill this building be here and be used for this purpose? Or in other words, over what period will the sunk cost of all that concrete and steel be amortised? Secondly, it hints that environmental performance was not a key client driver.

Nonetheless, this is a building that achieves BREEAM Excellent. It does this through bold architectural gestures such as the deep balconies that reduce overheating paired with exposed concrete floors that act as a heat sink for low-angled sun, and the open-plan floorplates that allow passive cross-ventilation throughout.

Attention is also paid to detailed technical specification so the amount of GGBS in the concrete mix is varied by the season in which it was poured, in order to reduce cement use to anabsolute minimum. This, and reusing the formwork to the point of disintegration, should result in noticeable variations in the fair-faced concrete but nonetheless the exposed concrete is of uniformly high quality.

Could more have been done? Possibly. Not covering the rear sides of the saw-toothed rooflights with photovoltaics feels like a missed opportunity. These face south by south-east, and are pitched at roughly 25 or in other words, pretty much exactly what you would do if you were designing for maximum solar efficiency.

Instead, a smaller number of solar panels have been arranged on the adjacent portion of flat green/blue roof sufficient to meet planning andBREEAM requirements but providing a mere fraction of the electricity that the building will consume in use.

Again, all the services are overhead, which feels counterintuitive in a room where the ceiling is pitched to accommodate a giant high-pitched northlight. It turns out that the second northlight sits largely above the core, and so is simply blocked out for the majority of its length.

Despite this, and like the building as a whole, this space is impressive in its singularity: a striking volume defined by its relationship to daylight. The challenge will come when these spaces are occupied; and here the school worked with Vitra to design new partition and storage systems, designed to be demounted and reassembled in under 20 minutes.

The Studio Building is complemented by the Rausing Research and Innovation Building. Theskin here is aluminium aerofoils, designed toemphasise the verticality of the eight-storey block in contrast to the horizontal extrusion of the student facility.

Although this faculty block houses very different functions from the studios, interior details, finishes and fittings are repeated to theextent that sometimes only the floor finish changes. A pragmatic solution for a sculpture studio (moving the power to a ceiling-mounted rack) is clunkier in a seminar room or the offices of InnovationRCA, the RCAs business incubator but serves as a physical reminder that the college is first and foremost a place of making.

This feels like a significant building. Herzog &de Meuron founding partner Jacques Herzog described the design as not flashy, claiming that the flash should come from inside; and how the use of brick grounds the building in its context. He is being modest the brick is somehow both heavy and delicate at the same time, and its scale and singularity is deeply weird and intriguing in a London context.

He also talked about how the practices previous work in the capital the Tate Modern and the Laban cance centre helped to shift the global centre towards London in their respective fields. The RCA will very much be hoping for a repeat.

Client Royal College of ArtArchitect Herzog & de MeuronStructural and services engineer and cost consultant Mott MacDonaldFit-out design LTS ArchitectsContractor KierFit-out QS AecomFit-out contractor ISG

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The fine art of creating a new campus for the RCA - Building

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Guest opinion: Clarity amid confusion in the county attorney’s race – Daily Herald

Posted: at 12:19 pm

Courtesy Adam Pomeroy

There are three kinds of lies, the saying goes, lies, damned lies and statistics. Popularized by Mark Twain, this aphorism describes the persuasive power of statistics to bolster weak arguments even when the numbers are false, misleading or incomplete.

The Utah County Attorneys race has recently become mired in confusion as the incumbent, David Leavitt, uses misleading numbers and outrageous claims to muddy the waters.

Lets bring clarity to some of the issues.

Mr. Leavitt claims that disbanding the Special Victims Unit (SVU) has improved outcomes for victims and allowed 90% of prosecutors to become trained in these most complex of cases.

This is only true if one believes, as Mr. Leavitt apparently does, that attending a single conference qualifies a prosecutor to be an SVU attorney. Those versed in prosecutorial best practices would disagree.

If you have not tried multiple cases before a jury, if you have not second-chaired cases with a seasoned SVU prosecutor, if you have not attended extensive training on trauma-informed prosecution, if you have not done direct and cross-examination of expert witnesses, and if you have not been supervised while working with traumatized victims and children, then you are not ready to competently prosecute child molesters.

Mr. Leavitts underestimation of what it takes to be an SVU prosecutor seems to stem from a fundamental misunderstanding of how serious these crimes are and how deeply they impact victims.

He argued to the SVU before he disbanded it that being molested by a family member is not as bad as being molested by a stranger. Prosecutors, victim advocates and law enforcement all know the opposite is true: being abused by someone close to you takes away not only your innocence but also impacts your ability to trust, love and feel loved.

He also made clear that he believes that child pornography is a victimless crime. In reality, a majority of children who have been recorded while being sexually abused feel that the recording impacts them differently than the abuse itself because the images are permanent.

For all his claims that he wants more jury trials, he told former SVU members that it would be better for a grandfather who molested his grandchild to resolve the matter with his LDS bishop rather than taking the case to trial and sending the defendant to prison. (See case no. 161403200)

Although Mr. Leavitt has offered a number of shifting reasons for disbanding the SVU, at the time he told me that he disbanded the unit because the attorneys on the SVU disagreed with these and other soft-on-sex-offender views he maintains.

Another problematic statistic is Mr. Leavitts claim that he has actually increased the number of cases he is prosecuting.

However, he has been unwilling to release any data supporting this claim despite GRAMA requests. Given the lack of transparency, it is difficult to credit his claims.

Thankfully the courts have been more forthcoming.

As reported in the news, per their data in 2021 Mr. Leavitt filed 45% fewer cases in the District Court (felony cases), while filing 79% more in the local Justice Court (lesser misdemeanor cases), when compared to the number of cases filed annually by his predecessor.

