Daily Archives: March 21, 2017

Release Date: March 20, 2017

Geologists have discovered evidence that unusual seas detached living corals from a Caribbean reef and scattered them far inland, as boulders, during the last centuries before Columbus arrived. The new findings will reinforce precautions against coastal hazards, Caribbean tsunami specialists said.

The coral boulders were found in the British Virgin Islands at Anegadaa low-lying island named by Columbus in 1493 and located behind a coral reef that faces the Puerto Rico Trench. One of the geologists, Brian Atwater of the U.S. Geological Survey said, We were astonished to find over 200 coral boulders scattered as much as one-third of a mile inland from the islands trenchward shore. He added, Some are entire colonies of brain coral a few feet in diameter. All were likely emplaced during a sea flood sometime between the years 1200 and 1480.

A brain coral boulder eight feet in diameter stands 750 feet inland in the British Virgin Islands. Geologists say that the coral was brought ashore, probably alive, by an unusual tsunami or storm between the years 1200 and 1480.(Credit: Brian F. Atwater, U.S. Geological Survey. Public domain.)

The geologists blame either a rare tsunami or an unusual hurricane. They point to dormant tsunami sources in the Puerto Rico Trench, where tectonic plates meet 100 miles north of Puerto Rico and the Virgin Islands. But they also note that a tropical cyclone can produce tsunami-like surges, as happened in the Philippines in 2013.

The findings on Anegada bring scientists a step closer to discovering whether faults in the Puerto Rico Trench produce large earthquakes and associated tsunamis. Tsunamis generated along smaller faults took lives in the Virgin Islands in 1867 and in Puerto Rico in 1918. No tsunami from the trench itself is known from written records going back to 1530.

Sharleen DaBreo, the Director of the Department of Disaster Management in the British Virgin Islands, said the findings support the BVIs public education and outreach efforts. She said that with regards to the possibility of a Puerto Rico Trench tsunami, The more evidence we have of tsunamis in the region, the easier it will be to boost public awareness. As it stands, Caribbean tsunamis are so rare that some people may downplay tsunami hazards, even on low-lying shores that face the Puerto Rico Trench.

For Elizabeth Vanacore of the Puerto Rico Seismic Network, the findings serve as a reminder to use a felt earthquake as a timely cue to evacuate coastal areas. A tsunami generated during an earthquake in the Puerto Rico Trench would reach our nearest shores in less than 30 minutes, Dr. Vanacore said, For many years we have advised people along the coast to respond immediately upon feeling a strong or long-lasting earthquake, by going to high ground or at least inland.

Christa von Hillebrandt-Andrade, who leads the Caribbean Tsunami Warning Program of the National Oceanic and Atmospheric Administration, added that a Puerto Rico Trench tsunami could spread into much of the Caribbean and could reach the U.S. Atlantic seaboard as well. Tsunami warning centers are continuously monitoring earthquakes throughout the Caribbean, she said. The centers would alert government officials and the public in the case of any tsunami event.

The geologists compared the coral boulders of 1200 to 1480 with traces of other unusual seas at Anegada, including modern hurricanes up to category 4, and a tsunami that crossed the Atlantic in 1755. They concluded that whether from tsunami or storm, the waves that deposited those corals far outran any others at Anegada in the past 2,000 years or more.

Ms. von Hillebrandt-Andrade related this extended history to a recent lesson from Japan. When anticipating natural hazards, she said, its important to know what happened many centuries into the past. The 2011 tsunami was probably bigger than any other Japanese tsunami since the year 869.

The research paper, Extreme waves in the British Virgin Islands during the last centuries before 1500 CE, was published today in Geosphere, a peer-reviewed journal of the Geological Society of America. The paper contains 45 pages of color photographs and maps. It is available online without charge.

