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Daily Archives: March 2, 2022
The Afghan revolutionary who took on the Soviets and patriarchy – Al Jazeera English
Posted: March 2, 2022 at 11:53 pm
Only one clip of Meena speaking flickering, faded, just a few minutes long survives today, and it sounds like a prophecy. It is 1981. She is 24, in a pale blue turtleneck and a dark blue dotted pinafore, her wavy hair cropped short.
Meena had just delivered a speech in Valence, where she was invited by the new French Socialist government to represent the Afghan resistance movement at a party congress. Her speech so angered the Soviet delegation the USSR had invaded Afghanistan two years earlier, and she spoke forcefully against the occupation that they stalked out, glowering, as she raised a victory sign in the air.
In the clip, a snippet from an interview with a Belgian news channel, she predicts calmly, sombrely, pen in hand the victory of anti-Soviet forces. But she also warns of its cost: that the anti-democratic, misogynistic factions of the mujahideen being valorised by the West in their fight against the Soviets would, in turn, devour Afghanistan.
Amid the clumsy binaries of war, Meena was treading a tricky path.
Meena was born in 1956, in the final decades of Mohammed Zahir Shahs reign. The modernist king had nudged along a number of firsts for women: female voices on Afghan radio, voluntary abolition of the chadar, and ratification of the constitution by a Loya Jirga a grand legal assembly that included women.
She attended one of Kabuls best schools the Lycee Malalai, named after a beloved folk heroine who rallied flailing Afghan forces to victory against the British in 1880 but in her middle-class home, she saw her father periodically beat her two mothers.
Uncommonly alert to injustice her relatives casual mistreatment of Hazara servants, of the educational disparities between her architect father and her unlettered mother teenage Meena became increasingly fixated on the inferior status of women.
How men saw women and how women saw themselves as individuals with their own hopes and dreams, rather than in perpetual service to the family, the tribe, and the nation would not be transformed by state mandates alone. These roles would have to be renegotiated, Meena knew, by Afghan women themselves, from within the most fundamental unit of society, the family.
It is 1976. Three years earlier, the old king had been overthrown by his cousin, and the 225-year-old monarchy was replaced with an autocratic one-party state. Kabul University, where Meena is now studying law, is a microcosm of the forces buffeting Afghanistan: Marxists and Maoists, monarchists and Islamic revivalists.
Meena, 20, is married to a doctor 11 years older, the only man her family could find who fit her criteria: no bride price, no second wife, no objection to school or work. He is the leader of a Maoist group. Meena also leans left, but she is not interested in being relegated to the womens wing of a political outfit. She seeks an organisation that centres the liberation of Afghan women.
There is none, so she starts one herself. It is called the Revolutionary Association of the Women of Afghanistan (RAWA).
In the beginning, there were five. A year later, 11. They were not even all known to each other and rarely met all together. Once, when they did meet, they sat in a room partitioned by curtains so they could hear the rest but could not see more than three others. Years before the Taliban first took over Afghanistan, at a time when women had the right to education, were such extraordinary measures necessary?
RAWA was not plotting the downfall of the state. At first, it was organising adult literacy classes, a preliminary step in Meenas vision towards helping women from strict patriarchal families develop a sense of self. But in a stubbornly gendered society, where the only women with any real power tended to be mothers-in-law, the organisers knew their work would be perceived as a threat: it would, in Dari, be mushti dar dahan a fist in the mouth of patriarchy.
In 1978, on the heels of a violent coup, a new Soviet-backed government began rolling out reforms across Afghanistan. Land was redistributed, the tricolour flag turned a solid communist red, bride prices reduced, and marriage before the age of 18 outlawed. Afghan society bristled at these changes particularly, scholars have since noted, the changes concerning women. RAWA baulked, too: if the fight for their rights became associated with imperial power, it was Afghan women who would bear the brunt of the backlash. And so, it expanded its mandate, becoming, in Meenas words, an organisation of women struggling for the liberation of Afghanistan and of women. One could not be achieved without the other.
Anti-Soviet resistance mounted across Afghanistan, first percolating in the countryside, then spreading to the cities. The crackdown by the Soviet-backed government also intensified. Political prisoners in Afghan jails tribal leaders, clergy, public intellectuals, students tripled within six months. Executions were a daily occurrence. Many others vanished into thin air. Meena began visiting the families of the jailed and the disappeared, asking after them.
This is how many women joined RAWA. They were struck by the fact that Meena cared. Bereft of male protection but also male authority for the first time, they heeded her call to channel their rage and despair into a disciplined resistance.
In December 1979, Soviet tanks rolled into Afghanistan. RAWA members took part in popular demonstrations, surreptitiously distributing political pamphlets (shabnameh, literally translating to night missives, circulated under cover of dark), started Payam-e-Zan (Womens Message), a polemical magazine that they assembled by hand, and supported secular factions of the mujahideen on the war front, where they dispensed medical aid and learned to use and clean guns.
Melody Ermachild Chavis, author of a RAWA-authorised biography of Meena, recalls story after story of Meenas doggedness: disguised in an old burqa, she would visit women from dawn to dusk, talking for hours, returning every week.
That is the closest to a critique of Meena that Chavis who channelled 20 years of experience as a private investigator preparing death-row appeals in California into reconstructing Meenas life heard from RAWA members. Some of the older women would tell her, youve got to rest, youve got to protect yourself more. They told me how shed periodically collapse: from dehydration, exhaustion, malnourishment, sometimes pregnancy, she says.
And sometimes from grief. Once, thousands of women went to meet jailed family members being released under a general amnesty when only 120 were released, the women stormed the prison and found piles of dead bodies.
Meena, returning home from one of her prison visits, collapsed, unable to process what she had witnessed the screams of a mother whose son was killed in prison. That night, she shook in her sleep.
The first issue of Payam-e-Zan, published in 1981, shortly before Meenas trip to Europe, features an unsigned poem.
The midnight screams of bereaved mothers still resonate in my ears
Ive seen barefoot, wandering and homeless children,
Ive seen giant henna-handed brides with mourning clothes,
Ive seen the giant walls of prisons swallow freedom in their ravenous stomach,
Im the woman who has awoken,
Ive found my path and will never turn back
The poem was penned by Meena. By the time she returned from Europe, a number of RAWA members and supporters had been imprisoned. Her husband, after being jailed and tortured, had fled to Pakistan. As a political activist opposing the Soviet occupation who had garnered international attention, Meenas photos were being circulated at checkpoints across Kabul, so she too crossed the border, alongside millions of other Afghans seeking refuge from war.
Ultimately, she set up a base in the Pakistani city of Quetta, where RAWA began opening schools, clinics and orphanages for fellow refugees.
In 1986, Meenas husband was murdered in Peshawar by mujahideen leader Gulbuddin Hekmatyars Hezb-i-Islami Gulbuddin an armed group said to have received more CIA funding than any other mujahideen group during the Soviet war.
Three months later, Meena went missing in Quetta. In August 1987, her body was unearthed from the compound of an abandoned house, identifiable only by her wedding band. She had been strangled to death, betrayed by a male RAWA supporter. Originally arrested for driving a truck filled with explosives into Pakistan, the two men who confessed to her murder had ties to KHAD, the Afghan secret police allied with the Soviets. In 2002, 15 years after her death, they were hurriedly executed by the Pakistani state. Afterwards, RAWA released a statement reiterating its opposition to capital punishment.
