Daily Archives: August 4, 2021

If your organization is planning an event of any kind, please email the arts and culture editor at crockett@boulderweekly.com

July 29-Aug. 8, Outworld Brewing, 1725 Vista View Drive, Longmont. Tickets: $16.50-$46.50, venardoscircus.com/longmont

The Venardos Circus held its first performance in 2014 at the Los Angeles County Fair. Created by former Ringling Bros. Ringmaster Kevin Venardos, the show featured a cast of six artists in a kind of Broadway/circus musical. In the years since, Venardos Circus has reinvented the American circus tradition for a new generation no animals, all human talent. Enjoy acrobats, contortion, comedians and more.

10 a.m.-5 p.m. Saturday, July 31 and Sunday, Aug. 1, 1710 29th St., Boulder, bit.ly/3zEQ7wO

Presented by Howard Alan Events (HAE), a national producer of juried art shows, the Boulder Fine Art Street Festival at 29th Street represents original, hand-crafted artwork from more than 100 national and international artists. The outdoor art gallery will feature photography, ceramics, glass, wood, handmade jewelry, collage and more. Artists will be on-site for the duration of the festival to talk about their art and answer questions.

7:30 p.m. Friday, July 30, B2 Center for Media, Art and Performance at the Roser ATLAS Institute, 1125 18th St., Basement Level 2, Boulder. Free, culturalcaravan.org

Mezzo-soprano Kristin Gornstein is joined by leading members of the Colorado Symphony, CU College of Music and the Baroque Chamber Orchestra of Colorado for an immersive journey from the 17th century into the present day. Featuring music by John Dowland, Henry Purcell, John Tavener, Benjamin Britten and Caroline Shaw.

6 p.m. Thursday, July 29, E. Simpson Coffee House (Upper Room), 201 E. Simpson St., Lafayette. Register via Eventbrite: bit.ly/372Ah36

Human trafficking happens every day across the U.S. With school and social interactions increasingly taking place online, there are ample opportunities for grooming. Education is the key to preventing it. How do we educate and protect our kids? What do predatory signs look like? How do we respond? This presentation is geared to equip and empower you.

5 p.m. Friday, July 30. Via Zoom, register at motustheater.org

Join National Partnership for New Americans, U.S. Rep. Pramila Jayapal and Motus Theater for a special Immigrant Heritage Month performance where Motus undocumented monologists invite you, via Zoom, into their homes to share autobiographical stories about their dreams, hopes and fears. Their artfully crafted monologues interrupt the dehumanizing and racist anti-immigrant narratives around our nation and challenge people to acknowledge the danger to us all from the current threats facing the undocumented community and take action.

6 p.m. Thursday, July 29, E. Simpson Coffee House (Upper Room), 201 E. Simpson St., Lafayette. Register via Eventbrite: bit.ly/372Ah36

Human trafficking happens every day across the U.S. With school and social interactions increasingly taking place online, there are ample opportunities for grooming. Education is the key to preventing it. How do we educate and protect our kids? What do predatory signs look like? How do we respond? This presentation is geared to equip and empower you.

5 p.m. Tuesday, Aug. 1. Virtual Event presented by the Boulder Bookstore, boulderbookstore.net

Elon Musk is among the most controversial titans of Silicon Valley. To some hes a genius and a visionary; to others hes a mercurial huckster. Billions of dollars have been gained and lost on his tweets; his personal exploits are the stuff of tabloids. But for all his outrageous talk of mind-uploading and space travel, his most audacious vision is the one closest to the ground: the electric car. A story of power, recklessness, struggle and triumph, Power Play is an exhilarating look at how a team of eccentrics and innovators beat the odds and changed the future. Hear author Tim Higgins speak about his book at this virtual event hosted by Boulder Book Store.

50 Shades of Blue.7-9 p.m. Thursday, July 29.

Wrapping up the Summer Sundown series is 50 Shades Of Blue, a savory gumbo of funkalicious blues and R&B made from Dan Creccos New Orleans tinged drums and percussion, Christine Webbs soulful vocals and solid bass lines, and Doc Seelys mastery of all things with six strings.

Dru Heller Quintet with Ron Miles. 7 p.m. Friday, July 30.

Art Lande and the S Band. 7 p.m. Saturday, July 31.

Vocal Marvel.2 and 7 p.m. Saturday, July 31, Grace Gamm Theater. Tickets: $22.60.

