Daily Archives: April 13, 2017

100 hours of hedonism: Things to do in London this Easter weekend – Evening Standard

Posted: April 13, 2017 at 11:36 pm

1) Shell out for an Alice in Wonderland-themed Mad Hatters Easter Afternoon Tea at the Sanderson Hotel. (Fri-Mon, morganshotelgroup.com)

2) Paint the town or yourself neon at the Neon Naked Creative Life Drawing Class, at the Duke of Wellington in Dalson on Monday. (thedukeofwellington.london)

3) Switch off your phone and go off grid: proper playtime means no distractions.

4) The four-day Homerton International Festival of Beer & Bar Snacks swings into town this bank holiday. (theadamandevew1.co.uk)

5) Get your five-a-day, every day, from Hackney Downs Vegan Market on Saturday at Hackney Downs Studios. (fatgayvegan.com)

6) Join an eggs-rated scavenger hunt on Saturday hosted by the London sex shop Sh!. (sh-womensstore.com)

7) Everyone else is out of the capital: hit Skyscanner and book a danger trip. (skyscanner.net)

8) Take a dip in a lido (you might need a wetsuit).

9) DJ Yoda brings his mixtape of the Stranger Things soundtrack to the Prince of Wales in Brixton on Saturday. (pow-london.com)

10) Legendary LGBT pub The Joiners Arms rises again this Easter, at Hoxton Square on Friday. (zigridvonunderbelly.com)

11) All Star Lanes is serving up chicken mousse Scotch eggsto supplement your skittling all weekend. (allstarlanes.co.uk)

12) Talli Joewill be showcasing regional Indian egg dishes on small, sharing plates for two weeks starting on Easter Sunday. (tallijoe.com)

13) Resurrection specialist Doctor Who returns to BBC on Saturday.

14) Celebrate Beatrix Potter with a visit to the Beatrix Potter exhibition at the V&A. (vam.ac.uk)

15) Feast your eyes on this Sophie Anderson Camille leather-trimmed wicker tote. (195, net-a-porter.com)

16) Caf Murano is serving an Easter feast from Good Friday until Monday. (cafemurano.co.uk)

17) Queer British Art is a must-see at Tate Britain. (tate.org.uk)

18) Take your Easter egg hunt to the new vintage and antiques market, the Vintage Vauxhall Antiques Market. (vintageand antiques.co.uk)

19) Visit the pop-up Japanese garden in Broadgate Plaza. (broadgate.co.uk)

20) Get high on chocolate, with a Hotel Chocolat tasting experience on the London Eye. (londoneye.com)

21) Newly opened eatery Llewelyns in Herne Hill is a must-visit.(llewelyns-restaurant.co.uk)

22) Snuggle up in St Marys, where Backyard Cinema will host a candle-lit screening of Romeo + Juliet. (backyardcinema.co.uk)

23) Sink the Pink hosts its annual sweaty drag rave. (sinkthepink.co.uk)

24) Bubbledogs is hiding champagne bottles in Soho and Fitzrovia this weekend. Find one and you can swap it for a free hotdog. (bubbledogs.co.uk)

25) Blanchette is celebrating with sharing plates of roast lamb rump with minted Jersey Royals. (blanchettelondon.co.uk)

26) Drop by Merchants Tavern and get a half-price breakfast then off to the caviar trolley at 45 Jermyn Street with the money youve saved. (merchants tavern.co.uk; 45jermynst.co.uk)

27) Bread Aheads limited-edition Easter special is Hot Cross Bun Doughnuts. (breadahead.com)

28) With everyone out of town, beat the queues at Padella (open all weekend. (padella.co)

29) Enjoy a spritzer in the sunshine on the Grain Store terrace and one of their new ice-cream sundaes. (grainstore.com)

30) Time on your hands? Squeeze in a marathon session at the National Theatre to see Angels in America. (nationaltheatre.org.uk)

31) Begin celebrating your Easter holiday with a seven-hour marathon set from legendary DJ Joey Negro. (ovalspace.co.uk)

32) Pop and lock it at the Lock Tavern Festival, the Camden Town music spots annual four-day festival.(lock-tavern.com)

33) Mellow out with an evening of intimate live performances echoing around many of Londons churches, each day between 3pm and 6.45pm.

34) Dalston Superstores Sunday Disco Brunch is the perfect antidote to a late night. (dalstonsuperstore.com)

35) Give your bank holiday some flower power with Bloom & Wilds Easter Posies. (bloomandwild.com)

36) Rosencrantz & Guildernstern are Dead. Or are they? Daniel Radcliffe stars in Tom Stoppards play. (oldvictheatre.com)

37) Slip on your dancing sneakers and head east for Sidexside, a line-up of DJs playing side-by-side at Tobacco Dock. (residentadviser.net)

38) Knickerbockers drag-packed night in Hackney Wick promises alt-pop earlier on with darker cuts later. (theyardtheatre.co.uk)

39) Party animals can rejuvenate with a menu of food, fizz and fun at the The Cocktail Trading Companys saucy Come Down With Me. (thecocktailtradingco.co.uk)

40) For Nineties nuts, Primark launches a My Little Pony range complete with its own Snapchat filter. (primark.com)

41) Track down the work of Dom Pattinson, who has hidden 42,000 worth of paintings across the city. (zebraonegallery.com)

42) Visit the Barbicans Japanese House, a full-size re-creation of the Moriyama House. (barbican.org.uk)

43) Westfield invites shoppers to the Revamp Camp, where you can upcycle your wardrobe. (uk.westfield.com)

44) The Moth Club hosts When Doves Cry, a night dedicated to the music of Prince. (mothclub.co.uk)

45) Unleash your inner Indiana Jones at the British Museum for a treasure hunt. (britishmuseum.org)

46) Damian Lewis stars in The Goat, Or Who is Sylvia?(trh.co.uk)

47) Rob Brydon and Steve Coogan hone their Michael Caine impressions in The Trip to Spain. (sky.com)

48) Enter the world of the jellyfish at the London Aquariums Ocean Invaders exhibition. (visitsealife.com)

50) Head down the rabbit hole as Alices Adventures Underground returns to Waterloos the Vaults. (thevaults.london)

51) On Saturday, Phonox is kick-starting resident DJ Haais new party series, Coconut Beats. (phonox.co.uk)

53) Sink your teeth into Easter bread from bakery Paul: the signature Pain Carrottes Noisettes is perfect for brunch. (paul-uk.com)

54) Reggae legends The Pioneers head up the London International Ska Festival. (Thursday to Monday, londinternationalskafestival.co.uk)

55) The Duke of York Square Fine Food Market is transforming into an Easter Sunday Chocolate Market. (dukeofyorksquare.com)

56) Performance troupe The Crazy Coqs are performing at Brasserie Zdel, from Friday to Monday. (brasseriezedel.com)

57) Berber & Q is serving up a Mangal breakfast to share on Good Friday top things off with fiery biber salcasi ketchup. (berberandq.com)

58) You Me at Six is bringing it back for the fans at Alexandra Palace on Saturday. (alexandrapalace.com)

59) Smoking Goats Easter feast is available all weekend: on the menu its spider crab, fresh coconut curry and Laab spiced point-end brisket. (smokinggoatsoho.com)

60) Tapas joint Brindisa is hiding20 red envelopes around Borough Market winners scoop a gin and tonic, cava or charcuterie. (brindisakitchens.com)

61) Jacks back: the Prince Charles Cinema is screening tear-jerker Titanic on Sunday. (princecharlescinema.com)

62) Its World Malbec Day on Monday! Any excuse...

