Daily Archives: August 22, 2021

The third annual ‘Empower One Another’ – danceinforma.com

Posted: August 22, 2021 at 4:06 pm

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July 23-July 27, 2021.Streaming on YouTube.

One might think that artists having a voice is just something that naturally happens. Art involves a good deal of personal expression, right? Yet, COVID has led me to think about how artists do or dont have a voice and choice and therein how theyre empowered or not empowered.

While movies, television, books, music and TikTok dance videos got us through the pandemic, artists saw much of their livelihoods and what they love doing slip from their grasp. Thats just one example of how a context of expression doesnt necessarily offer voice, choice and empowerment.

Yet, the 3rd Annual Empower One Another, a virtual program of dance films co-directed by Boston-based artists Gracie Barruzzi and Jennifer Kuhnberg, offers a model for how to offer artists those things. This annual programs goal is to offer opportunities, access and collaborative spaces to female choreographers in the Boston area.

Evincing an atmosphere of creative exploration and openness to various approaches and products, each work has a unique character and vibe the product of an empowered artistic voice. Video introductions from the artists deepen understanding of particular works also a literal opportunity to have a voice.

Yet, some works dont have a video introduction presumably the result of choice to take that space for ones voice or not. All of the works are poignant, commendably crafted and enjoyable what can happen when artists are truly empowered withvoice and choice. The following works are those in the program that especially resonated with me.

The Effort it Takes, by Kuhnberg and Abigail Ripin, wittily portrays the physical effort in everyday movement a theme that Kuhnberg also explains in a video introduction from the two choreographers. The work begins with various shots of stairs, escalators, elevators and inlets in a brick wall.

Dancers enter the frame and begin to move in pathways toward a specific physical goal, with clear, angular direction in facings and locomotion. They remain mainly expressionless, which adds to a feeling of them as manifestations of physical effort rather than specific human characters or archetypes.

These qualities quickly resonate with me; when were climbing stairs or riding an escalator or walking down a long hallway to an elevator, our direction and goal are clear. There can almost be a meditative quality in that, the mind focusing on the bodys work. Supporting that tone is the upbeat score with a sense of repetition (Outcast by Bonobo). We can enjoy how we call upon our bodies to move through the world and support us each day.

What also intrigues me is this piece in the context of COVID, which led to less of that moving through the world. This movement meditation could refocus us on a perspective of gratitude for the mundane ways our bodies work as we move through the world those which they couldnt over the course of a global pandemic.

Huntress from Alchemy Movement Company, choreographed by Mariah Rasmussen, illustrates the raw power in a womans mind, body and spirit. Five women move with strength and precision, on a sparse stage under dimmed stage lights. As a compelling structure, visually and energetically, the action and direction of a soloist juxtaposes that of the four other dancers. The collective is in tension with the individual. Yet, at times, they do come together in unison; life and behavior within groups tends toward cycles.

Another intriguing juxtaposition is that between strength-based and angular movement, primal in quality, and that which is more fluid and curvilinear. Even at once, they lunge deep powerful through their legs and their placement exact, for an earthy feel while their arms move in a wave-like fashion, initiating from the shoulders. I think about a larger juxtaposition at play, in the sense of hunting (also reflecting on the title) of killing to live.

Alone Together comes next, a collaboration between Monkeyhouse and Collective Moments Dance. Kaylee Mahin and Sarah Feinberg, in collaboration with the dancers, contributed choreography. The work brings a unique approach to a common structure within COVID film dance; the movement of several dancers, dancing alone in their own space, is cut together in refined and satisfying approaches: fading from one dancer to another, box shapes intersecting and moving past each other in various ways.

Within the movement itself, dancers execute a common movement phrase yet take it on their timing. Its compelling how the same phrase is therefore in conversation with itself through alternate timings. In shape and quality, the movement conveys hitting an obstruction, moving another way, reaching and exploring through the body or the desire to do so more.

As the dancers move little from one spot, they fall to rise again with finesse and power. Such adaptation and perseverance in the face of challenge is certainly something we can relate to through COVID. Short of concrete meaning, the work is energetically and visually pleasing.

81 Cents, from Nozama Dance Collective and choreographed by Artistic Director Dana Alsamsam, is a solo of one woman facing a turning point moment and moving through all of the feelings that it brings. Highly theatrical, it also offers intricate movement and technical chops. The woman (danced by Olivia Moriarty) steps out of heels in her kitchen, as if getting home from a long day at a very formal job. Small items that evoke an active home pens, paper, trinkets build the sort of specificity that can create something universal.

She stops short, accented but with dynamic, attuned stillness, and then fluidly moves in another direction. Theres a continuity from accent to accent as she moves. Her movement is not quite expansive physically, being more internally focused yet her energy and presence fills the space.

Suddenly, she rips the paper as if rejecting a message from a loved one. In that theres anger, to be sure, but also about her is a thoughtfulness and reflective quality. All of that accompanied by a somber and reflective tone in the score (Billie Eilishs when the party over) amplifies those qualities and emotional depths.

I think about those times when we face hard moments and yes, were upset, but were more so just feeling totally unsure as to which of the bad available options to take. Design elements, movement vocabulary, and a remarkable performance from Moriarty come together to translate all of that meaning and emotional weight to me without a word spoken.

Uplift from Baruzzi and Natalie Schiera illustrates the joy and positivity between two friends, and therein is indeed quite an uplift. I know the two artists to be longtime close friends and collaborators, so I smile to see them working together here. The instrumental score (Lisa by factor eight) is quite uplifting, aptly enough accompanying Baruzzi and Schieras strong, joyful movement and presence.

They wear costumes of simple colors and cuts; they come as they are, and thats more than enough. The simplicity of this works concept and design demonstrates that even and sometimes especially within simplicity there is profound beauty. Yes, that can very much uplift us.

They feel elevated in movement quality, from the strong foundation of a grounded base. Dancing independently much of the time, the two performers are nevertheless in harmonious sync. When they do come together, they support each other through lifts. To me, that characterizes the most sustainable and fulfilling friendships each person dancing to whatever drum they may, but there to support each other always.

Baruzzi and Schiera also wear masks, bringing COVID and its effect on how we can stay connected with those in our lives. Friendships and other close relationships have certainly been strained through this time, yet its also presented opportunities for us to investigate what friendships really are to us and who we know can lift us up and gently rest us down.

At Play comes next, danced and choreographed by Natalia Maldari, Amy Foley and Teresa Fardella. Its a lovely painting in movement of carefree, child-like joy through the bodys possibilities. The trio dances over grass, concrete and other structures in a park moving with lifted and light movement vocabulary. Theres unison as well as effective opposition in their dancing.

