Daily Archives: January 24, 2022

Calling the Sydney festival boycott censorship is a disingenuous attempt by those in power to silence Palestinians – The Guardian

Posted: January 24, 2022 at 10:19 am

In early December 2021, Palestinians and Arabs representing a diversity of creative, activist and academic practice approached the board of Sydney festival after it was revealed the board had accepted $20,000 funding from the Israeli embassy for the presentation of Sydney Dance Companys realisation of Decadance, a work created by Israeli choreographer Ohad Naharin of the Batsheva Dance Company of Tel Aviv. The amount gave the embassy star partnership status with Sydney Festival.

We made three requests: divest from the star partnership, end all relations with the State of Israel, and remove any Israeli government emblem from Sydney festivals promotional material.

In arguing our case for divestment, we said Arab and Palestinian communities would not participate in a festival that does business with a state that stands credibly accused of war crimes and crimes against humanity, according to crimes defined in the Rome Statute of the International Criminal Court. In 2021, Human Rights Watch found Israel is committing crimes against humanity of apartheid and persecution.

We made it clear artists and arts organisations fundamental partners in any arts festival felt betrayed by Sydney festival. Finally, we pointed out this partnership denied artists an environment of cultural safety, leaving artists, creatives and companies with no choice but to withdraw.

Our arguments were rejected by the board on the grounds Sydney festival is a non-political organisation. In response, Palestinians and a cross-section of artists, arts organisations and communities publicly called for a boycott of the Sydney festival, inspired and guided by the global Palestinian Boycott, Divestment and Sanctions (BDS) movement, founded and led by Palestinian civil society.

The effusive response to the boycott call has been unprecedented, in fact historic. It is being cited as the most effective, creative and impactful campaign targeting complicit Israeli sponsorship of an international arts event in Australia, and indeed one of the most successful in the world.

The backlash to this artist-led cultural boycott has been predictable, indeed recycling arguments used in the 1980s against the boycott of apartheid South Africa.

One criticism in particular exposes how liberalisms conceits of free speech, marketplace of ideas, open debate and dialogue is weaponised against Palestinians to shut down their right to resist and to deny them permission to narrate as renowned Palestinian-American professor Edward Said famously argued in 1984.

According to New South Wales arts minister Ben Franklin, it is the boycott not the actions of Sydney festival which shut down specific creative voices simply on account of their nationality, acting as a kind of censorship.

In an opinion piece published in the Australian, federal arts minister Paul Fletcher described those involved in the boycott as Stalinist censors and Hamas useful idiots. Such contrived hysteria over the boycott stultif[ying] and suppress[ing] artistic and creative excellence, and laughable comparisons with Stalinist Russia, are amusingly desperate claims and demonstrate just how rattled Israels defenders are in the face of incontrovertible daily evidence of that states brutality.

The arguments are embarrassing and spurious. Organisers have repeatedly stated the cultural boycott aims at institutions not individuals, targeting complicity, not identity. There was never any attempt to shut down the actual production of Decadance. The target of the boycott call was Sydney festival as a cultural institution for its refusal to divest from its sponsorship and therefore its complicity with the State of Israel.

That Palestinians and their supporters are being forced to explain and restate the basis and terms of the boycott call, only to be ignored and misrepresented is a form of censorship itself. Whose voices are privileged: those who defend oppression or those resisting it?

Those arguing against the boycott claim boycotts burn rather than build bridges. At the first meeting with the board, artists made the crucial point bridges must be built on ethical and just foundations. A star partnership with the State of Israeli is one way to destroy these foundations and for this reason artists cannot, in good conscience, cross that bridge.

The boards refusal to listen to artists is a form of silencing.

The weaponising of censorship against the boycott is hollow because the ministers conveniently ignore questions of power and privilege. The power dynamics between artists and the board of Sydney festival, between marginalised communities and the monocultural establishment, between individuals and institutions are key critical points of reflection here.

What makes these censorship allegations even more disingenuous is the fact that in the same breath as Palestinians and their allies are accused of being censorious, opposition arts spokesperson, Labors Walt Secord called for legislation to cut off funding to arts organisations that participate in a boycott of Israel. Freedom of expression it seems is only afforded to those in power and with power.