More than 10 years after Meenas assassination, scholar Anne E Brodsky recounts viewing that clip of Meena alongside young RAWA members in Pakistan. Watching their martyred leader predict a future they had lived through but one she did not live to see, the young women were moved to tears. Most of them had never met her, Brodsky writes in With All Our Strength (2003), her book-length account of RAWA, but they had heard the stories and they felt that the only reason they were where they were educated, safe, and with a deep purpose in life and a community of love and caring to support their struggle was the efforts of this woman.
Brodsky, a community psychologist, interviewed more than 100 RAWA members and supporters in the early 2000s. Time and again, women spoke of how RAWA gave them meaning amid the chaos of war. They chanted the slogans that were stuck in my throat; they spoke the words that I didnt dare speak, one member told Brodsky. Another, a premed student forced to stay home when the Taliban came to power in 1996, was able to claw her way out of depression through involvement with RAWA: I even forgot I didnt have rights and couldnt continue my studies because I was always busy.
RAWAs response to Meenas murder had been to double down on her lifes work. On both sides of the Durand Line the British-drawn boundary between Afghanistan and what is now Pakistan RAWA established schools and orphanages for Afghan boys and girls, literacy programmes for older women, health clinics and income-generating programmes.
In Afghanistan, then as now, most of these operations remained underground. In areas of Pakistan where it was relatively safer to operate for RAWA, many people remember Meenas visage having pride of place. Jennifer L Fluri, a feminist political geographer at the University of Colorado, recalls in the early 2000s nearly every room in an openly RAWA-run school or orphanage in Pakistan featuring Meenas portrait. She was very much a living presence, she says.
Meena remained the face of RAWA for another reason, too: after her assassination, the organisation became entirely anonymous, operating as a single, undifferentiated front. At the same time, it became even more decentralised, a collection of committees spread across Afghanistan and Pakistan that exchanged information on a need-to-know basis.
Chavis estimates that there were approximately 2,000 members in the mid-2000s membership is limited to Afghan women living in Afghanistan or Pakistan, while men and other women can join as supporters but there was no real way of ascertaining the actual number. For security reasons, RAWA did not maintain a consolidated list.
In 1997, a year into Taliban rule, they launched a website, helping them find international supporters and donors. It exists today, too, stuck in a 90s design warp, an ode to Meena as well as meticulous documentation of the conditions of Afghan women at large. Trigger warnings abound, followed by an unapologetic reminder: this is the reality for many.
In addition to their social work, RAWA also began documenting Taliban atrocities at a time when Afghanistan had been largely forgotten by the world. In 1999, members smuggled a camera into a football stadium in Kabul to film the public execution of Zarmina, a mother of seven accused of killing her husband. When RAWA approached Western media outlets with the video, most declined to air it it was too shocking, they said, for their viewers.
Then 9/11 happened. RAWAs footage of Zarminas execution, despite being two years old, began playing on a loop on CNN. Before dropping bombs on Afghanistan, US warplanes first dropped flyers over the country making the case for military action. Some of the pamphlets featured images of Taliban crimes plucked from RAWAs website. RAWA was appalled, says Sonali Kolhatkar, co-director of the Afghan Womens Mission, a US-based non-profit established in 2000 by RAWA supporters. To them, it was such a betrayal and a huge danger to be inadvertently associated with a US invasion that they staunchly opposed. The US never asked for their permission to use those images.
In her role as a RAWA ally, facilitating its advocacy work abroad, Kolhatkar had a front-row seat to Western liberal feminisms encounter with RAWA.
Prior to 9/11, some members came to the US for the first time on a speaking tour sponsored by a prominent womens organisation. The organisation sold these little pins with squares of mesh cloth on them, similar to what youd find on a burqa, Kolhatkar recounted. And one condition of the invitation was that at every event featuring RAWA, they would first have to play a five-minute video, produced by the organisation, highlighting the plight of Afghan women and after 9/11, they [RAWA] were dismissed by Western feminists as being too Western. This, to me, was the most infuriating part: to have their work co-opted and their legacy questioned by Western feminists.
The activists who came to the US, writes Brodsky, were also frustrated by Western attempts to individualise them, needling them for their personal stories, rather than engaging with RAWAs institutional message.
When a RAWA representative explained her role on RAWAs foreign affairs committee to the Western women in the room, Brodsky recalls the meeting room lapsing into baffled silence. The other women in the room appeared to strain to integrate this piece of information into their mental picture of this young woman and her grassroots organization, she writes in With All Our Strength. Finally someone responded, A Foreign Affairs Committee, isnt that organized of you?!
For RAWA, these experiences abroad were a vindication of Meenas fierce commitment to independence and her refusal to let the organisations mission be subsumed into a broader political project, whether at home or abroad. Her legacy remains really central to RAWA, especially with regard to independence, secular democracy, and the complete rejection of foreign intervention except when it comes to people-to-people solidarity, says Kolhatkar.
Fluri, as a geographer, was particularly interested in examining how RAWA negotiated power closer to home in Pakistan. She recalls spending time in a refugee camp in Peshawar in the early 2000s, where RAWA wielded great influence so much so that when a woman complained of her husband continually hitting her, they worked with male allies to have the man kicked out of the camp. It was almost like they had their own mini nation there, says Fluri. The camp was a microcosm of their vision of Afghanistan feminist, multiethnic, she says. I remember thinking, oh wow, they really are kind of creating this there.
Many of the major refugee camps in Pakistan were disbanded in the mid-2000s. As Afghan men and women returned to their homeland often involuntarily, hounded out by an increasingly hostile host country RAWAs activities in Pakistan began to dissipate. In Afghanistan, its work continues but remains underground: a mix of home-based schools and feminist study circles, rural health services, and income-generating projects for women, such as poultry farms.
RAWA did not respond to requests for an interview.
Much of RAWAs work today depends on donations from international supporters and is therefore especially susceptible to the fleeting attention span of the West. The situation right now inside Afghanistan is worse than it was last summer [when US forces withdrew]. But theres less attention being paid, and so its harder to raise funds and getting the money to RAWA has also become nearly impossible because of US banking sanctions, says Kolhatkar.
Still, RAWA soldiers on. Last December, they marked International Human Rights Day with a protest against the Taliban, concealing their identities by wearing masks of slain Afghan activists. In the absence of freedom and democracy, their placards proclaimed, human rights have no meaning!
Meenas legacy extends beyond RAWA, too. Years after that refugee camp in Peshawar was shut down, not too far away, another young Pashtun would become famous for demanding her right to education so famous that she too would be known by her first name alone. In 2014, asked about her childhood memories of reading, Malala responded: One of the first books I read is called Meena, about a girl who stood up for womens rights in Afghanistan.
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The Afghan revolutionary who took on the Soviets and patriarchy - Al Jazeera English
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Who owns the moon? | Rebecca Lowe, Tony Milligan – IAI
Posted: at 11:53 pm
Billionaires are making regular trips to space for a reason: they want to harness the potential economic payoff. We need to come up with a framework for property rights in space that will benefit all of humanity, not just the super rich, argues Rebecca Lowe.Under her proposal - inspired by philosopher John Locke - people could earn the right for the exclusive use of plots of moon land, as long as this advances certain moral aims.