Particularly pleasing are the moments when two dancers are in unison and the third dancer is doing something else synchronously visually and energetically satisfying, but also true to the behavior of children in groups. Apart from the technical dancing, the film is imbued with all kinds of movement: other people moving in the background, wind moving through the trees, and even kites towards the end.

Accompanying the dancers throughout the film, the instrumental score (Perpetuum Mobile from Penguin Cafe Orchestra) is the kind which can make me smile no matter whats happening in my day. The dancers themselves have an easy smile as well, and offer an overall jovial, youthful sense.

Adding to that feeling, and making me smile even bigger, they wear floral rompers just like children might wear before age and fashion norms might stop us from wearing something so bright and cheerful. Dance can challenge us, make us think, and call attention to things in the world or about ourselves that itd behoove us to change but it can also simply make us smile. Lets not forget that.

Polyphony, featuring the dancers of Nozama Dance Collective and choreographed by Nora Le Guen, is a memorable illustration of a concept effectively realized in movement. Dancers find their own timing and qualities within unison movement, and at other times theres a polyphony in movement separate dancers executing different movement vocabulary synchronously. Through dynamism and intricacy, one could see polyphony within the movement vocabulary itself.

In various bright colors, with each color unique to each dancers costume, the costumes convey that sort of variegation as well. In harmonious alignment, the score itself (Pulchra es Amica Mea / Northern Lights by Nate Tucker) is certainly polyphonous with various musical influences, from jazz to electronica, and with varied harmony lines layered together. Even the setting conveys a multiplicity, with the open expanse of the outdoors offering a sense of boundless possibilities.

In something less layered but equally impactful towards the end, the dancers walk in a circle pattern with their elbows bent, gazing at their forearms. With this focus and intentionality comes a clarity of effect a shift from many influences and ingredients simultaneously at play to a singular element dominating. All in all, the film is an intriguing and unparalleled embodiment of a musical concept all coming together to something poignant and resonant.

Just like in all works in the program, these artists shared something that could hit the eyes, heart, and mind in a memorable way the sort of transcendent, indefinable magic that can happen when artists are empowered enough to speak authentically and to have choices over how they speak. Brava and thank you to all artists involved with the 3rd Annual Empower One Another for bringing those important truths front and center!

By Kathryn Boland of Dance Informa.

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Constantly question the actions of those in power, says SC judge – Hindustan Times

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In a democracy, citizens must use their liberties to constantly question those in power and not be complacent about any encroachment of their rights, Supreme Court judge Justice S Ravindra Bhat said at an online event on Sunday.

Speaking on the topic, Role of Judiciary in Governance, Justice Bhat said at a time when the world is passing through a pandemic and its painful and traumatic consequences, it is all the more important for people to cherish their liberties and question the moves and policies that displace the liberties that the Constitution guarantees.

We gained our freedom at a great cost. Every Indian, therefore, has to use his liberties to constantly question the actions of those in power because democracy gives no tickets to free meals. It is for us to assert and guard liberty and not be complacent about any encroachment, he said.

The judge was addressing the first anniversary celebrations of an organisation called Connecting Governed, Governing and Governance that comprises lawyers, judges and academics and which also has former Chief Justice of India (CJI) KG Balakrishnan as one of its patrons.

Justice Bhat touched upon the horrors of the Covid-19 pandemic and said personal freedoms become even more important during such a crisis. Today the world is reeling under the painful and traumatic consequences of the Covid pandemic disrupting lives and livelihoods, leaving behind destruction, despair and impoverishment. It is more important for people to cherish liberties and constantly question, through every legitimate channel, the moves and policies which undermine the democratic government and displace creepingly, the liberties that the Constitution guarantees.

The judge also shared his personal view on reservations. Reservation, at least in regard to Scheduled Castes, Scheduled tribes and most backward classes is essential and we cannot put a time limit on it...I would say it is not possible that we should do away with it (reservation) as long as society is unequal and people are socially and educationally backward. So long as the society is unwilling to cast off the shackles of caste, these quotas are needed because they underline empowerment.

Justice Bhat emphasised that in a democratic way of governance, citizens should be prepared for imperfections. Thats where the role of courts comes in. The rule of law through democracy is a continuing work-in-progress where peoples scrutiny is paramount and courts are part of the dialogue, the Supreme Court judge said, emphasising that a person may have a fundamental right to get a ration card or change the date of birth, but if people dont get justice internally, there is no other way than to go to court.

Even on the limits of freedom that the legislature or executive places on its citizens, Justice Bhat highlighted the need for laws to clearly define limits and not sound vague. Giving instances of what constitutes an obscene publication, an incitement that is likely to affect communal harmony, or the extent of regulation permissible at any given point of time, the judge said, These are very important in governance, because unless you know what you can speak and what you cannot speak, it is very easy for the state to criminalise any content.

Justice Bhat also said that the broad role played by the judiciary in governance operates in two ways. Firstly, by protecting peoples fundamental rights and constitutional ethos by ensuring transparency and accountability to the rule of law. And secondly, interpreting new-age laws and filling policy gaps in existing norms, he added.

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SEC suspicious handling of Ripple and XRP triggers investigation – FinanceFeeds

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The SEC is facing tremendous pressure for its decision-making when it comes to enforcement of the digital asset space.

Empower Oversight, a nonprofit, nonpartisan educational organization dedicated to enhancing independent oversight of government and corporate wrongdoing, has submitted a FOIA (Freedom of Information Act) request to the Securities and Exchange Commission.

The FOIA request is seeking communications between SEC officials and their current and former employers amid the turbulent lawsuit against Ripple and its individual defendants.

From May 2017 to December 2020, senior SEC official William Hinman reportedly participated in the SECs regulation of cryptocurrencies while receiving millions of dollars from his former employer, the law firm Simpson Thacher. Simpson Thacher is a part of the Enterprise Ethereum Alliance, an industry organization whose objective is to drive the use of Enterprise Ethereum. Hinman, while in his capacity at the SEC, declared that the Ethereum cryptocurrency, Ether, was not a security, causing its value to rise significantly, said the official statement.

Later, the SEC sued one of Ethereums competitors, Ripple, declaring its cryptocurrency, XRP, was a security. Shortly thereafter, XRPs value plummeted 25%. After Hinman left the SEC in December of 2020, he returned to Simpson Thacher as a partner. The leader of the SEC division that brought the XRP lawsuit, Marc Berger, similarly left the SEC for Simpson Thacher.

Additionally, there are potential concerns regarding former SEC Chairman Jay Claytons handling of cryptocurrency issues at SEC. As with Mr. Hinman and Ether, while at the SEC, Mr. Clayton declared that Bitcoin wasnt a security, and its value rose. The SECs lawsuit against Ripple was filed at the end of Mr. Claytons tenure at the commission. Once he left the SEC, Mr. Clayton joined One River Asset Management, a cryptocurrency hedge fund exclusively focused on Bitcoin and Ether, the nonprofit organization stated.