63) Bust into the bank holiday at the Bussey Building in Peckham: Horse Meat Disco is playing on Friday. (clfartcafe.org)

64) Its a Spice World themed club night at Infernos on Sunday: costumes encouraged. (infernos.co.uk)

65) On Sunday, Chelsea Physic Garden is putting on an Easter Egg trail. (chelseaphysicgarden.co.uk)

66) A must (or mast) see Greenwichs Tall Ships Festival returns Fri-Mon. Rivington Greenwich and Plymouth Gin have created cocktails to toast the event. (royalgreenwich.org.uk)

67) Have a lie-in. Youve earned one.

68) Sink bottomless jugs of sangria made with house-made lemonade and a blend of spices and fresh fruit at Balls & Companys Sangria Saturday. (ballsandcompany.london)

69) The Magic Roundabout has opened above Old Street station, and DJs, dancers and sketch artists are making it their home for the weekend. (magicroundabout.co)

70) On Saturday, Rich Mix Cinema is hosting its regular short-film evening, on the theme of new beginnings. (richmix.org.uk)

71) Keep things short: Review Bookshop in Peckham is holding a book launch for Gordon Gordons Modern Haiku Collection. (reviewbookshop.org.uk)

72) The 40-piece Street Orchestra of London is collaborating with DJs at the Hackney Showroom on Saturday. (hackneyshowroom.com)

73) Rotherhithe is the hub of Londons Nordic community,so celebrate Easter Sunday Norwegian-style with a guidedtour and an authenticNorwegian buffet lunch. (scandimarket.co.uk)

74) Catch the Royal Academys Revolution: Russian Art before it closes. (royalacademy.org.uk)

75) Composer Emma Jean-Thackray joins the groove-based collective at Amersham Armss Rain Today on Friday. (theamershamarms.co.uk)

76) Salute George Michael at the Old Queens Head Club Tropicana. (oldqueenshead.com)

77) Chocolate is waiting for you at the finishing line of the London Easter 10K in Regents Park on Monday. (nice-work.org.uk)

78) Gilles Peterson protg Aaron L joins the line-up at Turfs 5th birthday at Kamio in Shoreditch on Saturday celebrate the 6am late licence. (iamkam.io)

79) Planet Funk unleashes a Bruno Mars themed night at The Grand on Saturday: theres an award for the best tribute act. (claphamgrand.com)

80) Enjoy a spangly cocktail at new Dalston venture Untitled, including the egg-cellent Prairie Oyster: clarified tomato juice andbottle-aged Negroni. (twitter.com/untitled_bar)

81) Binge on Locked Up on Walter Presents, a Spanish prison drama that will take the UK by storm...

82) ... or plump for the return of Better Call Saul, which is back for a third season. (netflix.com)

83) Take yourself on your own Easter Pub Crawl. Hunt pints, not eggs, and drink twice if anyone says bunny.

84) Single and looking to mingle? Kensington Roof Gardens is throwing a lonelyhearts egg hunt on Friday. Come for the chocolate, leave with The One. (virginlimitededition.com)

85) Buy a be woke sweatshirt from H&Ms Scandi offshoot Monki to ring in the new season of activism. (monki.com)

86) Heeeeeeres Jack Nicholson: Hackney Picture House kicks off a season dedicated to the Hollywood icon with Easy Rider on Sunday. (picturehouses.com)

87) In Men & Girls dance company Fevered Place celebrates the relationship between adults and children, Thurs to Sat. (feveredsleep.co.uk)

88) On Saturday at the Southbank Centre the Hong Kong Dance Company will retell the Legend of Mulan. (southbankcentre.co.uk)

89) In the mood for street food? Head to Hawker House or Dinerama and fill your plate. (streetfeast.com)

90) Peckhams arcade den Four Quarters celebrates the weekend with its Wax On Wax Off Easter Spesh this evening. (facebook.com/fourquartersbar)

91) Tuck into a 400 Rabbits pizza because theyre delicious, its Easter and no actual bunnies were harmed in the process. (400rabbits.co.uk)

92) Charcoal kebab kitchen BaBa Boom in Battersea does a power hour on weekends: you, one alarm clock and as much as you can drink. (bababoom.london)

93) Crystal Maze London has hidden five crystal Easter eggs around iconic landmarks in Angel, Islington. (the-crystal-maze.com)

94) Easter wouldnt be Easter without, er, a chocolate body wrapat the Montcalm. Lather up. (montcalm.co.uk)

95) Tuck into an ostrich egg at Florentine in South Bank. Bring your mates its big enough to feed six people. (florentinerestaurant.co.uk)

96) Theres puppet-making, face- painting and Alice in Wonderland storytelling at the Horniman Easter Fair on Saturday and Sunday. (horniman.ac.uk)

97) The Wardrobe Ensembles immersive adventure, Eloise and the Magic Whisk, is at Greenwhich Theatre on Thursday and Friday. Punchdrunk meets Bake Off. (thewardrobeensemble.com)

98) On Friday, Caf Oto in Dalston is screening Nothing Here Is Perfect,an experimental documentary about improvised music. (cafeoto.co.uk)

99) Abba fans: make the pilgrimage to Tufnell Park as clubnight Gimme, Gimme, Gimme returns on Saturday. (dometuffnellpark.co.uk)

100) Jam-makers Rubies in the Rubble are organising a RealEgg Hunt around their favourite brunch spots. (rubiesintherubble.com)

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100 hours of hedonism: Things to do in London this Easter weekend - Evening Standard

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Amazon docuseries looks at the man who put the ‘he’ in hedonism – Berkshire Eagle (subscription)

Posted: at 11:36 pm

By Frazier Moore, The Associated Press

It will come as no surprise that this docuseries treats its subject, the founder of the Playboy-magazine-and-beyond empire, with tender, loving care. Co-produced by Playboy Enterprises, its 10 episodes unfold as a hagiography of Hefner, who, back in a dark age of sexual repression, put the "he" in hedonism for countless red-blooded males.

Hefner, who turns 91 on Sunday, played no on-camera role in the series. But he is seen and heard aplenty. Not only are there vast Playboy archives to draw from, but the saga is told mainly through dramatic reenactments, with young lookalike Matt Whelan portraying Hef on-screen and voicing him for the narration.

"My magazine wasn't just about naked women," says Hefner/Whelan at the series' start. "It was about breaking down barriers, starting a cultural conversation about sexuality, and standing up for social justice."

Mission accomplished. As "American Playboy" is eager to remind its audience, Hefner pushed back against the uptight 1950s with a magazine proclaiming that sex is fun, that it's OK for guys to like photos of nude women, and that masculinity didn't correspond directly with hunting and fishing.