Revisiting the Outer Space Treaty of 1967 that bans any appropriation of planetary or lunar land might be worth doing, writes Tony Milligan. But using John Lockes 17th century framework is not the way to think about property rights in space. The Solar System is a very different place from Earth, and a whole new type of economy would need to be invented for it.
In two separate articles, Rebecca Lowe and Tony Milligan put forward their arguments on how we should think about property rights in space.
Rebecca Lowe
Privatising the moon is a meme, or at least a caricature. Its used to emphasise the unrelenting greed of capitalists: Theyd sell off the moon if they could!. Cowboys on Earth. Cowboys in space. And fair enough, rocket-man billionaires arerarely out of the newsthese days.
Nonetheless, these billionaires give us good reasons to think hard about property rights in space. Firstly, its not enough just to state that doing something even as outlandish sounding as privatising the moon is wrong. You need to be able to explain why. What if humankind needed to escape Earth? Would it be fundamentally impermissible to try to inhabit the moon, in such a situation? Wed struggle without any recourse to private property.
Beyond that, itd be nice to think that these billionaires are spending their money on rocketships solely for the intrinsic value of knowing more about our universe. But presumably a large part of them taking on the serious financial and reputational costs of space exploration is a massive potential payoff. And that payoff is something that could be harnessed for the good of all humankind.
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The more you think about it, the clearer it seems that a morally-justified system for assigning and governing property rights in space could present vast benefits.
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The more you think about it, the clearer it seems that a morally-justified system for assigning and governing property rights in space in land, in other resources, even in the vacuum itself could present vast benefits. These potential benefits extend far beyond financial rewards for people becoming owners under such a system, and the other direct and indirect beneficiaries of these ownerships. They also relate to the provision of incentives for the responsible stewardship of space, as well as opportunities for new scientific discovery and democratised space exploration.
Of course, this doesnt mean that we shouldnt consider potential costs. Debate rages about property-related injustice and unfairness on Earth: not least regarding the decisions and actions of our forebears, relating to the acquisition of property rights, the distribution of access to natural resources, and the colonisation of areas already serving as the livelihood and homes of indigenous peoples. Debate continues about the future of Earth, too: about how we should act now if we are to conserve our planet appropriately, for its own sake, and for future generations. All this reminds us of the serious costs that property-rights regimes can impose, and the importance of ensuring that legal claims to ownership are morally justified.
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The ways in which human beings meet some of their most urgent everyday needs involves something thats hard not to see, in a basic sense, as individual ownership.
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Nonetheless, most people see property as a basic human need, the focus of a natural human practice, an inevitable part of life. And private property in the sense of individual ownership is typically deemed not only to improve standards of human welfare, but also the condition of many objects of ownership. Theres a vast multi-disciplinary literature describing private propertys instrumental value. This focuses on the stability thatclear and secure property-rights regimestypically engender. It also addresses the crucial roleprivate property plays within exchange and trade, which, themselves, have helped to driveglobal progress in domains including education and healthcare.
Private property is about more than efficiently meeting wants and needs, however. Theres also the intrinsic value of individual ownership reflected in the security and belonging that derive particularly from home and land ownership, not least within a community. Individual ownership enables human beings to exercise their basic capabilities, and live in accordance with human dignity. Of course, there are other valuable types of property arrangement. But the ways in which human beings meet some of their most urgent everyday needs not least the need to eat things involves something thats hard not to see, in a basic sense, as individual ownership.
The minimal conception of individual ownership Im interested in for current purposes, therefore, is the relation that a particular person has with a particular thing, of which a necessary condition is that this owner/owned-thing relation is exclusive and exclusionary. And, on which, this relations exclusive and exclusionary nature is protected by a moral right. If you believe that individual cavemen and cavewomen had some kind of obligation-generating claim to the particular bits of land they lived and depended on (which meant there were certain things that only they, exclusively, could do in relation to that land, to the exclusion of others), then you believe in this kind of non-legal, moral, property right. Now, none of this prevents an owner from choosing to open up an ownership relation by offering a slice of their apple to a friend, for instance. It does however, I think, get to the heart of the idea of private property.
To return to extra-planetary matters then, what might a justifiable space property-rights regime look like, on this narrow conception of ownership? What can we learn from the mistakes of the past to get matters of property right, this time, whilst with regard to space land we still have the chance to start pretty much from scratch? A recent think-tankpaperI wrote addressed these questions.
If youve read any of the surprisingly extensivepress coveragearound my paper, however or had some of this coveragetweeted into your timeline by Bernie Sanders then you might be disappointed to learn that I didnt actually propose selling off the moon. For a start, premised in the framework I set out at the end of the paper is the idea that nobody, morally, owns the moon. I also discuss the way in which, whilst much relevant space law is interpreted in competing ways, it seems clear that nobody legally owns the moon, either. Despite various nations attempts to press for change, the national appropriation and by effect, the individual appropriation of at least thephysical domain of space, remains outlawed bylong-standing treaty.
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If youre hoping my framework will help you to acquire the whole moon to hold in perpetuity for your mega-corporation, youll be disappointed.
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What I try to do in my paper, however, is look past the current legal situation, and consider what might be a morally justified way of governing individual access to space land, on a rights-based liberal account. This is not least because theres a convincing egalitarian argument that the arbitrary oppression of opportunity that some individuals already face simply by being born in, or otherwise inhabiting, particular countries shouldnt be entrenched further through a nation-focused approach to the governance of space opportunities.
The primary problem I address, therefore, is how to avoid the perils of first come first served. This is the problem regarding the way in which it seems wrong (and a missed opportunity, all round) to prevent individuals from realising any right they hold to acquire property. But that it also seems wrong if their doing so precludes others from ever being able to do so themselves. Of course, theres also that serious problem of how we get to the point of individuals being legally able to acquire space stuff in the first place. But whilst I discuss some relevant options, Im happy largely to set that problem aside for lawyers.
To get to practicalities, however, if youre hoping my framework will help you to acquire the whole moon to hold in perpetuity for your mega-corporation, then again, youll be disappointed. Rather, I set out a highly conditional Georgist-type system to enable the temporary rental of plots of moonland. Basically, individuals compete for the exclusive and exclusionary use of these plots, through a market-based competition consisting in the payment of rent. The term rent isnt quite right, however, because as above, I conclude that nobody owns the moon. Rather, renters pay their rent into a fund that is used to enable other individuals to compete against them for plots on the grounds that everyone has an equally strong potential claim, but only a tiny number of highly-privileged people would currently be able to realise this potential.
The size of the plots, and the rate of the rent, is variable dependent on supply and demand. Thanks toHenry George, renters own in full the profit they make from the use of their rented land. And they can use it for any morally-justified purpose. However, certain stringent conditions apply, relating particularly to the concerns of spoilage and urgent need concerns that betraythe Lockean theoryunderpinning the papers approach. Now, the rent is paid into a fund that, as above, generally serves to enable an increasing number of individuals to compete for plots of moonland, whilst partly through a rebate system helping to meet current urgent need, and to conserve land (on the moon and Earth).
On my system, therefore, Elon and Jeff will only be able to access moon plots in an exclusive and exclusionary manner if their payments, minimally: a) help to alleviate urgent human need; b) help to conserve land; and c) effectively ensure that increasing numbers of people gain the opportunity to compete against them for the use of these plots. Moreover, as part of the spoilage condition, renters must not destroy or remove parts of moon land, or the natural resources that form other parts of the moon or are found on the moon.
