Daily Archives: January 7, 2022

The 10 Best Dance Albums of 2021 – PAPER – Papermag

Posted: January 7, 2022 at 4:49 am

2021 may not have been the year we all got back to the club in full force, but that doesnt mean it wasnt a great time for dance music. And while we spent the majority of our time longing for the days we could be pressed against a couple hundred sweaty strangers all thrumming to the same kick drum, the soundtrack to our at-home raves did not disappoint.

With a lot of highly anticipated debuts and previously delayed follow ups finally seeing the light of day, the year saw massive offerings from the likes of established names like Porter Robinson, Boys Noize and Danny L Harle, as well as strong showings from newcomers like SHERELLE and Wavedash.

Whether youre looking for nostalgic indie dance, headbanging dubstep, forward-thinking mutant techno, over the top hardcore rave, throwback house, blistering fast drum and bass or something that defies easy categorization, there was a little something there for whatever type of beat gets you going.

Danny L Harle "Harlecore"

An album so massive they had to build a mythical multi-story megaclub to contain it, PC Music OG Danny L Harles debut, Harlecore, feels like the closest thing you could get to the purest distillation of rave euphoria. From soaring hooks to stadium-sized synths and teeth-chattering bass, Harle explores the emotional extremes of every ravey genre under the sun. Enlisting the help of Hudson Mohawke, Caroline Polachek and Lil Data to create the DJ personas of a hammer-wielding werewolf, an ethereal jellyfish and a hyperactive blue mascot respectively, Harle takes the concept of a fantasy rave compilation and pushes it to cartoonish proportions while still making some of the years most impeccable dance music.

Leon Vynehall "Rare, Forever"

Straddling the line between sonic experimentation and forward-thinking dancefloor-ready rhythms, British producer Leon Vynehalls latest album was one of the more forward-thinking club records to drop this year. Balancing moody interludes full of dulcet saxophone tones and distorted noise composition with giddy bursts of frenzied percussion and four-on-the-floor stompers, Rare, Forever unfolds like a descent into a damp, dark cave with expansive hits of bass and deftly plucked strings reverberating off the walls. Its a bizarre beast of a dance record, but one that draws you in with every quirk, twist and turn it takes you along the way.

Boys Noize "+/-"

The fifth studio album from veteran DJ and producer, Alex Ridha AKA Boys Noize, +/- (pronounced polarity) runs the gambit from sweaty hard-hitting industrial electro to Berghain-ready techno, ethereal indie dance, experimental beatmaking and everything in between. Making use of his own extensive modular synth collection, Ridha brings forth a bevy of new anthems and bangers that feel right in line with what one would expect of a Boys Noize record, while still sounding fresh and new. Featuring the likes of Kelsey Lu, ABRA, Tommy Cash, Chilly Gonzales, Rico Nasty and more, +/- marries Ridhas club prowess with his finely honed pop sensibilities for one of Boys Noizes strongest offerings to date.

Wavedash "World Famous Tour"

Having established themselves in the dubstep scene at a time when all the major players had moved on, Wavedash looked to make a distinct departure from what they were known best for with their debut album. Taking cues from their musical idols like Porter Robinson and Skrillex, World Famous Tour sees the producer trio branch out from the growling bass heavy bangers (although there is still plenty of that on the album not to fear), exploring Rustie-esque maximalist drops, moody drum and bass, pensive ambient compositions, Soundcloud-era future bass, hyperpop and a few things that defy easy categorization. If you want to know what the future of EDM sounds like, Wavedash is a good place to start.

CFCF "memoryland"

This one's for all the '90s kids out there. Montreal producer CFCF drenched his latest album in a healthy layer of nostalgia to craft a record that sounds like it was tucked away between a copy of Mobys Play and a yellowed 12 of Aphex Twins Windowlicker." Leaning heavily into the electronica side of dance music, memoryland includes bits of shoegaze, punk, French touch, disco, funk, IDM and more all collaged together like a musical scrapbook. Tracks like Life is Perfecto and the epic eight minute Night/Day/Work/Home walk the line between Oneohtrix Point Nevers experimentalism and Four Tets dancefloor warmth for a blissful mix of accessible and cutting-edge.

Porter Robinson "Nuture"

The long awaited follow up to 2014s landmark debut, Worlds, Porter Robinsons sophomore album, Nurture, had a lot to live up to and did not disappoint. Straying further into the indie side of dance music with a few experimental detours along the way, Robinson builds on the heavily processed vocals and soaring maximal sound he honed on his first record with even more emphasis on songwriting and personal sentiment. An album born out of his own struggles with mental health and writers block, Nurture sees Robinson be more vulnerable than ever by opening up about anxiety, gushing about finding love and celebrating the artform itself. From the cinematic fireworks of album high points such as Look at the Sky and Something Comforting to the twitchy pastoral interludes like Wind Tempos and do-re-mi-fa-sol-la-ti-do, Robinsons Nurture is a record worth holding near and dear to your heart.

