Cancel culture, George Orwell and reasoned debate – The Guardian

Thank you to Billy Bragg (Cancel culture doesnt stifle debate, but it does challenge the old order, 10 July) for a thought-provoking article and for drawing attention to the statue of George Orwell outside the BBC in London. Mr Bragg says that the quotation on the wall next to the statue If liberty means anything at all, it means the right to tell people what they do not want to hear is a demand for licence, not a defence of liberty, and argues that liberty must be tempered by equality and accountability.

There is no doubt that very many tweet-friendly quotations are taken from Orwells works and used out of context by people from all parts of the political spectrum. However, the statue quotation remains a powerful statement against censorship. The essay it is taken from was titled The Freedom of the Press. As Mr Bragg says, it was written as a preface to Animal Farm. In fact, it was not used at the time and was only published long after Orwells death, in 1972.

Orwell argued for equality and democracy (accountability was not a term much used at the time) to go hand in hand with the liberty he defended. We are delighted that Orwell is the English writer that Mr Bragg admires the most and that he continues to engage in the reasoned debate for which Orwell is renowned.Quentin KoppChair, The Orwell Society

Re Nesrine Maliks piece (The cancel culture war is really about old elites losing power in the social media age, 13 July), what is at issue here is not the right of people to attack the opinions of others on social media, but the tendency to overreaction when someone expresses an opinion that is at variance with that of self-defining justice warriors.

Opinions that are lawfully expressed may well deserve robust criticism; what they do not deserve is for the person expressing them to be no-platformed, hounded out of a position of influence or traduced as some sort of fascist. Years ago, that sort of behaviour was confined to the wilder fringes of the Socialist Workers party. Now it seems to be all too common among people who should know better. Roger Fisken Ashampstead, Berkshire

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Cancel culture, George Orwell and reasoned debate - The Guardian

The Falcon and the Winter Soldier is officially delayed on Disney+ – Winter is Coming

Image: Disney/The Falcon and the Winter Soldier

Disney has released its schedule of new movies and TV shows coming to Disney+ this August. Theres some good stuff on there, including the originalX-Men movie,Ant-Man and the Wasp and the 2017 remake ofBeauty and the Beast. But whats nowhere to be seen isThe Falcon and the Winter Soldier, the first of the studios high-profile Marvel Cinematic Universe shows.

And thats not too surprising. Production on the show, which follows Sam Wilson (Anthony Mackie) and Bucky Barnes (Sebastian Stan) in the wake of the events ofAvengers: Endgamehad to shut down due to the coronavirus. Although it started back up eventually, apparently it wasnt in time to get the series out in time for August.

Disney is working on other Marvel shows, likeWandaVisionandLoki. The studio was also teasing that the former could be out this year, but with this news, you wonder if it too wont be pushed back. We were always gonna get to a point where the coronavirus started delaying new shows, and it looks like that point has arrived.

As long asthe second season ofThe Mandaloriancomes out this year, Ill be happy; so far as I can tell, most of all of that was shot before the pandemic started shutting everything down, so it should hopefully be alright. Its scheduled for October, but Id take November. Theres no new release date forThe Falcon and the Winter Soldierset as of yet.

As long as were talking about Marvels misfortunes, did you know that US attorney general William Barr called them out in a speech yesterday for censoring their movies in order to appease China, which is the worlds second-largest film market? Hollywood now regularly censors its own movies to appease the Chinese Communist Party, the worlds most powerful violator of human rights, he said. This censorship infects not only versions of movies that are released in China, but also many that are shown in American theaters to American audiences.

As an example, Barr pointed to Disneys decision to rethink the character of the Ancient One, played by Tilda Swinton inDoctor StrangeandAvengers: Endgame. In the comics, this character is Tibetan, but because Tibet is a hot-button issue for China, she was made Celtic for the movie. TheDoctor Strangewriter admittedthis was done to avoid angering China, since if they do, its possible the country wont allow the film into Chinese theaters.

Its no secret that China is a huge deal for movie studios, and its true that lots of them clip and edit their films for that market, or even alter them at the outset likeDoctor Strange. Chinese government censors dont need to say a word, because Hollywood is doing their work for them, Barr claimed. Whether the US government wants to crack down on that sort of thing remains to be seen.

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The Falcon and the Winter Soldier is officially delayed on Disney+ - Winter is Coming

Netflix and Turkish govt talks break down over local series with gay theme – report – Ahval

Negotiations between Netflix and officials linked to Turkeys ruling Justice and Development Party (AKP) over a gay character featured in a popular Turkish series by the streaming platform have ended in a faceoff, journalist Cneyt zdemir said on Saturday.

The dispute revolves a coming-of-age comedy drama Ak 101 (Love 101) that featured a storyline surrounding a gay high school student Turkeys state broadcasting regulator RTK wanted censored.