So, Im afraid my paper isnt truly about privatising the moon,and I dont do anything like estimating the financial value of owning space stuff. I do point out, however, that thinking about space in this way couldhelp us to assess the adequacy of ongoing approaches to property on Earth. Therefore, whilst I dont expect the peoplemaking fun of my paper on social mediato have read it, I think that if they did, they might find it less friendly towards the current economic order than they presume.
Tony Milligan
For several years now, there has been a phantom conflict going on between two political legacies of the 20th century, each trying to make headway within discussions about space futures. On the one hand, there are fierce opponents of private sector activity in space. Particularly when it is associated with billionaires like Jeff Bezos and Elon Musk. On the other hand, there are free marketeers who see space as an opportunity to base democracy around the free market, rather than treating the market as one democratic institution among many.
Both tend to radically over-estimate the role of the space private sector compared to the role of national space agencies which remain the primary players. The contrast is not even close. Neither Elon Musk nor Jeff Bezos are ever likely to be in a position to compete with the Chinese state. Nonetheless, the conflict goes on. One of the latest installments is the Adam Smith Institute paper Space Invaders: Property Rights on the Moon by Rebecca Lowe. This is more interesting than many of the routine contributions because it focuses upon the very idea of property rights in space, and the kinds of ethical and political principles that might underpin any replacement for the Outer Space Treaty (1967) which treats space as the common heritage of humanity, and currently outlaws the appropriation of planetary or lunar real estate. As a point of international law, nobody can own the moon.
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We fall into a trap if we think of lunar resources as analogous to the kinds of resource that Locke was typically concerned with.
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What we get in Lowes paper, as the way forward from the OST, is an application of John Lockes 17th century political theory to a partitioning of the lunar surface. Or, at least, the application of a version of Lockes account of how private property arises, is transferred and operates to the benefit of society at large. Lowes belief is that a clear, morally-justified, and efficient system for assigning and governing property rights in space in land, in other resources, in the vacuum itself, and in anything else that might be found -would present vast benefits. I have no particular opposition to private property rights, but believe that we cannot run plausible arguments about the distribution of space resources independently of a more detailed understanding of the resources in question.
We fall into a trap if we think of lunar resources as analogous to the kinds of resource that Locke was typically concerned with. The lunar resources that matter most are not laid out like large tracts of open and unworked land that might be divided up fairly among settler farmers whose claim will then be reinforced by their working of the land. Strategic lunar resources tend, instead, to be far more concentrated.
Here, we might think of lunar concentrations of Thorium, Uranium or Helium 3 for use in fusion reactors. Or we might think of the Peaks of Eternal Light. Highly concentrated resources in the South Polar Region, with raised crater rims sitting in near constant sunlight (useful for solar power), possibly shading frozen water and volatiles. An ideal combination, but heavily localized. A good-sized peak will be equivalent only to a narrow strip a few meters wide across a regulation-sized football field. It is no coincidence that the majority of lunar missions planned for the present decade are disproportionately targeting the South Lunar Pole rather than spread across the lunar surface.
Rather than dividing up tracts of land in the manner of the New World, we might do better to think of dividing up an art gallery. Someone will get bits of carpet from the stairwell, someone will get a cupboard, and someone will get a Picasso or a Cezanne. Lockes world is an obvious go-to reference point for transitioning from no-property to property, because it makes it seem like there is some clear, morally justified grounding for the resulting distributions. In the case of the Moon, nothing is so clear or readily justified.
An oddity here is that it is not at all obvious that private property is a great concern for prospective space miners. Those involved in Planetary Resources before its demise in 2020 were concerned more with security of tenure than individual property rights, i.e. is being able to complete licensed extraction projects. What matters for any actual mining operations is always likely to be the licensing system, rather than Lockean self-realization through property. This is also the way that space law is going, with extraction rights being put into law in the US back in 2015, and other countries such as Luxembourg, Japan and India following suit. The legislation and direction of travel is also flagged up in Lowes paper.
___
Lockes world is an obvious go-to reference point for transitioning from no-property to property, because it makes it seem like there is some clear, morally justified grounding for the resulting distributions. But in the case of the Moon, nothing is clear or readily justified.
___
The result is that when we drill down into the detail of the paper what we find is that the status of the property-right-holder amounts more to the status of a renter than the status of a full owner. John Locke will not be going into space any time soon. Instead, the rhetoric of property boils down instead to something other than actual property because Lowe gets the point about the obvious benefits of licensing over property. But the paper does not come to terms with the implications of licensing, and its larger departure from the moral universe of Locke. Two implications suggest a large departure.
Firstly, licensing is better adapted to a multi-player environment rather than a binary world of states and individual property owners, driven by much the same human nature. There are multiple, legitimate claims that may be made in relation to the Moon, by agents whose primary concern is science, environmental protection, state presence, political equilibrium between competing powers, and yes, private financial concerns. Trying to flatten out this uneven terrain of claims by appeal to any single institution (such as property or quasi-property) looks unrealistic.
Secondly, accessible space resources are finite, not infinite. It is far from obvious that we will ever be able to access resources beyond the Solar System. And, for practical purposes, it is also a closed system. Little, if anything, comes from the outside. This Solar System is everything that we and future generations may ever have to work with. And much of it is made up of gas giants whose gravity wells may be too deep for us to use in any large-scale manner. We have far less to work with than is sometimes imagined. One Moon, one Mars, a few smaller bodies and the asteroids.
___
The kind of economy need for space is something to be invented, rather than transplanted from the past and John Lockes theory of property.
___
The upshot, and a core point set out by Martin Elvis and myself in our 2019 paper How much of the Solar System should we leave as wilderness? is that the trajectory for a space economy will include either a dangerous exhaustion of new resources, or an eventual transition to a steady-state economy. Not a 20th century market economy geared to indefinite expansion, but a different kind of economy. One within which various sorts of regulated but extensive markets will no doubt operate, but without reliance upon an imagined endless stream of new resources, or new places where settler owners might be set down. Given the sheer unevenness of the distribution of strategic resources in space, a steady-state economy of this sort would have to have different sets of entitlements, spread across multiple sorts of players who relate to the finite resources of the Solar System in a variety of ways. This kind of economy is something to be invented, rather than transplanted from the past and John Lockes theory of property.
Recognition of the ultimate need for such an economy is not new. Almost all of the great classical political economists got the point. David Ricardo, John Stuart Mill, and Adam Smith all recognized that there were physical limits to growth. Economic expansion, under capitalism or anything else, would eventually end. Locke never quite came to terms with the problem. Nor did Marx. Both envisaged endless worlds to conquer. We do not have such worlds. And so varied are the ones that we can access, that a single fundamental grounding norm concerning property or its abolition makes little sense. We cannot even apply a single metric to tell how close we are to resource exhaustion. On planets, surface area will sometimes be a good measure of resource use. But not at any icy poles, where multiple systems may be needed. In the asteroid belt, mass will be a better measure, but it will not work on Ceres or Vesta where surface again is crucial.
No one measure will work, much less a single norm for claims and use. Plurality is our best option. It comes close to being our only option. And when it comes to the Moon, we would be wise to start as we mean to go on, by recognizing a plurality of claims upon the same resources and the need to protect as well as use.