Koreless "Agor"

Arriving a full decade after the producer released his first single, Koreless debut album, Agor, was more than well worth the wait. Full of bright trance synths, copious vocal samples and drumless beats all interwoven through a series of amorphous interludes and extended transitions, Agor unfolds like a journey through an ethereal futuristic landscape with glitchy textures and sprawling melodies. From the syncopated chorus of Joy Squad to the haunting harpsichord and choral arrangements on album closer Strangers, Koreless packs a meticulous amount of detail into every track without losing sight of what makes people move.

Eris Drew "Quivering In Time"

A true disciple of rave history, Eris Drew builds on the series of crate-digging DJ sets alongside partner Octo Octa recorded in a woodland clearing during the middle of the pandemic. Devised as a versatile mix of tracks that would slot in next to even the deepest of cuts, Quivering In Time is a solid house record front-to-back, full of Hi-NRG beats, acid basslines, shuffles, breaks and spinbacks traversing the genres of techno, house, prog house, disco and more. It's clearly made by someone that's put in years of work behind the decks, studying their dance music history and putting their knowledge of every microgenre, obscure rave and out of print white label to good use.

SHERELLE "fabric presents SHERELLE"

London-born DJ, producer and Hooversound label head SHERELLE is one of the most exciting new names making waves on the faster end of the club spectrum. Tapped to put together a mix for the prestigious "fabric presents" series, SHERELLE brings together one of the years best curated collections of old-school jungle techno, breakbeat hardcore, acid and footwork. Featuring cuts from Tim Reaper, Kush Jones, DJ Rashad, AceMo, LCY, Dub One and more, SHERELLE shows us what life lived above 160bpm is truly about with some of the most batshit drum breaks youve ever heard. If youre looking to work up a sweat, this is a must listen.

Ross from Friends "Tread"

The sophomore album from British producer, Felix Clary Weatherall, Tread feels like lo-fi house and trance went on a date and got really stoned afterward. Offering a more mellowed out sound with the occasional detour into trip hop and washed out psychedelics, Ross From Friends makes meticulously crafted house sound like easy-listening with soulful samples, bright trance-y synths and brushed drums. It feels fitting that the music video for album opener, The Daisy, features a speedcubing competition given the level of intricacy Weatherall bakes into his rhythms while still maintaining a lighthearted sense of novelty and play. If you're looking for a good record to bliss out to or even just get extra cozy, you cant go wrong with Tread.

Doss "4 New Hit Songs"

Anz "All Hours"

India Jordan "Watch Out!"

LSDXOXO "Dedicated 2 Disrespect"

Logic1000 "You've Got the Whole Night to Go"

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The 10 Best Dance Albums of 2021 - PAPER - Papermag

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ARTBAT have linked with dance legend Pete Tong for ‘Age of Love’ remix – Rave Jungle

Posted: at 4:49 am

Ukrainian duo ARTBAT have linked with dance legend Pete Tong for what is set to be one of the pairs biggest ever tunes: a forward-thinking new take on the Balearic dance classic Age of Love on Ministry of Sound. The stylish new single is out digitally on January 7th and on vinyl on February 4th 2022.

This latest new ARTBAT track comes just a week after the award-winning pair sold out their much talked about UPPERGROUND label on New Years Eve in Tulum with next level visuals making it an unforgettable night. More than 6000 people came together to dance to a majestic set that took in ARTBAT classics old and new.

The high spec production added an extra sensory element, with vast LED screens showing abstract imagery and ARTBAT in space suits, pixel-thin lasers beaming into the crowd, and iconic Mexican palm trees towering next to the main stage. It was a perfect way to see out the old and bring in the new with ARTBAT doing what they do best.

This hypnotic new track is a perfect follow up to that party. It is designed for huge dance floors and is a driving, melodic yet deep affair that will sound perfect in the worlds best superclubs. The remix pairs big synths and elements of stylish trance and potent techno to make a big emotional impact, as is the ARTBAT way.

With this new collaborative single, ARTBAT start 2022 in the same superb fashion with which they ended their successful 2021.

Listen to the track below!

Alex Gelevski is our official photographer. He has been listening to electronic dance music since middle school. Apart from being photographer for Rave Jungle he likes to play basketball in his spare time.

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‘The Way The World See Me (Version 2)’ is a Great Instrumental Track Released by Corvis Leonard – Daily Music Roll

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The artist has been creating these instrumental melodies that have spoken many words without saying any. This is a great quality of a musician to convey the intention without saying much.Corvis Leonardhas always interactively formed his tracks. This budding musician certainly has more to offer the audience. From his tunes to his honest way of speaking he has a simplicity that is rare to find.

About

This new instrumental artist is from the United States.Corvis Leonardhas always found music to be a great way of healing pains with or without wounds. Through his music, he is trying to find the meaning of life and eventually the much-needed inner peace. That is why he turned to music to make his mental health a priority. He has a humble approach to describing his gorgeous forms of art. He admires Slash and always seeks inspiration from his favorite artists and video games. This is vivid proof of his honesty. He has a working individual. He has made his room into his recording studio.