After days of talks, Netflix drew the line at AKP's homosexuality censorship and stopped shooting the show in Turkey, zdemir said on Twitter. It refused to accept the censorship.

Shortly before Ak 101 launched in April, RTK headEbubekir ahinsaid the TV watchdog would not tolerate a homosexual theme, adding that RTK would apply sanctions to Netflix if the series featured a gay character. The subsequent airing of the show was interpreted as the series being clear of any themes of homosexuality.

zdemir wondered how the negotiations between Netflix, RTK and Turkish Tourism Ministry officials went. Which roles were wished to be changed in the show? How many Netflix shows did RTK look to censor? he said.

Could Turkey become the first country in the world to ban Netflix?

RTK, which is controlled by allies of President Recep Tayyip Erdoan, hascome under fire for turning increasingly conservativeunder the 18-year rule of his Islamist AKP.

Turkey's LGBTI+ community has faced considerable discrimination and hostility under Erdoans rule. In 2019, the International Lesbian, Gay, Bisexual, Trans and Intersex Association (IGLA) said that Turkey, Azerbaijan and Armenia were theworst ranked countriesin Europe for LGBTI+rights.

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Netflix and Turkish govt talks break down over local series with gay theme - report - Ahval

Censorship standoff sparks concerns of Netflixs withdrawal from Turkey – Ahval

Reports that Netflix is scrapping a Turkish series following a stand-off with the Turkish government over a gay character have sparked a discussion on the streaming platforms complete withdrawal from the country.

On Saturday, several Turkish news outlets reported that Netflix was pulling on the plug on teen comedy drama Ak 101 (Love 101) after Turkeys state broadcasting regulator RTK pressed to censor a leading gay character.

The total financial cost of RTKs condemnation of the series that premiered earlier this yearis a whopping 35 million lira ($5.1 million)for the ten-episode season, each episode amounting to 3.5 million lira, Fatih Altayl wrote in column in HaberTrk on Saturday.

From now on, interest in Turkish series and productions will increasingly decline and one considers the shows that these companies will no longer have produced in Turkey, the loss is great, Altayl said.

Television series have become on ofTurkeys mostprestigious exports since the ruling Islamist Justice and Development Party (AKP) came to power in 2012, with hundreds of series being sold to over 100 countries in Eastern Europe, South America and South Asia and the Middle East. The export of Turkish dramas reached $500 million in 2018, according to A Haber news.

At home, frustration is growing over Ankaras intervention in the entertainment industry. Controlled by allies of Turkish President Recep Tayyip Erdoan, RTK has come under fire for turning increasingly conservative under the 18-year rule of his AKP.

Director Ece Yren weighed in on the negotiation breakdown, telling Turkish entertainment website Fasikl on Sunday that it was very scary that the series production was not permitted over a gay character.

The character in question, Osman, engages in no physical acts of intimacy in the show yet the government is still halting production, Yren told Fasikl.

Turkish pop singer Demet Akaln took to Twitter on Sunday to express her dismay at the reports of Netflixs departure from Turkey.

Netflix saved our souls during the quarantine! Whoever doesnt wish to watch it simply wont, Akaln said, referring to the Ak 101. This is no good. Where are we going to watch Netflix now?

Akaln, a pro-government figure, later deleted her tweet saying she was caught up in the moment, and wondered when Netflix would release an official statement on the show to end speculation.

Netflix has yet to release a statement over the series in question.

In 2018, Reed Hastings, the cofounder and CEO of Netflix dismissed concerns of theNetflix being forced out of Turkey over tightening censorship rules at the time.

Were in Saudi Arabia. Were in Pakistan. If there are no problems there, will we have problems in Turkey? I cant imagine that, Hastings told Hrriyet newspaper.

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Censorship standoff sparks concerns of Netflixs withdrawal from Turkey - Ahval

Freedom of speech is under threat like never before and we must fight back, LEO McKINSTRY – Express

A sinister new cult of dogmatic intolerance casts its shadow across our land, silencing debate, imposing conformity, whipping up hysteria, and crushing dissent.

In the wholly un-British climate of intimidation, opinions are ruthlessly censored and careers destroyed.

On a terrifying scale, the ingredients of alien despotism are now creeping into our public life.

There is an echo of the Soviet eastern bloc in the demand for absolute submission to the ruling orthodoxy, while the vicious mood of 1950s McCarthyism is mirrored in endless character assassinations and witch-hunts.

Similarly, the kind of determination to root out heresy that once drove the Spanish Inquisition can now be found in corporate Britain, from workplaces to Whitehall.

All this is the very antithesis of a free society, which should value openness, compromise and pluralism.

That great patriot George Orwell famously wrote, If liberty means anything at all, it means the right to tell people what they do not want to hear.