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#BTEditorial – What, then, is the state of our nation? – Barbados Today
Posted: at 11:53 pm
Late on Tuesday, US President Joe Biden was preparing to address a joint session of Congress, Supreme Court justices and dignitaries including specially invited guests as narrative devices.
The annual State of the Union address has no serious equal in our young republic; the Presidents Speech the reincarnated Throne Speech warms over the administrations manifesto. It rarely makes a full pronouncement on the state of the government at the point of delivery.
Over the years, we have had occasional report cards and propagandist paraphernalia trucked out in election campaigns but never a formal accounting to Parliament on the performance of the government. Budget speeches, once important set pieces in the fiscal calendar, have been relegated to the status of occasional footnotes since the introduction of value added tax.
But what Barbadians need to hear is not triumphalism, posturing or a blame game. They deserve more than an ersatz copy of an American State of the Union or Throne Speech in new garb. After two long and painful years of the worst economic and social crisis of the century, we should expect to see the administrations blueprint for reconstruction.
A standard Throne Speech ahem, Presidents Speech following Labours electoral triumph might soothe the party faithful and a few parliamentary traditionalists. But we have yet to know exactly how the Government plans to recover the lost years of 2020 and 2021.
The same timetable for reform, reconstruction and renovation that one would expect to follow a category five hurricane should be created to rescue Barbados from the doldrums of disease, death and dormancy.
We have had our hurricane. More than 300 people have died as a pandemic has become endemic. The response to the coronavirus has shifted to autopilot as vaccination rates stagnate.
We are chiefly concerned with the state of education, the spearhead of national development. The resumption of physical classes has not taken into account the incredible learning deficit that a generation of young Barbadians has experienced.
While ordering civil servants back to work, a great many students are restricted to no more than two or three days of instruction. On their days home, children as young as single digits are expected to engage in self-directed study, preferably under the watchful gaze of parents who are either unemployed, on sick leave or fortunate enough to work from home under a nebuious flexitime plan.
In addition to this, or perhaps, more aptly, in subtraction of, their schooling, classes are dismissed a full hour to 90 minutes early. And all this must continue during a school year that has not been lengthened by a day, despite the extraordinary situation in which our children find themselves.
As for those who are expected to enter secondary school this year, they are still to matriculate by means of the same examination whose imminent abolition had been declared in the first Mottley administration. The methodology for the reorganization of high schools, the timetable for this activity and the implications for students under unprecedented strain all remain unanswered. This cannot long continue.
The resumption of physical instruction seems to have had done nothing more than fill parents with dread for their childrens educational prospects. So a few parents who have weathered COVIDs economic storms will fork out large sums of cash for teachers to moonlight as private tutors. The lessons business not only thrives but has been given a new lease on life while the government to whom we hand over hundreds of millions of tax dollars apparently fumbles with undeclared certitude.
This sorry stasis is emblematic of the gaping hole where a recovery policy ought to be in vast swathes of national life agriculture, energy, culture, technology, health, law and order, constitutional reform. As Biden ascended the dais to speak on the State of Union, his troubled Build Back Better agenda lay on the operating table as politicians, including those in his own party, wield a rough scalpel.
At least there is a reconstruction agenda on the table of that republic. But where is ours?
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#BTEditorial - What, then, is the state of our nation? - Barbados Today
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Esteemed Actor Victoria Rowell on ‘Good Sam’ and the Power of Collaboration – Black Girl Nerds
Posted: at 11:52 pm
When it comes to television, Victoria Rowell (The Young and the Restless) has done it all. From acting to producing, this award-winning artist continues to expand her vision and create opportunities for BIPOC women-centered stories to be told on television. Rowell has a recurring role on the new series on CBS, Good Sam playing the formidable hospital board member Tina Kingsley. BGN had the honor of celebrating the last day of Black History Month by speaking with Ms. Rowell, a living legend, via zoom about her new role and current projects.
What is your favorite aspect of portraying chairwoman Kingsley?
I love playing Tina Kingsley. Shes an accomplished, educated mother of an adult son, Malcolm (Edwin Hodge). Even though she is divorced, she and her ex-husband work together on the hospitals board, so its complex. I love the layers of Tina Kingsley and also how she presents herself. Shes stylish. She is shrewd and realistic in terms of a woman whos about business, but she loves her family.
Whats your process for creating and maintaining this character on a recurring basis? Do you find those roles to be challenging?
The writers have written her in such a contiguous way there was no drop in the story. We understood that she came on the scene. We understood later that there was a fissure between her and her son, but Im not going to give anything away. We understand that she is really there about business-owning her power, unapologetically. With a primary focus on her relationship with her son, so in the writing, its all there for me as an actress to follow. It really linked beautifully throughout. Playing the recurring character also gives me time as a writer and producer. In fact, Im in post-production right now while in Toronto, on my Christmas movie for BET+plus. So on that level, its a wonderful opportunity to be recurring because youre able to work on multiple projects.
What would you say are your favorite current projects?
Good Sam is my favorite acting project right now. Im also producer-director and co-writer of a family drama titled Blackjack Christmas, which will be on BET+ this holiday season. I have had an incredible experience directing Dawnn Lewis (A Different World) and Charmin Lee (The Fifth Wave) in the film. The project also stars Fae A. Ellington (Shattered Image) and Oliver Samuels (Chef!) theyre international stars famous in the Caribbean diaspora in the United States and the UK. Blackjack Christmas is about sisters, immigration, competition, and what happens during the holidays when people are in different countries and the family member that grew up in the United States may have had more opportunities. At Christmas time the family deals with the pressure of, how were all supposed to be happy and everythings perfect, during the holidays. The onion gets peeled in Blackjack Christmas, and we see the fissure in the family. One sister is really struggling with a circumstance in her life that comes to bear. Its a powerful piece. Im very proud of it. Im in post-production now, and I cannot wait to present it. I like to tell stories about women for women and family. That really packs a message and resolution.
Anything else youre excited about working on?
I directed The Neighbor, a thriller for TV One and Lifetime starring Skyh Black (All the Queens Men) and Vicky Jeudy (Orange Is the New Black). Its tough to watch at times because it is about stalking and the abuse of women. So its going to be coming out this month.
How did you get involved with that project?
I was hired as a director by Hillionaire Productions fabulous Black female producer Jamie McCoy Lankford. Were actually working on a couple of other projects together. I mention The Neighbor because that was another collaboration, and collaborations are very important. We really need to meet the moment of the Black Lives Matter movement in economic ways and working with Jamie has been awesome. Collaborating with Black, Brown women and women, in general, is very important. Im currently collaborating with NYTimes best-selling author Victoria Christopher Murray who does a lot of Christian Fiction and (author) ReShondaTate Billingsley. We just finished writing a Christmas movie that well shoot in 2023. Thats the power of working together.
What goes into deciding who to collaborate with?
Not every idea is right for you. Youve got to know when to say no. Not all money is good money, and you have to know if something doesnt feel right, its not right, or its not time. Dont rush into something and not have all of the undergirding of good business infrastructure, Im talking about low budget, as well as any budget. Dont do it because (if you do) youre going to pay for it on the back end. Or it may not work out at all. So make sure that your team is right. Make sure the collaboration, even if its between you and one other person, is solid. And do your research on who youre working with or who intends to finance. Thats my process.
