Monthly Archives: August 2021

After posting the worst third-down stop rate in the NFL last season, a point of emphasis for the Tennessee Titans this offseason has been improving in that area.

So far, so good, as not only has the third-down defense looked good in camp, but the Titans have held their opponents to 4-for-26 (15 percent) on third downs in preseason play.

Of course, we cant put a ton of stock in exhibition games, but well take any progress we can get after the horror show the defense was last season.

Titans safety Kevin Byard notes that communication has been better, and he acknowledged that the team was pretty terrible at challenging receivers in 2020, but feels the defense is making strides there as well.

Communication has definitely been there, urgency, all that stuff you talked about Byard said. Last year I feel like we were pretty terrible as far as challenging receivers, being tight. It was a big thing where we were playing off on third-and-7 or whatever, guys is nine yards off, stuff like that. That has been a big difference this year, but weve got to go out there and put it all together when real ball starts.

Byards acknowledgement that the defense wasnt aggressive enough against receivers on third downs in 2020 should be music to Titans fans ears. After all, it was a major point of contention throughout the campaign.

Linebacker Rashaan Evans also believes that the teams third-down defense has improved in practice and during the preseason, but understands that doesnt mean much if Tennessee cant carry it into the regular season.

I think its that sense of urgency, Evans said. I think each individual person on the defense feels that we can be a lot better from last year. I think going from practice and doing the things that were doing in the preseason, you see the results Like I always say, the consistency and the things that were doing, it has to transition into the regular season.

Evans notes that the defense having a year under its belt with defensive coordinator Shane Bowen has helped build confidence, which is playing a big role in the team making strides.

Last year was already crazy enough, COVID and all those different things, and Shane (Bowen) coming in and being our defensive coordinator, Evans said. There was a lot of different things that were changing and moving. Now that we have another year, just a year under our belt, now going into some of the things, the schemes that hes trying to run and things hes trying to do, we have a lot more confidence now.

All signs point to Tennessees defense improving overall in 2021, although it must be said that it really has nowhere to go but up from here.

More here:

Titans happy with progress on 3rd downs in camp and preseason - Titans Wire

Aug 27, 2021

NFL NationESPN

First-round picks in the 2021 NFL draft, at least the healthy ones, have played in two preseason games at this point and probably won't see action in the final game. So it's a good time to see where they are in their development.

The quarterbacks have gobbled up much of the attention in the class, which stands to reason with QBs going at pick Nos. 1, 2, 3, 11 and 15. It looks like at least two -- Trevor Lawrence and Zach Wilson -- will start their openers, and the other three have acquitted themselves well enough to at least remain in the conversation to start in Week 1.

The wide receivers don't seem to have quite the footing that the QBs have. But they'll be afforded a little more time to adjust to the NFL. On the defensive side, the cornerbacks and linebackers have looked good and have made the teams that chose them feel that they did so wisely.

We asked our NFL Nation reporters to detail what their first-round picks have and haven't done well. Here's what they told us:

Lawrence has had the normal ups and downs of any rookie quarterback but overall has been impressive. He has thrown 35 touchdown passes and seven interceptions in 7-on-7, 11-on-11 and the two preseason games and has been the best QB on the roster by far. He has done that despite splitting first-team reps with Gardner Minshew II because Urban Meyer said Lawrence hadn't earned the starting job.

The offensive line has played poorly in the first two preseason games, and Lawrence got battered a bit against New Orleans. But Meyer ended speculation he could opt to go with Minshew on Wednesday, announcing Lawrence will start the opener. -- Michael DiRocco

More here:

NFL first-round pick progress reports: How all 32 rookies performed in training camp, plus outlook for 2021 - ESPN

CLEARWATER, Fla. The city of Clearwater invites the public and media to an Imagine Clearwater kick-off ceremony at 9 a.m. Sept. 3, at the Clearwater Main Library overlooking Coachman Park, to celebrate the highly anticipated project.

Imagine Clearwater is an investment in the redevelopment of Downtown Clearwater and its waterfront including construction of a new 4,000-seat covered amphitheater in Coachman Park that will be a must-see destination point in the Tampa Bay area.

Imagine Clearwater is a generational project, one that we believe will serve Clearwater families and guests for decades to come. Finally, we will be taking full advantage of our unique downtown waterfront, said Clearwater Mayor Frank Hibbard.

City elected officials, leaders, local dignitaries, and members of the citys Imagine design firm, Stantec, and construction firm, Skanska, will be in attendance at the library, located at 100 N. Osceola Ave., Clearwater.