Musical Career

This self-taught musician has introduced several mind-blowing hits in a very short period. Most of his songs are from the instrumental indie genre. Each of his pieces has an uplifting aura. He released three albums at the same time on a video streaming platform is Dreaming, Simplicity, Thoughts on papers. He released pieces like, Zoning out, Passing Time, Trance Guitar, Meds, Thoughts of Suicide are works of his initial days. He has made music relentlessly since then. Musical pieces that he released within the next few days, are, Internal Pain, Under The Influence, and The Way The World See Me (Version 2). And he has produced even more pieces after that release like, Just Walking By, The Chaos In My Head.

Latest Release

This young artist has a lot to offer musically with his honest way of approaching and depicting his form of art. His new songThe Way The World See Mewas a part of his album called Dreaming. He makes music that is pleasing to the ears. His honesty and simplicity evoke a core feeling of admiration. His guitar pieces that are incorporated in this piece are very ecstatically uplifting. The background score also adds up to the aura of the track. The guitar pieces that the audience gets to witness in his tracks are completely enchanting. He has a promising future ahead.

To enjoy this new song, just visit the given below link:

Hughes Nelson is a contributing writer for Daily Music Roll. He also runs few other blogs, where he analyzes pop, hip-hop, and other music too seriously. Hughes reviews the music on daily basis and magnanimously indulges, encourages, and even participates in music discussion worldwide.

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'The Way The World See Me (Version 2)' is a Great Instrumental Track Released by Corvis Leonard - Daily Music Roll

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Mother Mother, Maddie & Tae among the 30+ shows coming to Houston – Houston Chronicle

Posted: at 4:49 am

Mavis Staples

Most venues are still following COVID-19 guidelines, including reduced capacity, social distancing and masks. Several shows require proof of the vaccine or a negative test.

FRIDAY

Sunny Sweeney: Country. 7 p.m. at McGonigels Mucky Duck, 2425 Norfolk; 713-528-5999.

Maddie & Tae : Country. 7 p.m. at House of Blues, 1204 Caroline; 888-402-5837.

Mavis Staples : R&B. 8 p.m. at the Grand 1894 Opera House, 2020 Postoffice, Galveston; 800-821-1894.

Disco Expressions: Disco. 9 p.m. at the Continental Club, 3700 Main; 713-529-9899.

Chad Cooke Band: Country. 8:30 p.m. at the Dosey Doe Big Barn, 25911 Interstate 45 N., The Woodlands; 281-367-3774.

Kottonmouth Kings: Hip-hop. 7 p.m. at Warehouse Live, 813 St. Emanuel; 713-225-5483.

Cruz Contreras: Americana. 8 p.m. at the Dosey Doe Breakfast, BBQ and Whiskey Bar, 2626-B Research Forest, The Woodlands; 832-823-4414.

Getter: Dubstep and trap. 10 p.m. at Stereo Live, 6400 Richmond; 832-251-9600.

Post Gold Era: Rock. 8 p.m. at White Oak Music Hall, upstairs, 2915 N. Main; 713-237-0370.

Mother Mother: Rock. 8 p.m. at White Oak Music Hall, downstairs, 2915 N. Main; 713-237-0370.

SATURDAY

Andrew Rayel: Trance. 10 p.m. at Stereo Live, 6400 Richmond; 832-251-9600.

Pearl Earl: Psych-rock from Denton. 8 p.m. at Satellite Bar, 6922 Harrisburg; 713-425-6669.

Buckcherry: Rock. 7 p.m. at Rise Rooftop, 2600 Travis; 832-767-0513.

Club 90s : Taylor Swift Red edition. 9 p.m. at House of Blues, 1204 Caroline; 888-402-5837.

BowiElvis Fest: Annual tribute to two icons. 8 p.m. at the Continental Club, 3700 Main; 713-529-9899.

Kelly Willis, Brennen Leigh and Melissa Carper: Country. 7 p.m. at McGonigels Mucky Duck, 2425 Norfolk; 713-528-5999.

Drew Kennedy: Country. 8:30 p.m. at the Dosey Doe Breakfast, BBQ and Whiskey Bar, 2626-B Research Forest, The Woodlands; 832-823-4414.

Coozablack: Rock. 7 p.m. at Warehouse Live, 813 St. Emanuel; 713-225-5483.

Back in Black: AC/DC tribute. 8:30 p.m. at the Dosey Doe Big Barn, 25911 Interstate 45 N., The Woodlands; 281-367-3774.

SUNDAY

Bad Sneakers: Steely Dan tribute. 8 p.m. at the Continental Club, 3700 Main; 713-529-9899.

Cool Freddie E & The Crew: Variety. 8:30 p.m. at the Dosey Doe Big Barn, 25911 Interstate 45 N., The Woodlands; 281-367-3774.

TWRP: Rock. 8 p.m. at White Oak Music Hall, upstairs, 2915 N. Main; 713-237-0370.

TUESDAY

The Moth: Houston story slam. 7:30 p.m. at Warehouse Live, 813 St. Emanuel; 713-225-5483.