When Mr. Leavitt claims he is prosecuting more cases than ever, he fails to mention that he is treating serious felony cases as misdemeanors and that many resources like supervised probation and specialty courts are not available options when cases are reduced and sent to Justice Court.

In short, the numbers he provides paint a misleading picture.

Here are a few numbers to help balance the picture:

Mr. Leavitt claims that the criminal justice system is the biggest threat to American freedom that weve seen in a generation and Im the biggest threat to the criminal justice system bureaucracy. By his logic, any criticism of his progressive policies is simply proof to him that he is right.

It seems more likely that Mr. Leavitt is tilting at windmills, imagining them to be giants so he can cast himself as a white knight, riding in to save the day.

Mr. Leavitt is not the victim of a system out to get him. Rather, he is the victim of his own hubris.

Perhaps Mr. Leavitt should take the time to consider two additional statistics:

Hopefully, Utah County voters will realize what liberal San Francisco voters have: Progressive, rogue prosecutors like Mr. Leavitt undermine community safety and real criminal justice.

Adam Pomeroy is a deputy county attorney in the Utah County Attorneys Office. Adam was a candidate for county attorney through the Republican nominating convention; he has since withdrawn from the race to consolidate efforts against the incumbent.

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Guest opinion: Clarity amid confusion in the county attorney's race - Daily Herald

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Fraudster jailed after trying to scam taxpayer out of 70000 with bogus claims – Shropshire Star

Posted: at 12:19 pm

Unemployed Joshua Lear, 28, of Sutton Hill, submitted 15 false Self-Assessment tax repayment claims to HM Revenue and Customs between 2015 and 2021 in an attempt to steal 71,623 from the taxpayer.

To make his claims appear legitimate Lear made up figures for construction jobs he didnt do and used other peoples National Insurance details when completing the online Self-Assessment forms.

Lear received 6,094.83. His other nine claims were blocked by HMRC.

He was sentenced at Birmingham Crown Court on June 17 having pleaded guilty to 12 counts of fraud and one count of money laundering in April.

Kieran Causer, 29, from Bishopdale, helped Lear transfer the stolen money into a personal bank account as the pair attempted to launder the stolen money.

He pleaded guilty to money laundering at Birmingham Crown Court in April and was sentenced to six months in prison, suspended for 18 months, on June 17.

A spokesman for the HMRC said: Tax fraud is not a victimless crime and we will continue to pursue the small minority of individuals who commit these crimes. We urge anyone with information about tax evasion to report it to HMRC online.

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Fraudster jailed after trying to scam taxpayer out of 70000 with bogus claims - Shropshire Star

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Participatory Grantmaking: A Shared Approach to Effective Change – Stanford Social Innovation Review

Posted: at 12:18 pm

Although the idea of participatory grantmaking is relatively new, community-driven giving practices have been around for a long time, including the mutual aid networks established by Black communities in the United States centuries ago. Authentic participation and aligning grantmaking with the needs and aspirations of communities are cornerstones of this approach to philanthropy. But what does this model look like in practice? SSIR publisher Michael Gordon Voss speaks with Maria De La Cruz, president of Headwaters Foundation for Justice, Irene Wong, director of The David & Lucile Packard Foundation, and Mary Jovanovich, senior manager for relationship management at Schwab Charitable about a participatory approach to grantmaking.

(Scroll further down the page for a full transcript of the discussion.)

After you listen:

Download the Schwab Charitable Giving Guideto understand how to maximize your charitable giving.

Learn about using Schwab Charitables donor-advised fund to extend your generosity beyond the United States and make a difference almost anywhere in the world.

Explore giving even more to charity by using appreciated non-cash assets held for more than one year, such as publicly-traded securities, real estate, or private business interests.

* * *

MICHAEL GORDON VOSS: Welcome to the fourth season of Giving With Impact, an original podcast series from Stanford Social Innovation Review, developed with the support of Schwab Charitable. Im your host, Michael Gordon Voss, publisher of SSIR. In this series, we strive to create a collaborative space for leading voices from across the philanthropic ecosystem to engage in both practical and aspirational conversations around relevant topics at the heart of achieving more effective philanthropy.

If youre a frequent listener of this podcast or have attended any of our SSIR conferences, you probably know that one of the maxims about social innovation that I believe strongly is the one that states the most affected are the most effectivethat those who are closest to the problems are often the ones with the greatest insights into what needs to occur to address them. In many ways, this is the ethos behind the idea of participatory grantmaking. Participatory grantmaking encompasses a range of models and methods. At its core, this approach to funding cedes decision-making power about grants to the very communities impacted by funding decisions. As with so many other sectors, the philanthropic sector has seen a heightened demand for greater accountability and transparency, with people wanting greater voice in the decisions affecting their communities. But as with any other approach, what does this strategy look like in action? And what can we learn about our individual approach as donors from organizations that have adopted a participatory grantmaking strategy?

To help me unpack these questions and share their learnings and insights about participatory grantmaking, were joined by two remarkable organizational leaders.

Maria De La Cruz, is the president of the Headwaters Foundation for Justice, a Minneapolis-based grantmaking organization, dedicated to amplifying the power of community to advance equity and justice by investing in grassroots organizations across Minnesota. Maria leads HFJs fundraising, leadership development, and grantmaking strategies, in addition to serving as co-chair on the impact-driven philanthropy collaborative and on the design team for Freedom Funders. Maria earned her bachelors degree at Metropolitan State University and her masters degree and Juris Doctorate at Hamline University. Her years of experience came from working at organizations like TakeAction Minnesota, and OutFront Minnesota.