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Enormous Caribbean Waves Before 1492 - USGS - United States Geological Survey (press release)

According to Disneyland, about 400 million park attendees have ridden on Pirates of the Caribbean since it opened in 1967. That is an average of more than 20,000 a day. The ride is a little more than 15 minutes long.

Walt Disney (circled) posing with sculpted models used for some of the audio-animatronic figures in the Pirates of the Caribbean ride. There are about 120 animated characters in Pirates, mostly human, and nine different animals.

Pirates of the Caribbean was the last Disneyland attraction Disney supervised at the park. Disney died about three months before the ride opened. The ride was originally conceptualized as a New Orleans-themed Blue Bayou Mart featuring a Pirate Wax Museum. Because of the success of the Matterhorns bobsleds in 1959, the concept of a boat ride through 1700s pirate times started to take shape.

The Pirates ride can handle about 2,300 to 2,400 people an hour.

BUILDING 1: The facade is based on the Cabildo building in New Orleans, the seat of the Spanish colonial government in 1799.

BUILDING 2: The facade is based on the Cabildo building in New Orleans, the seat of the Spanish colonial government in 1799.

ALONG THE WAY

1. Talking skull 2. Blue caverns 3. Skeletons 4. Stormy passage 5. Captain in bed The real skeleton is said to be hung on the headboard of the bed. All other skeletons are made out of plastic. 6. Treasure 7. Ship and fort After the ride was redone to use elements of the movie franchise, Captain Barbosas image and voice were added on the ship. 8. Extra boat storage behind the ride 9. Well scene 10. Bride auction 11. Chase scene 12. Singing trio 13. Buildings on fire The fire effect is made with sheets, lights and a fan. 14. Drunk with pigs 15. Jail scene 16. Shooting at TNT 17. Jack Sparrow and treasure 18. Map and parrot

GOING UP!: Conveyors are used to control the boats at the loading area.

THE LONG VOYAGE: The ride at Disneyland meanders along a 1,838-foot canal. That is approximately 1 13 laps around a quarter-mile track.

WATER WORLD: The ride contains about 750,000 gallons of water, which is the equivalent of: 55.6 average-size (21 feet diameter by 4 feet deep) pools

HERES WHAT THAT TALKING SKULL SAYS: Psst! Avast there! It be too late to alter course, mateys. And there be plundering pirates lurkin in evry cove, waitin to board. Sit closer together and keep your ruddy hands in board. That be the best way to repel boarders. And mark well me words, mateys: Dead men tell no tales! Ye come seekin adventure with salty old pirates, eh? Sure youve come to the proper place. But keep a weather eye open mates, and hold on tight. With both hands, if you please. Thar be squalls ahead, and Davy Jones waiting for them what dont obey.

FRANCHISE IN FILMS: Highest average domestic gross for movie franchises with at least two films (in millions).

FRANCHISE IN FILMS: Worldwide unadjusted gross by film in million.

Sources: Disneyland Resort, Box Office Mojo Photos: Staff, Disneyland Resorts

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Inside the legendary Pirates of the Caribbean ride 50 years later - The Mercury News

March 21, 2017 One of the main things I set out to do as a food enthusiast is to put our own food in front of us; it matters not which part of the region you are from. My goal is simple appreciation. It is my hope that through the appreciation of our bounty, variety, and freshness, that we will strive to cook at home more often, buy what we produce, pass along cooking techniques that can only be learned by doing, and share know-how that cannot be found in a cookbook.

Sometimes the familiarity of our food can make us think that it is simple, ordinary, and unflattering. Way too often, it takes outside sources to make us realize that what we have is special and that it is food/dishes to be celebrated and uplifted. A few years ago I watched as a very famous TV chef rubbed her hands in glee in anticipation of a guest coming on her show to make Mexican-style scrambled eggs. Her enthusiasm was infectious so I stayed glued to the show; I'm always looking for new and different ways to cook familiar ingredients. When I saw the dish being made onions, tomatoes, minced hot peppers being sauted with beaten eggs mixed in I laughed, not in mockery, but with the pleasure that I already knew how to cook eggs like this. I grew up on this stuff!