WEDNESDAY

Holly Beth and Canaan Bryce: Country. 8:30 p.m. at the Dosey Doe Breakfast, BBQ and Whiskey Bar, 2626-B Research Forest, The Woodlands; 832-823-4414.

Marshall Tucker Band: Rock. 8:30 p.m. at the Dosey Doe Big Barn, 25911 Interstate 45 N., The Woodlands; 281-367-3774.

THURSDAY

Beetle: Beatles covers. 7 p.m. at the Continental Club, 3700 Main; 713-529-9899.

Trampled by Turtles, Deer Tick: Bluegrass and folk-rock. 6:30 p.m. at White Oak Music Hall, downstairs, 2915 N. Main; 713-237-0370.

Washed Out: Chillwave. 8:30 p.m. at Warehouse Live, 813 St. Emanuel; 713-225-5483.

Girls Gotta Eat : Comedy. 7 p.m. at House of Blues, 1204 Caroline; 888-402-5837.

Possessed by Paul James: Folk. 7 p.m. at McGonigels Mucky Duck, 2425 Norfolk; 713-528-5999.

Rick Huckaby: Country. 8 p.m. at the Dosey Doe Breakfast, BBQ and Whiskey Bar, 2626-B Research Forest, The Woodlands; 832-823-4414.

Christian Lopez: Americana. 8:30 p.m. at the Dosey Doe Big Barn, 25911 Interstate 45 N., The Woodlands; 281-367-3774.

AFK: Dubstep. 10 p.m. at Stereo Live, 6400 Richmond; 832-251-9600.

joey.guerra@chron.com

Joey Guerra is the music critic for the Houston Chronicle. He also covers various aspects of pop culture. He has reviewed hundreds of concerts and interviewed hundreds of celebrities, from Justin Bieber to Dolly Parton to Beyonce. He's appeared as a regular correspondent on Fox26 and was head judge and director of the Pride Superstar singing competition for a decade. He has been named journalist of the year multiple times by both OutSmart Magazine and the FACE Awards. He also covers various aspects of pop culture, including the local drag scene and "RuPaul's Drag Race."

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Things to do in Toronto this weekend: January 7-9 – NOW Toronto

Posted: at 4:49 am

Including catching up on last year's 21 Black Futures shows, dancing to DJ Blush and enjoying Snow Magic at Ontario Place

Courtesy of CBC and Obsidian Theatre.

In The Sender, Amanda Cordner's Sil simply presses a button to send racists to their own island.

If you missed Obsidian Theatres historic presentation of 21 short shows looking at the future of Blackness last year, theyre all still streaming at the CBC Gem site. Organized by Obsidians artistic director, Mumbi Tindyebwa Otu, the shows including Cheryl Foggos The Sender, starring Sort Ofs Amanda Cordner are timely and urgent, perfect isolation viewing.

Available for a limited time. Free. gem.cbc.ca

Miss dancing? Well, you cant do the real thing in-person now, but DJ Blush hosts an online dance party with R&R, soul, funk, pop, hip-hop and more. So clear out your living room furniture and get ready to feel good.

January 7 at 9 pm. Pwyc. mixcloud.com/live/djblushto

Its your last chance to see the Nathan Phillips Square spectacle of lights, with installations inspired by cultural festivals around the world. The Cavalcade was designed with guidance from Toronto Public Health, so as long as you keep your distance this is a safe Omicron event that will get you out of your apartment and maybe even into a pair of skates.

To January 7, 5-11 pm. Free. toronto.ca/cavalcade

The figure-8 skate trail under the Gardiner is back this year. No reservations are required, but you do need to wear a mask, and capacity is limited. There will be skate rentals and sharpenings, but skating lessons have been cancelled. Inuvialuk artist Maureen Grubens large-scale installation of sculptural sleds, Moving With Joy, will also be on display. The work depicts how sleds are used by Arctic communities.

To February 21. 250 Fort York Blvd. Free.thebentway.ca

Sea Tangle by Ryan Longo is on display at Snow Magic.

The producers of this seasonal drive-thru are playing fast and loose with the winter theme. Snow Magic is basically a tour of Burning Man-style sculptures think pyrotechnics, optical effects and Tim Burtonesque trance music. The laser tower gives strong Jennifer Lopez Waiting For Tonight video vibes.

To January 16. Ontario Place (955 Lake Shore West). $45-$65 per vehicle.DriveThruFunCo.com

Galleries and museums may be closed, but the Aga Khan Museums outdoor exhibition featuring photographs by Christopher Wilton-Steer is on for a couple of months. Just be sure to bundle up if its extra cold outside.

Runs to March 7. Free. Aga Khan Park (77 Wynford). agakhanmuseum.org

Glenn Sumi

Glenn started writing for NOWs theatre section in 1997. Currently, he edits and contributes to the film and stage sections. He sees approximately 280 live stage shows and 150 movies a year. His mother once described his job as Seeing The Lion King"

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Things to do in Toronto this weekend: January 7-9 - NOW Toronto

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Liberalism, Realism and the Demise of National Values – Armenian Weekly

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Nikol Pashinyan, 2018 (Photo: Sofia Manukyan/The Armenian Weekly)

Color revolutions,such as the Arab Spring, had the support of the masses who wanted to create a just society. The revolutions strived to create an ideal society where corruption and nepotism would be eliminated, a fairer judicial system, individual rights, gender rights would be established, and liberal and democratic values achieved.