Also joining us is Irene Wong, founding director of the local grantmaking program at the David and Lucile Packard Foundation, where she oversees investments to community groups in five counties here in the Bay Area, which totaled over $25 million last year. Irene has over two decades of community leadership and philanthropic experience, and has worked for corporate, community, and family foundations, including serving as the inaugural Executive Director and CEO of eBay Foundation, building the first-ever corporate services practice at the Silicon Valley Community Foundation, and managing a diverse portfolio of grants as a program officer for the MetLife Foundation in New York City. Irene holds a BA from the University of California at Berkeley and an MPA from Columbia University. Shes a frequent speaker on philanthropic giving in the Bay Area.

In addition to our other two guests, were joined once again by Mary Jovanovich, Senior Manager for Relationship Management at Schwab Charitable. Mary joined Schwab Charitable in 2015, and has more than 10 years experience with Charles Schwab & Company. Mary is involved as a board member with Dress for Success Indianapolis, and also serves on both the boards of the Integrating Women Leadership Foundation and Indiana Wesley Universitys Alumni Group. Maria Irene, Mary, thank you all for joining me today and helping us learn about this approach to funding.

Lets get started.

Mary, let me ask you to start us off on todays conversation.

MARY JOVANOVICH: Sure. Thanks, Michael. I would be happy to. For a lot of our listeners, the idea of participatory grantmaking may be new, but community-driven giving practices have been around for a long time, including the mutual aid networks established by Black communities in the US, centuries ago. The ability to have authentic participation and deep trust conversations, and really knowing the community and being responsive to communitys needs, as you mentioned, are cornerstones of this approach. Im really looking forward to hearing how our guests today are putting this strategy into action, and I know we will learn a lot in the next 20 minutes.

MICHAEL: Im sure that we will, Mary. So with that in mind, lets bring in Maria and Irene.

Maria, before we get started talking in earnest about our topic, would you tell us a bit about Headwaters Foundation for Justice?

MARIA DELACRUZ: Thanks, Michael. Absolutely. Headwaters Foundation for Justice is a social justice community foundation thats based in Minneapolis and serves the state of Minnesota. Since our founding in 1984, we have been using participatory grantmaking as our core grantmaking strategy.

Weve worked with hundreds of volunteers to make grantmaking decisions, and we feel like this has really been the core value that we are able to add into our community.

MICHAEL: Thats great background, Maria. Thank you. How would you define participatory grantmaking and how is that approach applied at HFJ?

MARIA: At Headwaters Foundation, we refer to participatory grantmaking as community-led grantmaking, and thats really intentional on our part. Our board of directors has delegated final decision-making power to our volunteers through all of our community-led grantmaking funds. So what that means for us is our volunteers review applications, they conduct site visits, and they, ultimately, do all of the deliberation and final decision-making for all of our grants. Similar to what you said in your opening remarks, we believe that the people most affected really should be at the center of our grantmaking decisions here at Headwaters Foundation. And thats because what we are supporting through our grants are strategies through community organizing, movement building, and advocacy work that we think is actually going to change, not just the Twin Cities, not just Minnesota, but, actually, have the potential to change our country. So we are really proud of the fact that we have volunteers that are doing this work for us. But it really is about where do we locate that power and decision-making? And that really clearly sits with our volunteers.

MICHAEL: Thats perfect. Thank you, Maria. And I think that that local approach that also has potential national ramification is really important. And so, with that, let me bring Irene into the conversation, too. And, Irene, thank you for being a part of todays episode. Can you tell us a bit about the David and Lucile Packard Foundation and its work and your work?

IRENE WONG: Before beginning, let me just say thank you for having me here today. Im honored to join you, Maria, and Mary for this conversation.

The David and Lucile Packard Foundation is a nearly 60-year-old family foundation based in Los Altos, California, just outside San Francisco. Packard Foundations vision is one of a just and equitable world where people and nature flourish. We work with people across the globe to create enduring solutions for just societies and a healthy, resilient, natural world.

The foundation has roughly 130 staff and grants over 400 million a year to support myriad issues utilizing a range of grantmaking approaches, including the one were going to discuss today.

MICHAEL: Irene, since were going to talk about participatory grantmaking, how would you define that strategy, and how does it fit in with Packards overall funding approach?

IRENE: Ive heard people use the term participatory philanthropy, participatory grantmaking, and as Maria said, community-led grantmaking and community philanthropy describe similar actions. My definition of participatory grantmaking comes from a practitioner perspective. And for me, participatory philanthropy is about getting those closest to the problem set you want to solve for engaged in the solution youre seeking.

This participation extends not just to grantmaking, but to other important decisionshow grantees want to be engaged in terms of the process, how grantees want us to help communicate their stories. And so, for us, its one of the ways in which we partner with communities.

MICHAEL: Thanks Irene. Maria, you mentioned that HJF, since its founding in 1984, has embedded this work or this approach. So, obviously, participatory grantmaking is nothing new, but I think we all have a sense that its gathering momentum. What would you say is driving interest in participatory grantmaking as an approach?

MARIA: Thats a great question, Michael. Since 2020, since the murder of George Floyd, I think that community has really been demanding a lot more of philanthropy, including transparency, access to power and resources, and ways that I think philanthropy hasnt always done very well. And what Im seeing, from my colleagues in the field is that theyre really heeding that call in thinking about how can they put into question some of the longstanding power dynamics that have existed in thinking about new ways to engage community in decision-making around local investments, around grantmaking.

I see my colleagues testing out new ideas around a participatory approach, trust-based philanthropy, things like that, through initiatives and projects that are really meant to seed these ideas within their institutions, and really to test new ideas, and to bring into the fold different kinds of relationships within those institutions.

Really its about, the community grantees and leaders really holding philanthropy accountable saying, Hey, youve got all the money. We need it to make the kind of change we all want to see in the world. But we also want to be a part of the decision-making process about where and how those dollars are granted out.

MICHAEL: Absolutely. Irene, let me ask you, how have you seen philanthropy evolve in its understanding and use of community participation?