How much fun did you have filming your hilarious behind-the-scenes dram-com soap The Rich and the Ruthless during the pandemic?
We had a blast. I had the same cast for four seasons so that tells you a lot right there. We had a tremendous time working together, and we knew the gravity of the moment, were still in COVID, but we did four seasons, Emmy nominated. We just won a HAPA Award for Best Ensemble Cast and an Independent Series award. We really love working together. As a producer, its essential to me to make sure that the actors are happy that theyre well taken care of and that I can give them the best possible atmosphere that money can buy. At the end of the day, it cant just be about the content. It has to be how people are treated.
What right now is bringing you the most joy?
Oh, just not having any destination. The greatest joy is just to be on the path. To be a long-distance runner and to be led by my faith.
Good Sam airs on CBS Wednesdays at 10:00 pm EST, and The Rich and the Ruthless is now streaming on BET+.
Jeanine is a Writer, Actor, member SAG/AFTRA, AEA, Podcast host, Producer, CEO VisAbleBlackWoman Productions, Certified Health Coach and Conscious Dance facilitator. Jeanine's mission, centering Black women's stories to preserve our legacies.
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Esteemed Actor Victoria Rowell on 'Good Sam' and the Power of Collaboration - Black Girl Nerds
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A Moving New Play About Jean-Michel Basquiats Collaboration With Andy Warhol Explores the Price of Artistic Immortality – artnet News
Posted: at 11:50 pm
Arriving at Londons Young Vic theater to see a new play about Andy Warhol and Jean-Michel Basquiat, I was thrust into the thick of 1980s New York. Basquiats signature SAMO tags were scrawled throughout the theater, while a record-scratching DJ was spinning hip-hop and disco in an effort to recreate the electricity of Studio 54. Onstage sat several reproductions of Basquiat paintings. Thats the $110 million Basquiatthere, I whispered to my partner as we sat down.
Its hard to talk about Basquiat these days without nodding to the insatiable appetite for his work on the contemporary art market. Written by Anthony McCarten and directed by Kwame Kwei-Armah,The Collaborationwhich, after its run in London ends on April 2 will head to Broadway, before being adapted for the Hollywood screenknows this.
The drama gives us a fictionalized take on the real collaboration between two titans of art history. It also advances something of a cautionary tale about the toll that the cynical forces of the art market take on artistic expression.
The action opens at Bruno Bischofbergers eponymous downtown gallery. The Swiss art dealer and Warhol are taking in work by Basquiat, whose star is rising fast. Hes mine now, Bischofberger declares, as he announces a scheme to pair the two artists together in a selling exhibition, a cynical PR stunt which he hopes will generate a healthy profit.
Jeremy Pope and Paul Bettany in The Collaboration. Marc Brenner.
McCarten has written both artists as reluctant to collaborate, which is a simplification and less than historically accuratebut their hesitation opens the space to establish one of the central tensions of the play: both are disenchanted, in their own ways, with the mercantile machinations of the contemporary art market.
Paul Bettanys laconic, whiny Warhol acridly bemoans the art worlds tendency to move onto the next hot thing. Jeremy Popes restless, babyish Basquiat, meanwhile, is already fed up with a so white establishment and his place within it as a Black man. Why cant his talent survive on its own without hitching his wagon to Warhols star? And how come his graffiti is elevated to art that sells for $60,000 when equally talented contemporaries, such as his friend Michael Stewart, are arrested for defacing public property?
The titular collaboration itself begins in Andy Warhols ascetic studio, conjured in Anna Fleischles set design using recreations of Warhols Marilyns and Campbell Soup cans to adorn the walls. There, it becomes apparent that the two artists have very different ideas about what art should be.
Basquiat, who paints with spiritual fervor and believes paintings can be imbued with supernatural powers declares Warhols mechanically reproduced works to be bereft of soul. Im Dizzy Gillespie, blowing a riff, hes one of those pianos that plays all by itself, he shrugs. For his part, Warhol defends his theory of art: Im trying to make art that forces you to ignore it, the same way were ignoring life.
The second act is where the play really comes to life, as the action jumps forward a couple of years to Basquiats messy downtown studio. The two men have grown closer. Their walls have come down and a few tender moments relay their character outside of their cultivated public personae. Basquiats infectious spirit has disrupted Warhols detached performance of himself, exposing his self-loathing and trauma after being shot a few years earlier.
Meanwhile, Basquiat is deteriorating. Grappling with his own trauma, a worsening heroin addiction, and the indifference of the art industry, he turns to nihilism, stuffing his fridge full of cash, Cristal, and caviar.
The climax of the play comes after Michael Stewart is brutally beaten by police in a subway station, and Basquiat begins to paint his friend in an effort to heal himthe work ultimately becomes Defacement (The Death of Michael Stewart).When Basquiat finds out that his friend has died from his injuries, he explodes at Warhol, distraught at his arts inability to resurrect the dead.
Jeremy Pope in The Collaboration. Marc Brenner.
In a review of Julian Schnabels 1996 film, Basquiat, the curator Okwui Enwezor once derided the painter-turned-director for reducing the nuances of Basquiats life to a simplified narrative about a Black artist losing a Faustian wager with fame, money and the white art world. Schnabel was wrong; Basquiat didnt sell his soul to the art market. But nearly three decades on, the market has taken it anyway. Basquiat the man has been totally swallowed up by Basquiat the brand. (Perhaps Schnabels film even played a role in cementing that brand.) McCarten and Kwei-Armahs drama gets this. It resurrects Basquiat the man brieflybut doesnt stop reminding us of what is to come either.
The drama comes to a close shortly after Warhol emotionally implores Jean-Michel Basquiat I order you to live forever There are layers of dramatic irony to this line; we all know Basquiat tragically died of a heroin overdose at 27. We also know that Warhols prophecy comes truebut in true Warholian fashion. The exhortation calls back to the first act, when Warhol hits us over the head with a more cynical message: Were not painters anymore, Jean. Were brands. Well, youre almost a giant brand, and after this exhibition with me you will be too. Then just watch the language change, Jean. People will have to have you suddenly And not you. Not you. Your paintings.
The Collaboration doesnt get into the lukewarm critical reception the pairs joint show actually received, which played a role in Basquiats subsequent decline. The omission is possibly because to todays audience, that hardly matters anymore. Its the Basquiat brand that has been immortalized. He is todays top-selling contemporary artist, and his work is used to sell everything from skateboards to Tiffanys diamonds.
As the lights fade at the Young Vic, you hear the voice of Sothebys auctioneer Oliver Barker come over the speaker, a snippet of the historic moment in 2017 when that same skull painting I picked out at the beginning of the play sold for $98 million! That would be the highest ever price ever for a U.S artistfinally unseating Andy Warhol. Its haunting.
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Here’s Why Dumbledore’s Hand Turned Black in ‘Half-Blood Prince’ – We Got This Covered
Posted: at 11:50 pm
Every great hero, even the greatest wizard of all time, has a weakness. For Albus Dumbledore, that weakness was also his greatest strength. His capacity for love and boundless compassion for others were two traits that simply couldnt live while the other survived, as was the case for Harry Potter and Lord Voldemort.