People took to the streets and rejected the status quo of corrupt authoritarianism in favor of a democratic civil state. However, social media globalized the support for these protests, galvanized the masses to come out and gained the support from the involvement of outside groups to mobilize in solidarity with the protests. Protesters demanded dignity, civic rights and the ousting of the regime whom they deemed responsible for their oppression.

The revolutions were void of a national agenda and national values. They believed by demanding their rights, a better country would soon emerge. But these ideals of individualism created a breeding ground for the demise of national security, particularly in a dangerous geopolitical climate.

The epitome of this is the Velvet Revolution in Armenia and how the country transitioned from a secure (albeit corrupt) country to war and turmoil.

The revolution in Armenia did not bring the changes it promised, resulting in mass distrust and disengagement from politics. Nepotism and corruption are still a sad reality in Armenia. The oligarchy is funding the present government, and some of them are elected MPs.

We have seen figures from the past regime still having influence in politics and control of the economy.

There is evidence of more political oppression and imprisonment of individuals who dont agree with the current leader. The brutality of the police in treatment of protesters post-revolution is as bad as pre-revolution. The country has become a police state, and the PM is unable to walk freely without being surrounded by hundreds of security guards.

The decision making is centered around one person and his circle of cronies. The opposition is sidelined and rendered impotent. The media has been hounded and some of their rights taken away.

Liberalism did not improve the lives of the ordinary people. Liberal belief of a moral society was followed by the neoliberal mentality, which led to social fragmentation. These imported values of western liberal democracy caused chaos in the world, where society was not ready for these changes.

Liberal democracies are affiliated to conditions such as friendly neighbors and high education and living standards. Societies in western countries are more individualistic. These values cannot be implemented in societies that live in volatile and hostile regions, high poverty, with strong traditional national values and a more collective culture.

The liberal revolution destroyed Armenia as did the Bolshevik revolution 100 years ago. Both ideologies are against national values and beliefs. However, the latter brought security and acceptable living standards for the masses, whereas the liberal revolution brought war, instability and 30-percent poverty with huge territorial losses.

During the short-lived First Republic of 1918-1920, democratic values and civil liberties and equalities were combined with socialist ideology of fairness and social justice with a strong national ideal. Since the creation of the third republic and the Artsakh war of the nineties, and the national liberation movement, the national goals and ideals glued and united the society even to the heavy cost of democratic values and social justice.

We had national pride and dignity, but the society was corrupted by post-soviet free market malice. The soviet-controlled economy was replaced by the oligarchy and neo-colonialists.

It is the lack of forward thinking and greed that brought us to the fake revolution of 2018 and the subsequent national disaster.

Capitalism and liberalism are political doctrines that believe in protecting and enhancing individual freedom and rights. By contrast, nationalism believes that each nation should govern itself, free from outside interference and that the individuals loyalty and devotion to the nation-state surpass other individual or group interests. Every nations natural and inalienable rights include its homeland historical, territorial habitat as its distinct environment. This must be protected as it is crucial for creativity, survival and development.

The problematic relation between national identity and democracy distorted the emergence of healthy democratic institutions and social justice.

It is important to create a balance between nationalist, socialist and democratic values.

What is the way forward?

A society that is being controlled and manipulated in believing that individual rights are more important than national values cannot be saved by liberal values. Consequently, a young generation was lost during the 44-day war, and the country has become numb to the current tragedy and disconnected from its threatened reality. The society is fragmented, losing hope in a bright future. Pride and dignity have been taken away and replaced with a false promise of peace, better economic opportunities and the pride of realism over idealism.

Salvation is having a truly strong, national leader or a political force that will bring social justice and fair democratic values in the country. A leader who has a strong national agenda and vision, who doesnt view enemies as friendly neighbors. A leader, who doesnt preach empty peace, unattainable when you are surrounded by genocidal neighbors. A leader who doesnt have a corrupt past or is affiliated with external forces. A leader who believes in a secure and independent Armenia, without being a slave to any other country. A leader who celebrates the nations victorious past, instills pride but takes lessons from its bitter history. A leader who believes in a united Armenia but is fair and wise and has practical policies in achieving a glorious future and strengthens the crumbling national and state institutions. A leader who will unite the nation and use the potential of the diaspora in state building and championing the Armenian cause.

When the nation identifies such a leader, Armenians will follow and unite to change their destiny. If that leader doesnt come forward soon, then our destiny will be tragic leading to the demise of the state. People are not to be blamed. Its the political elite that need to wake up for the national good and make way for a leader who will save the nation.