Tragically, instead of being guided by those wise words, the cultural commissars seem to be inspired by Orwells most famous novel, 1984, which painted a dark picture of Britain under totalitarian rule, complete with thought crimes, hate sessions, group think and hectoring propaganda.

Orwell meant his book to be a warning, but the new ideologues see it as a blueprint.

The vanguard of this revolution hails from the authoritarian Left, which uses the bogus language of compassion to justify its oppression.

In their doctrinal obsessions and frenzied divisiveness, these bullies are utterly divorced from the mainstream British public, yet they are able to wield excessive power through their stranglehold on the internet and civic institutions.

In their brutish hands, social media is both an instrument of fear and an arena for show trials.

Nothing illustrates the nastiness of the online lynch mob more graphically thanthe transformation of the best-selling author JK Rowling from cherished icon into enemy of the people.

Her thought crime is her willingness to challenge the fashionable transgender ideology, which she sees as a threat both to womens rights and childhood innocence.

For her courage, she has been subjected to horrendous misogynistic abuse.

Staff at her publishing house have tried to boycott her work.

Authors have left the literary agency that represents her.

A sculptural tribute to her in Edinburgh, comprising the imprints of her hands, was daubed with blood-red paint.

Ms Rowling is such a global figure that she can withstand a battering from the advocates of the cancel culture, as it has become known because its impulse is to cancel out dissenters.

Others have been less lucky.

The Scottish childrens author Gillian Philip says she was fired from her post by her publishers after she tweeted: I stand with JK Rowling.

As Ms Philip commented, her professionalism counted for nothing in the face of an abusive mob of anonymous Twitter trolls. The same hardline trans lobby also recently hounded out Baroness Nicholson from her position as the patron of the Booker Literary prize for showing insufficientobeisance to the new creed, a fate thatalso happened to tax expert Maya Forstater who was dismissed from her job at an anti-poverty think tank after she tweeted that men cannot change into women.

Left-wingers used to campaign to protect jobs.

Now they campaign to get people removed from them, simply for having unacceptable opinions.

Typical is the case of Nick Buckley, who set up a highly successful charity for vulnerable young people in Manchester. But in the eyes of the new zealots he committed the sin of criticising the aims of the radical Black Lives Matter protest group.

We will do everything in our power to have you removed from your position, said one activist.The warning was prophetic, as Buckley was kicked out of the charity he established.

Disturbingly, this is just part of a wider trend.

At Cambridge University, which has regularly made empty noises about its commitment to academic freedom, the philosopher Jordan Peterson had his offer of a visiting fellowship withdrawn after protests from the Students Union about the politically incorrect nature of his work.

In the same cowardly vein, Cambridge sacked sociologist Noah Carl over the unsubstantiated claims that he might use his position as a researcher to promote views that could incite racial or religious hatred. So pathetically supine was the university that it even apologised to its students for appointing him in the first place, an appointment that supposedly caused hurt, betrayal, anger and disbelief.

That is so characteristic of our enfeebled establishment.

Instead of standing up for essential liberties, officialdom now cowers before the mob and colludes with the agitators.

In another outrageous case, the Nobel Prize-winning scientist Professor Sir Tim Hunt was forced out of his posts at University College London, the Royal Society and the European Research Council after he was accused of making a joke about female colleagues at an event in Seoulin 2015, even though he strongly deniedthe charge.

Sir Tim was crucified by ideological fanatics, said his fellow scientist Sir Andre Geim of the University of Manchester.

No one is safe from this destructive form of socialist puritanism.

Last year, disabled Asda worker Brian Leach was sacked for sharing an online clip of a Billy Connolly routine that mocked religion, though Leach was later reinstated after a public outcry. In yet another indicator of the authorities submission to the new doctrine, the police are estimated to have investigated no fewer than 120,000 non-crime hate incidents over the past five years, an incredible rate of 66 a day.

The Free Speech Union, recently founded by the energetic journalist Toby Young to uphold Britains tattered traditions, says that it now receives half a dozen requests for help every day.

The fact that such an organisation is required represents a severe indictment of the growing institutional disdain for freedom of expression.

The autocratic impulse has always existed on the Left, as shown by this passage written in 1999 by the broadcaster Andrew Marr, a key member of the metropolitan elite: I firmly believe that repression can be a great, civilising instrument for good. Stamp hard on certain natural beliefs for long enough and you can almost kill them off.

That outlook has become even stronger over the subsequent two decades.

In progressive circles, free speech is seen, not as a pillar of democracy, but as a vehicle for spreading dangerously reactionary arguments. In the warped mentality of the witch-hunters, the problem with the cancel culture is that it is insufficiently expansive or effective.