The Headmaster of Hogwarts bumped up against this dilemma at the end of Order of the Pheonix whilst searching for Voldemorts Horcruxes. Aware of Voldemorts attraction to powerful people and objects, Dumbledore suspected that the Dark Lord might have turned his famous family heirloom the ring of Salazar Slytherin into a Horcrux. His suspicion was correct, but to his surprise, upon visiting Voldemorts mothers house, he discovered that the ring of Salazar Slytherin, which had been passed down from generation to generation, was also one of the Deathly Hallows, and that Voldemort, in his haste for immortality, had violated it with dark magic.
Both. The Ressurection Stone referenced in the famous childrens fairy tale The Tale of Three Brothers was created by Death itself and passed down through the Peverell family all the way to Salazar Slytherin. At that point, the ring ceased to be known for what it was and became known simply as Salazar Slytherins famous heirloom.
Having grown up with Muggles, Voldemort was not privy to wizards childrens stories and likely never heard of The Tale of Three Brothers or the Deathly Hallows. In his haste for immortality, he ended up making a Hallow a Horcrux.
Dumbledore was a secretive man. He kept his cards close to his chest. Perhaps his biggest secret of all was the one he kept hidden in plain sight. Unbeknownst to Voldemort or any other members of the magical community, the Headmasters wand was actually the Elder Wand, the most powerful wand in history and one of the Deathly Hallows, which meant that Dumbledore surely recognized the Deathly Hallows symbol on Salazar Slytherins ring when he saw it.
No doubt the symbol brought back memories of his youth, specifically his friendship with Gellert Grindlewald and their mischievous quest to acquire the Deathly Hallows and overpower the Muggle race. No doubt a flush of power came over him at that moment, blinding his better judgment and tempting him with the possibility of reuniting the Deathly Hallows once and for all. After all the years of taming his lust for power, here was an opportunity to lean into the urge. That being said, it was neither his lust for power nor his nostalgia for the days of his youth that made him put the ring on.
No, the Headmaster was a wise man with a vat of incomparable knowledge, so he surely had an idea what would happen if he slid the ring onto his finger. Here was a Horcrux violated by dark magic, passed down through generations of dark wizards, but at that moment all Dumbledore saw was an opportunity to be reunited with his mother and sister.
Like all the other Horcruxes Voldemort created, a protective curse was placed over the Ressurection-Stone-turned-Horcrux. Anyone who tried to take the ring would be cursed the moment it touched their finger, which is exactly what happened to Dumbledore.
Given that Harry used the Ressurection Stone at the end of Deathly Hallows to speak with his mom, dad, Lupin, and Sirius, the magical properties in the stone obviously still worked even after being turned into a Horcrux. It makes you wonder whether or not Dumbledore got to speak with his sister and mother. What we do know is that he used the sword of Gryffindor to destroy the Horcrux and then sought Professor Snapes help to temporarily contain the curse from spreading beyond his hand. He removed the Ressurection Stone from the inlet of the ring, placed it inside the first Golden Snitch Harry ever won in Quidditch, and passed it down to Harry, who, he believed was the most selfless person hed ever known and would protect the ring from getting into the wrong hands.
In the end, we learned that Dumbledore was more than just the most powerful wizard of all time. He wasnt just wise, intelligent, and compassionate he was also remorseful, self-conscious, and deeply flawed. In other words, Albus Dumbledore was just like everyone else.
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This Week in Shonen Jump: Week of 2/27/22 Multiversity Comics – Multiversity Comics
Posted: at 11:50 pm
Welcome to This Week in Shonen Jump, our weekly check in on Vizs various Shonen Jump series. Viz has recently changed their release format, but our format will mostly remain the same. We will still review the newest chapters of one title a week, now with even more options at our disposal. The big change for our readers is that, even without a Shonen Jump subscription, you can read these most recent chapters for free at Viz.com or using their app.
This week, Robbie checks in with Dr. Stone. If you have thoughts on this or any other current Shonen Jump titles, please let us know in the comments!
Dr. Stone Chapter 231Written by Riichiro InagakiIllustrated by BoichiReviewed by Robbie Pleasant
As Dr. Stone heads towards its final chapter, it all comes down to this. The Medusa devices that turned the world to stone have been revealed to be a mechanical alien intelligence that offers the gift of petrified immortality in exchange for maintenance, and Senku, the protagonist, is ready to negotiate on behalf of all humanity.
So before we discuss the contents of this chapter, lets talk about the Medusas, the true identity of the Why-Man and the ones responsible for humanitys petrification. I have mixed feelings about them.
On one hand, its unlikely that any explanation Riichiro Inagaki had in mind would satisfy everyone, and it was indeed a twist with enough setup to make the explanation make sense in context.
On the other hand, for a series all about humanitys intelligence and inventiveness, for the driving force behind the entire plot to be some kind of alien AI made by who knows what (not even the Medusas themselves know) feels unsatisfying. Their overall goal also doesnt really work; they seek out sufficiently advanced civilizations, then petrify them under the assumption that everyone would be so grateful for the gift of stone-based immortality that theyd create new batteries for the Medusas? It feels like theres a lot of leaps in logic there, even if the story hinges on the fact that, yes, the Medusas/Why-Man cant comprehend why people would not be cool with spending the rest of eternity as a statue.
So yeah, its not my favorite explanation. It still leaves a lot unexplained and would have worked much better if it were an actual human deciding that petrification would be good for the world. But thats not the main point were here to look at how the chapter itself worked.
And in that regard, well, Doctor Stone continues to impress. That is, of course, due in large part to the amazing artwork from Boichi. This chapter gives us a massive skeletal figure made out of swarming devices in zero gravity, and it looks absolutely stunning in detail and immensity.
At the same time, Boichis bold, clean, and highly-detailed art is filled with a sense of depth made through judicious use of shading, alongside distinctive character designs and expressive moments. The amount of attention and care that goes into images like Senku holding up an axe to the sky, illuminated by the Earth in the background, absolutely hits just the right notes.
Similarly, Riichiro Inagakis script continues to bring us well-defined characters with their own voices and personalities, while building on the mangas overarching theme of the power of human ingenuity and science. The conversation between Senku and Why-Man is filled with optimism and hope (or at least Senkus half of it is) in the face of the unknown and uncertainty. Its a good note to end the chapter on, and a fitting way to conclude the overarching story of the series.
So even if the reveal behind humanitys petrification might have fallen a little short, Doctor Stone continues to hit the right notes for the art, characters, and overarching theme. Chapter 231 is no different, bringing the series closer to what will undoubtedly be a satisfying conclusion.
Final Verdict: 9.0 While the reveal of the Why-Man in previous chapters may be mixed, this chapter stays strong with incredible artwork and a good conclusion based on the mangas core themes of science and discovery.
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Wisconsin Badgers mens basketball: three things that stood out from a sweeping of Purdue – Bucky’s 5th Quarter
Posted: at 11:50 pm
What a night it was! The No. 10 Wisconsin Badgers mens basketball team took down the No. 8 Purdue Boilermakers, for the second time this season, on Tuesday night at the Kohl Center. This time, the win gave the Badgers at least a share of the Big Ten regular season title, their second in three years.
There was obviously a lot that stood out from this game, but lets try and narrow it down to just three and try and focus on the actual game and not all of the broader implications of winning it.
Three things that stood out...