In his new magazine, Hefner meant to champion a lifestyle of masculine creature comforts, a full menu of everything the would-be with-it male would want to feast upon including the main course of beautiful, seemingly compliant women.

Creating Playboy in his own vision the vision of whom he yearned to be as a man and manly archetype Hefner masterminded an intoxicating mix of rebellion, aspiration and pleasure. With his inspired formula, a few thousand borrowed dollars and, as his first Playboy centerfold, a nude calendar photo of pre-celebrity Marilyn Monroe, Hefner launched Playboy in 1953.

It was a smash, and so was he, "the guy who has it all: lavish mansion, legendary parties, and, of course, the women," says Hefner/Whelan, kicking off the tale ("at least, as I remember it," he hedges coyly) of how he redefined manhood.

Judging from the three episodes previewed, "American Playboy" airbrushes Hefner's image as much as Playboy airbrushes its centerfolds. But this doesn't mitigate Hefner's role as a game-changer. "American Playboy" shows how his magazine and his example advanced a new Age of Enlightenment the notion that virility could encompass civil rights and free speech, progressive politics and deep thoughts, as well as sporty cars, the right Scotch and the fine art of seduction. Hefner led a revolution with his pipe, his Pepsis and his legendary rotating bed.

But after a couple of decades, Hef's revolution was beginning to sputter. A victim of its own spectacular success, Playboy didn't seem so cutting-edge to youngsters in the late '60s who claimed free love and doing your own thing as their birthright.

They also claimed women's rights. The rise of feminism exposed Playboy, for all its advancements, as embarrassingly backward in upholding male privilege. Playboy had always celebrated women. But their designated purpose remained stuck in the past: to please men.

Just consider the Playboy Clubs, which flourished from coast to coast in the 1960s, and not least because of its service staff: the corset-costumed Playboy Bunnies, complete with their rabbit ears and cotton tails. The real stretch for Playboy wasn't in these skintight outfits. It was how to reconcile Playboy-style panache with the new craze of sit-ins and peace marches.

The Playmate anointed for December 1969 seemed a desperate bid to shed its "Mad Men" brand of hipness and reassert its relevance. To that end, the comely Northwestern University political science major declared on her centerfold questionnaire that "my friends know I'm young, sexy, somewhat intellectual, hate parties, love teachers, enjoy money, clothes, cars" but also, in a power-to-the-power decree, she made clear that she loved "demonstrations, riots and anything for the revolution."

The Playboy revolution may have died with that pronouncement. Even so, Playboy presses on to this day. But where it once defied a puritan ideal that kept sex under wraps and condemned nudity as pornographic, now it struggles against a state of oversaturation, where nudity (and almost anything else) runs riot, free of charge, from any video screen.

No wonder little of the Playboy empire remains, at least when judged by the standards it once set. As "American Playboy" shows with cinematic flair, Hefner helped blast the world into a new permissiveness a world that long ago left him behind.

If you'd like to leave a comment (or a tip or a question) about this story with the editors, please email us. We also welcome letters to the editor for publication; you can do that by filling out our letters form and submitting it to the newsroom.

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Amazon docuseries looks at the man who put the 'he' in hedonism - Berkshire Eagle (subscription)

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Clubs on film: 10 of the best parties from the big screen – Mixmag

Posted: at 11:36 pm

There's no denying the important role music plays in film. But what about when directors try to repay the favour?

The club is an exceptional cinematic tool that many people have tried to capture. The people, lights, energy and music makes a heady mix that can translate themes of fun, danger, anxiety and hedonism to the big screen. And when used to tell the stories of futuristic robot policemen, the 1970s porn industry or a vampire-fighting superhero you get some pretty interesting visions of what a club can be.

Well, we've dug deep to select the movies that piqued are clubbing interests. These are the places you would wait in line for two hours to get inside and the scenes you've watched and thought "I need to be there right now".

Door policy: Non-existent, they let a fucking robot policeman into the club.

Atmosphere: The atmosphere inside this downtown Detroit club is simply incredible! A blend of goths, punks and misplaced disco glam, nobody can stop dancing to the funky futuristic sounds of 2044 despite a robot policeman wading through the crowd. Thankfully the cop has a target (unfortunately for Leon Nash) and isnt in there working some misguided Operation Lenor.

Soundtrack: The future interestingly sounds a lot like Ministry. And Peter Weller.

Resident DJ: David Byrne

Average punter: Sick of the broken, shit hole that Detroit has become, a future punk ethic has become popular in the clubs. If the city's going to look like trash then so are it's citizens. Bad wigs and a no fucks given attitude.

Do: Carry a handgun because you never know when Robocop might get you.

Dont: Kick Robocop in the groin when he eventually hunts you down

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Clubs on film: 10 of the best parties from the big screen - Mixmag

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Fed Board Governor Dr. Lael Brainard ’83 Drives the Economy Forward – The Wesleyan Argus

Posted: at 11:35 pm

The true testof whether or not your job is vital to the sustenance of the national economy is if you come home in a bad mood after a day of work and your kids ask if interest rates are bothering you. Dr. Lael Brainard 83 finds time to help determine the countrys optimal monetary policy, ameliorate employment hierarchies that skew away from underrepresented groups, and most importantly, cheer on her three daughters.

c/o The Federal Reserve Board

The decorated alumna is currently serving as a member of the United States Federal Reserves Board of Governors. She last worked under President Barack Obama as Undersecretary of the U.S. Department of Treasury from 2010 to 2013 and Counselor to the Secretary of the Treasury in 2009.

I am very mission-driven and I really care about economic opportunity, Americas role in the world, and this role as a force for good, said Dr. Brainard. The extent to which our country displays the true American Dream is being supported by policies, that people should not be held back by where they were born, or what schools are in their neighborhood, or how much wealth their parents had, or whether their parents were immigrants, or the color of their skin. I am cognizant that the field that I chose when I chose it was very male-dominated. As Ive progressed in my career I have tried to create more diverse opportunities for others at senior levels, from a gender, ethnic, and racial perspective. I want to give back and help younger people make their way in this arena.

Dr. Brainard discussed her career and what days are like as a member of the U.S. Federal Reserves Board of Governors.

There is really no average day, said Dr. Brainard. On a day that we have an FOMC meeting, or a scheduled Federal Open Market Committee meeting, where we determine monetary policy, generally we all start the day in the very large, historical boardroom, which has a big map of the Federal Reserve Districts on the wall. Each of us sits in a designated seat, the board members each have their names printed on the backs of the chairs, and it is extremely formal. Every word we say is transcribed and will be released five years after the date of the meeting. People are a bit cautious in terms of the observations that they make.

We start the meetings with people from the Federal Reserve Bank of New York telling us what the financial markets look like and then we hear about the economy, and then we go around and talk about our own views of the economy, she said. Generally, the Chair summarizes and the setting for the monetary policy discussion usually follows. During that portion of the meeting, we go around the table and talk about what we think is the right course for monetary policy and the right setting for interest rates. At the end of this period, we all vote very formally, and then the result is released to the public.

Joining the Fed has forced Dr. Brainard to be much more selective with her word choice, especially in the public sphere.