SEC v. Ripple was filed by Jay Clayton, Now he joins Fireblocks while under investigation for potential conflict of interest

Empower Oversight is also asking whoever has first-hand information on the matter to disclose it and assist the organization with these inquiries.

The organization is led by Founder and President Jason Foster, who helped Senator Grassley with the creation of the bipartisan Whistleblower Protection Caucus and the FBI Whistleblower Protection Enhancement Act of 2016 as well as the Inspector General Empowerment Act of 2016.

Other key figures within Empower Oversight are Dean Zerbe who has successfully represented whistleblowers who have received to date awards totaling approximately $600 million dollars and Gary Aguirre who overcame retaliation for resisting his SEC supervisors demands to give a Wall Street banker preferential treatment due to the bankers political clout. The bank and CEO Pequot and CEO eventually settled with the SEC for $28 million in May 2010.

The SEC is facing tremendous pressure for its decision-making when it comes to enforcement of the digital asset space. The SEC v. Ripple case seems to have been the last straw as the industry has united in tackling the regulation by enforcement method.

Even two of its own Commissioners have come forward against the practice. SECs Hester Peirce and Elad Roisman have agreed to the lack of clarity and called for less enforcement actions and, instead, a clear regulatory framework for digital assets. The SEC dismissed the statement as being their personal views only.

A new regulatory framework may be around the corner as it was recently proposed in Congress and a law expert has already come stated XRP wouldnt be subject to the SEC under the pending bill.

This week, it became known to the public that Ripple found the SEC tried to delete subtopics relevant to the lawsuit from the transcript. The erased part was William Hinmans following statement:

You call ten different law firms, they give you ten different answers, each of them has their own particular spin. Its like the white light of your speech went through a prism and came out in ten different colors of legal advice.

John Deaton, attorney for the XRP Holders who have filed a motion to intervene in the SEC v. Ripple, has been publicly stating that conflict of interest from SEC officials is likely since the beginning. In early January 2021, he shared his personal gain theory.

Prior to the William Hinman deposition, Mr. Deaton offered a line of inquiry that would put pressure on the ex-SEC official in regard to accusations of conflict of interest.

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‘Against White Feminism’ Is An Urgent Call To Action For Solidarity And Justice – NPR

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Against White Feminism: Notes on Disruption, Rafia Zakaria W. W. Norton & Company hide caption

Against White Feminism: Notes on Disruption, Rafia Zakaria

Author Rafia Zakaria states her agenda for Against White Feminism in a book trailer released by Al Jazeera's AJPlus brand: "putting the fangs back in feminism is a very urgent project."

She then reminds us that mainstream Western feminism is, and always has been, for white women and girls and that this how it's been embedded in popular and news media, our consumerist economy, wars, political discourses, and more.

The first few lines of her book clarify exactly who she's calling out as a white feminist: ". . . someone who refuses to consider the role that whiteness and the racial privilege attached to it have played and continue to play in universalizing white feminist concerns, agendas, and beliefs as being those of all feminism and all feminists." This is about a set of entrenched assumptions and behaviors rather than racial identity. Although, of course, this kind of feminism is advanced mostly by white women.

As Zakaria, the civil rights attorney, sets up her case in Against White Feminism: Notes On Disruption, we see that she is not on some earnest mission to educate the misinformed or enlighten the uninformed. This, as Tressie McMillan Cottom would say, ain't her row to hoe. Instead, Zakaria presents, calmly and methodically, plenty of well-researched evidence for why white feminism is messed up and why it must be dismantled. Like the feminists of color she cites Audre Lorde, Kimberl Crenshaw, Gayatri Chakravorty Spivak, Lila Abu-Lughod, and more Zakaria's thesis is that we are dealing with systemic racism built over centuries into our cultures, institutions, socio-political movements, and everyday interactions and behaviors. And, like Cathy Park Hong in Minor Feelings, Zakaria is not making any allowances for the myth of white innocence.

Through historical and contemporary examples from across the world, the book's eight essays examine how imperialism, settler-colonialism, capitalism, neo-colonialism, and late capitalism have allowed for a white-centric feminism to evolve such that it speaks for all women everywhere. Regardless of their relative disadvantages, cultural differences, and lived experiences, women of color especially in non-western countries are only included in this feminist movement when they conform to its particular values. Zakaria illustrates how these values are in service of white supremacy and capitalism, leaving no room for any Black, Brown, or Asian feminisms.

There's the extensive damage done by white women who traveled to colonized countries to civilize and save native women from their terrible conditions and, particularly, from native men. And the centering of whiteness by women who traveled to war-ravaged countries to bring attention to the difficulties of the local women. Instead, those local women were often othered, objectified, or exoticized and coerced to follow the Western feminism model, Zakaria writes. When Western neoliberalism and capitalism became the engines driving large-scale foreign aid and development projects, women's "empowerment" (a term originally introduced by Indian feminists in a more holistic context) became a "fuzzword that could be pinned to numerous motives," Zakaria says. All of this is not news to those who've been keeping score. But Zakaria goes further to quantify how many such white savior initiatives failed precisely because of their harmful, oppressive approaches.

This fuzzy kind of empowerment is also part of the securofeminism that emerged during the war on terror. Discussing the hypocrisies and ironies that not only caused initiatives and programs in those countries to run aground, Zakaria reveals the appalling cruelties they inflicted on local women in the name of freedom.

Similarly, Zakaria says, sex-positive feminism has become a stand-in for total liberation and empowerment and led to the commodification of sexual identities. She relates a particularly moving incident from her law school days. As a Brown Muslim immigrant, a divorced, single mother, and a survivor of domestic abuse, she felt forced to perform her sexuality or be reduced to the usual stereotypes associated with her cultural identity. The ending of this chapter speaks to so many women like her (and me):

"I had broken every gender norm I had been raised with, had chosen education and independence and all the struggles that came with it with little support. The seminar's preoccupation with sexual pleasure instead of sexual politics seemed so disconnected from the feminism I was trying so hard to model for my daughter. If only I could have known I was not alone, had been able to hear the voices of Muslim and other feminists of color like myself waging frontline struggles against terror, against religious obscurantism, and against patriarchal domination, but yet excluded from white feminist discourse."

Although such personal anecdotes are included throughout, Zakaria's aim is not to explore her own pain but to retrace the history of how white feminism has caused unending trauma through the centuries to many like her. What she wants is nothing less than transformational change that blows past tokenistic affirmative actions. The last chapter outlines four ways that white feminists need to change their mindset for this transformation to occur. These are not new suggestions but, given the state of things, they bear repeating.