Designed to connect the waterfront and the Downtown Clearwater community, Imagine Clearwater includes an expansive park and recreational spaces, a gateway plaza and bluff walk that connects the park to downtown, a bay walk promenade overlooking the Intracoastal Waterway, a lake area with picnic shelters, and an ocean-themed play area with an interactive pop-jet water feature.

The additions to Coachman Park also include the amphitheater which will accommodate a year-round performance schedule that promises to continue the city of Clearwaters reputation as a premier location for diverse live entertainment.

The public is encouraged to attend the event where parking will be free in the library lot. For more information, contact Public Communications Director Joelle Castelli at 727-562-4881, or joelle.castelli@myclearwater.com.

See the article here:

Ceremony to Celebrate the City of Clearwater's Progress on Imagine Clearwater Plan | News List | City of Clearwater, FL - myclearwater.com

Firefighters continued to make headway against the Bennett Fire on Friday, although progress slowed somewhat in part due to the persistence of hot spots, authorities said.

As of Friday morning, the Bennett Fire had burned 59 acres and was 75% contained, according to Cal Fires Nevada-Yuba-Placer Unit.

Authorities said no one was injured. Building damage is being assessed.

The fire continued to recede but at a somewhat slower rate than the previous two days, largely because of the challenges posed to firefighters by hot spots in the heavily wooded region near Bennett Road and Whispering Pines Lane, where the fire is still active, according to Mary Eldridge, Cal Fire public information officer.

The large quantities of easily flammable lumber in the area, including downed logs, trees, and stumps, have created hazardous conditions for crews attempting to mop up hot spots, Eldridge said. After extinguishing a blaze in a particular part of the woods, firefighters have often had to go back and extinguish a reignited hot spot. Unpredictable and often high winds have also made progress difficult, as the winds often blow lit embers around, potentially creating new fires, she added.

In the foothills you have both up and down canyon winds, and with the topography of this particular fire theres a lot of both of these windsone area of the fire versus another will have different physical characteristicsthe wind will depend on that.

Despite such complications, Eldridge emphasized that firefighters were still making slow but steady progress throughout the day, tearing apart and wetting downed logs to prevent more hot spots from reigniting.

Theres definitely still been progress todaywe have a containment line, were bringing in bulldozers to helpits just a matter of these hot spots, it just takes time to tear apart the downed logs and prevent more from flaring up.

On Wednesday, Eldridge credited the quick and effective response of numerous law enforcement and fire agencies, as well as the high level of coordination between different departments, in allowing authorities to bring the Bennett Fire under control so quickly.

While the fire expanded rapidly, initially threatening densely populated areas close to downtown Grass Valley, firefighters were able to achieve a 60% level of containment over the blaze just several hours after it started.

The answer to how this happens has to do with the outstanding relationship Cal Fire has with Nevada County Consolidated Fire, Grass Valley Fire, Ophir Fire, and others, Eldridge said. You also have to thank the Nevada County Sheriffs Office and the Office of Emergency Services for coming into this thing so quick and getting information about zone haven (Nevada Countys evacuation notification portal) out there.

Because of the quick and effective communication about evacuation areas that was relayed by law enforcement to Grass Valley residents, the evacuation process not only went smoothly but allowed for crucial air support to immediately come in and drop fuel retardant to slow the fires advance, Eldridge said, pointing out that this would have been much more difficult if residents were not evacuated from these areas where air units were deployed.

The cause of the Bennett Fire is still under investigation, she added.

Stephen Wyer is a staff writer with The Union. He can be reached at swyer@theunion.com

Continue reading here:

Bennett Fire progress slow and steady - The Union of Grass Valley

Doubt around the Miami Dolphins in 2021 is likely going to come from one of two places: skepticism of the size of a leap that second-year quarterback Tua Tagovailoa is capable of making in his first full season as the teams starter and the offensive line. Theres plenty of unknown up front for the Dolphins, but theres also plenty of youth and ample potential available to the Dolphins, too.

Some early preseason frustrations against the Chicago Bears appeared to prompt some to push the panic button and the Dolphins themselves did go out to secure more offensive tackle depth in the days that followed, trading for third-year tackle Greg Little.

But those in the trenches seem to be encouraged by Miamis progress over the course of the last month since the start of training camp. Veteran offensive lineman Jesse Davis, currently penciled in to start at right tackle, included.