That definitely has a way of making us much more cautious about what we say in the public arena, she said. We recognize that financial markets are extremely sensitive to news of any sort on the policy front. It does make us need to calibrate our words very, very carefully. With regard to how they might be heard, and what kind of conclusions investors might be drawing about the future of the economy, it is incumbent on us to be as transparent as we possibly we can. This is so the public understands the factors that are influencing each of our individual thought processes as we think about the appropriate calibration of monetary policy.

Dr. Brainard explained that being stuck inside of a boardroom is not the only part of her job description. Another is traveling to help bona fide people in sticky situations.

Another kind of day is where I go out to a part of the country where our community development staff is working with local institutions and local community development organizations to try to improve economic development and access to financial services for capital for small businesses, underserved communities, and communities that dont traditionally receive the help they need, she said. I went to El Paso, to a border area, with our staff from the El Paso branch of the Dallas Fed.

We spent the day talking to families who were struggling to be able to secure mortgages on their land, and who generally have pretty challenging living conditions, based on their earned income, she said. It was a rewarding day that resulted in a new house being made available on an affordable basis to a single mother who was struggling with cancer and living in a trailer with rusted out floors and no air conditioning. There are days when I am out and about, trying to understand how Americans of all different types are experiencing the economy in a very granular way.

The way Dr. Brainard views the economy is shaped by her childhood experiences, which are not typical in the slightest.

I lived overseas for my entire childhood both in Communist Poland and Germany before reunification, she said. From that experience, I took away two things. One, the power of economic dynamism, markets in propelling forward economies, and using peoples great ideas to improve the quality of our lives and build better futures for us. In the Poland I saw as a young child, individual initiative was stymied at every turn. There were very high rates of suicide and alcoholism. The parts of the economy that flourished the most, the farm and small business sectors, had the least amount of red tape and the greatest role for individual initiative. The second thing is the capacity for our country, America, to be a beacon of hope for other countrys aspirations, but only when we as a nation embrace our own challenge to make sure that the American Dream is alive and well, and that all people who work hard can have opportunities to make a better life for themselves and their children.

c/o Japan Times

Operating monetary policy is no easy feat, as the meter for evaluating the ideal indicator is ever changing.

We are an organization that operates under the guidance in statute that Congress gives us, she said. Our job is to pursue maximum employment and stable prices. Stable prices in todays economy have been defined as two percent inflation. That makes it pretty clear-cut in terms of what are we are supposed to achieve. That is where the economy can grow in a sustainable way. It gets complicated because the nature of the economy changes over time, and the financial markets are extremely dynamic. You may find the same interest rate settings have very different effects on employment and inflation in different decades, which makes it complex, interesting, and quite challenging.

The instances when the Federal Reserve Governors are relied on the most are clearly in times of economic downturn.

At moments of extreme financial stress, monetary policy using interest rates alone, may not be able to get the economy back on its feet with credit flowing again and small businesses being able to restock their inventories and hire workers the things we need to make the economy vibrant, she said. Until recently interest rates have been near zero. At moments of extreme stress, it is important for polilcymakers to think outside the box, which is why we saw a much more complicated and innovative set of policies being implemented at the height of the financial crisis.

For some without a background in economics, Dr. Brainard discussed some of the basic causes of the 2008 Financial Crisis.

This is going to be like the Great Depression, where historians and economists write about it for decades to come, she said. It is probably too early to know what really mattered the most, but clearly the mortgage arena became unmoored. People were making mortgages based on no documentation, giving people with lower incomes mortgages they couldnt possibly afford. They were doing it because there was this massive machine whereby people who were making those credit decisions didnt actually have to live with their consequences. These bad mortgages would be sold, sliced up, packaged, and resold so that investors had no clue of any of the risk involved.

Layered on top of that there were increasingly international wholesale financial markets which are built on a set of trust relationships, she said. Once confidence and trust started to erode with one or two financial institutions essentially moving close to the edge of the abyss, everyone started withdrawing funds in a rush to get out first, and we saw a run on the wholesale financial markets. There are usually a whole host of factors that makes these large financial crises very tricky to foresee sufficiently in advance. There is not one single factor where if you tracked it, you would have been able to predict and prevent the crisis.

Commitment to her alma mater is something that cannot be disputed for Dr. Brainard, as she has twice served as a member of the Board of Trustees.

The hardest thing while I was an alumni-elected trustee, just five years after graduating, was still feeling tied to the perspective of being a student on campus and the concerns about the Wesleyan they were experiencing, but of course as a trustee, you have to think of Wesleyan across generations and as an abiding institution, she said. There is some tug there. For instance, I found it difficult when we were discussing the issue of divestment from companies that invested in South Africa during the Apartheid era. Wesleyan was trying to navigate this complicated, narrow ethical path; I saw the issue in more black and white terms.

Speaking of her time at Wesleyan, Dr. Brainard broke down, in simplistic terms, the nature of her senior-year thesis.

I got back to Wesleyan after the summer of my junior year with a quandary, no idea what to write my thesis on, she said. I had 50 ideas, but no conviction on any of them. I went into a professors office, Brian Fay, and I was in such despair at that juncture that I was thinking about not writing a thesis at all because I was having such a hard time choosing a topic. He told me that he didnt care what my topic was, just that I absolutely needed to write something, and that he would be happy to be my advisor. That was a great vote of confidence and spurred me to get my act together.

c/o Quartz

I chose a topic of utopianism and dystopianism but from a social engineering perspective, thinking about how the two genres in literature embodied the impulse that we all have as humans to be social engineers and social planners, and how some of that can go badly awry sometimes, she said. Of course growing up in a communist country for part of my childhood, I had some experience with that. It turned out to be some crazy long piece of work, but boy it was great for me to work out some of my own internal debates about policy. It was really made possible by the conviction of my professors, and this convinced me to have the conviction in myself.

The College of Social Studies most certainly took up a lot of Dr. Brainards time while attending the University.

I was at CSS and we were in this weekly rhythm where our class would have to read some huge number of pages of really dense stuff and then produce a long, beautifully written essay on Thursday overnight for seminar on Friday. We would all find ourselves, bleary-eyed, in the library late on Thursday night, trying to make some sense of the small percentage of the assigned pages that we actually managed to digest at that point. We would pull an all-nighter and always come in the next day with pretty adequate but not great efforts at writing essays. Once, I spent the entire night not being able to find one piece of evidence to answer the assigned question, and finally, I wrote something. I went to class the next morning and started to speak about the topic of nationalism in the enlightenment era. The professor asked me why I was speaking about nationalism in the enlightenment era, which was not a thing, and told me the actual topic was enlightenment rationalism. The assignment had a typo so rationalism was spelled with what an n. If nothing else, CSS gave us the ability to produce a paper on literally any topic.

At the end of the day though, even with all of her accolades, Dr. Brainards children are still what she cherishes most.

I spend all my free time with my three daughters, who are endlessly funny, she said. They always tease me about my work at the Fed. If Im ever in a bad mood, they ask me if I am unhappy about interest rates. Im not sure there are a lot of households in the country where the parent comes home from the office and the kids ask if you are unhappy about interest rates. I love cheering them on at their soccer games and track meets. I just traveled with the family to a really remote part of the Tibetan Plateau in rural China to visit my oldest daughter, who is studying there. I mostly enjoy spending time with my kids and their friends, and all the activities they are involved in.