More critically, let us all internalize these three ideas that Zakaria threads throughout the book. First, she reminds us of Kimberl Crenshaw's "war for narrative", which asks feminists of color to reshape the story and course of the movement, make the role of whiteness visible, and recalibrate our experiences and politics into feminism. We must develop and honor our own genealogies by including the resilient women in our lives and histories who have not been considered feminist per the traditional Western model. Second, she cites Nancy Fraser's philosophy of gender justice, which involves redistribution in the economic sphere beyond class hierarchies, recognition in the socio-cultural sphere beyond tokenism, and representation in the political sphere beyond identity politics. Third, she invokes Audre Lorde's call for solidarity, where community does not mean compromise or competition but a space that accommodates and values different kinds of knowledge and expertise, particularly that which comes from lived experience.

White feminism isn't confined to the Western world; it has been exported and embedded all over the world. If the ongoing effects and implications of that haven't made you want to bare your fangs yet, this steely, incisive critique deserves your attention.

Jenny Bhatt is a writer, literary translator, book critic, and host of the Desi Books podcast. https://jennybhattwriter.com.

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Melina Abdullah on BLM, motherhood, and abolition – Los Angeles Times

Posted: at 4:05 pm

This story is part of Parents Are Cool!, the third issue of Image, which explores the myriad ways in which L.A. parents practice the craft of care. See the full package here.

When Melina Abdullah mentions a forebear in the struggle for civil rights and freedom in this country, she often applies a familial honorific Mama Harriet Tubman or Mama Sojourner Truth. This feels apt, given that Abdullah, who was part of the original group that convened to form Black Lives Matter, serves as a kind of matriarch for the current movement in Los Angeles. She is frequently pictured with a microphone in hand, leading crowds in their demand for justice for a victim of police violence or for accountability from elected officials. At the start of these protests shes known to call on her ancestors for guidance and protection, extolling those gathered to claim a lineage that is broader than their own direct bloodlines.

In addition to her organizing work with BLM-LA, Abdullah is a scholar. She works across platforms the way an artist works across disciplines. Shes currently a professor and the former chair of Pan-African studies at Cal State L.A. She also hosts or cohosts three (yes, three) local radio shows: Move the Crowd and Beautiful Struggle on KPFK-FM and This Is Not a Drill on KBLA-AM. She does all of this while single-mothering three children, which is not to say that she raises them alone. In a 2012 essay on womanist mothering, Abdullah ascribes to a style of parenting that challenges the confines of the nuclear family, embracing extended familial and communal bonds, an approach that enables mothers to develop as full and complete human beings.

I caught up with Abdullah to talk about this approach, her intellectual journey and her efforts to challenge the status quo in Los Angeles.

Angela Flournoy: So Im really excited Im able to talk to you. Ive been thinking about finding a reason to speak to you for several years now, probably since I first learned about the Jackie Lacey must go rallies. One thing Im really excited to talk to you about is motherhood. Ive been thinking particularly about my own mothers work and how she described that work to me throughout her life. How do you describe the work that you do to your children?

Melina Abdullah: You know, I dont describe it to my children. Im a single mom. Me and my kids are a team. Were tight. My kids are involved in everything I do. Sometimes Ill say Im one of the original members of Black Lives Matter and theyre like, We are too. And they are they were there from the beginning. Theres not a lot of describing, theyre just present. Who I am as an organizer is also part of who we are as a family of organizers.

(Bethany Mollenkof for The Times)

AF: Thats wonderful. Not just sort of witnessing you and your activism but being a part of it. How do you think that impacts the way that you think about hope and optimism?

MA: I have a lot of hope because of the kids. The kids are much more courageous than adults are. Kids are born into the world, anything is possible. Thats the way that they talk and think. They are audacious and visionary and courageous. And theyre not invested in the system at all. It gives me tremendous faith that they can do anything. The one thing that they my oldest daughter in particular warn me about is that we have faith in them, but they dont want us to give it all to them. They dont want us to offload the movement say, You got it. They want us in the struggle too.

AF: That really seems to be sort of a central kind of tenet of the way you live your life. The concept of Ujamaa everybody in the community sort of having a part.

MA: We talk about it as having a leader-full movement, and that really comes from Mama Ella Bakers concept of groups and leadership. To be a part of the movement, to be an activist or to be an organizer, doesnt mean you have to be the one speaking on the megaphone. It means whatever your gift is, you bring that to the movement. I think its really important that we reconceptualize what movement is so that every talent and gift and resource and passion can be part of movement building. You dont have to develop skill sets that are outside of your comfort zone or interest area, you can bring your passion and thats whats most important.

AF: In the past year, it seems as if a lot of people are using phrases that I never really heard in common parlance before. One of them is the Black Radical Tradition. How would you define the Black Radical Tradition, and how has it influenced your own life?

MA: When we think about the Black Radical Tradition, we traditionally go back to the 60s. But I think that we actually want to go back further we want to go back to the moment that we were stolen from Africa. If we think about the freedom struggle from chattel slavery, Mama Harriet [Tubman] wasnt saying, Just end slavery, she was saying, Lets get to freedom. Thats the Black Radical Tradition, not just freeing ourselves from conditions but freeing ourselves from an entire system thats built on our exploitation and our un-freedom. When you talk about the anti-lynching movement, Ida B. Wells and Mary Church Terrell, they were intent not just on ending lynching but also building a world where Black people could grow and prosper. The Black Radical Tradition is abolitionist. Its about upending unjust systems. But also, theres another side. Angela Davis reminds us you have to upend unjust systems and you have to envision and build towards new ones. You have to have the vision to build towards a new world.

AF: That is a much more useful framework being accountable to that future we cant yet see.

MA: I also think that when we talk about the Black Radical Tradition, theres an urgency to it. It is thinking about future generations, but its also wanting it now. Im not talking about freedom for my children once Im dead. Im talking about freedom for my children now. Im not talking about abolishing jails, prisons and police in 50 years or 100 years. Im talking about next year.

Angela Flournoy

(Bethany Mollenkof for The Times)

AF: I want to turn toward your scholarly work which, since you have such a large presence here as an activist, people dont really talk about as much. What were some of the seminal texts that shaped you as a scholar?

MA: All of Angela Davis work, especially Women, Race & Class. Robin Kellys work. Freedom Dreams completely transformed me. When we talk about what it is to be an abolitionist and see the world you want to live in and work towards it, Freedom Dreams was really pivotal. The first book I have any student read is Black Power by Kwame Ture and Charles Hamilton. I always warn them, Do not start highlighting because the whole book will be yellow. I love Kimberl Crenshaw, Derrick Bell. My mentor, Michael Preston. He wrote the book The New Black Politics. That was really important for me. I know Im forgetting people who are really important to my work. bell hooks.

AF: Paula Giddings

MA: I love Paula Giddings. When and Where I Enter. There are texts like theory, but theres also the awakenings. Toni Morrison, Alice Walker and Octavia Butler are my three favorite authors.