This performance will feature a variety of show tunes, pop music, jazz and the brand new featured a cappella group, Vocal Marvel a miscast night of fun and entertainment for the whole family.

Gasoline Lollipops. 5:30 p.m. Friday, July 30. Tickets: Free.

Mike Wird & Plain N Simple. 8 p.m. Saturday, July 31. Tickets: $20-$25.

The Mighty Twisters. 9 p.m. Saturday, July 31. Tickets: Free.

Colorado Music Festival: Ivalas Quartet. 7-8:30 p.m. Saturday, July 31. Tickets: Free.

Dream with Us Concert.6-9 p.m. Friday, July 30.

Get excited to dance the night away with some amazing DJs, artists and people. All proceeds from this show will go toward DREAM EQUAL, a nonprofit dedicated to empowering people to realize their full potential regardless of gender or sexuality.

Mat Kearney with Rob Drabkin. 6:30 p.m. Monday, Aug. 2. Tickets: $35-$50.

Nashville-based, Oregon-born Mat Kearney is back with his new studio album January Flower. Written between an isolated retreat in Joshua Tree and his home studio, January Flower sees Kearney in his rawest form, distilling the songwriting process and rediscovering the joy of making music.

Colorado Music Festival: Hadelich Plays Beethovens Violin Concerto. July 29 and 30. Tickets: $48-$75.

Colorado Music Festival: Coplands Lincoln Portrait. 6:30 p.m. Sunday, Aug. 1. Tickets: $48-$75.

CMF: Brooklyn Rider. 7:30 p.m. Tuesday, Aug. 3. Tickets: $48-$75.

Pete Muller & The Kindred Souls

Join Stone Cottage Studios on Thursday, July 29, presenting a special, hybrid acoustic show featuring Pete Muller & The Kindred Souls. Doors open at 6:30 P.M. and the show begins at 7:00 P.M., rain or shine. Ticket buyers are welcome to bring their favorite seating (lawn chairs, blankets, pillows), drinks and a picnic. Please note that all ticket holders are will have to show ID upon entry.

Chris Collins with Alex Mitchell: A Tribute To John Denver.6 p.m. July 29, 30, 31 and Aug. 1 BDT Stage, 5501 Arapahoe Ave., Boulder.

The best John Denver tribute show on any side of the Rocky Mountains will bring you home to the place you belong. Award-winning singer-songwriter, Chris Collins brings the unmistakable energy and enthusiasm to the stage that was the hallmark of John Denvers performance. Featuring Boulder Canyon musician Alex Mitchell on guitar, fiddle and mandolin.

Read this article:

What to do when there's 'nothing' to do... - Boulder Weekly

Ready for the weekend? Of course, you are. Here's our weekly dose of good vibes to help you shed the stresses of the workweek and put yourself in a great frame of mind.

These 10 stories made us happy this week because they feature amazing creativity, generosity, and one super-cute fish.

1. Diver befriends a fish with the cutest smile

Hawaiian underwater photographer Yuki Nakano befriended a friendly porcupine fish and now they hang out regularly.

2. Denver police are handing out gift certificates to auto parts stores instead of 'fix-it' tickets

Police in Denver, Colorado have a new program designed to improve public safety as well as the relationship between the police and those they serve. Instead of issuing tickets, officers will now have the option to hand out $25 gift cards in situations where people are pulled over for minor "fix-it" violations.

Read the whole story on Upworthy.

3. Stunned wildlife lover set up a camera in a bird box and it got 41 million views

43-year-old John Chadwick started live-streaming footage of birds with their chicks so his family could watch their progress before they flew the nest. But just weeks after uploading the videos to YouTube, he racked up millions of views from around the world. "It's gone a little bit bonkers," John said. "I only wanted to show my neighbors, friends, nieces, and nephews what the birds were up to. I had no idea the films would attract such interest."

UK wildlife fan sets up camera inside bird box- attracting 41 MILLION fans worldwide! | SWNS http://www.youtube.com

4. Dad with impaired mobility can walk his newborn after crafty teens built him a 'wheestroll'

Jeremy King, 37, of Germantown, Maryland has experienced difficulty with his balance after having surgery for a brain tumor. To help him take his newborn on a walk, a group of students at Bullis School in Potomac, Maryland built him a "wheelstroll," a car seat attachment that connects to his wheelchair.

Read the whole story at Upworthy.