IRENE: Michael, Ive worked at five different foundations over the course of two decades and witnessed many trends. There have been certainly early iterations, I think, of participatory grantmaking from use of, community advisors and grant committees to determine grant decisions. But, something feels really different today, and I think Maria really said it best. Our current context is demanding greater transparency on funding, decision-making, and accountability on impact, and I think thats whats fueling interest in participatory grantmaking. And theres so much more recognition that those closest to solutions are really key in the decision-making and they need to be at the table to help make those decisions, or, actually, just make those decisions.

MICHAEL: I think thats a great point because, you know we always talk about, the impact of the work thats being funded, and, in many ways whats more important than to get the communitys feedback when youre trying to gauge what that real impact is, too?

IRENE: In the spring of 2020, it became clear that the pandemic and its economic repercussions were severely impacting Monterey County, particularly in the census tracks homes of a large number of Latinx, immigrant, and farm-worker households. Latinos accounted for 81% of hospitalizations and 80% of deaths. Yet at the same time, they comprised only 60% of Montereys population.

Concurrently, we were hearing from community-based organizations, working in highly-impacted communities that they did not feel their voices were being heard when it came to the public health response to stemming COVID-19 in their communities. Given our long-standing focus on investments in Monterey County, we knew we had step up our engagement and be a part of the solution set, but we also knew we needed to not just hear from the experts on the ground, but to engage them in the decision-making on how to allocate resources and really turn it over to them.

So we partnered with a trusted local consultant, who worked closely with community-based organizations to support them in crafting their recommendations for funding. We were transparent about our grantmaking parameters, letting folks know we had a budget of about a million dollars for groups to work with, and we let the groups tell us what is it that we need to fund. You know best whats most needed, so how should the funding be deployed?

Fast-forward today, we just completed an evaluation of this participatory grantmaking process. And for the evaluation, we also consulted community groups asking them what would be helpful to learn in the evaluation? What questions would it be great to have answered? And when we go out to actually put out the information, were going to consult the community groups that made these decisions. So, Michael, in doing this work I should also add that we also compensated the people, because that was a really important part of the process. They were doing the work. And our job was to make it easy for them to do this work and figure out what we needed to provide in terms of support, what barriers we needed to remove.

MICHAEL: I think that point you made about compensating the people is an important one to also remember, because that is one of the foundations of equity, is recognizing people for the work that theyre doing on our behalf. So thank you for sharing that example in total, Irene.

Maria, Irene addressed how large funders are approaching this. How can individual donors think about this approach as they pursue their granting strategies?

MARIA: I think at the core of a participatory process of any kind of decision is relationships and trust. And when I think about the work that individual donors can do, certainly Ive had instances of working with individual donors whove said, You know what? I want to talk with organizational leaders, community leaders, and have them help me make some of those decisions. That is really much easier said than done, though. When I think about this, I think about what does it look like to be in relationship with the folks that you want to bring into that work? And I think from that perspective, it takes a lot of time. So inviting people into a decision-making process, whether its an individual or a family thats working on giving their wealth away, I think its about really taking the time in advance to build that trust. And, frankly, the work can only, go as quickly as the speed of trust, and so it might take some time to do that.

For some of us in the social justice fund sphere, we have donors that pay really close attention to our grantmaking, and oftentimes at Headwaters, well have people that will write us emails and say, Hey, I really appreciate that you just published your grantee list from your community-led funds, and I took that and actually made decisions based off of what your volunteers recommended.

MARIA: It not only speaks to Im really grateful that the people have the trust in Headwaters and in our processes, but its also about the trust in the community members whove made those decisions. And we regularly publish Here are the volunteers that we worked with, so that the public will know exactly who is sitting around the table discussing these potential grantees and making those final decisions. And so theres ways for folks to get really deeply connected to that work.

MICHAEL: And sharing that information also reinforces what you were saying earlier about transparency too, obviously.

MARIA: Absolutely.

MICHAEL: And I love that phrase, you know, moving forward at the speed of trust. Thats going to go into my list of great maxims.

Irene, I know Packard was one of the local foundations supporting Magnify Community. Can you tell our listeners about that initiative that I believe recently sunsetted and what it accomplished?

IRENE: Sure, Michael. Magnify Community was a collaborative donor network created in response to the Giving Code Report we commissioned that highlighted this disconnect in Silicon Valley between local giving and local needs. And I think what Maria said, it was really this disconnect in the relationships that were not mechanisms to bring people from different walks of life together. And the report also found that upwards of 60% in contributions were leaving the area. Community-based organizations were not getting a significant share of Bay Area philanthropy, yet that philanthropy was growing. So what Magnify sought to do was really bridge this gap and encourage greater local investments.

And it did a terrific job helping donors to get proximate and connected with community leaders, and really build that relationship that Maria talked about. Their forums brought community leaders and philanthropists together to talk about the needs and to explore them. And this was during the height of COVID, so we were all on Zoom, as well, too. But there was something magical about bringing people in the room together, finding that connection, and really building this relationship with community leaders that you want to empower. And I think that is really the start of the basis of this participatory grantmaking. Its really building trust and building strong partnerships, and understanding of issues and whos working on what and how, together, we help build the solutions for the future that we envision for everybody.

MICHAEL: Thats a great point. And even though the work of Magnify Community was, focused on the Bay Area, as was the original Giving Code Report, which, when it first came out several years ago, was I hesitate to say surprising, but definitely, reinforced things that many of us working in the sector already suspected was happening here. The report says a lot not just about the Bay Area, but reflects what might be happening in philanthropy in other parts of the country, too.

So, Maria, let me ask you a question. Weve been talking about all the things that help make a participatory approach successful, but what barriers, if any, do you see to a broader adoption of participatory grantmaking?