Embedded in the Black Radical Tradition is the Black radical imagination. Whats in Kindred the text is Black radical imagination. What art has a capacity to do, what fiction has a capacity to do, is bypass. It doesnt start with the intellect; youre drawn in from your soul. You experience it rather than just thinking about it.

AF: Im curious about other formative experiences. How has maturing as an activist in L.A. shaped you?

MA: Ive always had a kind of radical leaning thats core to who I am. When I moved here for my PhD, I was also being groomed by the Black political establishment. I think stepping fully into who I am as a radical organizer made me realize I cant have both. I dont really want both. I think that question is being posed to a lot of Angelenos now. Like, what side are you on? I want to make sure we dont lose the moment. Because it seems as if people are being lured back into finding a comfortable place in oppression. Its important that we realize that. We always say, When we fight, we win. We need everybody in the fight.

There was a moment in 2015. We were protesting outside of Garcettis house for Ezell Ford. And I remember thinking to myself, Well, I guess youll never run for office now! I remember feeling like, thats OK. Because this is my calling. I thought about how Im a completely single mom. I have three kids who are only dependent on my salary. I do have tenure but I also know that its not foolproof. So I said, Well, what if you get fired from your job? That came up. And as quickly as I had that anxiety, God said: So what. Your mama has a couch. We need people to recognize that your mama has a couch. There are some sacrifices that are worth it.

AF: Do you think that comfortability in oppression is a particular temptation in this city? Or do you think that it is just part of being a person trying to navigate capitalism in this country?

MA: I think its everywhere. But I think its more intense here. L.A. is the place where you see everything. You see fancy things, and theyre not that far from reach, just on the other side of the freeway or whatever. If you saw a Lamborghini in Oakland, youd think about it for a year. Here, youre used to seeing celebrities. I dont really know anybody who hasnt ever been on TV. Every other person has been an extra on a show.

AF: That sort of relates to another thing. You do have celebrities who want to be involved in the movement. They know what it is to have the material comfort. How has it been working with them?

MA: Im encouraged by the way in which a lot of celebrities have engaged. Last summer, we had tons of artists at all our stuff. There are artists who are coming out because they feel pulled, but also because it becomes acceptable. There was a time, in 2013 when we were born, nobody would even say Black lives matter. They thought it was too radical to say Black lives matter. But now everybodys like, of course, were gonna say Black lives matter. There are artists who did that. Many of them also gave money. Many of them will post on their platforms. But then theres also the people who were in it before, and who continue to be in it now.

I wanted to say something else about L.A. I think that theres the glamour that, you know, is the lure into comfort. But also, I think theres tremendous potential in L.A. for mass uprising, and thats what you saw in 65 and 92. And this year. Its the reason Black Lives Matter was birthed here. Theres a tremendous potential in Los Angeles because we see the contrast constantly. So in 65, you got the Voting Rights Act passed. Now Black folks are free. But then you got Marquette Frye and his mama and his brother getting beaten in Watts by the police. In 92, you have [the popularity of] Bill Cosby, with all that comes with it, right? But then you have the beating of Rodney King, right after the murder of Latasha Harlins. So these uprisings are always just beneath the surface, because we know that that veneer is also not true.

Melina Abdullah and Angela Flournoy.

(Bethany Mollenkof for The Times)

AF: I wanted to get back to this idea of womanist mothering. Weve covered some of this already: birthing hope, birthing possibility, birthing the promise of revolution. I wonder if youll just let me read a paragraph from this essay you wrote in 2012.

In my moments of exhaustion, overwhelmed by work, home, marriage, and motherhood, I sometimes fantasize of a life of greater freedom. I imagine the world of a public intellectual, who churns out book after book each more brilliant than the last, attends lectures and workshops almost nightly, and appears regularly as a talking-head on television newscasts. I think of how I would indulge my insatiable desire to read ... staying up until the wee hours of the morning devouring each text at the moment of its release. If I werent the mother of three, my strong brown legs (toned from my nightly African dance class) would carry me across the sunlit campus of the most esteemed Historically Black University in the nation, where I was the campus star. Colleagues and students would stop and nod, admiring my meticulously coifed hair and the exquisite jewelry (that I picked up during my seventeenth trip to Ghana, where I was conducting my most recent research). I would spend my weekends running a community program for Black girls, attending concerts, practicing martial arts, and tending my garden where Id grow mangos, tomatoes and avocados ...

MA: Why does that still sound good to me?

AF: Nine years later, Im wondering if a life of greater freedom still sounds like this to you? Or if it sounds different now.

MA: So Im not married anymore. I have greater freedom because of it. After I got divorced, there was one moment when I took my kids out after school on a school night; we went to the Grove. There used to be this Mexican spot on the Farmers Market side: Lotera. They had the best quesadillas. We were there till like 9 oclock. When we got home, it was like 10 oclock on a school night. [I had one of] these moments of revelation. I was like, I get to raise my kids how I want to raise my kids. Theres nobody there to get mad. I think a lot of times like were fed this idea that thats sad. Its not; it was really great.

I have been to Ghana not 17 times but once. Ive been to South Africa. Ive been to Morocco. Ive been to all of these places. Ive had lots of experiences. I dont get nods on campus all the time. But the Black folks love me. Im not in an HBCU because Im not going to leave L.A. right now. But the beauty of it is embracing my kids as my partners. And the point of the essay was also figuring out how to bring in community and make real that African teaching of it takes a village.

I do remember the part in the essay where I talked about Alice Walker and her saying, You should have kids, but just one. More than that and youre a sitting duck. I think that when you raise your kids to be your comrades, to be your crew, you got an army. Youre not a sitting duck. If somebody comes for me, they come for us. And if somebody comes for them, they come for us.

(Bethany Mollenkof for The Times)

AF: What do you want now?

MA: Freedom for my people. But for me, I want a clean house. I havent gotten my hair done since before the pandemic. Little stuff. I love my life. Theres nothing I really want. I feel very fulfilled, like very fulfilled. The movement fulfills me, my kids fulfill me. I have great people around me who I love. I have a lot of laughter. You know? I dont really want anything for me.

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How the Pandemic Became an Unplanned Experiment in Abolishing the Child Welfare System – The New Republic

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The best way to keep children safe is to provide their families with the services and supports they need, in the least obtrusive way possible, an Administration for Childrens Services spokesperson wrote in an email. ACS is committed to continuing to expand services and supports to strengthen families, keep children safe, and take steps to reduce the disproportionality in the child welfare system.