What I took away from the show is that what is ordinary for someone is extraordinary for another, and, that we must constantly showcase and celebrate all of our food. Over the years, my preference for the ways in which I like my eggs has meant that I have not had this style of fried eggs in years. I made it the other day, and having not eaten eggs this way in such a long time, it brought back warm memories of growing up in Guyana. The eggs were absolutely delicious. I don't know why it has taken me so long to get back this childhood favourite.

Fried eggs, Caribbean style

1 tablespoon oil 1/2 cup chopped tomatoes Finely minced hot pepper, to taste Salt to taste 2 scallions, white & green parts, sliced wafer thin 2 large eggs, room temperature, lightly beaten

1. Add oil to pan and place over medium heat until the oil is hot. Toss in tomatoes and hot pepper along with salt to taste, stir to mix then reduce heat to low and cook until the tomatoes are soft.

2. Mix scallions with eggs and then add to pan with tomatoes; raise the heat just a little and cook, gently scrambling the eggs with the tomato mixture. Cook until the eggs are cooked through with big tender pieces of egg.

NOTE: Use white/yellow onions in place of scallions and parsley or finely minced Chinese celery(aka known as Guyanese celery), leaves only for the herb flavour.

Related post on Tastes Like Home: Crispy Fried Eggs

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Fried eggs, Caribbean style - Christian Science Monitor

Globe Staff/file 1993

Mr. Walcott taught at Boston University and founded Boston Playwrights Theatre as a showcase for new plays.

WASHINGTON Derek Walcott, a Nobel laureate in literature who became one of the English-speaking worlds most renowned poets by portraying the lush, complex world of the Caribbean with a precise language that echoed the classics of literature, died March 17 at his home on the island of St. Lucia. He was 87.

A family statement did not disclose the cause.

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Mr. Walcott, who was born on the island of St. Lucia and published his first poem at 14, won the Nobel Prize in 1992, becoming the first writer from the Caribbean to receive the honor. In his poetry and plays, he appropriated Greek classics, local folklore, and the British literary canon in his explorations of the ambiguities of race, history, and cultural identity.

Although he taught for a quarter century at Boston University and later in England, Mr. Walcott created a distinctively Caribbean sensibility in his writing, rich with a sense of the weather, warmth, and the rhythms of island life. In one of his early poems, Islands, he declared that his poetic ambition was to write / Verse crisp as sand, clear as sunlight, / Cold as the curved wave, ordinary / As a tumbler of island water.

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His breakthrough came in 1962 with the collection In a Green Night, which celebrated the landscape and history of the Caribbean and explored Mr. Walcotts conflicted identity as a multiracial descendant of a colonial culture. In his 1962 poem A Far Cry From Africa, he wrote:

I who am poisoned with the blood of both,

Where shall I turn, divided to the vein?

I who have cursed

The drunken officer of British rule, how choose

Between this Africa and the English tongue I love?

Betray them both, or give back what they give?

The vibrant quality of Mr. Walcotts poetry was like entering a Renoir, British critic P.N. Furbank wrote in the Listener newspaper in 1962, full of summery melancholy, fresh and stinging colors, luscious melody, and intense awareness of place.

In 1973, Mr. Walcott published a book-length autobiographical poem, Another Life, that touched on his childhood, his spiritual growth, and his struggles to forge an independent identity as an artist.

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Mr. Walcott went on to publish more than 20 volumes of poetry and virtually as many plays, many of which were produced in the United States and throughout the Caribbean, often with the author as director.

His Nobel Prize citation noted, In him, West Indian culture has found its great poet.

As a pure composer of verse, Mr. Walcott had few equals in his time. He wrote in a smooth, carefully polished style, usually adhering to the traditional forms of English poetry, such as iambic pentameter, heroic couplets, and rhyme.