The future leader should advocate for individual freedom, national self-determination, independent, sovereign statehood, social harmony and economic well-being to secure unobstructed, multifaceted and sustainable development of both the individual Armenian and Armenian nation.

The stress is on the importance of a leader rather than a political party, as sadly the present reality in politics is such that people follow an individual rather than an ideal.

Excerpts from the ARF Manifesto

Capitalism, authoritarianism, and colonialism are all different expressions of domination and exploitation and are manifested in oligarchy, as well as economic, ideological, and cultural expansionism. The results are economic monopoly, disregard for national rights, neglect of human rights, ecological and environmental degradation, and political abuses often in the name of protecting human rights.

We need to create a sovereign state with national and democratic values to create a harmonious nation. Democracy is anchored by respect for human and civil rights and freedoms. It provides legal protection to freedom of opinion, the existence of multiple political parties, and complete freedom of speech. It also entails a separation of power between legislative, judicial, and executive branches of government on the principle of checks and balances.

The goal of a free, just, independent, and united Armenia will be through the rebirth of national liberation struggle!

Annette Moskofian was born in Tehran and grew up in London. She has a masters in international relations and democratic politics. Annette is the chair of the Armenian National Committee of the United Kingdom.

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Liberalism, Realism and the Demise of National Values - Armenian Weekly

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For some reason Megalovania played during an audience with the Pope – The Verge

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Six days into 2022 and weve already had one of the weirdest collisions of gaming culture and the wider world. Yesterday, during Pope Francis weekly general audience in which he said a few prayers, made a few addresses, and casually shamed voluntarily childfree people for preferring the company of their pets to tiny, screaming humans most of us cannot possibly afford, a troupe of jugglers / acrobats / general circus folk performed to a jazzy ska-esque rendition of Megalovania from Toby Foxs Undertale.

Everything about this performance inspires in me a manic chuckle as I try to make sense of the scene unfolding in front of my eyes. The performance starts with an acrobat twirling a foam cylinder with their feet. Then, for some reason, the jugglers start, and then someone wheels by on a unicycle making every element of this performance look like unorganized, mismatched chaos. Something thats oddly fitting when you think about the chaotic terror of the Sans fight. In the Sans battle, just like in this performance, nonsensical shit is coming at you from all sides while a little man in a funny outfit smiles at you serenely as Megalovania plays.

As incredulous as it may sound, this is actually not the first time theres been a Pope / Undertale crossover. In 2016, YouTube gamer MatPat famously gave the Pope a Steam code for Undertale as he thought the game represented the same themes of forgiveness and compassion that the Pope alluded to in a speech he made earlier in the year. Maybe Big Catholic Boss Guy finally got around to playing it and liked the song so much he requested it for his next general audience. Of course, that would mean the Pope would have taken the genocide option which, depending on your view of organized religion, may or may not match up.

Wow, that got dark.

The history of atrocities committed in the name of religion aside, everything about this performance rips. I especially like the wide shot of the stage that includes the Pope in his funny outfit, the performers in their funny outfits, and members of the Swiss Guard with their totally normal technicolor pantaloons and traditional halberd lending that extra dash of is this real or am I tripping balls right now? all while Fazzinis The Resurrection looms in the background looking ready to consume everyone whole.

It is the exact kind of surrealism I think Toby Fox would appreciate.

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For some reason Megalovania played during an audience with the Pope - The Verge

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After Harry Reid’s death, will the LDS Church ever see another liberal leader? – KUER 90.1

Posted: at 4:48 am

Harry Reids death may mark the end of the liberal Mormon tradition.

Thats the headline of a recent op-ed in the Washington Post. The former Nevada Democratic Senator and Latter-day Saint died last week at age 82.

The one-time Senate majority leader held steadfast to his party roots, despite the Churchs strong ties to Republicans.

But Benjamin Park writes that we may have seen the last of his kind. Park teaches American Religious History at Sam Houston State University in Texas. Pamela McCall spoke with him about Reids brand of faith and politics.

This interview has been edited for length and clarity.

Pamela McCall: In your op-ed in The Washington Post, you cite Harry Reid's 2007 speech at Brigham Young University, where he said, "I am a Democrat because I am a Mormon, not in spite of it." What principles did he believe connected his political views to his religious beliefs?

Benjamin Park: In that speech itself, and in several other of his addresses to Latter-day Saint audiences, he would often reference Book of Mormon scripture [themes] that would say there shall be no poor among them, or that helping out the least of your brethren is aiding your God. So he believed that the communitarian impulse that comes through in LDS scripture was something that correlated with the Democratic message of trying to build the community all around, rather than a libertarian impulse of everyone fighting for their own.

PM: Why do you think Harry Reid held to those views when so many members of the Church became steadfast Republicans?

BP: Especially post-World War II and notably after the 1960s culture wars, many Mormons came to embrace a demographic politics that was pretty typical of the Mountain West in America during that time, that was much more libertarian, much more conservative [which] saw Mormonism as the fulfillment of an individualistic ethos. Whereas those like Harry Reid, who saw Mormonism more as a communitarian impulse, became more and more in the minority. So by the time Harry Reid died, he was one of the last few public Mormon politicians who leaned to the Democratic side.