High School Students Create Wheelchair Stroller for Teacher's Husband http://www.youtube.com

5. American gymnast Suni Lee made history, winning gold in the all-around

Suni Lee, 18, a Team USA member from Minnesota, became the Olympic all-around gymnastics champion on Thursday. Lee is the first Hmong American athlete to ever compete in the Olympics and the first Asian American to win the gold in the Olympics' all-around competition. "It feels super crazy, I definitely didn't think I'd be here in this moment with the gold medal," Lee said after her win. "I'm just super proud of myself for making it here because there was a point in time when I wanted to quit."

Read the whole story at Upworthy.

6. An Israeli woman donated a kidney to a Gaza boy

Harel Segal, a kindergarten teacher from northern Israel, donated her kidney to a three-year-old Palestinian boy from the Gaza Strip. She hopes her choice will inspire others to be more humane in a land of perpetual conflict.

7. Two big ships from British Columbia launched an expedition to clean up the Great Pacific Garbage Patch

The three-month-long, multimillion-dollar venture will test a new system to trap ocean plastics and load them onto vessels. If the system works, the plan is to build bigger versions for larger-scale cleanups.

8. Tunisian teen swimmer shocks with surprise gold, and his family's reaction is everything

Ahmed Hafnaoui had the swim of his life at just the right time on Sunday. After eeking into the men's 400-meter medal race in last place out of the eight finalists, the 18-year-old swimmer from Tunisia shocked everyone by taking home the gold in the event at the Tokyo Olympics.

9. Hundreds of 'tiny homes' have been built to help provide shelter for struggling Los Angeles residents

Los Angeles is the latest city to experiment with micro-homes to provide secure accommodations for unhoused people while they get back on their feet. The colorful homes of the Alexandria Park Tiny Home Village are capable of housing 200 residents in 103 one- or two-person units.

10. California Congressman introduces legislation for a four-day workweek

Citing pilot programs that have yielded positive results, Democratic Congressman Mark Takano introduced legislation on Wednesday that would reduce the standard workweek from 40 hours to 32 hours.

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10 things that made us smile this week - Upworthy

For 14 or so years, I have been making a living building some of the largest audiences on the YouTube platform. Ive seen a lot of videos and channels.

What I always find the most interesting, though, is that even after all of the time Ive spent, all of the videos Ive watched, all of the papers Ive written here on Tubefilter, all of the conversations Ive had with other strategists, all of the data analyses and spreadsheets and reports that Ive presentedthere are still new things to discover, analyze, dissect, and share.

At my agency Little Monster, weve been spending a lot of time recently thinking about macro programming strategies on YouTube. What weve boiled it down to is that YouTube channels employ one of four typical growth strategies:

You can see each of these strategies represented in the top 100 most viewed channels on YouTube each month, and all have pros and cons.

Im going to lay out for you the foundation of each strategy, why it works, how and where it can fail, and the best practices required for each to succeed.

The Mass Upload strategy is exactly what it sounds like (and the antithesis of the Little Monster Methodbut more on that later). Within this strategy, a channel is not trying to maximize every upload, theyre trying to maximize upload-ing. In short, the mass-uploader is placing as many bets (videos) on the board as possible. The basic proposition is more videos should equal more views. And its not necessarily wrong.

Of the top 10 most viewed channels in the last 30 days as of this publication, according to Gospel Stats, four of them, including the top two most viewed channels, T-Series and SET-India, have more than 15,000 videos uploaded. Twenty-three channels in the top 100 have uploaded more than 10,000 videos, and 43 channels have uploaded more than 1,000 videos (YouTube Shorts channels excluded).

This strategy is largely employed by media companies with large libraries of content, and it would be difficult to imagine an independent creator being able to pursue this strategy in a sustainable way. However, its not impossible.

Take gamers, for instance. A little back-of-the-napkin math would indicate that if a gamer was able to upload 10 clips a day, they would be able to get to 10,000 uploads over the course of nearly three years.

Large media organizations dont have this problem. They can use the mass upload strategy to generate billions of monthly views, and when they do, there are a few high-level best practices essential to success.

First and foremost, for this strategy to work, a channel must recognize that what they are really building is a content library. This library will primarily thrive on:

1.1 Content Quality

The word quality is subjective here, but lets be honest: content farms typically mass-produce garbage videos and rarely succeed in the long run.

5-Minute Crafts monthly YouTube Views from January 2019 to May 2021.

On the other hand, the channel T-Series and similar brands succeed not just because of the volume of their library, but also the quality of the content therein. Just eyeballing on a cost-per-minute comparison, the videos being distributed on the T-Series channel probably cost 10x your average YouTube video or more.

