{"id":32402,"date":"2017-07-02T21:44:30","date_gmt":"2017-07-03T01:44:30","guid":{"rendered":"http:\/\/www.opensource.im\/uncategorized\/risk-review-serviceable-portrait-of-julian-assanges-vanity-film-the-guardian.php"},"modified":"2017-07-02T21:44:30","modified_gmt":"2017-07-03T01:44:30","slug":"risk-review-serviceable-portrait-of-julian-assanges-vanity-film-the-guardian","status":"publish","type":"post","link":"https:\/\/euvolution.com\/open-source-convergence\/julian-assange-2\/risk-review-serviceable-portrait-of-julian-assanges-vanity-film-the-guardian.php","title":{"rendered":"Risk review  serviceable portrait of Julian Assange&#8217;s vanity | Film &#8230; &#8211; The Guardian"},"content":{"rendered":"<p><p>  Unembarrassable  Julian Assange in Risk. Photograph: Praxis  Films<\/p>\n<p>    No one has gone from hero to    zero quite as quickly or as embarrassingly as Julian Assange, and    by embarrassingly I mean for those of us who once rather    admired him. The man himself is unembarrassable.  <\/p>\n<p>    It seems clear that Laura    Poitrass film was originally designed in form and content    for hero, like her Snowden    documentary, and the movie tries to wriggle away from    Assange a bit. (I should say that I have not seen the earlier    cut, which was reportedly more sympathetic; the re-edit     itself arguably an admission of error  should perhaps have    been far more radical and self-questioning, or perhaps this    documentary should have been dumped entirely in favour of a new    one about Chelsea    Manning.) At any rate, its a serviceable portrait of    vanity.  <\/p>\n<p>    The founder of the whistle-blowing website WikiLeaks, once feted    for challenging official secrecy and arrogance, is now absurd    in his creepy conceit, paranoia and celebrity hauteur, holed up    in Londons Ecuadorian embassy to avoid a rape allegation in    Sweden. Hes keeping in shape with boxercise, doing interviews    with Lady Gaga and waffling interminable double-talk in a    conspiratorial murmur. His    relationship with Pamela Anderson isnt touched on, and    neither is his apparent sympathy for Marine Le    Pen. Is he just another liberal who shuffled to the right    or alt-right    in middle age? Or is he someone for whom a clinical diagnosis    is in order, addicted to the thrill of seeming to manipulate    global, digital forces?  <\/p>\n<p>    Poitrass film begins as the rape allegations have been made    public, with Assange staying with his entourage in a Norfolk    country house. Amal    Clooney is glimpsed at his side on the courtroom steps but    invisible thereafter, and Assange takes cover on Ecuadorian    soil within sight of Harrods department store in west London.    He says the whole rape allegation is a scam to extradite him to    the US; but why wasnt he extradited from Britain? Arent we    supposed to be Americas poodle? Its an obvious question    Poitras never asks.  <\/p>\n<p>    We do see Helena    Kennedy QC trying to get him to play the game, say hes    innocent but that women are naturally entitled to bring rape    allegations if they wish  but Assange airily sticks to his    conspiracy theory, to Kennedys obvious mortification and    dismay.  <\/p>\n<p>    During the US election, he became hated for releasing emails    that embarrassed Hillary Clinton. Of course if he had released    documents that undermined Donald Trump that might well have    restored his heroic reputation. But the question never arose.    It suited Julians hackers and backers to damage Hillary. And    still there is no end in sight. Perhaps Assange will die of old    age in his tiny embassy cell convinced of his martyrdom to the    last.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>See original here:<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.theguardian.com\/film\/2017\/jun\/30\/risk-review-julian-assange-wikileaks-laura-poitras\" title=\"Risk review  serviceable portrait of Julian Assange's vanity | Film ... - The Guardian\">Risk review  serviceable portrait of Julian Assange's vanity | Film ... - The Guardian<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Unembarrassable Julian Assange in Risk. Photograph: Praxis Films No one has gone from hero to zero quite as quickly or as embarrassingly as Julian Assange, and by embarrassingly I mean for those of us who once rather admired him. The man himself is unembarrassable<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1599],"tags":[],"class_list":["post-32402","post","type-post","status-publish","format-standard","hentry","category-julian-assange-2"],"_links":{"self":[{"href":"https:\/\/euvolution.com\/open-source-convergence\/wp-json\/wp\/v2\/posts\/32402"}],"collection":[{"href":"https:\/\/euvolution.com\/open-source-convergence\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/euvolution.com\/open-source-convergence\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/euvolution.com\/open-source-convergence\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/euvolution.com\/open-source-convergence\/wp-json\/wp\/v2\/comments?post=32402"}],"version-history":[{"count":0,"href":"https:\/\/euvolution.com\/open-source-convergence\/wp-json\/wp\/v2\/posts\/32402\/revisions"}],"wp:attachment":[{"href":"https:\/\/euvolution.com\/open-source-convergence\/wp-json\/wp\/v2\/media?parent=32402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/euvolution.com\/open-source-convergence\/wp-json\/wp\/v2\/categories?post=32402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/euvolution.com\/open-source-convergence\/wp-json\/wp\/v2\/tags?post=32402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}