Those who attack cultural boycotts in the name of free speech are invariably missing in action when Palestinians are routinely censored, bullied and cancelled for daring to speak their truth. Certainly they remain silent and indifferent to the violent suppression of Palestinian arts and culture, on the raids, lawfare and intimidation of Palestinian artists and artistic and cultural institutions.

This is precisely why the boycott of Sydney festival has been called and indeed, why it has been so impactful and effective.

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Social Media Censorship is Getting Worse According to This Study – Digital Information World

Posted: at 10:19 am

Internet access brings a lot of advantages such as enabling people to gain access to information with just a few taps of their finger. Many people are starting to call access to the internet a basic human right because of the fact that this is the sort of thing that could potentially end up allowing people to earn money as well as educate themselves in a manner that just hadnt been all that possible previously in human history due to technological barriers and limitations.

With all of that having been said and now out of the way, it is important to note that a lot of world governments dont really seem to care about that and are trying to block social media access. This can be a really big problem for the world, and a really unfortunate trend that has been noticed is that the level of social media censorship that the world is seeing is on the rise and there is a strong likelihood that it would get a lot worse before it gets any better.

This information comes from SurfShark which has been taking note of social media censorship over the last seven years. This research involved an analysis on the state of internet access and social media in all of the 193 countries that are recognized by the UN, and one thing to note is that this often involves preventing certain information from being spread on social media apart from restricting user access to said social media sites in the first place so this is quite a diverse issue.

The worst offenders when it comes to social media censorship are generally countries that are in Asia and Africa. These countries are somewhat more likely to have authoritarian rulers and dictatorial governmental regimes. Such forms of government give the state leeway to do whatever it would like to do in order to provide or take away internet access as they see fit. Hence, since there are no legal blocks that can prevent governments from censoring social media and blocking access to sites, they often move forward with it without any obstacles.

Another really concerning thing that this data reveals is that there is at least some kind of social media blocking that is occurring in around a third of the countries that exist at present. These blockages often center around things like elections and any type of political upheaval, and there are 71 countries that are either currently blocking some form of social media access or alternatively have done so at some point in the past. Most of these countries are in Asia and Africa, with South America also having a large number of them.

If we were to take a closer look at how these things work, it can be discovered that the vast majority of African countries do not allow unrestricted social media access to their citizens. Sometimes this can be relatively innocuous such as in the case such as Algeria blocking social media access during exam season so that students can focus on their studies. In other cases it can be more serious such as Nigeria completing banning Twitter when the new government came into power.

Asia is also a pretty bad offender in this regard. Perhaps the worst country in the world for social media use is actually China due to the reason that this country has blocked access to virtually all foreign social media platforms. Another example of terrible internet rights violations occurred in India, where the government completely blocked all forms of internet access in the disputed territory of Jammu and Kashmir after passing a controversial new law that suspended this territorys disputed status which caused widespread protests among the residents of that locale.

The fact that so many governments are adamant about banning social media is a strong indication of how powerful a tool it can be. It allows for the rapid dissemination of all kinds of information, and most governments that rely on the iron fist to maintain power would obviously not be all that happy about that and would want to restrict it whenever they can.

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Pornography and censorship: Controversial books returned to Utah school libraries’ shelves – The Daily Universe – Universe.byu.edu

Posted: at 10:19 am

School officials from the Canyons School District changed their book review and selection policy and returned nine titles they removed from the shelves a few months ago. These books were first removed after Utah parents asked school officials in various emails and letters to censor the books because they contained pornographic material. (Andrea Zapata)

Canyons School District school officials returned nine titles to bookshelves after removing them last November because of Utah parents denouncing their pornographic and obscene content.

Utah parents sent several emails and letters to the Canyons School District at the end of 2021, asking them to remove from the shelves some books with content parents claimed were explicit.

We do not want explicit pornographic materials in schools, said Nichole Mason, president of Utah Parents United. Sex does not belong in a public school library, she added, referring to the nine titles parents have targeted for displaying illustrations and content they oppose.