The importance of this can not be understated. They are not just pumping out hot garbage on a plate. These are often music videos, movie trailers, or clips from TV shows and movies produced straight out of Bollywood that viewers are looking for.

That last bit is vital to the success of the Mass Upload strategy. If viewers are not looking for the type of content being mass produced, theres a low likelihood of success with mass-uploading. Movieclips works because hundreds of millions of people are looking for these videos on a monthly basis.

Recent videos from Fandangos Movieclips

1.2. Never Slow Down

Once a channel has begun to move toward mass uploading, growth is predicated on keeping a mass-upload pace or accelerating. Constantly adding to the library means that the channel will constantly create new opportunities to be recommended to viewers by YouTube.

Most of these uploads will not generate views in the long run. Some content will get a second wind and spike for one reason or another. But every now and then a mass-uploaded video will crank out millions of views a day, every day, for years.

This is where the Mass Upload strategy pays off.

By having many thousands of videos in the channel library, the mass uploader does not need every video to generate thousands or millions of views on a daily basis in perpetuity. They only need a few to break through.

1.3. Thumbnails and Metadata

Mass Upload channels depend largely on their library to drive viewership (as opposed to the success of each new upload). Despite having nearly 200 million subscribers, a new video on T-Series rarely breaks 100,000 views. The vast majority of their 3 to 4 BILLION monthly views are coming from their library of past uploads (videos older than 30-90 days).

In order for these videos to do well over time and be consistently recommended in YouTubes main arteries (suggested, browse/homepage, and search) they need thumbnails that accurately represent the video, and metadata that is clear so that people can find what they are looking for.

In a recent Creator Insider video, YouTube stated that the recommendation system finds videos for viewers, not viewers for videos.

So, in order for YouTube to find your video for a viewer, the content must be doing a good job of satisfying the viewers who have already clicked on it. Thus, the importance of accuracy. When YouTube sees viewers are finding what they are looking for in your video the recommendation system will continue to serve that video to similar viewers; or viewers looking for that thing.

Please note that you do not need a masters in YouTube SEO to succeed here. Theres no amount or secret sauce of keywords that will help you rank here. Those days are LONG gone. What matters is:

Mass Upload channels do not need a highly engaged audience to succeed, and may in fact be some of the least engaged with channels given how few views new uploads receive. This strategy is about being everything to everyone (Walmart), instead of being a specific thing to a specific audience (Tiffanys). The play here is to simply flood the zone with endless uploads as fast as possible. Go fast, and accurately portray the videos in your thumbnails and metadata and you can succeed.

A Utility Channel is how we at Little Monster refer to a channel whose viewership is largely driven by direct informational value to the intended audience. These are essentially channels that make videos where the viewer is there to receive specific information.

This type of video is the second most sought after behind entertainment. In the September 2018 whitepaper YouTube Needs: Understanding Users Motivations to Watch Videos on Mobile Devices, Google reported that of the 432 viewers they studied, 30.7% of the visits were reported as to obtain information.

Huge audiences can be built here, but its difficult. Lets take for example Khan Academy, whose viewership has little to do with how frequently they post, or the quality of any individual video. Khan Academys viewership has far more to do with when people are in school and looking for specific information on the classes they are taking. Note how their viewership thrives when class is in session, and plummets over the summer and over the holidays:

Khan Academys monthly YouTube views from January 2020 to May 20201.

While this is a pattern that generally seems to be true for similar educational or curriculum-based channels, other types of utility channels experience a strikingly similar need vs. viewership correlation.

Lets take a car review channel, Redline Reviews. This channel regularly releases videos reviewing various cars, and their viewership can swing by as much as 300% upload to upload.

These two videos released within a few days of each other:

Two videos from Redline Reviews

Whats driving (pardon the pun) the viewership here is the need for information on a specific car. There are far more people interested in a brand-new model of car and in the price range of a Volkswagen ($32,000) than in the market for a car that has been around for a long time and in the price range of a BMW ($45,000).

Another type of channel that we at Little Monster call a utility channel are recipe channels. The viewership here is predicated on a potential viewers need to know how to make the food item being advertised in the thumbnail and title. Again, we still see sporadic viewership ranging from a few thousand views, to tens of thousands of views. As an example, heres what the viewership on BuzzFeeds Tastylooks like over 24 recent uploads:

What these channels all have in common is that viewership is largely based on a potential viewers interest in the topic of the video. The viewer chooses to watch or not watch based on that particular videos specific relevancy to them.