This narrow attitude was perfectly captured last week by the singer Billy Bragg, who wrote that whenever he hears Orwells defence of liberty, he wants to cringe because the words are a defence of licence, allowing those in power to abuse and marginalise others.

When he was asked on social media if he supported the dismissal of people simply for an opinion, he declared, If their opinion amounts to delegitimising the rights of a minority, I believe that employers have the right to act in such circumstances.

In effect, Bragg appears to believe in the thought police and ideological purity tests, a shameful stance from a man who once pretended to be democrat.

But his outlook is a common one.

One of the performers on the deeply unfunny BBC satire The Mash Report even stated that free speech is basically a way adult people can say racist stuff without consequences.

Left-wingers love to trumpet the joys of diversity, yet they loathe diversity of thought.

All their apparatus of repression, such as safe spaces and wails about micro-aggressions, are geared towards the enforcement of their code.

Even when people are not directly threatened with losing their livelihoods, they become scared to express their views on any controversial topic.

The atmosphere of self-censorship is thereby strengthened. The absurdity of this approach is that free speech is the ally, not the enemy, of progress, enlightenment and human rights.

Without such a liberty, discussion and protest are impossible, while power becomes entrenched, as the Soviet Union proved.

An irrefutable case for free speech was made in 2009, when the BBC invited the BNP leader Nick Griffin to participate in an edition of the flagship show Question Time.

The BNP was riding high at that moment, having won almost one million votes in the European elections and secured two seats in the European Parliament.

There was tremendous outrage at the BBCs invitation, yet Griffins disastrous appearance turned out to be the worst thing that ever happened to the BNP.

Sweating, nervous and incoherent, he was exposed as a fantasising conspiracy theorist with some very unpleasant views, in the words of his fellow panelist, the distinguished Labour politician Jack Straw.

Even BNP activists were dismayed.

Maybe some coaching should have been done, said one.

Question Time triggered a chain of events that soon led to the collapse of the BNP, amid debts and plummeting popularity.

The cancel culture would have worked in Griffins favour.

As it was, he choked on the oxygen of publicity.

That is the lesson we have to learn today. Fortunately there are the glimmers of a fightback against the authoritarians. JK Rowling has stood firm.

Comedy star Ricky Gervais has stood up for free speech, denouncing its opponents as weird.

Only last week, a letter was sent to Harpers Magazine by 153 mainly liberal philosophers, writers and intellectuals among them giants su Salman Rushdie, Margaret Atwood and Noam Chomsky who denounced the intolerant climate of public discourse.

The way to defeat bad ideas is by exposure, argument and persuasion, not by trying to silence or wish them away, they wrote.

That is absolutely correct and has long been the British way.

For the sake of our future, the extremists must not be allowed to prevail.

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Freedom of speech is under threat like never before and we must fight back, LEO McKINSTRY - Express

Glenn Greenwald was cancelled from the Harper’s Letter warning about "cancel culture" – Boing Boing

On July 7, 2020, a group of 150 elite writers and academics, ranging from David Brooks to J.K. Rowling, signed their names to a letter in Harper's Magazine crying the alleged censorship of so-called "cancel culture" which is to say, angry voices on the Internet who disagree so vehemently with views they consider abhorrent that they use their right to free expression to boycott those views. "The Letter," as it's come to be known, was spearheaded by Thomas Chatterton Williams, and gestures broadly towards a few high-profile instances of "cancelling" without actually committing to any details or specific arguments beyond vague platitudes about "free speech"; supposedly, most of the signatories did not even read the final content of the actual letter before agreeing to add their name in support of these generic notions.

About a week later, evenmore writers and media professionals most of whom were far less renowned than Chomsky or Brooks or Rowling, including myself presented "A More Specific Letter on Justice and Open Debate," that addressed the specific instances alluded to in the original The Letter, while also pointing out the plainly transparent irony that, if you're a marquee name publishing a letter about a censorship inHarper's fuckingMagazine, you are, by definition, not actually being censored or cancelled. If you're a famous intellectual or writer, and people get pissed at you for, say, repeatedly spewing transphobic bullshit, and they stop buying your books because we live in a capitalist society and they do not want to financially support rhetoric that they consider to be hateful or harmful, then that's not censorship. It is, quite literally, free speech, and using good free speech to drown out bad free speech, which is exactly how all of the idealist platitudes about free speech say that it's supposed to work.

Are there times when this might go too far, and do some serious harm? Sure. And that sucks. But historically and despite the existence of "free speech" ideologies and laws this is something that has more often affected queer people, and people of color, and labor organizers, and so on. "The Letter" only seemed to arise as a reaction to the underdogs holding elite writers and thinkers accountable.

The "Cancel Culture" debate has continued to rage online, but nowhere has its Schadenfreude been in greater effect than in the promotional efforts of the man behind The Letter, Thomas Chatterton Williams. To be clear: Williams has shared some interesting ideas, some of which have made me pause and reflect, and many of which I disagree with. That's fine.