Davis met with the media after practice on Thursday and offered an encouraging assessment of the growth Miami has put on display, particularly in the run game, thanks to their heavy-hitting interior trio.

Right now I think our run blocking has come alive a lot. I think with Rob Hunt and Solomon Kindley at guard and (Michael) Deiter at center, those guys can move some guys and set up some good blocks for our tackles. I want to say we are pretty balanced but right now I cant tell, said Davis.

This unit was never going to be an instant product. Only left tackle Austin Jackson entered camp pencilled in to play the same role as hed filled the year prior. And while joint practices and preseason games have helped speed the development up, were still in the infancy stages of the 2021 season. And Davis sees that alongside the progress, too.

Its hard to tell with only playing limited reps with the guys. I think, right now, we are still growing obviously. I think we are headed in the right direction, thats for sure.

Read the original here:

OL Jesse Davis seeing signs of progress from Dolphins' run game - Dolphins Wire

Editors Note: Over the horrendous last couple of weeks as America began its final withdrawal from Afghanistan and Taliban zealots took control again after two decades, veteran foreign affairs correspondent and Only Cry for the Living: Memos from Inside the ISIS Battlefield authorHollie McKayhas been back in the South Asian nation to see history sadly repeat itself.

In another special report for Deadline, coming after the fatal terror attack of Thursday, McKay focuses on the burgeoning film industry that emerged since the Taliban was tossed out by American forces in 2001, and the dark days ahead for Afghani cinema and filmmakers.

An Afghan man his face of map of exaggerated agony runs from his Kabul home, picking up the blood-drenched body of the woman he loves most in this world.

Related StoryAfghan Filmmaker Shahrbanoo Sadat Escapes Kabul With French Government Help

My wife, preeminent actor Salim Shaheen wails in Dari, the native Afghan dialect of Farsi. Who did this to you?

His female co-star, pale-faced and mouth agape in his arms, pauses dramatically then bursts with a kind of uncontrollable laughter.

You ruined my scene, Shaheen laments, firing off a few expletives. And now my hands are dirty with this stage blood!

But the moment, a behind-the-scenes snapshot of a 2012 television series Kabul At Work, is more than just a blooper. It was a moment of brevity and a symbol of just how far Afghanistans film industry had come amid the U.S.-led occupation of the country following the 2001 invasion and ousting of the Taliban regime from power.

However, as soon as the insurgency took control of Kabuls Presidential Palace and declared themselves the rightful leaders last weekend those hard-earned gains were shattered in an instant. The steadily evolving and critically acclaimed Afghan film and television industry now belongs to the graveyard of memories.

Great terror has been spread in the streets and back alleys of our country. The Taliban are hostile to educated people including journalists, arts, filmmakers and poets, a leading Afghan moviemaker who asked only to be identified as Sharafat as he attempts to leave the country with his family, told me Wednesday.

Our language is closed. Music is not allowed, let alone filmmakers in Afghanistan.

***

The offices of the once passionate and budding film and television production companies cloistered in tiny office spaces in the once-bustling nucleus of Kabul are shuttered and abandoned.

The artists and occupants have deleted their social media accounts and gone underground. Some have gone into anguished hiding; others have fled far and wide leaving behind their lifes work and the country they helped compel from the dark ages over the past 20 years.

Of all the content creatives I have spoken with over the past week, there is no point for them in trying to stay to document this blood-spattered moment in the history books. The stakes are to stay and die or survive and run.

Many in the film industry are old enough to remember that under the Taliban who ruled from 1996 and 2001 such mediums of entertainment are strictly forbidden. Cinemas were bombed and burned, television sets battered and broken by insurgents. Moreover, those caught secretly watching the banned content faced severe punishment such as flogging.

On the flip side, many are young enough not to know anything different than a country brimming with art and culture, finding its feet through freedom of expression.

Cinemas are closed, and filmmakers are frightened and hiding in their homes, and at least half have already fled, Sharafat continues. We cannot live under the Taliban.

***

Despite the grim five-year Taliban rule of the past, Afghans have long had a zestful history with the small screen, dating back to the 1920s when the government funded an array of different feature film projects through to the 1970s.

The state-funded Afghan Film was founded in the late 1960s to support emerging content creators. After invading Afghanistan in 1979, the Soviets offered cultural training initiatives to students, setting off a string of new creatives. Color films and television seeped through into the Afghanistan mainstream in the 1980s, despite the civil war that crushed vast swaths of the country. Yet, many emerging faces in filmmaking were then forced to flee to neighboring Iran and Pakistan so that they could actually continue to work as the conflict escalated.