Ive written and spoken extensively about the danger of having viewership be based on topicality previously. That said, in short, what this type of programming strategy leads to is unpredictable viewership, large swaths of your audience becoming less likely to be served your videos over time, and ultimately a mass upload strategy.

This leads to a mass upload strategy because that is the best way to succeed when you are a utility channel. This is true because the more videos you have that could potentially be relevant to a viewer, the more likely you are to gain viewership. The calculation is simple because if you want to grow as a utility channel, the more topics you cover (videos) the more potential viewership you will have. What is a library other than a utility to find the information you want?

Therefore, the same best practices that exist for Mass Upload hold true for a utility channel, with a few small tweaks:

2.1. Thumbnails

Your channels niche largely determines the thumbnail style that is most likely to get your videos viewed. Recipe channels typically use glamour shots of the finished food product, car review channels use glamour shots of the featured car, and so on. These selections accurately represent the video, but more importantly adhere to conventions audiences have become used to and conditioned successful channels to use. Essentially, those channels that have come before you in a given niche have done the hard work of finding out what viewers are most likely to click on through years of trial and error.

2.2. Being first

Utility can significantly benefit from being first to do something. When the latest tech or gadget comes out, those who are able to secure early access and get videos uploaded quickly tend to outperform others who come after.

The reason for this is that if your video is one of the first to be uploaded on a given topic, its a video that YouTube will already have processed the data around. This means your video, if it has decent metrics, will likely be served at the top of Search, in Homepage feeds, and at the top of Suggested, as interest and viewership spikes on a given topic. Additionally, theres likely to be a small supply of videos on the specific topic of interest, and therefore your video is more likely to be put in front of viewers rather than others.

This becomes an upward spiral as the increase in views leads to higher clickthrough rates as the video generates more and more social proof in the form of views. This leads to YouTube continuing to serve your video to more and more people in more and more places (assuming other factors remain relatively constant).

2.3. Specific Niche

While mass upload channels can be far more broad (movies, music, etcetera), Utility channels must find as specific of a niche as possible. This allows for your audience to flow across your videos more seamlessly as your videos close relation to each other means they are likely to be more relevant to the viewer.

These are the main differences between the Mass Upload strategy and utility channel strategy in regards to best practices. However, theres a poison pill in the utility channel strategy.

The pill is that viewership is based on the viewers interest in a topic, which makes it extremely difficult to build a sizable audience. This is true because its unlikely that the people you get to watch one of your videos will want to watch many (or any) of your other videos, because theyre only watching based on the value they can get out of the initial video they clicked on, or their interest in the topic of a specific video in the first place.

The audience is not there for you the creator, the style of the content, or the format of the show or video.

For example, look at these screen grabs from some of the top search results for how to make chocolate chip cookies:

Besides the different logos, these three channels are virtually indistinguishable from one another in terms of personality, style, and format.

These are the three key areas where a utility channel can distinguish itself. Focusing on developing these three areas can make a utility channel move beyond just providing informational value, and allow them to provide entertainment value or connection value as well.

To connect with others was the third main reason people came to YouTube in Googles study. This connection specifically relates to how a personality, talent, or host connects directly to their audience.

If there were a clear, repeatable science to creating this connection, there would be millions more full-time YouTubers, movie stars, and famous musicians. However, I dont think this is some mysterious X-factor that you either have or you dont. It can be honed and it can be leveled up through practice and training.

A common trope in our industry is be authentic. Hell, Ive said it myself when advising creators at Little Monster. But Ive never heard someone actually describe what that means in practical terms or at least define it in a way that is universally applicable.

My advice would be to study the creators on YouTube that you or your audience connect with. What do they do that makes you want to spend time with them? Find what that is, and what that is about you or your talent, and double down on that. Take improv classes. Practice making videos. Im not saying youll be the next PewDiePie, Zendaya, or Cardi B, but improving your skills here can increase your chances of finding success on YouTube.

As it pertains to style, thats simple and straightforward. Do people watch your videos because they really love the unique style of video youre creating? Is there something you can do to make your style just a smidge or two better than those in your vertical? If so, this can make you and your content stand out amongst the sea of competitors.

The lovely thing about style is that its far less subjective than connection, there are far more resources to make yourself better at the actual art of video creation, and it doesnt take a lot to really stand out.