Caught between the virginal unpainted world of St. Lucia and the historic majesty of the English language, Mr. Walcott wrote in his poem The Schooner Flight in the 1970s, I had no nation now but the imagination.

Mr. Walcott started teaching English and playwriting at BU in 1981. He was accused several times of sexually harassing female students. He was a leading candidate for the position of professor of poetry at Britains University of Oxford in 2009, when the old charges of harassment resurfaced.

Mr. Walcott condemned what he called a low, degrading attempt at character assassination and withdrew his name from consideration. The professorship went to poet Ruth Padel, who soon resigned after admitting that she had forwarded the allegations to journalists.

Mr. Walcott published a new volume every year or two, drawing praise from such eminent literary critics as Helen Vendler of Harvard and Harold Bloom of Yale.

He enjoyed the friendship of some of the eras greatest names in poetry, including Robert Lowell, Joseph Brodsky, and Seamus Heaney. He received many literary honors and in 1981 was awarded a MacArthur Foundation Fellowship, also known as a genius grant.

In 1990, two years before Mr. Walcott received the Nobel Prize, he published what many critics considered his masterpiece, the 325-page poem Omeros. The ambitious work reimagined the ancient Greek epics of Homer in modern-day St. Lucia.

What drove me was duty: duty to the Caribbean light, Mr. Walcott told the New York Times in 1990. The whole book is an act of gratitude. It is a fantastic privilege to be in a place in which limbs, features, smells, the lineaments and presence of the people are so powerful.

The poem has the scope of a novel, ranging from the Caribbean back in time to ancient Greece, the British Empire, and the 19th-century United States. Mr. Walcott evokes Joseph Conrad, Herman Melville, James Joyce, and, of course, Homer both the ancient Greek poet and Winslow Homer, the American painter of The Gulf Stream.

The characters in Omeros are fishermen who battle the weather and the sea and who struggle with their all-too-human desires and shortcomings. Helen of Troy is recast a haughty St. Lucian woman who works as a waitress and sells trinkets at the beach.

What I wanted to do in the book was to write about very simple people who I think are heroic, Mr. Walcott told NPR in 2007.

Derek Alton Walcott was born in Castries, the capital of St. Lucia. The island became an independent country in 1979 after being a British colony for 165 years.

Mr. Walcott had a twin brother, Roderick, who became a playwright, and an older sister, Pamela. Their father, a civil servant and skilled watercolor painter, died when Mr. Walcott was 1. His mother taught school.

While studying at English-language schools, Mr. Walcott became devoted to English poetry and received a scholarship to the University of the West Indies in Jamaica.

After teaching in St. Lucia, Grenada, and Jamaica, he received a Rockefeller Foundation grant, which he used to study theater in New York.

For years, Mr. Walcott wrote as much drama as poetry, and his plays were produced in Caribbean theaters, then in London and Toronto and, by the late 1960s, in off-Broadway theaters in New York.

His plays drew on folk elements and typically were written in a more casual, colloquial style than his poetry.

His play Dream on Monkey Mountain, produced off-Broadway, won an Obie Award in 1971. In 1998, he collaborated with singer-songwriter Paul Simon on the musical The Capeman, which had a short-lived run on Broadway.

In 1981, with some of his proceeds from the MacArthur grant, Mr. Walcott founded Boston Playwrights Theatre as a showcase for new plays. He wrote several pieces for the stage near BUs campus and affiliated with the university, including one, Walker, that takes a look at Bostons abolitionist roots through the eyes of the title character, a self-taught free black man.

The thing I wanted to do was to have the playwright in close contact with the actor, which is something in a professional theatre that you just dont get, he told the theater in an interview in 2007. I thought the thing that would be best for any playwright ... was to have a program in which the actors and the playwrights could relate immediately, and the actors could help in terms of the shaping of the scripts.