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Fed Board Governor Dr. Lael Brainard '83 Drives the Economy Forward - The Wesleyan Argus

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The Lost City of Z Resuscitates Cinema’s Classic Adventure Tale – The New Yorker

Posted: at 11:35 pm

Robert Pattinson and Charlie Hunnam in James Grays new film.CreditPHOTOGRAPH BY AIDAN MONAGHAN / BLEECKER STREET MEDIA / EVERETT

James Grays films are the public trace of a secret doctrine: dont follow the words, follow the music; dont believe your eyes, believe your heart. Hes a devoted, meticulous, fanatical realist whose clear, tough, physical dramas sublimate themselves into undertones and overtones, murmurs and intimations, reminiscences and dreams. His new film is The Lost City of Z, which is based on the nonfiction book by David Grann, aNew Yorkerstaff writer, chronicling an early-twentieth-century British explorers ill-fated expedition in the Amazon jungle. The film opens today, and with its bluff, romantic resuscitation of the cinemas classic adventure-tale genre and tone, its perhaps Grays most radical attempt at abstraction and displacement.

Its the story of a search thatits no spoiler to saydoesnt come to fruition, a series of missions that dont achieve their goals, and that nonetheless reverberate powerfully and enduringly with the force of its ideas and ideals. The action starts in 1905, when Major Percy Fawcett (Charlie Hunnam), serving to maintain British rule in Ireland, is summoned to London for a meeting. Though Percy (so Ill call him, to distinguish the character from the historical person) is brave and capable, hes the son of a dissolute father, and his lineage impedes his promotion both in the Army and in society. That may change, thoughhes dispatched by the Royal Geographical Society to lead an expedition into the Amazonian jungle bordering Bolivia and Brazil so that, by mapping the vague border, war between those countries can be avoided (and British economic interests can be served).

Percy and his second-in-command, Henry Costin (Robert Pattinson), a more experienced explorer, discover the missions dangers and difficulties early on, as well as its mysterious wonderssuch as the discovery of an opera company maintained in a rustic encampment run by a local rubber baron. The potentate supports the mission with the full force of his harsh reignhe offers Percy a crew of enslaved indigenous people, as well as rafts and other supplies.

The heat proves overwhelming; Henry has a cut that wont heal; the Amazon teems with fish that the explorers never manage to catch; a crew member mutinies; natives on shore attack the river-borne company with arrows; and the mission threatens to deteriorate into a merely onerous duty when an Indian slave (on whose knowledge of the terrain Percy depends, and whom, its worth noting, Percy treats respectfully, like a crew member) confides to Percy that theres an ancient city in the jungle, somewhere past the source of the river. Sure enough, when they arrive at the sourcea land that no Caucasian has previously reachedPercy finds shards of pottery, as well as elaborate tree carvings, that indicate vestiges of the lost city. Though the British government has cancelled the original purpose of the mission and Percy and his crew return to London, Percy is now possessed of a new purposeto return to the jungle and find that city, which he dubs Z (pronouncing it zed, British-style).

Percys purpose isnt mainly archeologicalits anthropological. He wants to overcome Eurocentric bigotry and prove that the indigenous people of the Amazon jungle, derided by other Geographical Society members as savages, display an intellectual and cultural sophistication equal toand earlier thanthat of European society. He undertakes a second missionand it proves to be even more difficult than the first, but it also brings him into close contact with one native tribe thatwhile practicing cannibalism (albeit in a way thats explained so as to minimize its horrors)also displays an intricate civilization, as well as remarkable agricultural achievements. Yet this mission, too, is thwarted; Percy returns home unsatisfied. With the Great War now under way, hes sent to lead troops into battle and, suffering a chlorine-gas attack by German forces, is rescued from the battlefield, hospitalized, and warned by doctors that his exploring days are done. (As it so happens, theyre notand the final mission proves to be catastrophic.)

Theres a surprising lightness to the scenes of the rigorous, dangerous expeditions, and that lightness is a crucial aspect of Grays artistry. He doesnt minimize the hardships endured or the exertions requiredbut he approaches them with a modesty and a self-restraint thats as much a matter of ethics as of aesthetics. From a personal perspective, filming to emphasize the difficulties and displeasures of the mission could only come off (as it does, for instance, in Werner Herzogs films and in Apocalypse Now) as vanity, as a breast-beating boast of the difficulties that he himself endured (and to which he subjected his cast and crew) in order to make his filmas if that pride and that proclamation should win him any badge of honor over and above the specific merits of the film itself.

Proceeding by touches, symbols, and synecdoches, by suggestions and implications, Grays modesty conveys, above all, an absencethe incommensurable abyss between the experience and the image, the realm of the unfilmable, or, rather, the no-longer-filmable. Grays films vibrate with echoes of what his experiences, his ideas, his feelings could be, cinematicallyif the classical cinema that inspired them and nourished them were still in existence. It isnt only grand adventure that, in Grays artistic purview, cant be filmed with a classical fullnessits life itself. The Yards gathers the sounds and moods and tones of growing up in Queens, the experience of Gray watching classic movies and imagining his own experiences, his own emotions, embodied in those styles, knowing that they never could be. In Two Lovers, he conjures the sense of feeling simultaneously like an emotional titan trapped in a tiny apartment in a narrow life and like an emotionally stunted, damaged, unworldly-incapable monsterand does so within the constraint of a narrow, local cinematic style that reverberates nonetheless with the force of grand-scale classic melodramas. The Immigrant catches a family prehistory of grand passions that coincides with the operatic grandeur of the silent cinema; its a story of the furious struggles of an earlier generation that implanted Grays own immigrant family into America and implanted movies into Hollywood.

Theres a music to Grays films, a music to his images; hes essentially incapable of making a dull or untextured image, but, just like the term style, the word music is itself value-free. What kind of music do his images make? A poised, neoclassical music; Grays images have an untimely, exalted quietness, as if he were filming with violins and woodwinds and didnt admit of electric instruments, though his subtler textures compete in the same arena and catch some of the same emotional jolt. In Lost City, glancesas between Percy and his wife, Nina (Sienna Miller), his intellectual associate and companion in his mission (but who isnt allowed to accompany him physically into the jungle)fill instants with vast swaths of time. They reverberate with an extraordinarily inward intimacy, in which action doesnt seem to imply thought so much as it seems to accumulate around it.

Ive seen The Lost City of Z twice, and on first viewing I wished that the role of Major Percy Fawcett had been filled by its original claimant, Brad Pitt, whose element of ferocity and possession is his most distinguishing trait. On second viewing, though, I found Hunnams more moderate incarnation true to the movies sense of Fawcetts own obsession: Percy isnt an obsessive by nature, hes an obsessivemalgr lui. He didnt choose to explore the Amazonian jungle, he was sent there to fulfill a mission that was neither of his choosing nor of his preference (he wanted to see combat). He fulfilled his mission dutifully, found his sense of purpose inflamed by the ideaand the slender evidenceof the lost city, and his desire to find it is fuelled by an intense humanistic rationalism.