MARIA: I think one of the number one things that can be a barrier is time. And its everything from the trust-building that I talked about earlier, to simply the planning and building of a new initiative like this. What we tend to find is it takes anywhere from nine, 12 months to really think through what the criteria is, who gets invited to the table, how we hold those relationships both during the project, as well as after the project, both with the volunteers and the grantees.

But its also the time it takes to simply go through a participatory project. We think about one of our initiatives called the Giving Project, which brings together a multiracial and cross-class group of individuals that not only are making grants, but are also raising the money for those grants. And, on average, we find that those volunteers are giving over 100 hours of their time to the entire process over about a six-month period. And what it takes for the staff to really support that is not just the meetings that theyre facilitating, but its all the in between work of coaching, encouraging, connecting people, right?

When I think about that time barrier, it really is about all the stuff that we do when were planning new initiatives, but its also about the space that were holding for community, to make sure that they feel very authentically invested in, and that their voice really has power in the decisions that theyre making.

I think the final piece I will say is for, larger institutions, some of the nimbleness thats required in a participatory grantmaking process might be a challenge. Ive talked with lots of larger institutions who are really thinking about what is the best way to go about bringing community members into our work? And Im sure Irene can attest, in larger institutions there may be some more bureaucracy that program officers and program managers might need to navigate that isnt necessarily the fun stuff that is the result of really good relationship and community building, but is nonetheless some of the things that folks have to deal with. Of course, here at Headwaters, we are a small social justice foundation, and so this has really been baked into our DNA since day one. And so when we are thinking about the ways that we can be creative and nimble, I think we have a little bit more leeway of what that can look like. So, I think again, its that time aspect, and then its about how flexible can your institution be to meet the demands or innovations that are possible through this process.

MICHAEL: And I would hope that the last two years have forced many of us to realize how flexible we really can be. So maybe that is a positive indicator helping to lower that one barrier to adopting a participatory approach.

Irene, same question for you, barriers that you see to more organizations adopting a participatory grantmaking approach or strategy?

IRENE: I absolutely agree with what Maria said about having time and having flexibility thats really key. Participatory grantmaking approaches may not be right for all donors or foundations. It can be complex, expensive to execute, and particularly as Maria said, time-intensive for donors and nonprofits alike and logistically challenging. I have in the back of my mind this 100 hours Maria just talked about and thats an astounding amount of time. I think one needs to be really intentional about the way they approach participatory grantmaking and really think before engaging, if its the right thing for that particular strategy and weigh the benefits of doing so, be clear about the goals to ensure that participatory grantmaking is a real value add both for donors and for the recipients as well.

MICHAEL: The one thing that comes through from what Im hearing from both of you is that you need to be authentic when you are engaging the community in this decision-making because if it isnt authentic, then it can end up having a net negative affect.

So were getting close to the end of our time, but before we wrap up, I want to give you both a chance to share any closing thoughts or observations, especially with those of our listeners who might be interested in investigating or adopting a participatory approach. Maria, lets start with you.

MARIA: Thanks, Michael. Ive just really enjoyed this conversation today, and its so fun to talk with Irene and to learn from her, as well.

A couple of closing thoughts I would have is, community-led grantmaking really forces an institution to think and question where power lies and how its wielded within your institution, or whether its you, as an individual or a family, thinking about your philanthropy. My advice always is take the time to really ask the hard questions and to interrogate. Why? Does this add value? And, oftentimes, for folks that are funding within a local region, whether its a city, county, or a state, its really important, as Irene said, to think about how youre ensuring that your volunteers or your institution are thinking about local investments, and, also, thinking through relationships through this lens of proximity. I really appreciated that point that Irene made.

Ultimately, community members, have a really strong and accurate sniff test. Volunteers and other community leaders will know and will say if a process feels inauthentic, if a process isnt really challenging some of the long-held power dynamics that exist within philanthropy. And, ultimately, this isnt only about a donor or a funder wanting to do good work, but what I also find is this is a way for donors and funders to have some credibility, right? Its a way for them to say, Yes, Im living out my values. Im living out the mission of my institution.

And so, again, just being thoughtful about how are you entering into this work? What long-held assumptions, or policies, or practices that you might be holding onto may need to be questioned or put to the wayside?

And, finally, I think community-led grantmaking leaves the door open for so much innovation and transformation within an institution for an individual, but moreover, for a community. So Im really excited that more people are really trying to think about how can they integrate this work, whether its through a project or across their entire grantmaking strategy.

MICHAEL: Thats great, Maria. And I like the point you made about the values alignment from the donors perspective, too. I think thats a great one to reinforce. Irene, any closing thoughts youd like to share?

IRENE: I loved Marias comments about authenticity, sniff tests, and the values alignment, as well. I think I would offer the suggestion of, if youre thinking about participatory grantmaking, theres really no need to go it alone, learn from other peoples experience. Particularly for individual donors, a great way to begin is to work with an intermediary like Marias group, the Headwaters Foundation, which has the experience, community relationships, context, and understanding of the complexities involved with participatory grantmaking.

And I think the second thing I would offer is to really think about it as long-term, and its not just, Lets try participatory grantmaking for this one project. Its about building the relationships, building the change you want to see, doing it together, and investing for the long-term.

MICHAEL: Absolutely. That long-term perspective is something we can, sometimes lose sight ofas were racing to try to create impact in the issue areas and in the communities that were working with.

Let me give Mary a chance to rejoin us. Ill ask you to come back in and help us wrap up todays discussion with some closing thoughts.

MARY: Id be happy to, Michael. Theres so much we can learn from the great work that both of our guest organizations are doing to really empower and support local communities. As a national donor-advised fund, we, at Schwab Charitable, dont engage in participatory grantmaking, but we definitely do facilitate the ability of our donors to support a grantmaking strategy that leverages some of the ideas we heard today.

MICHAEL: Hear, hear. Well thank you for that, Mary.