Less than a week after publishing The Letter, Williams boasted on Twitter about kicking a guest out of his home because of his ideas:

Williams deleted the original tweet, then deleted a follow-up tweet in which he explained that his wife made him delete the original tweet. Williams did not seem to recognize the irony in cancelling his own house guest something which is honestly fine, don't be a dick when you're in someone else's home or blaming his own spouse for cancelling his initial comments and then deleting those as well.

Later on his press tour for The Letter, Williams admitted that he had considered inviting Glenn Greenwald to sign it as well, but the committee decided that his views for too noxious, and no one wanted to associate themselves with him:

Don't get me wrong; Greenwald says some obnoxious things sometimes. He also says some intelligent and insightful things (I would argue that his greatest intellectual flaw is largely in his inability to see beyond the haze of his own gleeful Schadenfreude, but that's a topic for another time). On Twitter, Greenwald who acknowledged having some lovely interactions with Williams! said that, " its been obvious from the start that the Letter was signed by frauds, eager to protect their own status, not the principles." Which pretty much sums it up.

But Williams' own missteps on his publicity tour are painfully ironic proof that "Cancel Culture" is not the newfangled phenomenon that he thinks it is. Rather, it's something people have always done to protect their own comfort. And that's fine just, apparently, not when it threatens the comfort of comfortable people.

There are, undoubtedly, issues with "cancellation." But it's a non-partisan issue, and tends to hurt more people with lower social statuses. It's not some terrifying new threat growing within the hallowed walls of liberal arts colleges; in fact, people have been decrying the threat of "cancellation" by liberalsin theNew York Times opinion section for at least 50 years now. It's hardly the existential threat that elite voices have made it out to seem except that it's an existential threat to their status as unquestionable intellectuals.

You can watch Greenwald's System Update about the "Cancel Culture" scam above.

Margaret Keane was born in Westmeath, in the Republic of Ireland, and later moved to Coventry in the United Kingdom, where her and her husband raised six children. Throughout her life, Margaret remained active in the Gaelic Athletic Association, and after she passed away in 2018 at the age 73, her family wanted a gravestone []

Zoom performs work of China internet censors against users in the U.S.

Starting on Wednesday afternoon, the trending list on the popular Chinese social media app Weibo will be banned for one week, the Cyberspace Administration of Beijing said, for interfering with online communication orders, disseminating illegal information, and other problems

If you can say anything for the current state of our world, it certainly isnt boring. However, the constant churn of high-stakes activity happening around us every day is enough to make even a Buddhist monk feel a twinge of anxiety now and again. We all need a way to release those tensions, depressurize from []

Home-delivered fresh meal prep kits have been crazy successful the past few years, a surge kicked into overdrive by our recent stay-at-home habits. While services that conveniently hand you everything you need to make a delicious dish are handier than ever, its no surprise some more niche-focused offshoots have also sprung up to keep your []

Look, this isnt a pleasant topicbut lets talk about sitting on the porcelain throne for just a moment, shall we? For some people, that time perched on the toilet can be an oasis in the busiest of days. For others, its an easy way to go run and hide. Whether at work or at home, []

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Glenn Greenwald was cancelled from the Harper's Letter warning about "cancel culture" - Boing Boing

Idris Elba Doesn’t Think Racist TV Shows, Films Should be Censored or Pulled, Should Come With Warning Instead – The Root

Photo: Emma McIntyre (Getty Images)

Actor Idris Elba spoke with Radio Times about his thoughts regarding media censorship. In the interview with the magazine (released Tuesday), he says he believes television programs and films that are censored or flagged for jokes deemed inappropriate or offensive should come with a warning label, not be removed from their distribution platforms.

Im very much a believer in freedom of speech, Elba notes, but the thing about freedom of speech is that its not suitable for everybody. Thats why we have a rating system. We tell you that this particular content is rated U, PG, 15, 18.

Elbas comments come after several shows pulled episodes involving characters wearing blackface from streaming platforms, including Scrubs, 30 Rock, and Its Always Sunny in Philadelphia. HBOMax also found itself in the censorship conversation by removing Gone With The Wind from its platform over the films racist depictions of Black characters. It was restored to the streaming service in late-June with a new disclaimer about the films complicated legacy.

While Elba says that its fair enough that those who are in charge of these programs are pulling offensive episodes from being viewed, the 5-time Emmy-nominated actor says that its important that people are aware that this content, however inappropriate, is freedom of speech.

G/O Media may get a commission

To mock the truth, you have to know the truth, he continues. But to censor racist themes within a show, to pull itwait a second, I think viewers should know that people made shows like this...I think, moving forward, people should know that freedom of speech is accepted, but the audience should know what theyre getting into. I dont believe in censorship. I believe that we should be allowed to say what we want to say. Because, after all, were storymakers.