For those of us who knew and loved him, Dereks passing is a milestone in our lives certainly it is in mine, Kate Snodgrass, BU playwright professor and artistic director at the theater, wrote on the theaters website. And for the world, we have lost a needed presence, a gifted poet and playwright, a true literary giant.

Excerpt from:

Derek Walcott, 87, Nobel laureate whose poetry celebrated the ... - The Boston Globe

Derek Walcott, a Nobel laureate in literature who became one of the English-speaking worlds most renowned poets by portraying the lush, complex world of the Caribbean with a precise language that echoed the classics of literature, died March 17 at his home in Cap Estate, St. Lucia. He was 87.

His family issued a statement confirming his death, but the cause was not immediately disclosed.

Mr. Walcott, who was born on the island of St. Lucia and published his first poem at 14, won the Nobel Prize in 1992 and was the first writer from the Caribbean to receive the honor and the second black laureate in literature, after Nigerias Wole Soyinka.

In his poetry and plays, Mr. Walcott appropriated Greek classics, local folklore and the British literary canon in his explorations of the ambiguities of race, history and cultural identity.

Although he taught for years in the United States and later in England, Mr. Walcott created a distinctively Caribbean sensibility in his writing, rich with a sense of the weather, warmth and the rhythms of island life. In one of his early poems, Islands, he declared that his poetic ambition was to write / Verse crisp as sand, clear as sunlight, / Cold as the curved wave, ordinary / As a tumbler of island water.

His breakthrough came in 1962 with the collection In a Green Night, which celebrated the landscape and history of the Caribbean and explored Mr. Walcotts conflicted identity as a multiracial descendant of a colonial culture. In his 1962 poem A Far Cry From Africa, he wrote:

I who am poisoned with the blood of both,

Where shall I turn, divided to the vein?

I who have cursed

The drunken officer of British rule, how choose

Between this Africa and the English tongue I love?

Betray them both, or give back what they give?

The vibrant quality of Mr. Walcotts poetry was like entering a Renoir, British critic P.N. Furbank wrote in the Listener newspaper in 1962, full of summery melancholy, fresh and stinging colors, luscious melody, and intense awareness of place.

In 1973, Mr. Walcott published a book-length autobiographical poem, Another Life, that touched on his childhood, his spiritual growth and his struggles to forge an independent identity as an artist.

Mr. Walcott went on to publish more than 20 volumes of poetry and virtually as many plays, many of which were produced in the United States and throughout the Caribbean, often with the author as director.

His Nobel Prize citation noted, In him, West Indian culture has found its great poet.

As a pure composer of verse, Mr. Walcott had few equals in his time. He wrote in a smooth, carefully polished style, usually adhering to the traditional forms of English poetry, such as iambic pentameter, heroic couplets and rhyme.

Caught between the virginal unpainted world of St. Lucia and the historic majesty of the English language, Mr. Walcott wrote in his poem The Schooner Flight in the 1970s, I had no nation now but the imagination.

He published a new volume every year or two, drawing praise from such eminent literary critics as Helen Vendler of Harvard University and Harold Bloom of Yale University. Mr. Walcott taught at Boston University for more than 25 years, beginning in 1981.

He enjoyed the friendship of some of the eras greatest names in poetry, including Robert Lowell, Joseph Brodsky and Seamus Heaney. He received many literary honors and in 1981 was awarded a MacArthur Foundation Fellowship, also known as a genius grant.

In 1990, two years before Mr. Walcott received the Nobel Prize, he published what many critics considered his masterpiece, the 325-page poem Omeros. The ambitious work reimagined the ancient Greek epics of Homer in modern-day St. Lucia.

What drove me was duty: duty to the Caribbean light, Mr. Walcott told the New York Times in 1990. The whole book is an act of gratitude. It is a fantastic privilege to be in a place in which limbs, features, smells, the lineaments and presence of the people are so powerful.