When speaking to Utility channels, the aspect of content creation that Little Monster focuses on most is format. Ive written extensively about how a channel can distinguish itself by way of format in my Taxonomy article here on Tubefilter. I encourage you to read that article with an open mind, and to keep in mind that what I am proposing in that article is a methodology about how to create a new format, not just ape what is already being done successfully.

What we are essentially advocating for here is moving a channel from having a Utility Channel approach (Mass Upload) to a Little Monster Method strategy. The reason for this is that by and large, most media companies and independent creators (who, by the way, are media companies whether they recognize it or not) will not be able to compete against the Mass Upload strategy. If you can out-upload the Mass Uploaders, by all means, give it a shot. But youre more likely to bankrupt yourself or burn out than overtake a channel that already has thousands of videos and is adding more daily.

The vast majority of this type of channel will have to win not through quantity but through quality. Finding your footing in personality/talent, style, or format is the surest way we at Little Monster have found to do that.

Channels that play The Home Run Game upload many different types of videos until one really takes off (home run!). Once youve hit a home run, you double down on whatever worked, the value proposition of that particular video, be it format, style, personality, topic, or some combination of the four.

We see this often in channels that have been around for a long time before suddenly exploding with growth. A few top examples of this are channels like Cocomelon, PewDiePie, and MrBeast. MrBeast uploaded well over 100 videos and was active on YouTube for six years before he reached 1,000 subscribers.

3.1. Playing The Home Run Game

This strategy can work in a few different scenarios:

For example, lets say youve built a decent-sized audience in the home improvement vertical. You know your audience generally wants and expects you to talk about interior design. Your typical video shows you doing some sort of DIY project in your home.

Instead of doing the same thing in each successive upload, take some swings at the fences. Try reacting to various clichd themes, critiquing celebrity homes, remaking things in a celebritys home, go handheld instead of on a tripod, and so on.

Note that if you do hit a home run here, youre going to want to move everything else you are creating to another channel or spin this type of content out into a separate channel. YouTube channels are designed for one core value proposition. Two competing shows or types of value propositions on the same channel will hurt both.

In the long run, the Home Run Game strategy should be considered a means to an end, with the end being a solidified, clear value proposition. If a channel always swings for the fences with wildly different programming, the audience will have no idea what to expect when YouTube serves them one of its videos.This will alienate both the audience and the recommendation systems. As a mentor once told me, you want to be dependable, but not predictable.

The home run game is not moneyball. The home run game is trying to become the Yankees on a Norwich Sea Unicorns budget.

Moneyball, the 2003 book and 2011 film starring Brad Pitt and Jonah Hill, chronicles how Billy Beane took the Oakland As to the playoffs in 2002 and 2003, with one of the lowest team salaries in the majors.

Essentially, Beane built a team by leveraging data to select and utilize players who were statistically highly likely to lead to wins through their combined impact, without relying on individual superstars.

The Little Monster Method is moneyball for YouTube channels.

We use data to create and distribute videos for our clients that are highly likely to succeed with our clients audience and thereby the YouTube recommendation system. Like Beane, our clients videos win because they are analytically designed to do so.

Our method is based on the premise that a YouTube channel should serve one audience a single core value proposition. We use the data in YouTube analytics to understand exactly what that audience is most interested in, and then super-serve them what they want.

This is a 360-degree approach to content creation, analyzing and optimizing the:

The two most important elements in this strategy are the Value Proposition and the format of both the channel and videos.

4.1. Value Proposition

A value proposition is essentially the answer to the question Why does someone watch your videos/channel? It can be a concept (they will be inspired), format (it will be a reaction video), style (a Wes Anderson film), personality (a specific person will be in the video), or a topic (videos will always be about surfing).

The value proposition doesnt need to be universally true for every viewer, but it does need to be universally true for every video. For example, if we asked MrBeasts fans Why do you watch MrBeast? you would get a lot of different answers. However, from MrBeasts point of view, every video is a larger-than-life spectacle (therefore, thats the value proposition).

4.2. Format

For MrBeast, the other elements (format, style), while important, are not beholden to this same singularity. For example, he can do a Challenge video format in one video, and in the next a reaction/listicle video format.

In the video below, MrBeast is utilizing a very classic Challenge video format, where three teams are competing to win a prize. Here, its a house:

Utilizing a completely different format (reaction/listicle) MrBeast made a video where he tips waiters and waitresses with real gold bars:

As you can see these videos are completely different formats, but still deliver on the larger-than-life spectacle value proposition.