Percys devotion to discovering the Lost City of Z doesnt dance with exotic visions of golden towers but treads with an unusual yet pedestrian sense of decencyhe seeks not its glory but its workaday complexity, less El Dorado than an Amazonian Manchester. Hes looking to rediscover the traces of a vanished society in the hope of overturning facile hierarchies and replacing them with respect, honor, and wonder at the achievements of distant peoples in the distant pasta society that, for all its cruelty and ferocity, embodies secrets and experiences that are lost to modernity. (Like The Immigrant, The Lost City of Z features one of the greatest last shots in the recent cinemaand this one captures those contradictions with a majestically imaginative gesture.) The mission involves chaos, turmoil, troublebut Percys vision, his efforts, and his reports are models of poise, purpose, and precision. Grays subject is the pursuit of a truer, better self, one thats imbued with and inspired by the colossal achievements of the past, a self-accomplishment thats distinguished from the petty rounds of daily negotiations and drawing-room squabbles. As alluring as the fleeting fragments of inspiration may be, theyre subordinate to the purpose of the great, big, perfected, enduringand impossiblework. In Grays filmsas in the drama of The Lost City of Z itselfthe true creation is neither the effort nor the result: its the purity of the emotion and the clarity of the idea.

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Court tosses Minnesota company’s free speech suit against U.S. … – Duluth News Tribune

Posted: at 11:35 pm

Zerorez, based in St. Louis Park, filed suit shortly before the Summer Olympics hoping to clarify whether the USOC could prohibit it from cheering for Minnesota athletes on social media. The company said it wanted to tweet "Congrats to the 11 Minnesotans competing in 10 different sports at the Rio 2016 Olympics!" but could not for fear of a lawsuit by the USOC.

U.S. District Judge Wilhelmina Wright in Minneapolis dismissed the case April 4, ruling that, because the USOC never sued or even threatened to sue Zerorez, the court lacked subject-matter jurisdiction.

"The USOC won this battle, but the war over free speech is not over," said the company's attorney, Aaron Hall of the JUX Law Firm in Minneapolis, in a statement following the ruling. "We believe our Constitutional freedom of speech gives patriotic small businesses the right to express their Olympic spirit on social media."

Federal law gives the USOC authority to license and control trademark terms beyond that granted to other organizations such as the NFL or Major League Baseball. The U.S. Olympic Committee is not government-funded, so it uses licensing deals to fund Team USA.

The USOC's trademark guidelines prohibit any business that isn't an official sponsor of the U.S. team from even mentioning the Summer Olympics or the team on their social media platforms. The guidelines don't apply to individuals or news outlets.

The Zerorez suit said the USOC's written guidelines, threats against other businesses and comments in news reports leading up to the Olympics amounted to an infringement of free-speech rights, even if the USOC never actually sued the company.

"We just felt bullied," Zerorez owner Michael Kaplan said last year when he launched the suit against the USOC.

Zerorez hasn't decided whether to appeal Wright's decision, Hall said.

"We hope the U.S. Olympic Committee will stop threatening the free speech rights of patriotic small businesses," Hall said. "To avoid future legal action, the U.S. Olympic Committee should acknowledge small businesses can reference Olympic events on social media without violating the law, and stop bullying patriotic businesses who express their Olympic spirit online."

The USOC did not immediately respond to a request for comment Wednesday evening.

The Pioneer Press is a Forum News Service media partner.

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Students react to Hickenlooper’s ban on free speech zones – KRDO

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Groups gathered to protest Milo Yiannocpoulos in Boulder, Colo. on January 25, 2017.

Groups gathered to protest Milo Yiannocpoulos in Boulder, Colo. on January 25, 2017.

COLORADO SPRINGS, Colo. - Colorado is breaking new ground in the topic of free speech on college campuses. Gov. Hickenlooper signed a bill that bans restricting areas for free speech on college campuses last Tuesday.

Currently at UCCS, University Spokesman Tom Hutton, said free speech is allowed anywhere on campus.

However, students are required to schedule a protest for a certain space, and wait for approval before anything can happen.

Some students voiced their concerns that the form is an unnecessary convenience.

"I understand the University is concerned with how the protests may be viewed and how everything will go down," said Josh French, a freshman at UCCS. "Doing that slight disservice of waiting a week to fill out the papers, can severely inhibit the topic."

Others disagreed stating dedicated areas to protest are helpful to students.

"I'd much more prefer to have it in a designated area," said Brian McFadden. "I mean if you're walking to class now, you might have to walk through protests potentially."

Keep in mind: scheduling a protest will not go away at UCCS once this law goes into effect.

"If you have to fill out a form to practice free speech, that's not free speech," said John Schavey, a senior at UCCS.

CU officials said they've worked closely with the bill sponsors and made it clear there won't be big changes to CU-Boulder or CU-Denver.

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Editorial: Twitter reaffirms its users’ right to free speech – The Daily Camera

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Twitter dropped a lawsuit against the U.S. government after the Trump administration withdrew a demand the social media site identify a user critical of President Trump. The photo above shows a sign outside the company's San Francisco headquarters. (Jeff Chiu / AP)

Twitter's most bellicose presidential user often tweets taunts and accusations, but when someone else does it, they're out of line. A "rogue" government account that criticizes President Donald Trump's policies anonymously was in danger last week of being unmasked after the Department of Homeland Security issued a summons demanding the social media company turn over its users' identities. The government withdrew the demand a day after Twitter sued.

It was obvious from the start that the government had no legal grounds to make the demand. Even one top Trump aide with his own Twitter scandal, Dan Scavino, argues that federal employees have a right to free speech on their own time, using their own accounts and equipment.

Since Trump's inauguration, dozens of Twitter accounts have sprung up claiming to be run by current and former federal employees of different agencies, including @alt_labor and @RogueEPAstaff. Users posting to @ALT_uscis, the account targeted by the DHS summons, have critiqued the government's immigration policies and revealed issues within the U.S. Citizenship and Immigration Services office.

DHS tried to legally justify the summons by invoking an obscure federal law that allows it to obtain documents related to importations of merchandise. But as Twitter's lawyers pointed out in their suit, this case "plainly has nothing whatsoever to do with the importation of merchandise."

Rather, the cloudy legal grounds were part of the administration's gusto for quieting dissent. It's what Trump did when he ordered the National Park Service to temporarily stop tweeting after it posted photos of crowds at his inauguration, effectively confirming weak attendance.

Social media companies do have a responsibility to forgo privacy concerns when national security is at risk, say, when terrorists communicate via online accounts. When the FBI demanded last year that Apple unlock the iPhone used by one San Bernardino terrorist, Apple had an unmet obligation to cooperate. But some grumbling desk workers and their 140-character pent-up frustrations do not threaten America just the president's sensitivities.

Besides, the federal employees supposedly running the @ALT_uscis account have every right to engage in this form of political activity. Just ask Scavino, the president's social media director, who tweeted on April 1 encouraging the "#TrumpTrain" to oust a GOP member who opposed the Republican health care bill.

From the left and right, Scavino was accused of violating the Hatch Act, which prohibits government employees from using taxpayer facilities, equipment or work time to engage in political activity. But as the White House was quick to point out in Scavino's defense, the law also notes that employees are free to do as they please outside the office.