But several mothers countered that when help comes attached to the same system, it wont be effective. Many activists say they are now aiming for the kind of sweeping revamping of child safety endorsed by Dorothy Roberts, a University of Pennsylvania professor. Twenty years ago, Roberts wrote a groundbreaking book critiquing child welfare policies and practices, which she links to slavery. In a June keynote speechat Columbia University, Roberts said she had since moved from hoping for child welfare reform to wanting abolition. The family policing system cant be fixed, she said, urging the audience of parents, policymakers, academics, and advocates to work collectively to dismantle the system and replace it with a radically reimagined way of caring for children and their families.

During the early months of the pandemic, Jeanette Vega, co-executive director of Rise,caught glimpses of a radically compassionate agenda for child safety. She saw it in the mutual aid networks sprouting across the city, as well as in her own Bronx neighborhood, where, pre-pandemic, people generally kept to themselves, but during lockdowns neighbors came togethertaking turns with homeschooling, sharing washing machines, and, for material needs, turning to the local grassroots groups manned not by a government agency but by each other. In New York City, we were there for each other. We connected with our friends and our neighbors, and from that our families have been safe, and our children have been safe, says Vega. We dont need system involvement.

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‘Budget Justice’: Tiffany Cabn Looks to Shape the Next City Council – Gotham Gazette

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Tiffany Cabn (photo: cabanforqueens.com)

Tiffany Cabn, one of the citys most prominent leftist leaders and the recently-victorious Democratic nominee for City Council in Queens 22nd District, says that no other profession could have prepared her for politics more than her seven years as a public defender.

And as Cabn, who must still win the general election in which she is heavily favored given the districts overwhelming Democratic voter enrollment advantage, eyes joining the City Council and making an impact there, she is reflecting on her strengths and priorities, and outlining some of the strategies she is employing.

We may not have agreed on much of anything on one side of the aisle, between me being the defense attorney and their being a prosecutor, or even the person on the bench, but you trusted me, Cabn said in an August 3 appearance on the Max Politics podcast. You respected me. You knew I was going to communicate with you.

Cabn joined the podcast, hosted by Ben Max of Gotham Gazette, to discuss her political journey and primary win, her policy and budget priorities as a likely future City Council member, how shes working to build leftist political power in the city, and more.

Cabn surged into the public eye two years ago in the 2019 Queens District Attorney Democratic primary race, where she nearly upset eventual winner Melinda Katz, who prevailed in a recount. The near-win and shockingly strong performance helped turn Cabn into a leading figure of the citys Democratic Socialists of America branch and fueled speculation about what she would run for next, which turned out to be City Council, in a district including Astoria and Long Island City that has become a hotbed of leftist activity.

After the district attorney race, Cabn went on to engage in political organizing on the national, state, and city levels with the Working Families Party, before launching her campaign for City Council. The relationship building never stopped, she said on the podcast. I remained very present, involved in my community, continuing to do the work that I didI am really proud of the fact that actually, in a lot of ways, we performed better than we did in the DA race and it showed a progression of how many more folks we were connecting with and having conversations with.

Cabn said that she knocked on an average of 800 to 1,000 doors a week during the campaign. My philosophy in all of the work that I do is that Im going to come in at it from a place of genuinely wanting to work hard with and for folks, she said. And that nobody is going to out-work me. Period.

Cabn went on to win over 93% of the election districts in the Democratic primary race. Her victory gave her a clear mandate from her community, she said, on what they want her to fight for at City Hall, assuming she wins the general election. With that major Democratic enrollment advantage in the district, Cabn is expected to best Republican nominee Felicia Kalan and independent candidate Edwin DeJesus Jr. The district is home to 101,328 enrolled voters including 65,612 Democrats, 9,763 Republicans, and 22,609 party-unaffiliated voters.

In conversations with voters during the primary, Cabn said she emphasized public safety and climate above all else, but that many other issues are of clear importance and interconnected. Her one takeaway from these door-to-door conversations was the falsity of the notion that average people cannot understand and engage in conversations about environmental justice, she said.

Its such nonsense, Cabn said. At every single door, we talked about the high asthma rates here, people connecting them to the power plants in our district. If they didnt know that another power plant was about to come, and we were the ones to tell them, they immediately wanted to know what we could do to stop it and what the alternatives were.

Discussions about public safety, according to Cabn, were strongly focused on how disproportionate resources are for those workers who hope to create substantial change in communities. The conversation around public safety was very firmly rooted in budget justice and having meaningful conversations about what actually produces safety in our communities, Cabn said.

Cabn has been an ardent advocate of the Defund the NYPD movement and describes herself as a police abolitionist. But, even if not everyone readily supports divesting from the police budget and removing NYPD from certain responsibilities, Cabn hopes to fight for policies that most people can agree on, such as building up more community resources or altering some of the response to certain public safety issues.

That building up, that creation, most folks agree with, she said. If you dont really support defunding the police but you do believe that mental health issues shouldnt be criminalized, that we need to expand health and hospitals, that we have to have more clinics that can provide comprehensive care, all those things, thats part of my public safety plan, right? In my mind, we are successful if the order, or the trajectory of progress, is that we build up those systems of support.

Though Cabn pledges that her ultimate goal is abolishing the police, she made clear that this is a long-term vision and portrayed herself as pragmatic.

According to Cabn, since there cannot realistically be a world of complete nonviolence, there must be infrastructure and processes available to respond to, prevent, and change violent behavior and exponentially reduce the chances that perpetrators will harm again and victims will harm others. Incarceration, she said, does not achieve this goal.

What I like to remind people is that abolition is both a noun and a verb, so abolition the noun is that world without the prison industrial complex, right, without police and prosecutors and prisons, she said on the podcast. But abolition the verb is about taking steps towards creating a health infrastructure. Its about taking steps towards creating systems of accountability, not systems of punishment.

The answer to combating violent crime without police, Cabn said, lies in violence interruption programs. These programs, such as Cure Violence and 696 Build Queensbridge, are incredibly effective at reducing gun violence, she said, but they need to be fully invested in.

There comes a point when they make the case in their catchment area that you cannot deny these results, she said. Its so much more effective than policing ever was, ever could be, at interrupting and preventing the gun violence. And theyll ask for more money because they want to expand their catchment area. They, consistently, will never get a proper amount of money.

She said that the next city budget, which she hopes to help negotiate in the Council, should cut upwards of $2 or $3 billion from the police department. She said that the movement should not be so focused on a number, but making the argument around what works and what doesnt, and funding for the best public health and public safety outcomes.

Though other Council members and the likely incoming mayor, Democratic nominee Eric Adams, may disagree with her on a variety of issues, Cabn said she understands the importance of finding common ground.

Eric Adams has made it clear, for example, that his goal is to make sure that we have an equitable recovery from the pandemic, she said. There is no doubt about the fact that Eric Adams cares for Black and brown and low-income New Yorkers. We may disagree on strategies for how to better care for our neighbors, right, for our constituents. But I think its pretty clear that the desire is there.