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Idris Elba Doesn't Think Racist TV Shows, Films Should be Censored or Pulled, Should Come With Warning Instead - The Root

Why George Orwell’s Quote on ‘Self-Censorship’ Is More Relevant Than Ever | Brad Polumbo – Foundation for Economic Education

Rule One: Speak your mind at your own peril. Rule Two: Never risk commissioning a story that goes against the narrative. Rule Three: Never believe an editor or publisher who urges you to go against the grain. Eventually, the publisher will cave to the mob, the editor will get fired or reassigned, and youll be hung out to dry.

The above is a quotation from George Orwells preface to Animal Farm, titled "The Freedom of the Press," where he discussed the chilling effect the Soviet Unions influence had on global publishing and debate far beyond the reach of its official censorship laws.

Wait, no it isnt. The quote is actually an excerpt from the resignation letter of New York Times opinion editor and writer Bari Weiss, penned this week, where she blows the whistle on the hostility toward intellectual diversity that now reigns supreme at the countrys most prominent newspaper.

A contrarian moderate but hardly right-wing in her politics, the journalist describes the outright harassment and cruelty she faced at the hands of her colleagues, to the point where she could no longer continue her work:

My own forays into Wrongthink have made me the subject of constant bullying by colleagues who disagree with my views. They have called me a Nazi and a racist; I have learned to brush off comments about how Im writing about the Jews again. Several colleagues perceived to be friendly with me were badgered by coworkers. My work and my character are openly demeaned on company-wide Slack channels where masthead editors regularly weigh in. There, some coworkers insist I need to be rooted out if this company is to be a truly inclusive one, while others post ax emojis next to my name. Still other New York Times employees publicly smear me as a liar and a bigot on Twitter with no fear that harassing me will be met with appropriate action. They never are.

Weisss letter reminds us of the crucial warning Orwell made in his time: To preserve a free and open society, legal protections from government censorship, while crucial, are not nearly enough.

To see why, simply consider the fate that has met Weiss and so many others in recent memory who dared cross the modern thought police. Here are just a few of the countless examples of cancel culture in action:

These are just a few examples of many. One important commonality to note is that none of these examples involve actual government censorship. Yet they still represent chilling crackdowns on free speech. As David French put it writing for The Dispatch, Cruelty bullies employers into firing employees. Cruelty bullies employees into leaving even when theyre not fired. Cruelty raises the cost of speaking the truth as best you see ituntil you find yourself choosing silence, mainly as a pain-avoidance mechanism.

These recent observations echo what Orwell warned of decades ago:

Obviously it is not desirable that a government department should have any power of censorship... but the chief danger to freedom of thought and speech at this moment is not the direct interference of the [government] or any official body. If publishers and editors exert themselves to keep certain topics out of print, it is not because they are frightened of prosecution but because they are frightened of public opinion. In this country intellectual cowardice is the worst enemy a writer or journalist has to face, and that fact does not seem to me to have had the discussion it deserves.

Similarly, the British philosopher Bertrand Russell noted in a 1922 speech It is clear that thought is not free if the professional of certain opinions makes it impossible to earn a living.

Some might wonder why its really so important to protect speech and thought beyond the law. After all, if no ones going to jail over it, how serious can the consequences really be?

While understandable as an impulse, this logic misses the point. Free and open speech is the only way a society can, through trial and error, get closer to the truth over time. It was abolitionist Frederick Douglas who described free speech as the great moral renovator of society and government. What he meant was that only the free flow of open speech can challenge existing orthodoxies and evolve society. From womens suffrage to the civil rights movement, we never would have made so much progress on sexism and racism without the right to speak freely.

Silence enshrines the status quo. As John Stuart Mill put it:

If the opinion is right, they are deprived of the opportunity of exchanging error for truth: if wrong, they lose, what is almost as great a benefit, the clearer perception and livelier impression of truth, produced by its collision with error.

This great discovery process through free-flowing speech first and foremost requires a hands-off approach from the government, but it still cannot occur in a culture hostile to dissenting opinion and debate. When airing a differing view can get you mobbed or put your job in jeopardy, only societys most powerful or those whose views align with the current orthodoxy will be able to speak openly without fear.

Orwell and Russell were right then, even if were only fully realizing it now. Self-censorship driven by culture, not government, erodes our collective discovery of truth all the same.

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Why George Orwell's Quote on 'Self-Censorship' Is More Relevant Than Ever | Brad Polumbo - Foundation for Economic Education

Bari Weiss Resigns From The New York Times, Alleging That ‘Self-Censorship Has Become the Norm’ – Reason

Bari Weiss, one of the most polarizing journalists in the country, has resigned from the opinion section of The New York Times, citing a "hostile work environment" and an institutional yielding to an increasingly extreme ideological "orthodoxy."