Utah Parents United is one of the groups that led this advocacy mission and was vocal about the schools moral obligation to protect children and remove any harmful material school libraries may have, Mason said.

Utah Parents United has a list of books featuring content they label as pornographic and explicit.

We have been on the news with this, and when we show them the images of these books, they need to blur them out, Mason said. Yet this is what is on our public school library shelves.

In response to the large number of requests and emails Canyons School District received from groups like Utah Parents United, school officials decided to remove the nine most controversial titles from public school library shelves. This action violated the content review policy to which Canyons School District was subject.

There was a feeling that we needed a pause, Canyons School District spokesperson Kirsten Stewart said when asked about why books were pulled off the shelves without following the review process stipulated in their policy.

Librarian associations and First Amendment advocacy groups have been outspoken about the seriousness and illegality of Canyons School Districts actions.

We do believe there is a place for a parent to question what books should be in a library, Utah Library Association Executive Director Mindy Hale said. The problem with these recent attacks and book removals is that they are not following the policies.

Katie Wegner, the Intellectual Freedom Committee co-chair at Utah Library Association, said these actions by the Canyons School District would open the schools to possible civil lawsuits.

One of the groups investigating the situation is the American Civil Liberties Union of Utah.

This action violated the rights of students, said John Mejia, legal director of the American Civil Liberties Union. It gave us great concern, particularly because a lot of these books were about marginalized and oppressed identities, and its important that students with these identities have access to books that relate to them and put them in a positive light.

According to several librarians from the Utah Library Association, the real motivation of the Utah parents is not to remove obscene content, but to target those books dealing with race and LGBT issues. Many books out of the nine titles removed have queer or people-of-color protagonists such as Gender Queer by Maia Kobabe, The Bluest Eye by Toni Morrison, Beyond Magenta by Susan Kuklin and Lawn Boy by Jonathan Evison.

Mason said these allegations are completely false.

These books clearly violate Utah state code, as they are pornographic in nature, she said. It doesnt matter what race or sexuality it is: That is irrelevant, as those images are still pornography.

The new Canyons School District policy for the School Library Materials Selection and Review was published on Jan. 4, and as of Jan. 20, the books pulled off the shelves have been returned to libraries.

No action has been taken on any title at the moment, Stewart said. Those books are now back on the shelves and will be reviewed by the new policy by the board of education.

She said the new policy is balanced and provides clarity and transparency in how school officials select and review books.

Upon being informed of the action to return the books to the shelves, Mejia said the American Civil Liberties Union of Utah is still in the process of investigating and reaching out to school officials. However, Mejia said since the situation changed and there is a new policy, We will most likely not sue them because our priority is that they reconsider, and although we need to confirm that, it seems like they have by returning the books.

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TED NUGENT Rails Against Big Tech Censorship: ‘I Can’t Believe They Haven’t Kicked Me Off Yet’ – BLABBERMOUTH.NET

Posted: at 10:19 am

Ted Nugent has railed against large social-media companies that block users from their platforms.

The outspoken conservative rocker is an ardent supporter of former U.S. president Donald Trump who was famously suspended from his social accounts in January 2021 over public safety concerns in the wake of the Capitol riot.

During his YouTube livestream on Thursday (January 20), Nugent once again upped his unsubstantiated accusations that tech companies are censoring his speech as Facebook and other tech companies have attempted to limit coronavirus vaccine misinformation.

"Boy, does Big Tech crush the First Amendment, like some kind of devil grease gangbangers," Nugent said (as transcribed by BLABBERMOUTH.NET).

"Hey, Big Tech fact checkers, you're lying scum. And they all have to put up a COVID alert misinformation. No, no, no everything from Big Tech and the media and the government, that's the misinformation.

"When I share [information from physician group] Frontline Doctors and epidemiologists and virologists, experts, lifetime dedicated, professional healthcare specialists, doctors and scientists, when I express their findings, that's not misinformation; that's pertinent information," he continued.