The poem has the scope of a novel, ranging from the Caribbean back in time to ancient Greece, the British Empire and the 19th-century United States. Mr. Walcott evokes Joseph Conrad, Herman Melville, James Joyce and, of course, Homer both the ancient Greek poet and Winslow Homer, the American painter of The Gulf Stream.

The title, Omeros, is the modern name for Homer, but not without other island associations:

O was the conch-shells invocation, mer was

both mother and sea in our Antillean patois,

os, a grey bone and the white surf as it crashes

and spreads its sibilant collar on the lace shore

The characters in Omeros are fishermen who battle the weather and the sea and who struggle with their all-too-human desires and shortcomings. Helen of Troy is recast a haughty St. Lucian woman who works as a waitress and sells trinkets at the beach.

What I wanted to do in the book was to write about very simple people who I think are heroic, Mr. Walcott told NPR in 2007. You can see some splendid examples of black men on the beach who can look like silhouettes on a Greek vase, and that was one of the images that I had in mind.

The result, Australian writer Michael Heyward wrote in The Washington Post in 1990, was that Mr. Walcott had written a massive, beguiling, sorrowful, triumphant poem He gives the impression that the whole of English is at his disposal, that he can make poetry out of anything he wants to say.

Marking the passage of time

Derek Alton Walcott was born Jan. 23, 1930, in Castries, the capital of St. Lucia, a 240-square-mile island in the Lesser Antilles of the Caribbean. It became an independent country in 1979 after being a British colony for 165 years.

Mr. Walcott had a twin brother, Roderick, who became a playwright, and an older sister, Pamela. Their father, a civil servant and skilled watercolor painter, died when Mr. Walcott was 1. His mother taught school and worked as a seamstress.

The Walcott children spoke a local patois that was a blend of English and French, derived from the two colonial powers that settled St. Lucia. While studying at English-language schools, Mr. Walcott became devoted to English poetry and was encouraged by a small group of artists. He began painting at an early age and was 14 the first time a local newspaper published one of his poems.

Mr. Walcott received a scholarship to the University of the West Indies in Kingston, Jamaica, where he majored in French, Latin and Spanish before graduating in 1953.

He taught in St. Lucia, Grenada and Jamaica, and in 1957 received a Rockefeller Foundation grant, which he used to study theater in New York. He lived primarily in Trinidad in the 1960s.

For years, Mr. Walcott wrote as much drama as poetry, and his plays were produced in Caribbean theaters, then in London and Toronto and, by the late 1960s, in off-Broadway theaters in New York. His plays drew on folk elements and typically were written in a more casual, colloquial style than his poetry.

His play Dream on Monkey Mountain, produced off-Broadway, won an Obie Award in 1971. In 1998, he collaborated with singer-songwriter Paul Simon on the musical The Capeman, which had a short-lived run on Broadway.

During Mr. Walcotts teaching career, primarily at Boston University, he was accused several times of sexually harassing female students. He was a leading candidate for the position of professor of poetry at Britains University of Oxford in 2009 when the old charges of harassment resurfaced.

Mr. Walcott condemned what he called a low, degrading attempt at character assassination and withdrew his name from consideration. The professorship went to poet Ruth Padel, who soon resigned after admitting that she had forwarded the allegations to journalists.

Mr. Walcott later held an academic chair at the University of Essex in Britain, but he lived primarily in St. Lucia, where he maintained diligent work habits, rising before dawn, writing for hours, then painting in the afternoon. He was usually in bed by 7:30 p.m.

He remained productive into his later years, writing plays and volumes of poetry, including White Egrets (2010), which won Britains T.S. Eliot Prize for Poetry, and the 2014 collection The Poetry of Derek Walcott 1948-2013.

Mr. Walcotts marriages to Fay Moston, Margaret Ruth Maillard and Norline Metivier ended in divorce. Survivors include his longtime companion, Sigrid Nama, a former art gallery owner; a son from his first marriage and two daughters from his second marriage.