"The truth is that intellectual curiositylet alone risk-takingis now a liability at The Times," Weiss wrote in a scorching resignation letter self-published Tuesday morning. "Why edit something challenging to our readers, or write something bold only to go through the numbing process of making it ideologically kosher, when we can assure ourselves of job security (and clicks) by publishing our 4000th op-ed arguing that Donald Trump is a unique danger to the country and the world? And so self-censorship has become the norm."

This is the latest development in a remarkably turbulent and potentially far-reaching eight-week period within America's leading liberal institutions. Beginning with the videotaped police killing of George Floyd in Minneapolis in late May, then the subsequent protests, riots and crackdowns, the country's newspapers and universities and cultural organizations have experienced social media-fueled waves of internal revolts and leadership changes, frequently though not solely over questions of race.

One main fault-line, illustrated most starkly in the opposing open letters published last week about free speech and cancel culture (the first of which, in Harper's Magazine, was signed by Weiss and 152 others, including 15 Reason contributors), is the divide between those journalists and academics who feel like they are defending the very foundations of liberalism, and those who feel like they are chipping away at the institutions of systemic prejudice. To witness the two sides talking angrily past one another, open up your Twitter feed.

In Weiss's telling, the Times is retreating from the ethic of journalistic open inquiry and pluralistic debate, replacing it with a pre-baked notion of what readers ought to think.

"The lessons that ought to have followed the [2016 presidential] electionlessons about the importance of understanding other Americans, the necessity of resisting tribalism, and the centrality of the free exchange of ideas to a democratic societyhave not been learned," she charged. "Instead, a new consensus has emerged in the press, but perhaps especially at this paper: that truth isn't a process of collective discovery, but an orthodoxy already known to an enlightened few whose job is to inform everyone else.[T]he paper itself has increasingly become a kind of performance space. Stories are chosen and told in a way to satisfy the narrowest of audiences, rather than to allow a curious public to read about the world and then draw their own conclusions. I was always taught that journalists were charged with writing the first rough draft of history. Now, history itself is one more ephemeral thing molded to fit the needs of a predetermined narrative."

That last sentence in particular is surely a reference to the paper's controversial 1619 Project, helmed by Pulitzer-winner Nikole Hannah-Jones, that seeks "to reframe American history, making explicit how slavery is the foundation on which this country is built." Hannah-Jones, who spearheaded the intentionally publicized internal revolt last month that resulted in the resignation of Opinion Editor James Bennett, has been a longtime public critic of Weiss.

"My own forays into Wrongthink have made me the subject of constant bullying by colleagues who disagree with my views," Weiss wrote, at the beginning of a three-paragraph section that carries the distinct whiff of both drama and potential legal action. "They have called me a Nazi and a racist; I have learned to brush off comments about how I'm 'writing about the Jews again.' Several colleagues perceived to be friendly with me were badgered by coworkers. My work and my character are openly demeaned on company-wide Slack channels where masthead editors regularly weigh in. There, some coworkers insist I need to be rooted out if this company is to be a truly 'inclusive' one, while others post ax emojis next to my name. Still other New York Times employees publicly smear me as a liar and a bigot on Twitter with no fear that harassing me will be met with appropriate action. They never are."

It is both easy and appropriate to be mostly irritated by the overhyped internal personnel battles of elite coastal institutionsincluding at New York magazine, which today lost star columnist Andrew Sullivan a few weeks after having spiked one of his pieces. In a country beset by an 11.1 percent unemployment rate, 139,000 coronavirus deaths, massive economic uncertainty, and the mental degradations of extended familial quarantine, it's hard to get exercised about a well-paid writer/editor noisily walking away from her job.

I have zero doubt that Bari Weiss (who is a friend), will not just land on her feet, but probably find herself at or near the center of a new media grouping of some kind. "As places like The Times and other once-great journalistic institutions betray their standards and lose sight of their principles," she wrote, almost teasingly, "Americans still hunger for news that is accurate, opinions that are vital, and debate that is sincere."

But even if you don't care about the ongoing nervous breakdown of the media, that doesn't mean the breakdown doesn't care about you. The New York Times, for better and worse, has been the go-to model for the country's other newspapers for at least the past half-century; what happens on 8th Avenue definitely does not stay on 8th Avenue. Basic media literacy suggests paying attention when an entire industry that contributes to the way we interpret the world announces loudly that it is rethinking its basic orientation.

More immediately, the name-and-shame defenestrations of the past two months have long since jumped the banks from media/academia to the more prosaic corners of the economy. "Showing up for work as a centrist at an American newspaper," Weiss observed, "should not require bravery." Nor should it at a restaurant or software company, but there we might well be going.