"Big Tech, the media and the government, academia and Hollywood, when they identify stuff coming out of me 'cause I don't have any medical or science hunches; I'm cocky but I'm not that stupid. So I go to the professional healthcare, dedicated Frontline Doctors, and I share truth, logic and medical common sense. And when they identify it as misinformation, that's the misinformation. Okay? So let's be forewarned."

Addressing the fact that he is still able to share his views on most of the major social media networks like Facebook, Twitter, Instagram and even YouTube, Ted said: "I can't believe they haven't kicked me off yet. Twitter has kicked off Shemane [Nugent, Ted's wife]. She's like Mother Teresa, Joan Of Arc. She's the greatest, sweetest, harmless woman that ever walked the earth, and she's kicked off Twitter because she said something positive about Donald Trump inconsequential; just a compliment.

"By the way, you know the First Amendment? That was not given to us by the government," Ted added. "That didn't start when they wrote it in the Constitution. Tell me you know that when they wrote down self-evident truth in the Constitution and the Bill Of Rights that those rights and those freedoms didn't begin there; they already existed. We didn't need a man to put it to paper. We got 'em from God, from the Creator. We were born with all those freedoms, all those self-evident-truth rights. We just wrote it in the documents in case we experience some prick like King George Joe Biden who's gonna try to play tyrannical emperor kingpunk. We just want it on paper just to reference those punks that would try to pry it from our soul. But we know we have it when we're born, whether it's on paper or not."

Last May, Nugent said that he beat COVID-19 by following "intelligent, professionally guided care from the Frontline Doctors," referring to the aforementioned group of doctors who made a video in July 2020 calling for the use of hydroxychloroquine to battle the novel coronavirus, despite warnings from public health experts.

In the above-mentioned video, a group of people wearing white lab coats calling themselves "America's Frontline Doctors" staged a press conference in front of the U.S. Supreme Court in Washington, D.C. and made a number of dubious claims, including that "you don't need masks" to prevent spread of the coronavirus, and that studies showing hydroxychloroquine is ineffective for the treatment of COVID-19 are "fake science" sponsored by "fake pharma companies." According to Politifact, many of the doctors' claims contradicted recommendations from public health organizations and experts like Dr. Anthony Fauci. The video quickly went viral on Facebook, Twitter and YouTube before it was taken down for promoting misinformation.

Last month, Nugent told the Des Moines, Iowa radio station Lazer 103.3 that he beat COVID-19 by "listen[ing] to what the government told me to do and [doing] just the opposite. And whatever the government told me not to do, that's exactly what I did do, and I was cured in about two days."

Nugent, an outspoken conspiracy theorist who has refused to take the vaccine, also once again falsely claimed that public health measures taken during the COVID-19 pandemic violate the Nuremberg code, a set of medical experimentation guidelines set after World War Two, as the vaccine is experimental.

In April, Nugent talked about the darkest days of his battle with COVID-19, saying that he had "never been so scared" in his entire life. The 73-year-old pro-gun activist, who had previously claimed the virus was "not a real pandemic," said: "It was really scary. I didn't think I was gonna make it. I literally couldn't function for about 20 hours, and then they came and they rescued me The six-foot-two, 225-pound headache [this time] was like nothing I have ever experienced. I mean, from my tip of my toes to the top of my hair, I literally was dizzy and weak and struggled to get up to go to the bathroom. And I would lay in the bathtub a couple of times a day with the water as hot as I could take it just to divert."

In the past, Nugent had referred to the virus as a "leftist scam to destroy" Trump. He had also repeated a narrative pushed by conservative media and disputed by health experts that suggests the official death count from the coronavirus is inflated.

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Opponents Say Bill Is Censorship and Whitewashing History – InDepthNH.org

Posted: at 10:19 am

By GARRY RAYNO, InDepthNH.org

CONCORD A bill to update a Cold War teacher loyalty law drew a crowd in opposition Thursday calling it censorship and an attempt to whitewash the nations history.

But bill sponsors said it is intended to ensure teachers are educating students not indoctrinating them, offering anecdotal evidence that they said is happening in schools today.

Only one person beyond bill sponsors spoke in favor of the bill or the amendment they are working on, while the remainder of people testifying opposed the bill saying it will ultimately hurt students who will not learn the good and the bad history of this country.