Well, Maria, Irene, thank you, both, for your time today. I started this episode with one of my favorite quotes, so its only fitting that I end with another that I think might be appropriate, and thats, Nothing about us without us. I think thats another way to think about this work. And I thank you both for helping us all understand how and why a participatory approach is something we should be seriously considering in our thinking as donors.

MARIA: Thank you Michael for having us today, and just deep appreciation for folks listening. These are really big questions to ask. So please do reach out to me or anybody who has taken on this process. Theres a lot to learn and a lot to talk about.

IRENE: Thank you Michael for having us today. And its been terrific to be in conversation with you, Maria, Mary, on such an important topic. And I really appreciate the conversation.

Thank you for listening. We hope youve enjoyed this episode. Please consider leaving us a review on Apple Podcast or your favorite listening app, as it helps others discover the show. We encourage you to listen to other episodes in this series, as well as other podcasts from SSIR. This podcast series is made possible with the support of Schwab Charitable, who played an important role in the selection of topics and speakers. For important disclosures and a transcript of this episode, visit schwabcharitable.org/impactpodcast.

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What prominent LGBTQ+ PR pros say about reaching the community in Pride and beyond – PR Daily

Posted: at 12:17 pm

As Pride month continues to celebrate the lives, bravery and love of LGBTQ+ people across the full spectrums of gender and sexual orientation, PR Daily reached out to a variety of comms pros who are proud members of these communities. We asked them a variety of questions about best practices for reaching queer audiences year-round, how far the industry has come on issues of representation, and which organizations are doing it right.

The overall responses offer deep insights from each participants lived experience, but some broad takeaways every comms pro can use include:

Responses have been lightly edited for length and style.

When crafting messages for the LGBTQ+ consumer, what are some of the most important keys to keep in mind so that your message resonates and is authentic?

Lisa Manley, vice president, Sustainability, Mars

Its pretty obvious when a company sees Pride month as an opportunity to capitalize on a cultural moment, rather than doing the work to authentically engage LGBTQ+ audiences. As a communications professional and a member of the LGBTQ+ community, I think credible engagement comes down to two fundamental things:

Aaron Radelet, global chief communications officer and senior vice president, Walgreens Boots Alliance

In many ways, these keys are the same no matter what audience youre trying to reach. Ensure your actions match your words. Truly understand and listen to what the consumer wants. Avoid the perception of just trying to profit.

A few ways to achieve these goals with the LGBTQ+ consumer (and avoid rainbow washing) are:

Chip Garner, EVP, Digital Advocacy, BerlinRosen

Always be authentic. Allow LGBTQIA+ people to see themselves and their storylines represented. Narratives that speak to our unique and specific identities, concerns and triggers are the ones that will be uplifted and shared. Discarding played-out stereotypes and going beyond feelgood-ism to reflect the multiple facets the beauty and the pain of our lived experience make messages practical and relatable. Importantly and I cant stress this enough ensure that LGBTQIA+ folks are integral to the story making: messages and campaigns without direction and input from our community are glaring in their inauthenticity and will fail.

Spotlight intersectionality. Be inclusive by being specific. Messaging needs to reflect the fullness, complexity, and diversity of the LGBTQIA+ community. You do this by centering representations and stories that uplift marginalized identities. We have an alphabet soup of a name lean into all the letters! And for so many of us, being Queer is just one of the identities we claim. Brands and orgs that default to two 28-year-old white guys in speedos just wont cut it anymore.

Michael Kaye, associate director, global communications, OkCupid

Remember that the LGBTQ+ community represents a diverse, expansive group of people with their own unique experiences and identities. What resonates with a person who identifies as gay might not with someone who identifies as lesbian, nonbinary or transgender. On OkCupid, we match people on what matters to them through in-app questions. Because everyone has their own interests and priorities when it comes to dating and relationships, weve created localized questions in over 30 countries around the world, and questions created by and for the LGBTQ+ community. Meaning, queer users on OkCupid have a whole series of questions that only they see, and within that list we even have questions specifically for gay daters, lesbian daters, etc. Its all about making sure each person on our app feels recognized and understood.

Lets say youre counseling an organization that has not done very much, if anything at all, in terms of outreach to the LGBTQ+ community. What is the best place for them to start?

Cathy Renna, communications director for the National LGBTQ Task Force

Do your homework! Look into diverse organizations, local organizations and one that fit your brand or market. Get to know them, invite different groups to speak to your staff and marketing teams. The community is very much under attack and understanding the scope of that and the real people behind the work is important. Engage your LGBTQ and allied employees. So many more parents and families of LGBTQ youth and relatives are engaged in the work. Our allies are a huge audience to reach as well. Finally, remember that the LGBTQ and allied market is a very informed and intentional one make sure your company is providing all the benefits and protections they should to LGBTQ employees, we do our homework before supporting companies reaching out to us.

Kevin Wong, vice president of communications, The Trevor Project

I would ask them to start by looking into their companys track record of support regarding LGBTQ issues and the community, as well as its treatment of LGBTQ staff from culture and inclusion to health benefits and resource groups. If the company feels they are at a place internally where they can authentically engage in external promotion of their support of the LGBTQ community, then I would suggest engaging an LGBTQ organization that can help guide their messaging, support, outreach, marketing, activations and, hopefully, donations.

Mike Doyle, president and CEO, Ketchum and member, Board of Directors for GLAAD

The best place to start is just to start and get to work. With our clients at Ketchum, we first counsel them to embrace the fact that they are embarking on a long, intentional journey - not a one-time (or one-month) moment. And to remember that they have the scale and the ability to influence so many stakeholders - including, and importantly, their employees - in pursuit of accelerating acceptance. Corporate voices matter in this mission.