Cabn pointed out potential areas of concern about a Mayor Adams when it comes to policing, saying she wants to ensure theres no return of the plainclothes anti-crime unit or increase in the use of stop-and-frisk.

The characterization that she is some kind of political bomb-thrower, Cabn said, couldnt be further from the truth, and she is always ready to listen to people, meet them where they are at, and try to find common ground.

One policy that Cabn indicates she has no intention of compromising on, however, is the construction of new jails in the city. In 2019, the City Council passed a plan to close the jails on Rikers Island and build four borough-based jails, one in each borough but Staten Island, with some replacing current jail facilities.

No new jails, Cabn said. That is firmly where I stand. I think that every penny we put into our prison industrial complex is one that absolutely should be spent on providing care and support in our community. Again, they produce better outcomes.

Something that people may not know about District 22, Cabn said, is that it includes Rikers Island.

We have spent a lot of time debunking a lot of the myths around whos on Rikers Island and who isnt, she said. We know that the majority of people on Rikers Island are people who are there because they cant afford their bail. And, you know, if they had enough money, theyd be able to fight their case from the outsidetheyre presumed innocent.

Other portions of the population on Rikers include those who are serving short jail sentences for technical offenses and misdemeanors that are rooted in public health issues, she said. These offenses are grounded in the criminalization of poverty, mental health, and substance use, according to Cabn.

When you build jail cells, you fill them, she said. The more that we allow this system to catch all of our societal problems and ills, the less reason or room there is to create real, long-lasting solutions.

No, Cabn said when asked if she is running to be the next City Council speaker, an internal race among the next class of 51 Council members to lead the legislative body, but that she is working to get to know her likely future colleagues and build political power to help select a leftist speaker.

She also noted that because the District 22 seat is currently vacant after the resignation of former Council Member Costa Constantinides, who took a nonprofit executive job, she could be seated in November or December if she wins the general election and once the results are certified.

[Listen to the full conversation on Max Politics: Tiffany Cabn Heads Toward the City Council]

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‘Never forget that we are powerful’ – Martha’s Vineyard Times

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U.S. Rep. Ayanna Soyini Presley (D-MA) was the featured guest in an event held by the Marthas Vineyard Social Justice Leadership Foundation at the Tabernacle in Oak Bluffs. Lisette Williams, a core member of the Marthas Vineyard chapter of Black Lives Matter, was the facilitator of the event on Friday afternoon.

New York Attorney General Letitia James and Bronx Borough Presidential candidate Vanessa Gibson were also present to show support for Pressley.

The event began with introductions, one by the foundations vice president Joseph Carter for the event overall and another by Williams for Pressley.

Throughout her career as a public servant, Congresswoman Pressley has fought to make sure those closest to the pain are closest to the power, driving and informing policymaking, said Williams. When I think of Congresswoman Pressley, two words come to mind: authentic and transparent.

Pressley described her improbable journey into public service, which began with an unpaid internship under former Massachusetts congressman U.S. Rep. Joseph P. Kennedy II. She later earned her first elected position as the first Black woman on the Boston City Council. Her speech also touched on a variety of topics such as immigration issues, racial justice, and the changing electorate landscape of America, among other issues.

Pressleys mother was a super voter and had an impact on the congresswomans life. Pressley was read speeches, like ones by former Texas state senator Barbara Jordan, rather than traditional bedtime stories because her mother wanted her to be aware of the pride in being Black and wanted Pressley to do her part in uplifting the community. Before she passed, the words Pressley heard from her mother was Ayanna Solyini, never forget that we are powerful.

I believed her then, and I still believe her today, said Pressley.

Pressley also brought up the difficulties Americans faced with the COVID pandemic. She made a call to use this as a chance to make an active, engaged movement toward an improved, more equitable American society rather than just going back to normal. At this moment you are still confronting crises of public health, of economic inequality, of systemic racism. These are not new challenges or injustices, but theyve certainly been laid bare and exacerbated during this pandemic. So the task before all of us now, in this moment of transformation not of our choosing, is to take and seize this opportunity to reimagine and rebuild, with intention, with our policies and our budgets, more equitable communities. It is not enough to recover to a pre-COVID, status quo, insufficient, unjust normal, said Pressley.

Pressley herself plans to work toward the improvement of society and the lot of marginalized communities through Congress. I always say that policy is my love language, as evidenced by the 91 bills Ive introduced, said Pressley. It is bold, precise, and intentional policy and advocacy that will undo the violence, what I would call, the policy violence that has been inflicted for generations.

White supremacy is still a living force in America, she said The Jan. 6 attack on the Capitol is evidence of this, which was addressed by Rep. Jamie Raskin (D-MD) at Old Whaling Church in Edgartown on Tuesday.

Pressley is not on the United States House Select Committee on the January 6 Attack, but she is working to make sure something like that doesnt occur again. I serve on the Oversights and Reform Committee, and within hours of the January 6th events, which caused great terror and trauma to all that were in proximity with it, emboldened white supremacists wearing anti-Semetic T-shirts, and brandishing the Confederate flag and Trump flags, and they even erected a noose on the West Lawn of the Capitol. So, within hours of that, I called for a thorough and independent investigation to ensure that all persons, including members of Congress, who aided and abetted this insurrection which sought to interrupt the peaceful transfer of power, that they be held accountable. Just yesterday [Thursday] we had another imminent threat and it just goes to show we have a lot of work to do to dismantle and root out white supremacy. Its a threat to our democracy, it is a threat to our lives and my staff, and the food service workers, the custodians, and other members deserve to go to work to do the work they are compelled to do on behalf of the American people without imminent threats. So, it just goes to show how important the select committee is, Pressley told the Times.

A question and answer session was held after the speech, led by Williams. Pressley gave answers addressing the need for police reform and decriminalization of mental health, the lasting detrimental legacy from the exclusion of Black service members from the G.I. Bill after World War II, calling for the cancellation of student debt through executive order, womens and minorities evolving roles in politics and society, the voting rights bill currently going through Congress, abolition of the filibuster, climate change crisis, and a need to give people affected by issues a voice at the decision making table, among other answers.

Government is stronger when it reflects the citizenry that it serves, said Pressley.

The event concluded with a picture session with Pressley for the event goers.

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Contractual Workers of UP Power Sector Not Paid for 2 Months, Threaten to Boycott Work – NewsClick

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Lucknow:Contractual workers working with Uttar Pradesh Power Corporation Ltd (UPPCL) resorted to protest yet again as they have not received salaries for the past two months for the second time in a row.

The workers held demonstrations in several districts - Bareilly, Piliphit, Agra, Bulandshahr, and Lucknow - outside the powerhouse offices against the UPPCL authorities after a long deadlock over their demands for equal pay. The demonstrations were held under the banner of Uttar Pradesh Bijli Karamchari Sangh.