A tally of people signing in to the public hearing on House Bill 1255 before the House Education Committee, was 2,232 opposed, 26 in favor and 1 neutral.The bill as written would prohibit a teacher from advocating any doctrine or theory promoting a negative account or representation of the founding and history of the United States of America in New Hampshire public schools which does not include the worldwide context of now outdated and discouraged practices.Such prohibition includes but is not limited to teaching that the United States was founded on racism.

The bill would also add socialism and Marxism to a list that teachers would be prohibited from advocating.

A violation of the law, would be a violation of the states codes of ethics and conducts for educators which could result in the loss of a teachers state credentials.

Opponents of the bill said it would double down on the provision passed last year in the budget that has already chilled the teaching of some subjects.

Devon Chaffee, executive director of the ACLU New Hampshire, said the best way to discourage free and open discussions is to have vague limitations coupled with serious and career ending consequences for teachers.

That is what this bill does, Chaffee said. This is fundamentally about censorship.

History teacher Jennifer Given said she took a personal day to represent herself, and her kids, both biological and those in her classroom.

Given told the committee she teaches the slavery of Rome, China and Egypt, and compares types of forced labor around the world.

She took issue with the anecdotes supporters used and their vague assertions.

In trying to solve a problem, Given said, you are reaching so far into my classroom to say what I can and cannot say.

The prime sponsor of the bill, Rep. Alicia Lekas, R-Hudson, said her intent is to ensure teachers are educating students not indoctrinating them.

She has had conversations with high school students who believe slavery only occurred in the United States, she said, a war was fought over it and that it is over.

That is clearly not the case, she said, noting it is important for students to understand slavery happened all over the world and it is still going on.

My intent is to expand the worldwide content, that is my goal to get it out there, Lekas said, so it is not limited to the U.S. did this, it happened and its over. I want to ensure it does not happen again.

Lekas said the fact that there was a civil war over slavery indicates there were people opposed as well as those favoring it not that the founders were racists.

She asked for help to produce an amendment that better explains what she wants to accomplish.

A bill co-sponsor, Rep. Erica Layon, R-Derry, said the intent of the bill is to make sure teachers teach kids how to think, not what to think.

I have heard of teachers saying all our founders were racist, she said. These things do happen in our schools.

Students should not have to parrot what a teacher believes, she said, to receive a good grade.

But Oyster River School District officials told the committee it is reaching too far and any anecdotal incidents should be handled at the local level.

Superintendent James Morse said the bill is vague and unnecessary.

I would suggest legislation that would fit the majority, not anecdotes, Morse said. Those should be addressed at the local level.

Board chair Tom Newkirk said many districts have a policy that prohibits teachers from using their position to advocate their personal political beliefs.

The greater danger is teachers are reluctant to teach subjects of American history that have been suppressed and desperately need to be taught, Newkirk said. With their teacher credentials at stake, who can blame them for not touching certain subjects.

The presidents of the two largest teachers unions in the state, The National Education Association-NH and American Federation of Teacher-NH, both opposed the bill saying the law passed last year has already chilled open and honest discussions.

Deborah Howes, president of AFT-NH said the bill is so vague it would be impossible for teachers to know what is permissible in the classroom.

She said the bill would limit teachers ability to teach and would take away tools students need to learn.

It is subjective. These laws do not help kids learn, Howes said. Indoctrination is in the eye of the beholder.Dover teacher Eric Schlapak and the 2021 recipient of the Christa McAuliffe Sabbatical, noted her picture hanging on the wall of the committee room.

We know her story, he said, noting she wanted her students to understand specific perspectives, humanizing her lessons, something the bill would stifle.

I wonder if she would be able to tell her story with this bill without having her credentials threatened, Schlapak asked.

Jonah Wheeler of Peterborough said he was the only black student in all white schools.

But his third grade teacher pulled him aside to talk openly about what Martin Luther King Jr. stood for, his teachings and the reality of what he was doing at the time.

Without that meeting, I may not be here today and probably would have already taken my life. It is that real for (people of color.)