Bonus links: In January 2018, Weiss came on The Fifth Column podcast to talk about, among other things, how she left The Wall Street Journal editorial page after it became too pro-Trump. And in July of that year, Nick Gillespie interviewed her for the Reason Podcast.

Read the rest here:

Bari Weiss Resigns From The New York Times, Alleging That 'Self-Censorship Has Become the Norm' - Reason

Spare us the Twitter zealots and their pious left censorship – Sydney Morning Herald

Anyway, this was nothing compared to what the British writer Ian McEwan inspired on Twitter when he apparently poisoned the world by writing a novel narrated by a foetus. This was a sinister plot to humanise zygotes and, thus, outlaw abortion forever. According to NASA, which can heat-map Twitter outrages from space, there are about 4 billion collective spasms of strange and performative outrage each day, so the Foetal Narrator Controversy is naturally consigned to obscurity.

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Except in my memory, where Ive installed a plaque to commemorate it. The contagious apoplexy that McEwans (unread) book generated seemed to me a form of significant but undiagnosed illness, and one regret of deleting my Twitter account is not being able to cite the unhinged responses I received from folks when I asked them, sincerely, if they were serious.

You can say that ridiculing Twitters exotic grievances is an easy sport. Sure, except that years ago it seemed to me that Twitter wasnt merely reflecting, but engendering and magnifying, a kind of wickedly censorious piety. And one that was increasingly influencing journalists and artists. Ive had editors more interested in avoiding controversy than in judging the accuracy and value of my work.

Online, piety has no trouble finding affirmation. But the thing with piety is that it stubbornly resists private examination. This might work for the seminary, but it seems ruinous for a writer. Unless youre an awful one. In which case, this is an optimal environment to work in so, congratulations on being born to an age that enthusiastically supports your mediocrity.

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I suspect the most politically pious in this country wont be satisfied until certain professions have yielded their specific values and functions in deference to a vision of society that is perfectly liberated from aggravation. Its a vision of a giant creche.

All contest would be outlawed. Literature would become dogma. Universities would moonlight as daycare centres. The law would abandon its duty to evidentiary thresholds and the presumption of innocence, and become a place of infinite credulity. Comedy would cede the joys of irreverence, and prefer applause to laughter. Journalism would reject curiosity, exploration and corroboration, in favour of politically sanctioned advocacy and authentic personal essays. Increasingly, newsrooms will serve their readers a narrow, ideologically curated diet.

Ive disagreed with plenty of Bari Weisss work, but I agreed with her this week when she wrote, in her open letter resigning as an opinion editor at The New York Times, that a new consensus has emerged in the press ... that truth isnt a process of collective discovery, but an orthodoxy already known to an enlightened few whose job is to inform everyone else.

These days, its quite common to hear: It is imperative that a writer of non-fiction write only about experiences theyve had. When confronted with this stupidity, I experience my own violent irrationality and consider applying the credo in extremis by torching all newsrooms and the history sections of libraries.

A common defence of the lefts censoriousness however venomous and trivial is that it is merely free speech deployed against anothers. Thats fundamentally true, and its also disingenuous: the threat of mobilised zealotry is chilling speech.

I cant prove the negative here I cant measure the things not written or said. But I can tell you that Ive spoken to a few eminent writers about this authors of works wed consider classics who have told me they would not dare to publish the work today. One writer told me she had not slept the night she spoke to me about such things, so fearful was she that Id publish it. Thats a problem.

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Its also a problem when scholars are sacked for tweeting links to academic papers, when good faith cannot be distinguished from bad, when writers self-censor or have to explain that their insistence on complexity is owed to intellectual integrity and not, say, their belief in white supremacy or Satan.

Increasingly, those who have contributed to a culture of outrageous sensitivity are being impaled on the swords they helped sharpen. Past months have resembled a kind of woke purge. Which makes schadenfreude very easy to indulge, but well need to resist that dubious pleasure lest we perpetuate this cycle of mob-ruled destruction of careers and reputations.

This isnt either/or. It shouldnt be truth versus freedom. It shouldnt be inferred that criticism of this censoriousness means that the critic doesnt believe there arent righteous battles being fought. But you cant tell me that elements of this online piety arent absurd, indulgent or destructive.

You cant tell me that middle-class folk arent publicising interpersonal spats as proof of systemic violence, or that were not partially cannibalising culture in a moment of historic uncertainty and vast, easily industrialised disinformation. Or that I cant resist or make fun of Jacobin zealotry. You cant.

Martin McKenzie-Murray is a freelance writer.

Martin McKenzie-Murray is a regular contributor and a former Labor political speechwriter.

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Spare us the Twitter zealots and their pious left censorship - Sydney Morning Herald