Then in the early days of the Talibans first sweep to power, dedicated Afghans took it upon themselves with great risk to smuggle and cleverly hide the most significant remnants of the films and entertainment arena they treasured so much. Some reels were buried deep into the earth, others into walls and camouflaged into floorboards.

But the arrival of U.S. forces almost 20 years ago brought the industry back from the dead.

In addition to an array of initiatives and programs to foster the next generation of storytelling, it also saw the somewhat dissemination of pirated movies into the wide-reaching rural provinces with exceedingly high illiteracy rates. Nonetheless, poorly dubbed bootlegs of the 1997 James Cameron blockbuster Titanic became a household staple in the early-2000s in Kabul and the more isolated areas, exposing scores to the notion of western moviemaking for the very first time and was affectionately referred to as Titanic fever.

The stage was set and Afghans could not get enough.

There was this huge rush in seeking entertainment. We even saw reality television. Afghans were successfully making their own films and shows and were just so proud of what they were able to put out. Filmmakers including women were so proud that they no longer had to dub foreign films, they could actually make their own, notes Jake Simkin, who ran the Development Pictures film company in Kabul between 2010-2015.

Thus up until the government collapse last Sunday, the day that marked the beginning of the end of Afghan artists, prominent film director Sahara Karimi presided over the Afghan Film board and its intricate archiving process.

For the archivists, who had managed to digitally savior upwards of 15,000 movies from both 16mm and 35mm reels, it was a long labor of love that began years ago but has stammered and re-started amid funding cuts. But with the Taliban power-grab this time, there was no time to step in and save and smuggle anything that was left given how sudden and unexpected the nations fall proved to be.

So what is left of that endeavor is unknown.

The almost two-dozen movies in production have gone dark.

Now, its safe to say the industry is pretty much over, Simkin says somberly.

The videographer/producer predicts that there may be some form of Taliban-controlled entertainment going forward, which will be religious-based content and with the use of vocals and no instruments.

The days of drama and soap operas and programming of adventure sports are no more, he reflects.

***

In my own experience of being stranded in the northern city of Mazar-e-Sharif which was taken over by the Taliban the night before the outfit assailed through the gates of Kabul movies, music and entertainment were the first commodities to instantly vanish under the new governance.

What had previously endeared me most about the ancient city, nestled inside the vast and fertile plains of Balkh province, was the way everyone from shopkeepers and students to street vendors and professionals, spent hours on the sidewalks sipping tea and watching films from old laptops, square-box television sets and dated model smartphones. Music constantly blared from the ocean of yellow cabs clogged on the narrow roads and even from the small donkey carts with bells that jingled as they bumped along.

Yet on the day after the dramatic fall, soundlessness was the first thing that I observed. The soundtrack of vitality was gone, replaced by only a few melancholic male faces sitting on the sidewalk saying nothing and fearful to even pull an electronic or a basic flip phone from their pocket.

As the days stretched on, a few more locals eventually stepped out into the sunshine. Still, there was no more entertainment, and I realized that the country I had come to know and love had catapulted back to a place from which it may never return.

There is only so much peril creatives can face and the elastic band of risk versus reward has now effectively snapped.

Despite the broad acceptance and desire among the Afghan population for all stripes of film and television, filmmakers, writers and creatives still undertook their work at great peril to their personal safety inside the volatile country in recent years. The handful of Afghanistan movie theaters were often subject to bomb blasts and threats by Taliban sympathizers and hardline Islamist extremists; famed faces were put on hit lists and in some cases tortured, executed, maimed and mutilated.

And in now what seems like a dreaded prophecy, Karimi herself cautioned in an open letter just days before the Taliban takedown what would happen if they took the helm.

I and other filmmakers could be next on their hit list, she wrote, begging the world not to turn its back. We need your support and your voice on behalf of Afghan women, children, artists, and filmmakers. Please help us before Kabul Taliban comes to power. We only have a few days.

Time has run out. And Karimi like almost all those leading the creative charge have absconded to countries far away.

This new rule is not just the end for filmmakers; we are now back to two decades ago, Sharafat added with a whisper, as if afraid the enemy could hear. We have lost our achievements. We have lost everything. We are just so very sad.

See more here:

Afghan Film Progress Obliterated By Taliban Takeover Special Report From Afghanistan - Deadline