He noted in his work, teachers are coming to him and saying they are already feeling the chilling effects of the new law.

If they dont have the same conversation with kids today, what if kids feel as isolated as I did, Wheeler said. Thats a real fear. I hope we try our best not to chill this speech.The bill was also opposed by the NH Council of Churches.

The Rev. Heidi Heath, the organizations executive director, called the bill harmful and dangerous saying the nation and state need to face systemic racism if the country is to reach its goal of a more perfect union.

As religious leaders, we believe in the power of truth telling, Heath said. We want to empower our teachers to tell the truth, nothing more, and nothing less.

The committee did not make an immediate recommendation on the bill and will wait for Lekas to come back with her amendment.

Garry Rayno may be reached atgarry.rayno@yahoo.com.

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Google claims court ruling would force it to ‘censor’ the internet – Yahoo Tech

Posted: at 10:19 am

Google has asked the High Court of Australia to overturn a 2020 ruling it warns could have a devastating effect on the wider internet. In a filing the search giant made on Friday, Google claims it will be forced to act as censor if the countrys highest court doesnt overturn a decision that awarded a lawyer $40,000 in defamation damages for an article the company had linked to through its search engine, reports The Guardian.

In 2016, George Defteros, a Victoria state lawyer whose past client list included individuals implicated in Melbourne's notorious gangland killings, contacted Google to ask the company to remove a 2004 article from The Age. The piece featured reporting on murder charges prosecutors filed against Defteros related to the death of three men. Those charges were later dropped in 2005. The company refused to remove the article from its search results as it viewed the publication as a reputable source.

The matter eventually went to court with Defteros successfully arguing the article and Googles search results had defamed him. The judge who oversaw the case ruled The Ages reporting had implied Defteros had been cozy with Melbournes criminal underground. The Victorian Court of Appeals subsequently rejected a bid by Google to overturn the ruling.

From Googles perspective, at issue here is one of the fundamental building blocks of the internet. A hyperlink is not, in and of itself, the communication of that to which it links, the company contends in its submission to the High Court. If the 2020 judgment is left to stand, Google claims it will make it liable as the publisher of any matter published on the web to which its search results provide a hyperlink, including news stories that come from reputable sources. In its defense, the company points to a 2011 ruling from the Supreme Court of Canada that held a hyperlink by itself is never a publication of defamatory material.

Weve reached out to Google for comment.

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New On Shudder February 2022: Censor, XX, And More – GameSpot

Posted: at 10:19 am

The arrival of February might mean Valentine's Day for some, but for Shudder, it's another business-as-usual month of bringing in great new movie exclusives, great TV shows, and classic catalog horror.

Shudder's latest batch of new movies kicks off on February 1 with Censor, the well-received 2021 movie about a British film censor linking a disturbing horror movie to her own sister's mysterious disappearance. According to an official synopsis, Enid "sets out to solve the past mystery of her sister's disappearance, embarking on a quest that dissolves the line between fiction and reality."

On February 14, a pair of horror movies striking quite different tones will come to Shudder. Corporate Animals stars Demi Moore as a delusional CEO who takes her staff on a "disastrous" team-building retreat led by an overeager guide played by Ed Helms. Also hitting the platform that day is XX, an all-female helmed horror anthology featuring four stories written and directed by "fiercely talented" women: Annie Clark (St. Vincent), Karyn Kusama (The Invitation), Roxanne Benjamin (Body at Brighton Rock), and Jovanka Vuckovic (Riot Girls), featuring a cast that includes Natalie Brown, Melanie Lynskey, Breeda Wool, and Christina Kirk.

Take a look at the complete list of everything arriving on the platform next month below. Additionally, you can also check out our similar lists for Disney+ and Netflix.

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View From the Paddock: Snapping out of COVID fatigue trance – Queensland Country Life

Posted: at 10:18 am

In the bush we get this, usually unique, mental health challenge that comes in the form of 'drought fatigue'.

The relentlessness of the unavoidable affects us, as much as anything and everything else.

We feel the twinge of disappointment over and over again with every empty forecast.

We are walloped with despair every time the rain 'ten days away' disappears leaving as wanting.