For MrBeast, format is less of a core necessity than for others. This is actually true for the vast majority of influencers. Quite often, once someone achieves influencer status, the core value proposition has become the creator.

MKBHD is a great example of a channel that has made personality its core value proposition. MKBHDs core value proposition is that you get to hang out with him. Hes cool, transparent, humble, engaged, excited, and unflinchingly himself. He also has some of the slickest and most stylish tech review videos on the platform. Unlike other tech review channels, his content doesnt adhere to a singular format at this point, because it doesnt need to.

However, format as a core value proposition is key for channels like Complexs First We Feast, MTVs Wild N Out, and Binging with Babish.

First We Feast by and large has two primary formats (in this case, named shows)Hot Ones, and The Burger Show. By and large Hot Ones outperforms The Burger Show.

On MTVs Wild N Out, the rap battles and highlights from the show dominate the other types of content theyve tried:

And for Binging with Babish, his main show beats out the secondary showStump Sohla regularly.

The reasons these secondary shows all underperform (and there are countless examples) is because they do not match the core Value Proposition of the channel fully, as these are channels that are more reliant on a viewers interest in the format.

You may be asking, why does this matter? Whats the harm in putting multiple value propositions or multiple formats into one channel?

The problem lies in how YouTubes recommendation systems are built and how audiences behave. To make recommendations, the YouTube recommendation system uses:

The rest is here:

The Programming Strategies That Shape The Worlds Biggest YouTube Channels - Tubefilter

Emmerdale actress Paige Sandhu first appeared in the soap back in September 2020 as the estranged sister of Manpreet Sharma and certainly got people talking with her constant meddling.

The dangerous and violent character has sent shivers down the spines of viewers.

Supervillain Meena is the first major professional acting job Paige has landed and the relatively unknown actress has certainly been thrown in at the deep end with her explosive storylines.

Unlike her character, however, Paige lives a sleek and stylish life, although she doesn't share much with the public.

Although Paige doesn't have much of a social media presence, she does post occasionally on her Instagram page.

Her uploads offer a glimpse of her private life through her stunning selfies and she's very real and candid on the platform, opening up about her own mental health issues.

Although Paige uploads many gorgeous snaps, she is keen to tell her Instagram followers of the realities behind her image - however it seems as though sometimes she may come to regret it, as she has deleted the majority of captions from her Instagram photos.

After posting a photo in flawless make-up and wrapped in a pink faux-fur coat last year, Paige had wrote: "I do not look like this all the time I promise you. I've got loads of makeup on and had a bunch of spots covered up."

She has since deleted the caption.

Previously Paige opened up about her mental health on Instagram, in a candid post that she has since deleted.

Uploading a picture of her in bed she added the caption, I want to take some time to address mental health with this post. So heres me looking super fly.

Its (obviously) more important than ever to take care of our mental health these days - but, like, what does that even mean?!

"Its not something we are taught in schools or socially... so it can be confusing to actually know how to take care of ourselves.

So bearing this in mind I wanted to let you in on a few of the things that help me.

"Maybe they arent a good fit for you, maybe they are. All I intend with this is to clear some confusion."

Paige's tips included reading self-help books, listening to self-help podcasts and Tapping/eft which she encouraged her fans to check out on YouTube to try.

She finished the post writing, "Focusing on everything Im grateful for and appreciate in my life. Journaling it aaaaaall out. Having a solo dance party.

These are some of the things that I notice really help me shift my state of mind. I hope you are all taking care of yourselves.

Paige's sweet posts and uplifting messages couldn't be further from Meena Jutla, and Paige wants everyone to know she's nothing like the character she plays in the soap.

The best characters are the ones that are so far removed from yourself, Paige has explained. Her lack of empathy and her playfulness make her a very exciting character."

Its also obvious from what Paige has said that shes loving her current role on Emmerdale. The budding soap star admitted that shed never played someone like Meena before.

Shes the strangest character Ive played for sure. But definitely the most fun, Paige said.

She added: Its so much fun to play a character that is on a completely different wavelength to everyone else, who always has a hidden agenda and will do anything to get what she wants.

Speaking of hidden agendas, Paigealso revealed that she knew about Meenas dark side as soon as she landed the part, but had to keep the top secret info under wraps from the rest of her cast mates.

Since Paiges personality is so far removed from her characters killer instincts, the young actressadmitted she had to do loads of research to try and get inside Meenas head.