Apart from equal pay for equal work, their other demands are regularisation of service, compensation to the employees injured on duty, appointment on compassionate ground to the family members of employees who died while serving the company. With no salary for the past two months amid the pandemic, workers are left in the lurch.

Fed up with the government apathy towards them, the union threatened that if the government did not concede soon to their demands, including regularisation of jobs and hike in salaries, they would be forced to boycott work, and the entire state would face "blackouts".

"The contractual workers in the Power sector are not getting salaries on time and other benefits that are given to a government employee for the same work. For the past 10-15 years, we have been demanding that our jobs must be regularised by providing us with the same benefits, but it fell on deaf ears," Amit Pandey, a union leader, toldNewsClick. He added that due to the salary delay, the poor and needy were forced to suffer unnecessarily.

For years, the contractual workers of Uttar Pradesh Power Corporation Limited have been making the same demands equal pay for equal work, an increase in allowances and regularisation of contractual employees. When nothing came out of talks with the government, they started protests.

Last year, during the first wave of the COVID-19 pandemic, the linesmen and other staffhad gone on strikeagainst salary payment delays.

A lineman had toldNewsClickthat Chief Minister Yogi Adityanath highlighted his government's achievements of providing 24-hour electricity supply in the state. At the same time, he neglected the genuine demands directly connected with the livelihood of thousands of contractual electricity employees working round the clock for the government.

"We have been working 16 hours per day so that people can get better electricity supply, but when we raise our issue of increasing our wages, we either receive abuse or termination letter. Is this what we deserve for the hard work? How can one survive with Rs 8,000 when a permanent employee gets Rs 25,000 salary and other government benefits for the same work?" asked Jitendra Saini, a contractual worker with UPPCL, while speaking toNewsClick.

Demanding the abolition of contractor system and the implementation of the equal pay for equal work order of the Supreme Court, he said they had nothing in the name of dress or identity card. When the contractual workers approach concerned officers, they are asked to keep their mouths shut and work or look for other jobs.

The power sector workers demanded that the government should give power employees an insurance cover of Rs 50 lakh each as they have been working through the COVID-19 crisis and the lockdown periods. The workers felt that just as the state government had offered insurance coverage to health workers and police personnel, power employees should also be covered for risking their lives during the pandemic.

"During the second wave of the pandemic, we lost many of our workers working on duty but no one got the attention of the government. We are facing financial distress but have not received any compensation from the government," a worker alleged.

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Peer review is not the best way to promote major breakthroughs – Times Higher Education (THE)

Posted: at 4:05 pm

Before about 1970, academics made many unpredicted transformational scientific discoveries. These include Max Planck (quantisation), Albert Einstein (photo-electric effect), Paul Dirac (who predicted antimatter) and some 500 others: roughly the number of Nobel prizewinners in that time.

I call this glorious assembly the Planck Club. Their brilliant work inspired such technologies as the laserand myriad spin-offs, the electronic and telecommunications revolutions, nuclear power, biotechnology, and medical diagnostics and techniques galore. The value of these over the century might be 100 trillion in todays money.

The US National Science Foundation is poised to see its budget more than double (to $18 billion (13 billion)) by 2026, as the US seeks to out-innovate the rest of the world. The UK government has also pledged to more than double research spending by 2024-25.However, spending increases are not enough. Science policymakers must also recognise and act upon the fact that the primary source of Western innovation has historically stemmed mainly from free, iconoclastic academics.

To be fair, the UKs plans do include the 800 million Advanced Research and Invention Agency. Deliberately constituted outside UK Research and Innovation, Aria is intended to be a high-risk, high-reward agency that bypasses standard funding procedures. Its godfather, Dominic Cummings who also oversaw the abolition of UKRIs requirement for grant applicants to predict the impact of their work told MPs in March that the agency should be run by an entirely independent director, with good taste in scientific ideas and in scientific researchers, alongside up to four trustees. Without peer review, they may be able to identify future members of the Planck Club while they are still in their twenties.

Whether that structural vision survives Cummings acrimonious departure from government remains to be seen. But even if it does, there is still the question of how the rest of the UKs promised 22 billion should it be forthcoming in the autumn spending review will be spent.

Ways must be found to support the few whose research transforms understanding and leads to radical change. However, Western governments and funding agencies including Aria are increasingly focusing on technologies and problems that urgently need solution; essential work, of course: in the short term, nations must compete. But few Planck Club members were driven initially by humanitys perceived problems.

My experience with Venture Research, an initiative that ran from 1980 to 1990, sponsored by British Petroleum (BP), is relevant. It gave the freedom enjoyed by Planck Club members to a few scientists whose proposals we considered to have the potential to radically change the way we think about something important.

Instead of using peer review, we spoke to some applicants face-to-face, fostering mutual trust and facilitating feedback in real time. We received some 10,000 proposals from European and North American scientists and supported about 40, almost all of which had been previously rejected by mainstream funding agencies.

This low-cost initiative the budget was some 20 million over the decade was successful and has so far led to some 14 breakthroughs. Many have won major prizes and honours. One was Steve Davies, now emeritus professor of chemistry at the University of Oxford. His Understanding Molecular Architecture project discovered small artificial enzymes for efficient chiral selection. In 1990, he set up a company, Oxford Asymmetry, to exploit them, selling it a decade later for 316 million.

Based on this experience, in 2009 UCL created a Venture Research initiative using its own resources. So far, it has identified one scientist, Nick Lane, from about 50 applicants, without using peer review. Lane proposed a theoretical study of the role of mitochondria in cells costing some 150,000 over three years. His project has since expanded to study the origin of life. Its growing scientific potential has attracted over 5 million in external funding, more than 30 times UCLs initial outlay. That shows that conventional agencies now grasp the importance of his approach but he would never have got off the ground without UCLs start-up funding.

The problem of how to reconstitute the Planck Club could be partially solved if some universities were to follow UCLs lead. I calculate that 20th-century levels of academic creativity could be restored by supporting about a thousand scientists globally over the 21st century in this unusual way. However, it is essential that the small team of selectors (one or two people) appointed by each participating university should have no preconceived ideas about what is going to be important.

These initiatives will be highly unusual. They should not have a budget: there will be no spend in a typical year as standards are so high. When a candidate is found, the university should fund them from a contingency fund.

But it need not fear for its budget. Absurd though it may sound, this approach could accurately be described as low risk, high reward. Early stage venture research is remarkably cheap. But history teaches that unpredicted, transformational, game-changing research is done by individuals: they must not be constrained by third parties as no one knows which direction they should take.

Donald Braben is an honorary professor in the office of the vice-provost for research, UCL. He is author of Scientific Freedom: The Elixir of Civilisation (Stripe Press, 2020).

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