Eventually we become unhealthy in our habitual forecast checking and our submersion in the very thing that hurts us with far too many of our own words and thoughts.

We become irritable and unconversational as we lack the fodder to make small talk about the only polite societal topic left.

We shrug off optimists, and their positive hopefulness, as maddening when the fatigue really bites down.

We get right down deep into the concept that we have no control over our weather and for times, no control over our own lives because of that.

Eventually the rain falls and our souls are freed, little by little, as the world we inhabit comes back to life.

Right now we are watching drought-fatigue's new cousin, Covid-fatigue, gnawing relentlessly on the leg of the general populous.

For many of us, we have come gauntly through the window of drought but we ourselves are still beleaguered by our very own COVID-fatigue.

And we are surrounded by a mixed bag of the joy-seeking optimists; desperate for the forecast of 'less virulent' to rain down on their lives, rebirthing their freedom.

But our lives are also peppered with the Covid Cultists, so deep in their commitment to never ending despair they aren't prepared to even consider that there may ever be an end, because the habit of their low has become so engrained that it has overcome their will to rise out of it.

The ones who appear to not even want to consider that the world may actually go back to normal one day and that perhaps this new virus 15.0 may be the end of the drought that has rattled their minds and disrupted their lives.

For many people in our country, they had never experienced the loss of control that we are so accustomed to.

My fear is that they won't know how to regain it, or that they won't want to, something I have seen in those who were broken by the dry.

As the reality of 'living with' the virus becomes more apparent we farmers know how it goes.... Every drought ends with a flood like no other, heartbreak on top of despair, and then slowly the cycle balances out into a normal season.

We seem to be in the midst of the flood...uncontrollable, bigger than all of us, difficult to navigate, but unavoidable and necessary.

The task for many at this point is trying to find the words to help the disparaged to snap out of the trance-like state that clouds their hopefulness and disrupts their will for freedom to resume and fear to be put back into its crate.

Hopefully our collective understanding of this emotional and psychological gateway can help bring some countering balance to the wider conversation.

The illustration of what a transcendence through the light at the end of the tunnel, the survival that manifests after the end of a hard chapter, can be like.

The idea that optimism, that never actually died, is something worth not only regaining, but fighting for, after all is said and done.

- Bess O'Connor, Goondiwindi

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Andreas Tsagas Furs and Leather Designs Transformed Denver Into the Wild West With Cowboys and Angels Runway Show – 303 Magazine

Posted: at 10:18 am

Its been a quiet few weeks for the Denver Fashion scene until this past weekend. Presented by Void Studios, Andreas Tsagas Fur and Leather Designs took the catwalk on Jan. 21 for one of the first runway shows of the year. This show-stopping event was certainly one for the books.

The spacious studio space created an ambiance perfect for the Cowboys and Angels themed show. Andreas Tsagas is known for stunning fur pieces and intricate leatherwork, but the show itself was much more than one could have imagined.

The first half was filled with striking, entirely black looks that brought high energy to the studio. With a wooden piano and western music, attendees were taken back to the days of the American West.

All photography by Emily Faith Studios.

The looks felt as if attendees were bombarded by a group of cowboys, pirates and bikers. From fringe to fur, to leather accents, to embellished jewelry, to sleek black top hats, this collection was bold and unique. Three models walked at a time featuring similar looks, putting audience members in a ghostly trance. From head to toe, models adorned dark makeup, long wigs and a variety of accessories making these looks an entire production.

This sexy take on cowboys was created with extreme attention to detail. Several looks featured a variety of layering pieces and textures including velvet, silk, leather and fur. Accessories like platform boots and chunky necklaces modernized these looks making for an almost futuristic cowboy theme with lots of dimensions in the process.

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The first half of the show escalated to include pops of reds and browns in leather garments. It began to feel almost romantic to be surrounded by fierce models in what was meant to be a ghost town in the Wild West. As a result, each set of three looks told a different story. Therefore, this collection truly elevated runway shows with a unique take on storytelling.