Kaye

The first step to becoming an advocate is to listen and learn. Talk to people who are responsible for doing the work. Do not jump right into being a voice within a conversation you have no education of or experience in. At OkCupid weve spent years cultivating relationships with the ACLU, the Human Rights Campaign and Planned Parenthood. When we speak to the LGBTQ+ community, they know weve been catering to them for nearly two decades.

Generally speaking, as compared to, say, five years ago, do you feel there has been notable progress in brands/organizations effectiveness to communicate with the LGBTQ+ community? Please explain your answer.

Wong

In a survey of over 40,000 LGBTQ youth, more than half said brands who support the LGBTQ community positively impact how they feel about being LGBTQ. When companies communicate their support of LGBTQ organizations, they have a real opportunity to make a positive impact on the communities in which they live and work. More and more companies are learning that there are best practices when communicating to the LGBTQ community including year-round support from companies, incorporating a donation component to help the community, and updating their internal policies and employee engagement tactics to match their commitments.

Manley

Over the past five years, weve started to see more and more brands work with and communicate to LGBTQ+ audiences. Thats progress! But it has yet to break into the mainstream, as evidenced by the fact that Pride month is still the primary cultural touchpoint where we see corporate engagement. Much more work needs to be done to bring inclusion of this community beyond Pride month activations. Engagement should not be occasional, promotional or transactional - it must be intentional and integrated. And well only know culture is truly shifting when there is evidence of LGBTQ+ community considerations influencing communication strategies throughout the year, across different channels, and segmented across diverse markets.

Doyle

Theres no doubt weve seen a marked improvement in how brands and organizations are communicating with the LGBTQ+ community; however, theres an acute need to accelerate this work. We know that representation leads to better understanding and acceptance, yet according to reports from the Geena Davis Institute and Nielsen, less than 2% of mainstream advertising/marketing content produced includes LGBTQ+ representation. Consider this: nearly 21% of Gen Z adults in the U.S. identify on the LGBTQ+ spectrum. In other words, almost a quarter of these voters, buyers and believers identify as LGBTQ+, so not only is it a moral imperative to urge and create opportunities for LGBTQ+ representation in all forms of communication and content, its a business imperative for us all.

Radelet

I think companies have shifted, as the country has shifted. Support for LGBTQ+ rights are at all-time highs, and one major reason is that more people than ever know openly LGBTQ+ in their lives (i.e. friends, family, colleagues). Familiarity creates understanding.

I feel incredibly fortunate to have lived through this massive transformation in our profession, and in our society as a whole, over the course of my career and life.

Garner

Yes and no. For every organization that engages and celebrates the community with informed, specific, and authentic messages, theres a Burger King ad with two top buns. Its the norm now that theres a deluge of corporate marketing in June, but the prevalence of rainbow washing is not only self-defeating, its depressing.

Excluding your own organization and/or clients, please highlight a campaign/program from the past year or so that you feel truly exemplifies the best in LGBTQ+ messaging.

Renna

One of the best, most inspirational examples I have seen is the collaborations with Gendercool and the Phluid Project. As a time when the trans community, especially youth and POC, are under attack, the positive and powerful visibility of these is vital. Gendercool, a trans youth led organization doing amazing work, is partnering with Nike, the Gap, Dell and others to increase representations of trans and non-binary youth who are thriving with family and community support. And the Phluid Project is bringing their product line with messages of gender and transgender rights and community empowerment to huge and accessible audiences with products in Target, Kohls, Macys and other retail outlets.

Wong

Macys has a longstanding history of supporting LGBTQ young people, and they lean into their brand and strengths as a company. Since theyre a clothing retailer, we collaborated on a Styles of Pride campaign that centers LGBTQ youth voices in an authentic way, and focuses on how style can be an important form of expression. The hero video emphasizes the diversity of LGBTQ youth that The Trevor Project serves, and shows young people expressing themselves freely.

Manley

Ive long admired brands with an established history of engagement with the LGBTQ+ community like Absolut. Beyond inclusive marketing, Absolut has supported the community for over 40 years through representative partnerships, sponsorships and millions of dollars in donations to local LGBTQ community centers and organizations.

I was excited last year to see LEGO step forward with the Everyone is Awesome campaign. A play on the Everything is Awesome theme song used in one of their movies, LEGO released a set with 11 figures each designed with its own hairstyle and distinct color from the Pride flag. The purpose of the launch was to draw attention to the diverse identities that compose the LGBTQ+ community. I thought the campaign was not only authentic to the brand, but also authentic to the community.

And LEGO built on it this year with A-Z of Awesome, which was a community-centered social media project that centered LGBTQIA+ voices and invited members of the community to share their individual stories. This included donating $1 million to various LGBTQ partners and collaborating with international festivities, advocacy and educational organizations like Workplace Pride, Open for Business and Stonewall.

Through each iteration of LEGOs campaign, Ive seen it evolve and improve as an example of how a brand can take steps to engage with our community in a meaningful and intersectional way that not only brings value to the business, but also authentically celebrates and elevates the community.

Doyle

As a member of GLAADs Board of Directors, I celebrate the important work initiated by GLAADs inaugural Social Media Safety Index. Released in early 2021, this was the first study of this kind across the five major social media platforms to truly gauge LGBTQ+ user safety, and it found the entire sector was essentially unsafe with a prevalence of hate speech and harassment. It created from these findings a responsibility platform checklist that offers recommendations for all organizations in the sector.

Radelet

This one, from Miller Lite, checks many of the right boxes:

Garner

Equality Floridas campaign is a great example of topical messaging that is emotional, unsparing, and unwavering in its advocacy

For larger brands and campaigns, I really dug the H+M Beyond the Rainbow campaign a terrific multi-platform, digital-first campaign that eschews cliches and reimagines the rainbow as a vehicle for inclusive, emotional, authentic storytelling.