The Trump administration's demand that Twitter expose and endanger its critics was an unconstitutional infringement on free speech. A summons as outrageous as that deserved its quick demise.

St. Louis Post-Dispatch

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Campus Free Speech Crisis | National Review – National Review

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Whats gone wrong on our college campuses and how can we fix it? This past week, Manhattan Institute scholar Heather Mac Donald, a knowledgeable supporter of Americas criminal justice system and thoughtful critic of the Black Lives Matter movement, was repeatedly shouted down by protesters at UCLA, then silenced and forced to escape with a police escort the next day, during what should have been her talk at Claremont McKenna College.

These incidents follow the February riot that forced the cancellation of a Milo Yiannopoulos talk at UC Berkeley, and the March shout-down at Middlebury College of conservative Charles Murray, followed by the violent attack that sent Murrays liberal interlocutor, Professor Allison Stanger, to the hospital.

The immediate lesson of the UCLA shout-down and the Claremont shut-down is that widespread condemnation by all sides of the Berkeley and Middlebury incidents has not restored campus free speech. On the contrary, Americas colleges continue their descent into low-grade anarchy.

Why is that? The immediate explanation is that leftist college students are furious at the election of Donald Trump as president. Yet often-illiberal demonstrations swept over the nations campuses during the 201516 academic year, well before Trump became a factor. The crisis of free speech has also been aggravated by a rising tide of shout-downs and disruptions of pro-Israel speakers since 2014. Before that, I reported in 2013 on a few of the more egregious silencing incidents sparked by the campus fossil-fuel divestment movement, then in full swing. In fact, I began covering campus silencing incidents for NRO in 2001, when I wrote about angry UC Berkeley students storming the offices of the Daily Californian to destroy a run of papers containing a David Horowitz ad opposing reparations for slavery. Todays problems are hardly new.

Back in 2001, as reported by ABC News, thefts of campus newspapers had increased by 600 percent over the previous decade and campus speeches by former Secretary of State Henry Kissinger, anti-preferences activist Ward Connerly, and Second Amendment supporter Charlton Heston were often disrupted or canceled. Here is a very partial excerpt from David Horowitzs description of his reception at various campuses in the early 2000s: I once had to terminate a talk prematurely despite the presence of thirty armed police and four bodyguards at Berkeley. I had to be protected by twelve armed police and a German Shepard at the University of Michigan. I was rushed by clearly deranged individuals and saved only by the intervention of a bodyguard, twice at M.I.T. and Princeton. (Sixteen years later, Horowitz has become the latest example of a campus free speech shut-down.)

A San Francisco Chronicle article from 2000 describes an incident at Berkeley in which 200 demonstrators broke through police barricades and blocked a talk by then-former Israeli prime minister Benjamin Netanyahu. The incident was publicly condemned in a column by Berkeley mayor Shirley Dean and condemned as well in a joint letter by several members of the original Berkeley Free Speech Movement. These interventions by prestigious voices on the left were fueled by cumulative frustration over several years of leftist demonstrations, particularly at the UC campus, disrupting speeches of those they view as criminal in one form or another. Targets of UC Berkeley disruptions stretching from the mid 1980s to the year 2000 included Secretary of State Madeleine Albright, Supreme Court Justice Sandra Day OConnor, and former NATO commander General Wesley Clark.

The first in this series of UC Berkeley speaker disruptions of the post-1960s era seems to have been the 1983 shout-down down of Ronald Reagans United Nations ambassador, Jeane Kirkpatrick, by hecklers opposed to U.S. policy in El Salvador. Although her words were drowned out, Kirkpatrick went through the motions of reading her talk. Her follow-up Berkeley lecture was canceled, however. This incident, at a time when shout-downs were rare, sparked a national discussion and broad condemnation. Yet far from this condemnation preventing further disruptions, the virus quickly spread. Kirkpatrick was shouted down two weeks later at the University of Minnesota and her scheduled 1983 commencement address at Smith was canceled. The current era of campus shout-downs, shut-downs, and disinvitations had arrived. Yet the origins of this era lay still further back in time.

The campus disruptions of the 1960s and early 1970s set the pattern for all that was to follow from the mid 1980s onward. Most important for our purposes, Yales Woodward Report of 1974, the classic defense of campus free speech, identified a series of shout-downs and disinvitations stretching back eleven years as the pattern that Yale would need to break. What the Woodward Report called Yales failures began in 1963 when President Kingman Brewster, in the interest of law and order and in deference to New Havens black community, canceled a scheduled talk by segregationist Alabama governor George C. Wallace at the height of the Civil Rights struggle.

Keep in mind that the reports chairman, Yale historian C. Vann Woodward, had advised Thurgood Marshalls legal team as it argued for school desegregation in what became the Brown vs. Board of Education decision of 1954. And Woodwards book, The Strange Case of Jim Crow, had been dubbed the historical bible of the civil rights movement by Martin Luther King Jr. himself. Yet this Civil Rights hero, along with other liberal faculty members at Yale, pressured President Brewster to defend the freedom of speakers such as George Wallace.

None of this is to deny that the problem of campus shout-downs and disinvitations is getting worse. Yet its important to keep in mind that todays pattern is an intensification of a long-standing crisis that has had its ups and downs since the early Sixties, but has not fundamentally changed in form for well over five decades. Whats clear after 50-some years is that the academy has proven itself incapable of solving its free-speech problem on its own. Lets see why.

We can think of the challenges to free-speech since the Sixties as washing over our campuses in four great waves. The first wave (Young Radicals) was made up of the illiberal and violent Sixties student radicals. Notwithstanding the views of the Free Speech Movement veterans who condemned the Berkeley Netanyahu shut-down of 2000, a great many of the Sixties radicals rejected classical-liberal conceptions of freedom in favor of a neo-Marxist analysis. In this view, free speech and constitutional democracy are tools used by the ruling class to suppress dissent and protect an oppressive society.

The second antifree-speech wave (Long March) hit colleges in the early-to-mid 1980s, as the radicals left graduate school and took up junior faculty positions, bringing their suspicions of free speech with them. These faculty did away with required Western Civilization courses as well, helping to launch the academic culture war that began at Stanford in 1987. After allied leftist faculty and students succeeded in abolishing Stanfords Western Civilization requirement in 1988, student demonstrators began demanding speech codes (partly in hopes of silencing students who had challenged them during the Western Civilization debate)

The third antifree-speech wave (Takeover) began in the mid 1990s, as the older generation of professors began to retire. At this point, the younger and more radical generation of faculty members reached critical mass. That is, they had the numbers to control hiring. Not believing in the classical-liberal vision of a marketplace of ideas, these faculty used the tenure system, not to seek out and protect the finest scholarly representatives of diverse perspectives, but to solidify an intellectual monopoly of the Left. By the 2000s, the tenured radicals constituted a controlling majority in many social science and humanities departments, and stood as the most powerful plurality in the university as a whole.