Following a brief intermission, the angels aspect of the show took shape. This collection was defined by color with bright hues and subtle neutral tones establishing recognition of the time period. With the words prairie fire emblazoned on the wall, attendees were taken to the simpler times when the land brought opportunity and meaning to peoples lives. While the first half of the show felt like trouble just walked into the saloon, this collection featured the everyday folk and the royalty of the American West.

Like the other segment, three models walked at a time and each set of three was different from the next. Following the initial runway walk, models lingered in the back of the space. This distinctive runway structure provided an opportunity for attendees to embrace each look and admire the detail. It also established a storyline where all of the looks were connected to create a comprehensive collection.

From layered sequined dresses to intricate floral hoods and headpieces, these looks were light and airy but told a story nonetheless. Several models wore platform white boots and colorful skirts, making for a modern vintage and retro ambiance. While these looks embodied angels, they also established a hipster cowboy essence.

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The hair and makeup elevated each look with long red wigs and blonde layered mullets. Colorful furs and southwestern patterns and fringe graced the runway alongside patchwork pants, depicting the expert craft and detail that went into making each of these looks. Overall, the collection established elegance to prairie life and stunned attendees with delectable high fashion all the while.

Tsagas event was the ultimate success in bringing energy to Void Studios and creating a runway show unlike any other. This unique space can be easily transformed for runway productions and the venue shared on Instagram recently that Void Studios will continue to be a hub for Denver fashion to flourish this year.

All photography by Emily Faith Studios.

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Andreas Tsagas Furs and Leather Designs Transformed Denver Into the Wild West With Cowboys and Angels Runway Show - 303 Magazine

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Cosmic Gate Bring The HEAT With "We Got The Fire" – EDM Sauce

Posted: at 10:18 am

Cosmic Gate are fresh off their massive Puerto Vallarta, Mexico stream, where the dominate trance duo debuted their killer new single We Got The Fire.

Following the new artistic path blazed by releases like Blame and Nothing To Hide, CG have gone all-guns to create the first anthem of 2022. The track features the voice of Italian-English singer Olivia Sebastianelli, who Nic & Bossi first encountered whilst remixing Andrew Rayels Everything Everything. Olivias (per The Guardian newspaper) rich, huskily emotive voice lends Fire a complex balance, thats caught between regret and hope. Building that fire under it, Nic & Bossi construct a production that balances early smolder with later-stage flame. Turning that Cosmic Gate heat up again, We Got The Fire is out NOW!

Building up to it, the duo isset to undertake one of their biggest North American tours yet. Having announced phase 2 dates just ahead of the holidays, the tour will now reach 25 cities. Opening in Charlotte on Jan 15, it will hit spots as far apart as LA & NY, Orlando & Toronto and San Francisco & Houston, before wrapping up in Montreal on May 14. Tickets for all shows are available now throughthis link(https://cosmic-gate.de/tour-dates/), full details of which you can find below.CosmicGate MOSAIIK North America Winter/Spring Tour Dates

Jan 15 Charlotte, NC QC Social LoungeJan 21 Denver, CO The ChurchJan 22 Las Vegas, NV The Portal At Area15Jan 28 Los Angeles, CA ExchangeJan 29 Vancouver, BC Harbour Convention CentreFeb 04Portland, OR 45 EastFeb 05 San Francisco, CA The MidwayFeb 11 Toronto, ON RebelFeb 12 Tempe, AZ Shady ParkFeb 25 Austin, TX Cedar Street CourtyardFeb 26Chicago, IL Sound BarMar 04 Atlanta, GA DistrictMar 05 Minneapolis, MN Rev Ultra LoungeMar 11 Orlando, FL The VanguardMar 12 Brooklyn, NY Avant GardnerMar 18 Washington, DC EchostageMar 19 Tampa, FL The Ritz YborApr 08 Seattle, WA OraApr 23 Costa Mesa, CA TimeApr 30 Calgary, AB The Palace TheatreMay 06 Houston, TX Stereo LiveMay 07 Dallas, TX Stereo LiveMay 12 Boston, MA The GrandMay 14 Montreal, QC New City Gas

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Cosmic Gate Bring The HEAT With "We Got The Fire" - EDM Sauce

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