PM: I want to go back a bit. You state that, historically, it was thought that when Latter-day Saints did seek federal political affiliation after dissolving their own People's Party in 1891, the year after they renounced polygamy, that it would be the Democrats that they would align with. What actually happened and why?

BP: The federal government basically told Utah, if you want to become a state, one, you need to give up polygamy, and two, you need to participate in our two-party political system. And most of the anti-Mormons living in Utah were Republican. The Republican Party was founded on opposing the twin pillars of barbarism: slavery on one hand, polygamy on the other. So it was very common to expect the Mormons to reject republicanism, even as they embraced the two-party system. But starting in the 1880s, the Democrats have resurging power on the national sphere. So the Republicans are like, our only future is if we dominate the American West and turn all these western territories into Republican-leaning states. And they tried to do that with Mormons in Utah in general to great success.

PM: You note that during that talk at BYU in 2007, Harry Reid said it wouldn't be long before Latter-day Saints returned to the Democratic Party over issues like global warming, economic inequality and civil rights. Fast forward to 2022, those issues are perhaps even more pronounced today. What do you think it would take, one day, to move Latter-day Saints, or a greater percentage, back into the Democratic Party, like Reid predicted?

BP: If you look at the younger generations of Mormons, they often lean Democrat. But the problem is many of those liberal Mormons end up leaving Mormonism altogether or, in order to fit into the Latter-day Saint tradition, they embrace more conservative ideals. What it would take for that to change is a change at the institution, because the institution needs to be able to demonstrate that these more liberal leaning [Latter-day] Saints have a place within their congregations. And as long as the LDS church maintains its rigid exclusion of LGBT people within its ranks, I don't think you're going to see the left-leaning younger generation remain in the faith as much as it would take for them to structure the Church in the future.

PM: What must it have been like for Harry Reid in his later years to be a Latter-day Saint and a Democrat in a deeply Republican faith?

BP: The interviews that he gave often showed him being quite beleaguered and tired and frustrated that the Latter-day Saints did not take the call that he issued in 2007. He did a Salt Lake Tribune interview earlier in 2021 where he basically said the harshest criticisms that he receives are from his fellow Latter-day Saints. And I think he took that personally, because he saw in Mormonism the principles that he believed could shape the modern world through progressive values. And the fact that his fellow [Latter-day] Saints chose not to follow that quest, I'm sure he found as a disappointment.

Harry Reids funeral will be held in Las Vegas on January 8.

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After Harry Reid's death, will the LDS Church ever see another liberal leader? - KUER 90.1

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Ive banned anyone over 70 from my wedding, seeing them is so depressing & I dont want the attention tak… – The US Sun

Posted: at 4:48 am

A BRIDE has sparked a heated debate online after revealing she's banned anyone over 70 from attending her wedding.

The woman took to Reddit's Am I The A*****e forum to explain the situation, adding that she and her fiance both have big families, so are "trying to figure out how to make our guest list work with our budget".

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"Our grandparents are all in their 80s and his grandma has Alzheimers - she forgets who people are, doesn't know where she is a lot of the time, and sometimes she just randomly starts crying or yelling and it's really depressing," she wrote.

"Both my grandparents also have some health issues and demand a lot of care and attention," she continued.

"I really don't want any of this to ruin our big day. I don't want his grandma shouting or making noise during the ceremony or my grandpa needing help and being a big distraction, and I feel like people are going to be paying a lot of attention to them instead of the wedding and the wedding couple."

She added that she and her fiance had therefore decided "we don't want anyone over 70 at the wedding and are making a blanket rule so it's fair to everyone".

"I think they would be bored and more comfortable at home anyway, and it's an opportunity for their caregivers to come out and relax and have fun without worrying about caregiving responsibilities for the evening," she continued.

"My fiance is on board but the rest of my family is upset. Am I the a*****e?"

The majority of comments on the post saw people slam the poster for her rule, with one person writing: "Jesus Christ, you have got to be kidding. You are the worst. You are the a*****e."

"For real. You're the a*****e, original poster," someone else commented. "If my Cousin or sibling was getting married and tried to pull this crap I would 100 per cent skip their wedding and take my grandparents out for dinner or something.

"And Id implore my other family members to do the same."

Another added: "This isn't you caring about their feelings over the look of the thing, this is you caring about the look of the thing over anyone's feelings.

"I'm sure your grandparents will be heartbroken you don't want them there.

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"Being over 70 is not the same as being under 10 - you can't exclude people just because they aren't able to do the cha cha slide.

"You are going to offend and hurt a lot of people."

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And another person wrote: "I lost all my grandparents before I was an adult.

"Honestly, if they could have been at my wedding, it would be more impactful than the actual marriage itself."

"My grandmother is 88 and did tequila shots with me at my wedding. Age is just a number!" someone else added.

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Others were unsure whether or not the bride was in the wrong, with one writing: "Since the logic is very similar to childfree weddings, I'm having a hard time figuring out where the gap in the logic is.