Kaye

Tinder and the Human Rights Campaign are working together to end LGBTQIA+ blood donation bans in the United States by encouraging users to take part in the ADVANCE survey that could help end the harmful policy.

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Mayor London Breed Proposes Funding in Budget to Expand Services for Limited English Proficient Asian Victims of Crime | Office of the Mayor – SF…

Posted: at 12:17 pm

San Francisco, CA Today, Mayor London N. Breed announced new proposed funding to expand services for Asian victims of crime. The $500,000 investment in her proposed budget will increase services and capacity to serve Asian victims of crime who are limited in their English proficiency.

Since the pandemic began, reported hate crimes and incidents against Asians and Pacific Islanders have increased exponentially. In 2021 alone, the San Francisco Police Department (SFPD) reported in January of 2022 that there was a 567% increase in reported hate crimes from 2020. The Stop AAPI Hate coalition tracked more than 10,000 incidents of hate from March 2020 through September 2021 nationally.

As weve seen hate crimes play out in our city, our Police Department has responded to make arrests and hold people accountable, said Mayor Breed. And while accountability is critical in these cases, it also became clear in talking to many in the community that these victims also need mental health support, which can be difficult for those with language barriers. Through this funding, we will be getting the support to those who need it, in the way that they are most likely to accept itthat is the key to a victim-centered system.

The proposed $500,000 investment includes:

With these investments from the Mayors Office, more Asian victims of crime will have early access to culturally competent mental health services, said Christina Shea, Deputy Chief/Director of Clinical Services at RAMS, Inc. This is a crucial piece to begin the recovery and healingto have a means to process their feelings of grief, shock, fear, and anxiety, which could lead to more complex issues in the future, if not supported early on.

During a time when our community is experiencing extreme stress, anxiety, and fear, supporting culturally competent and in-language support is more critical than ever. We uplift any effort that not only destigmatizes but expands mental health services for our API community. Healing starts with an intentional effort to meet community members where they are and with respect for their culture. Investments in this work are pivotal as we recover from our collective trauma, said Sarah Wan, Executive Director of Community Youth Center (CYC), an organization that provides wraparound services for victims of crime, focusing on limited English proficient API victims of hate incidents and crimes.

Mayor Breed has invested in growing victim services citywide, including for the limited English proficient communities and hate crime victims. Last year, she invested over $3.2 million in wraparound victim services for the API community and created a Community Liaison Unit (CLU) within the SFPD to ensure that there would be cultural and linguistic competency to reach and serve victims. There is ongoing $2.6 million for community-led, multiracial safety walks staffed by CYC and the Street Violence Intervention Project (SVIP) as well as $2.5 million for community-based wraparound victim services and a citywide senior escort program led by Self Help for the Elderly to prevent violence in the first place.

This investment represents a commitment to support our diverse communities in San Francisco, said Dr. Sheryl Davis, Director, Human Rights Commission. Through the Office of Racial Equity, the Human Rights Commission will invest over two million dollars to address hate incidents and support communities and groups across the City to address bias and discrimination. The success of this program requires cross-cultural collaboration, and we are all committed to addressing the root causes of bias and inequity. We will continue to address issues of hate across the intersections including, race, age, gender, sexual orientation, and in this instance the need for in-language support. This is one example of how we provide supports based on the community need.

What was clear from these providers was that there was a need to strengthen access to mental health services for victims who faced additional obstacles in getting help after the death of a loved one or being targeted for violence due to language and cultural barriersvictim advocates identified this is a key gap that they could not provide without the Citys help in growing these resources.

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New tool helping Kansas City make sure its growing the right way – WDAF FOX4 Kansas City

Posted: at 12:17 pm

KANSAS CITY, Mo. Theres a new tool helping Kansas City better understand its progress and growth.

The Mid-America Regional Council (MARC) is pulling together a lot of data, helping figure out what help the metro needs and where programs to address those needs should happen.

The map is called the Economic Equity Value Atlas (EEVA), and it tracks more than 100 types of data throughout the metro. It makes it a lot easier to see which parts of town are thriving and which parts arent.

When we identify a problemthats clearly shown in the metrics, then it becomes a rallying cry for what we are going to do about it, MARC Director of Research Services Frank Lenk said.

Lenk pulled the data together for the EEVA and, through a series of clicks, shows how the maps data can tell a variety of stories about communities all over the KC metro.

One example is showing how the amount of people applying for home ownership loans is relatively uniform across much of Johnson County, Kansas, and Jackson County, Missouri.

But when looking at how often those applications are denied, the atlas shows denials are much more common in communities that have also been redlined and disinvested in throughout Kansas Citys history.

Lenk said stark contrasts like that show the same communities can keep struggling through time, even when intentional efforts to hold them back are less common.

We have more of a systemic problem that will require a more systemic solution, Fenk said. Its something that we need to come together to solve. No one can solve it on their own.

Fenk also demonstrated how the largest population increases are about 15-20 minutes outside the core of the city, showing a continued move to the suburbs that has been happening in the metro for years.

But the data also shows movement into the very center of the urban core where new development has, for the first time in years, created an increasing population in the center of the city.

However, other data shows that spending on roads and bridges remains more common on the edges of the suburbs, suggesting that the suburban sprawl will only continue.

The city of Kansas City is using the atlas as it tries to improve communities along the Prospect Avenue Max route as part of its ProspectUs project.

Kansas City Planning Director Jeffrey Williams said it gives the city a way to know if its plans are working and a way for citizens to hold the city accountable.

With tools like EEVA, it gives you a number to shoot for, a target, a measure, Williams said. It sets a base, and its a way to measure how we are growing.

The goal is to make sure that programs meant to help the community reach the right locations, but also as a way to make sure that growth doesnt happen at the expense of some communities or leave parts of the metro behind.

In total, Kansas City, Missouri, needs to be a wholly-equitable, accessible, welcoming community, Williams said.

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