The Wisconsin bench isnt called on all that much for contributions over the course of any given game. Four of the five starters for UW average over 70% of a games minutes and Wisconsins bench minutes percentage of 23.3 is ranked No. 320 in the country according to enemy of the state, Ken Pomeroy.
Sure Jordan Davis had a great showing against Minnesota last week, but that has been the exception, not the rule, for UWs bench. At times this year the bench has been shorthanded as well. Reserve guards Jahcobi Neath and Lorne Bowman have both missed considerable time this season.
All that being said, Neath, Ben Carlson and Chris Vogt provided exactly what Wisconsin needed against Purdue. Neath drained a three and had four boards while guarding Jaden Ivey. Carlson had two points and three rebounds in only seven minutes of action. Vogt was the difference maker though. He ended the game with two points, four rebounds (three offensive), two assists, one black and was second on the team with a plus-nine rating.
There are few good clips of his impact here.
It has become quite clear that the Badgers dont NEED big scoring outputs from the bench unit to win games, but all of the other things they do are extremely important, especially in a three point game.
Weve been fans of Hepburn since before he was even on campus. He just did, and continues to do, things that winning point guards do. His tenacious defense, his intelligent passing and, if youll excuse the graphic imagery, his enormous damn balls make him the ideal floor general.
Hepburn was already having a great game before Wisconsins final possession. He had made three out of five three pointers, had two assists and zero turnovers while also picking up one of UWs six steals. However, what everyone will remember from this game IS Wisconsins final possession and his game-winning (and conference title-winning) shot.
Not only does Hepburn have the balls to take that final shot, he knew it was going in too! On a team with Johnny Davis and Brad Davison, two late-game shot-making experts, the true freshman point guard showed that the team will be in good hands next year after those two depart.
Close games come down to a lot of little things that add up over the course of 40 minutes so its nearly impossible to pinpoint ONE thing that caused a team to lose or win. One of the rare exceptions is a teams free throw percentage. If you have a high one...you probably won, but if you have a low one, you almost definitely lost.
Purdue has the most efficient offense in the country, has the third highest eFG% in the land and is the second-best three point shooting team in the nation. One area of a shooting at which they are not elite? The charity stripe.
They shoot 70.6% from the line as a team, which is good for No. 209 in the nation. The Badgers, a mostly poor shooting team from everywhere on the floor, shoot 74.6% from the line and on Tuesday night they made the same amount of freebies as Purdue did in eight fewer attempts.
The Boilermakers went 11-of-20 on free throws, leaving nine points off the board in a game they ultimately lost by three. Wisconsin went 11-for-12, with their only miss being the front end of Davisons one-and-one which led to Ivey making a game-tying three and then Hepburns trip to immortality in Madison.
Wisconsin didnt get to the line nearly as often as Purdue, but they sure as hell made their trips count and now...they are Big Ten champs.
Up next: The Badgers host the Nebraska Cornhuskers on Sunday at 1 p.m. CT to try and clinch an outright conference title. The game will be aired on Big Ten Network.
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Kobe Bryant, Who Was Born in Philly, Vowed to Cut the Hearts Out of 76ers Fans – EssentiallySports
Posted: at 11:50 pm
Kobe Bryant had an influence and impact like no one else. He spent all 20 years of his playing career at the Lakers. In the process, Kobe absolutely revolutionized the way the world looked at basketball. Only a few people have been able to do something like that. And one of those few names is Michael Jordan.
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During his stint with the Los Angeles Lakers, Kobe Bryant won 5 championships with 2 NBA Finals MVPs. Along with multiple broken records and countless achievements, he showed the world a playing career most players can only dream of having. His fearless shooting and unpredictable style of play made him a legend. He held the capabilities to produce what many can only wish to have.
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There is no doubt in the fact that Kobe absolutely loved the Lakers. Mamba played there for 20 long years and never had a lapse of dedication or passion. He proved time and again how much he loved playing for LA.
Although Kobe was born in Philadelphia, he did not want to play for the 76ers anytime in his career. Mike Sielski, author of The Rise: Kobe Bryant & the Pursuit of Immortality recently featured on the YouTube talk show The Philly Factor and talked with the host Paul Perrello.
The two talked about the book and the early life of the NBA legend.
He didnt really want to play for the Sixers, he didnt grow up dreaming playing for the Sixers. He grew up dreaming of playing for the Lakers being the next Michael Jordan and I think that that goes to the heart of why his relationship with the Philadelphia area was so fraught for so long, said Mike.
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According to Mike, Mamba, despite being from Philly, famously warned the 76ers team before they met in the 2001 NBA finals.
Mike continued, It wasnt just that when the Lakers play the Sixers in the NBA 2001 finals, Kobe says Im gonna cut the hearts of the Sixers and their fans and people around the Philadelphia area went apoplectic over that.
The book by Mike talks about Kobes early life, his family, and who he was before being an NBA Superstar. Mike Sielski paints an inspiring tale of the origin of the superhero before his time in Los Angeles Lakers. The Rise: Kobe Bryant & the Pursuit of Immortality is an amazingly written story of the NBA legend before Mamba inspired the world.
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Kobe Bryant, Who Was Born in Philly, Vowed to Cut the Hearts Out of 76ers Fans - EssentiallySports
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Dr. Stone Reveals Why its Villain Turned the Earth to Stone – ComicBook.com
Posted: at 11:50 pm
Dr. Stone's main villain has revealed why the Earth was petrified and turned to stone in the first place in the latest chapters of the manga! Ever since the final arc of Riichiro Inagaki and Boichi's original manga series first began last Fall, the "Stone to Space" phase of the series had seen Senku Ishigami working together with people all around the world to eventually craft a ship that could make it to the moon. This trip ended up being successful, and it was on the moon's surface that Senku finally came face to face with the Why-Man, the one who started all of this.
The series is inching closer and closer to its immediate end (which is looking all the more palpable with some of the reveals we have gotten lately), and after it was revealed that the true "villain" of the series was a mass of Medusas that serve as a parasitic technological life force that seeks to advance their own means through the exploitation of intelligent life, it's explained that the Earth was turned to stone in the first place as their intelligent life could understand the allure of eternal life. Thus keeping the cycle going.
Chapters 229-230 of the series sees the Medusas explain that they first test intelligent life with their petrification, and that humanity was one of the species that recognized that this power could keep them alive forever. This granted immortality was meant to be a lure to eventually experiment enough to keep the Medusas going. Monitoring the radio waves given by humanity over the millennia, the Medusas sought to teach humans about this immortality by forcing activation throughout the years.
It's why the Meduas seemed to activate on their own, and it's why the "Do you want to die?" question comes into play as the Medusas are literally asking humanity if they'd prefer death over that eternal life. The petrification is made to break easier with high mental activity (it's why Senku is one of the first to break out), and when the humans chose to avoid the Medusa use at first, then they started to act even more. Now it's just a matter if Senku can work with such a mentality.
The Medusas can't understand why humanity would devlop technology that isn't specifically meant for saving the Medusas, and Senku needs to understand more about this advanced technological life. As the series comes to an end, there's one last agreement that Senku wants to reach. We'll see if that works out, but what do you think? How do you feel about the Why-Man's reveal overall? Let us know all of your thoughts about it in the comments! You can even reach out to me directly about all things animated and other cool stuff @Valdezology on Twitter!
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