"Like if couples can exclude guests based their age, because people under a certain age will cause disruption, then the same logic would apply to people OVER a certain age, right?"

Speaking of weddings, this person attended an awful one recently where only half of the guests got food.

This bride sparked outrage by trying to charge guests 1,000 to attend her big day.

And this bride's stepmum turned up to the wedding in white, but it was her shoes that had everyone talking.

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Ive banned anyone over 70 from my wedding, seeing them is so depressing & I dont want the attention tak... - The US Sun

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Why Liberals Secretly Love Donald Trump – The National Interest

Posted: at 4:48 am

My Twitter accounts pinned tweet is one that says Trump would have elevated his reputation if he had conceded the election quickly; it concludes now people just hope he croaks. The tweet is dated Jan. 4, 2021so elevating the tweet is admittedly a kind of virtue signal: I am not the kind of Trump guy who backed his post-election antics, and Im pleased to have made that clear two days before what one writer aptly called the cornpone intifada.

But the people just hope he croaks line is too vague. The sentiment is shared by never-Trumpers and no small number of once pro-Trump activists and intellectuals who generally approved of his stated policy goals, only to experience a dysfunctional administration that accomplished little. As Ann Coulter (an early and vital Trump supporter) memorably put it, Trump is the opposite of a duck, flailing madly and going nowhere instead of moving quietly ahead in the water.

But it is not shared by Joe Biden, most elected Democrats, and the huge interlocking liberal complex of that makes up the mainstream media: for them, Trump is the best thing ever, someone they can portray effectively as a buffoonish fascist wannabe, while he remains an ineffectual foe with no real sense of how to use power. He is the essential glue and greatest hope of the Democratic coalition, and probably the only Republican a Democrat could defeat in 2024. Indeed, if the Democratic primary electorate moves leftward, as well it might, Trump could conceivably lose to Alexandria Ocasio Cortez, ushering in authoritarian socialist rule in the United States by free election.

Of course, Trump is a useful foil to Biden, whose aging communication skills revive when speaking of his 2020 adversary. But the fixation on Trump and January 6 envelops the whole party. How many times a day does one hearfrom the lips of a Democratic official or a CNN or NPR commentatorthat piously pronounced phrase our democracy to connote all that the January 6 rioters and Trump purportedly threaten. The phrase feigns a reverence to American constitutional practices, which is why Democrats are so enamored of it. But almost invariably it is coupled with transformative action agenda that is the very opposite of constitutional regard: ending the filibuster, packing the Supreme Court, the replacement of an Election Day where self-governing citizens go to the polls and vote by a rolling election period dominated by mail-in ballots and vote harvesting by activists. Such proposals are self-evidently designed to precisely subvert the mechanisms the Founding Fathers intended to encourage: gradualism and the need for decisive majorities to enact major changes into our democracyin other words, to undermine precisely the institutions which have made the United States arguably the most successful long-standing democracy in the world.

Writing for Unherd, Simon Cottee makes some comparisons between the way neoconservatives deployed September 11 as a lever for their long term agendas of war in the Middle East and the way contemporary Democrats are trying to use January 6. But if the goals of the neoconservatives were fairly tightly focused on the invasion of Iraq (and perhaps later Iran), those of todays liberal establishment are diffuse: for some they involve jettison of the checks and balances built into the American system, for others simply a means for the relegation of every aspect of Trumpismincluding the policy aspirations which remain broadly popular permanently into a realm of deplorable moral oblivion. In actuality, January 6 was a riot involving a few hundred mostly unarmed people whose breach of the Capitol was made possible by almost unfathomably poor preparation by riot control police (a critical factor about which we would surely be hearing much more if Trump and his administration bore responsibility for it). The Democrats seek to turn it into world historical insurrection whose nefarious meaning must be contemplated every day, as the New York Times somberly admonishes.

For the Democrats, every day that we talk about January 6 is a day where we are not talking about soaring rates of crime brought about by the progressives war on cops, or inflation accelerating to 1970s levels, or the months of rioting, egged on by prominent Democrats, including then candidates Biden and Kamala Harris, that followed the George Floyd killingrioting far more deadly and destructive than January 6. And every day of January 6 is a way to keep Trump in the spotlight, and in a way keep his persona central to the Republican Party. Its a goal which corresponds perfectly with Trumps own insatiable quest for the limelight; He seems to believe, perhaps correctly, that if he had (as he should have) conceded that he lost the election, albeit one held under unusual covid circumstances, his role as a future party leader would be diminished.

This reinforcing mutual self-interest of two campsthe Democratic establishment and Trump himselfnow constitute a real force in American politics, and possibly a barrier to any kind of enlightened leadership emerging from Republicans for the 2024 presidential race. The easiest way out one doesnt want to say out loud, but it does involve actuarial tables and the fickle finger of health.

Scott McConnell is founding editor of theAmerican Conservativeand author ofEx-Neocon: Dispatches from the Post-9/11 Ideological Wars.

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Why Liberals Secretly Love Donald Trump - The National Interest

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