The fourth antifree-speech wave (Transformed Generation) consists of the late Millennial students who began demanding safe-spaces and trigger warnings around 2014, just as the number of university shout-downs and disinvitations began to spike. Free-speech advocate Gregg Lukianoff and social psychologist Jonathan Haidt attribute the new student sensitivities, in part, to parental coddling by the Baby Boomers. No doubt there is truth to this, but this college generations K12 curriculum also differed dramatically from past standards.

Although Lynne Cheney, former National Endowment for the Humanities chairwoman under Presidents Reagan and George H. W. Bush, managed to convince the U.S. Senate to condemn the proposed new multiculturalist National History Standards of 1994, the left-leaning post-Sixties generation of K12 teachers adopted them in practice anyway. The rest of the curriculum was also quickly remodeled along lines that stressed group conflict and Americas sins. The generation that brought us micro-aggressions and white privilege duly entered college 20 years later.

The key to solving the campus free-speech crisis lies in the decade-long interregnum between the radical Sixties and the kick-off of the campus culture wars in the mid 1980s. This was also a period of relative calm in the country as a whole.

The widely praised Woodward Report of 1974 marked the effective end of the Young Radicals phase (wave one), and ushered in the decade-long restoration of campus free speech. That restoration ended with the Jeane Kirkpatrick shout-down at Berkeley in 1983, which initiated the second wave of free-speech crisis.

What distinguished the Woodward Report of 1974 from Berkeleys response to the Kirkpatrick shout-down of 1983 was the issue of discipline. The Woodward Report not only eloquently upheld the principle of free speech, it insisted that students who shouted down visiting speakers must be disciplined. The Woodward Report also established a sanctions policy, and a system for warning disruptive students of potential disciplinary consequences. This approach carried the day at Yale and elsewhere during the post-Sixties restoration of free speech. In effect, the Woodward Report and its positive national reception helped return the credible threat of discipline for speaker shout-downs that had been abandoned by craven administrators during the 1960s.

A decade after the Woodward Report, things changed. While the Berkeley faculty as a whole condemned the students who shouted down Jeane Kirkpatrick in 1983, a faculty resolution to have Kirkpatricks hecklers punished was defeated. This was likely a concession to the many junior faculty who openly defended Kirkpatricks disruptors on the grounds that oppressors have no free-speech rights. Although many observers felt that disciplinary action against Kirkpatricks hecklers had to be taken, the UC Board of Regents also declined to follow up on a demand for discipline initiated by Regents chairman Glenn Campbell. Meanwhile, UC Berkeley chancellor Ira Heyman indicated that no disciplinary action would be taken.

With more leftist faculty streaming in over succeeding years, those who favored discipline for disruptors grew less powerful. The days when even (or especially) liberal Civil Rights heroes understood the need to grant free speech to segregationists were over. The policy of disciplinary sanctions for shout-downs instituted to national praise by Yale in 1974, definitively went by the boards at Berkeley in 1983. Speaker disruptions then slowly grew in frequency and force at Berkeley and beyond. So, the refusal to discipline the students who shouted down Kirkpatrick ultimately helped lock todays quasi-anarchic anti-speech system into place.

The thuggishness and violence of the Sixties demonstrations at their height exceeded what we see today. Yet todays chronic, pervasive, and steadily growing vice-grip of campus orthodoxy, punctuated and enforced by occasional shout-downs and meeting takeovers, is in its way more dangerous.

There are plenty of indications that campus free speech is more besieged nowadays than its been in decades. Trigger warnings, safe spaces, and microaggressions signal a cultural sea-change. Anti-Israel shout-downs and disruptions have multiplied dramatically. These are no longer occasional embarrassing episodes but the fruit of a deliberate strategy devised by influential sectors of the campus left. FIRE (the Foundation for Individual Rights in Education), which keeps an index of disinvitations and shout-downs, says the overall rate of all such incidents is increasing.

Yet statistics tell only part of the story. We cant assume a constant rate of speakers attempting to counter campus orthodoxies. Top comedians and an unknowable number of conservative speakers now avoid college campuses. At some point, a decreasing rate of shout-downs may actually indicate that free speech, along with resistance to campus orthodoxies, has been successfully crushed. And in a world of social media and the 24-hour news cycle, a few well-publicized shout-downs may suffice to chill speech and encourage violent demonstrators across the entire country. Finally, in contrast to the Sixties, todays illiberal demonstrators, disruptive and ornery though they may seem, may actually be allied with significant sections of the faculty and administration (as KC Johnson has cogently argued).

So there are important reasons to believe that todays free-speech crisis is locked-in and unchangeable in the absence of outside intervention. The alliance of radical students with dominant sections of the faculty (precisely those faculty members who reject classical liberalism) means that few C. Vann Woodwards remain to pressure administrators into defending free speech. Meanwhile, the ideologically based studies programs (various ethnic studies, womens studies, and environmental studies majors) have grown to challenge the conventional academic departments in size and influence. This creates a large and permanent faculty and student constituency schooled in suspicion of classic liberalism.

Ultimately, the public has granted the academy certain rights and privileges special financial and policy protections (especially tenure) on the understanding that institutions of higher education will pursue truth under conditions of free inquiry and fairness to all points of view. There is a kind of implicit bargain or social contract here, and the academy has so consistently and persistently violated its side of the bargain that public action is now necessary.

In particular, the tenure system, designed to ensure freedom of speech and secure the marketplace of ideas, has been abused to create an illiberal intellectual monopoly. And precisely because of this monopolistic abuse of the unique privilege of academic tenure, along with the unresolved, decades-long crisis of campus free speech, the traditional policy presumption in favor of local control can no longer be sustained in this sector.

That is why state and federal legislators cannot look the other way but must act to restore our most basic liberties to the academy. And while legislation eliminating restrictive speech codes and so-called free-speech zones is very much in order, the underlying problem will not be solved until administrators are pressed to restore discipline for speaker shout-downs. The administrative refusal to discipline disruptors, which took off in the Sixties and resumed with the Kirkpatrick incident in 1983, must be reversed. Only a return to the policies and ethos of the Woodward Report offers hope.

There are several state-level campus free-speech bills on offer, but only the model legislation proposed in the Goldwater Report systematically addresses the problem of discipline for campus shout-downs. I have also offered a plan to tie federal aid to higher education to a restoration of discipline for speaker shout-downs, among other things.

The tattered campus climate of free speech ultimately rests on deeper cultural shifts that must be addressed by educators over the long-term. Yet legislative action to protect campus free speech could serve as the shock that initiates cultural change.

Short of legislative steps to restore discipline for disruption, even bipartisan condemnation of campus shout-downs will fail, as it has failed repeatedly in the past. The ranks of authentically liberal faculty members are far too thinned to do what Woodward and his colleagues did in 1974. Without an intervention by the public through its elected representatives, the structure of the anti-free-speech university is locked-in for the foreseeable future.

After 54 years, we are indeed at an inflection point. Act now, or campus free speech will be lost for a lifetime.

Stanley Kurtz is a senior fellow at the Ethics and Public Policy Center. He can be reached at[emailprotected].

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Campuses should foster free speech
News & Observer
According to the Foundation for Individual Rights in Education (FIRE), only one of the campuses of the University of North Carolina system UNC-Chapel Hill fully protects freedom of speech, earning it a green light on FIRE's rating system. Another ...

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