Page explained: Ive watched all of Killing Eve as there are a lot of similarities between Meena and Villanelle. Taxi Driver, American Psycho, Nightcrawler, Killer Women with Piers Morgan, Inside the Criminal Mind, I Psychopath and Psychopath with Piers Morgan. And Im reading The Psychopath Test by Jon Ronson.

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Emmerdale actress Paige Sandhu is nothing like her character Meena in real life - RSVP Live

At a time when matrimonial platforms suffixing and prefixing caste or religious labels are getting attention, a humble non-profit initiative from Kerala is kindling an alternative thought.

Named Secular Marriage Matrimony, the initiative started in 2014, is a first-of-its kind platform for individuals seeking life partners with secular thoughts. Though the platform does not have wider popularity, in progressive circles it is gaining momentum as an unique platform on Facebook which is worth supporting.

According to Athira Paily and Ajith Kannan, who recently got married through Secular Marriage Matrimony, platforms like this are very much relevant.

I was very particular about finding a partner with a secular outlook. While looking for proposals, I realized that not just people but also most matrimonial platforms are not secular. Most of them are entertaining caste and religious fundamentalisms. I was looking for alternatives and thats how I found Secular Marriage Matrimony in 2018. I uploaded my profile on it and took my own time to find a person of the same wavelength. Though the screening of the profiles was time taking, I was determined and my parents were supportive enough. I think that there should be a generation that could live freely without caste and religious affiliations.And I think platforms like this are paving way to it, said Athira.

She also conveyed her disinterest about the mainstream tendency towards ceremonious marriages. Not just religious customs and rituals. Even the pompous celebrations associated with marriages should not be normalized and glorified. It is true that some people wish to make the moment memorable. However, at a time when many go debt-ridden over celebrations, we wanted to give a message that marriage can be conducted without any events. Our marriage was held at a Register Office and we did that as a legal formality. There was neither a seemingly secular garlanding ceremony, nor we were in a special wedding attire, Athira added.

Meanwhile, Ajith who finds Secular Marriage Matrimony as a promising attempt thinks that the mainstream caste and religion specific matrimonial platforms are just manifestations of existing social realities. Earlier there were just religion specific matrimonial platforms. But now things are getting worse. Even caste specific matrimonial websites have emerged. Day by day religious and caste streaks are getting rooted in our social life and these platforms are reflecting that reality. Sad truth is that many are happy about this proliferation. This is where the politics of Secular Marriage Matrimony stands out, he said.

The idea of Secular Marriage Matrimony came out of Manu Manushyajaathi from Thrissur. He began the platform as an extension of his own Facebook page `Madhamillatha Jeevithangal'. The conversations and interactions within the page made me realize that there was no space for people to find prospective life partners with a secular mind-set. This potential void was something widely discussed in that page, which in turn led to the start of Secular Marriage Matrimony, Manu said.

Though the platform was named with the words marriage and matrimony, Manu now detests from the apparent dogma associated with it. When I started this page, much consideration was not given for thename. My only priority was to name it with words that people can easily understand. However, now I understand that words like marriage and matrimony may be perceived as words supporting institutionalisation of love-relationships. So I wish to stress the point that the platform does not have such allegiance to institutionalisation. Meanwhile, I also wish to expand this as a community of people devoid of patriarchal mind-set and other regressive social norms. Notably, now the platform has been approached by transgenders among others. Thats something inspirational for the platform, to expand its horizons, he said.

Manu who is also involved in many other social activities is basically a mathematics teacher. He wishes to register Secular Marriage as an official entity and plansa website too. Now it is a small community which almost runs like a people led online community. It is a democratic space. At the same time, many people are joining this platform thinking that it is a normal matrimonial platform. That is problematic. Some people also pretend to be secular even when they are not. Therefore, screening is difficult. From my side I am carefully vetting the profiles before uploading it on the platform. Still there are chances of manipulation. Unlike most professional platforms, the platform is neither private nor has content moderation. So the members are cautioned about the risks and are encouraged to scrutinize the profiles in their own capacities. That does not mean the platform is open to malpractices. It is self-regulated rather than controlled. I hope chances of manipulation can be further avoided if we are professionally managing the platform. Presently, the platform is not very professional due to financial and resource constraints. However, I have plans to revamp it, he added.

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A platform from Kerala is kindling secular and progressive perspectives about matrimony - Mathrubhumi English