Mr. Walcott wrote of the sea and the lush burgeoning of life of the tropical islands from which he hailed, but from his earliest days as a poet, he marked the passage time and touched on the theme of death.

After his twin brother died in 2000, Mr. Walcott looked in the mirror and recorded his impressions in his 2004 book-length poem The Prodigal:

Old man coming through the glass, who are you?

I am you. Learn to acknowledge me,

the cottony white hair, the heron-shanks,

and, when you and your reflection bend,

the leaf-green eyes under the dented forehead,

do you think Time makes exceptions, do you think

Death mutters, Maybe Ill skip this one?

Original post:

Derek Walcott, Nobel laureate whose poetry celebrated the Caribbean, dies at 87 - Washington Post

Margaret Schaffner spent the early days of her career among the high-end art community in East Hampton, New York. She jetted off for what was supposed to be a 10-day vacation with friends to Puerto Viejo, Costa Rica in the early 2000s and ended up extending her trip, whichlittle did she know thenwas the beginning of her life as an expat.

I kept being drawn back to the Caribbean and, after several stints back and forth, I

Margaret lived in Puerto Viejo until two years ago, when she and her son made the move to

There are benefits and drawbacks to each, and in my experience it really comes down to evaluating what kind of life youre trying to build and what your necessities are, she says.

Margaret says back when she first moved to Costa Rica, it was definitely cheaper to live on the Caribbean side, but today it will likely cost about the same on either coast. Different elements of your budget will vary, but overall the cost of living in both places is pretty comparable. With rental prices between $500 and $700 a month, and meals out costing as low as $5, many expats

The Caribbean is breathtakingly beautiful, its like living in a scene straight out of The Jungle Book, she explains. The nature is magical, its very un-touched. Youll be able to experience organic produce like youve never had in your life. Theres also easy access to a wide variety of medicinal plantsmany natural healers are drawn to this area.

Living on the Caribbean side will provide a fairly rustic, island-like experience. Homes are very private and spread out. Youre not going to find condos like you do on the Pacific side, Margaret says. Most homes will be simple, with outdoor kitchens run by gas. Its rare to find a home with air conditioning and if you do it will be expensive to run.

With fewer tourists passing through and a smaller expat community, Margaret says language could be viewed as a pro or a con depending on the person. I highly suggest speaking some Spanish or at least being prepared to learn, as youll find far fewer people who speak English on the Caribbean side. Also if someone wants to open a business, its important to note the smaller number of tourists.

The biggest difference between the two coasts in terms of climate is the rainy season. Rainy season can be very intense on the Caribbean side, so youll certainly need a good pair of rain bootsits entirely possible for it to rain for three weeks straight there, she said. With the weather and fewer resources in the region, you will typically also experience more frequent power and internet outages.

After enjoying the natural beauty of the Caribbean and learning to speak Spanish fluently, Margaret and her son made the move from Puerto Viejo to the beach-town, surfers haven of Tamarindo on the Pacific coast two years ago. We absolutely love it here. It was definitely the right choice for us, she said.

The biggest thing I found myself missing during our Caribbean days was a sense of community, Margaret says. My son, Odin, is a very active boy and especially for him, I was looking for more opportunity to build a friend network, for activity, and also for education.

In general, Margaret has found many of the Pacific coastal towns to be more developed and resources easier to access. Here, you can find more modern housing if you want it and air conditioning, for example, she says. And there are great school options for my son in addition to a ton of different activities for him to be involved in.

Margaret says the best thing about moving to Tamarindo has been finding that sense of community she and her son came to find. People here are just friendly and welcoming and very supportive of one another. For example, Odin is a talented surfer and the community here has completely rallied behind him; people put up money for sponsorships and come out to competitions to cheer him onthey truly want to see him succeed and that kind of community support feels really good.

Of course theres also Pacific coast sunsets, which are tough to rival.

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Caribbean or Pacific: Choose Your Paradise in Costa Rica - International Living